Illuminati conspiracy archive presents
A hijacked plane approaches new yorks world trade center shortly before crashing into the landmark skyscraper
New york city photograph 9 11 memorial and one world trade center in black
9 11
Indy at 15 covering 9 11 the indypendent
New york pre 9 11

Three Column Blogger

|

9/11 Black And White Photos.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would immediately be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dull straight from the camera. fortunately , it’s possible to work adjust the brightness of these two colours discretely to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some powerful blacks and whites. This may be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, can inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the unsurpassed composition.

Try Long Exposure. Long exposure shots should work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this should help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If compulsory , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively). naturally , when exposures extend farther than regarding 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Shoot RAW + JPEG. The most excellent monochrome conversions are chanced on by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As most photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. many cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact policy cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users should also do this if they activate her camera’s live idea idiosyncrasy , but the usually slower responses mean that numerous will find it preferable or check the image on the screen post-capture.

Take Control. Although coloured filters should still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a a couple years ago Photoshop’s Channel Mixer was the favorite means of turning colour images monochrome, but now Adobe Camera Raw has more powerful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust one of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations could become unnatural looking. And adjusting the brightness of a red or pinkish shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls could also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create delineation between objects of the same brightness but with varied colours.

Dodge and Burn. Dodging and burning is a method that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers could only dream of because you should target the highlights, shadows or mid-tones with both. This means that you could use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten them to increase local contrast. It’s a good street of sharing a sense of greater sharpness and enhancing texture. Plus, because you should set the opacity of the tools, you may build up their effect gradually so the impact is subtle and there are no hard edges.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are purely as advantageous in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is supportive when you require to retain detail in a bright sky while a polarizing filter could be used to reduce reflections and boost contrast. Alternatively, think taking two or more shots with diverse exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, may also be useful for manipulating contrast in digital images. They work by darkening objects of his opposite colour while lightening objects of his own. An orange filter, for example, will darken the blue of the sky while a green one will lighten foliage.

Related Images of 9/11 Black And White Photos
How did 9 11 change the world
What went wrong with pop culture after 9 11 image shows the text
9 11 world trade center attacks
9 11 by cariephoto
Interesting black and white pictures ripped from the net page 19
Never forget 9 11 the horror cannot be explained or therapist helpful it is something of great importance that we have to remember
Presstv mini nukes were used to blow twin towers on 9 11
Fiery the angels fell
September 11th 20019 11Press tv interview withEncyclopediaSeptember 11 2001A minister stands amid the wreckage of the world trade center seemingly dazed from the

One of the greatest components of reddit are the thriving subreddits, niche communities of people who share a passion for a specific topic. One of the Sifter’s personal favourites is r/ColorizedHistory (featured previously). The principal contributors are a mix of professional and amateur colorizers and restorers that bring historic photos to life through color. All of them are highly skilled digital artists that use a combination of historical reference material and a natural eye for colour.

Special Photograph no. 1399. this picture appears in the Photo Supplement to the NSW Police Gazette, 28 July, 1926 captioned: ‘Opium dealer./ Operates with large quantities of faked opium and cocaine./ A wharf labourer; associates with water front thieves and drug traders.’ [source]

Black and White Photography Tip #5: Look for contrast. In my experience, the best black and white photos usually have some portion of the photo that is near to pure white, and some portion of the photo that is near black.  This increased contrast adds interest to the scene.

Colorized by Zuzzah/Colorizedhistory Website | Facebook | Prints

Black and White Photography Tip #3: To visualize in black and white, only pay attention to lines, shadows, and shapes. This trick is very helpful to aid photographers in pre-visualizing a black and white image even though we live in a color world.

Black and White Photography Tip #8: Watch for texture. As long as texture is not front-lit, it will show contrast in fine details, which makes it a compelling subject for black and white.  This is why black and white photos of old items such as barns or antiques are so compelling–they have a lot of weathered texture.

13. Louis Armstrong practicing in his dressing room, ca 1946

Below you will find a collection of some of the highest rated colorized images to date on r/ColorizedHistory.

Original Photograph by Jack Delano/Office of War Information

Black and White Photography Tip #7: Use a polarizer. When shooting around reflective surfaces such as water or leaves, use a polarizer to cut the reflections of the sun’s light.  When color is removed from the photo, these specular highlights can be distracting the overall composition.

If you like these daily photography articles, you should LIKE us on Facebook, so they will appear in your facebook feed each morning.  Here’s a link to our facebook page.

This post is in response to a question from Matthew Tapley, who is interested in learning how to improve his black and white photography skills.  I hope this article has information that is valuable enough to you that you’d consider sharing it on Facebook or Twitter.

8. Titanic sinks April 15, 1912. Newspaper boy Ned Parfett sells copies of the evening paper bearing news of the disaster. (April 16, 1912)

Sign up for our daily email and receive the Sifter’s newest posts!

14. Portrait Used to Design the Penny. President Lincoln Meets General McClellan – Antietam, Maryland ca September 1862

Colorized by Jordan J. Lloyd/Dynamic Chrome Website | Facebook | Prints

Recommended Gear Photo Spots App IP Youtube Channel Beginner Tutorial Conference Premium Tutorials

23. Broadway at the United States Hotel Saratoga Springs, N.Y. ca 1900-1915

6. Painting WWII Propaganda Posters Port Washington, New York – 8 July 1942

In Landscape/Nature, Post-processing by Jim HarmerMay 11, 201141 Comments

7. Two survivors of the Battle of Gettysburg at the 50th anniversary reunion, July 1913

Black and White Photography Tip #10: Look for patterns. Patterns are interesting because of their ordered repetition.  Color merely distracts us from giving the pattern our attention.  By using black and white, images of patterns are far more compelling.  Once you start looking for patterns to shoot in black and white, you’ll notice them everywhere: cars in a parking lot, the shoes of a wedding party standing in line, or a row of bushes.

Black and White Photography Tip #11: Long exposures love black and white. I read this tip on the fantastic Digital Photography School website and decided to try it on an image that I took a few months ago.  I didn’t like the picture and had almost deleted it until I read that tip and applied black and white to the photo.

Black and White Photography Tip #14: Shoot in HDR!!! I’m actually surprised how little attention is given to black and white HDRs on the web.  I am so convinced of the merit of the black and white HDR that I spent an entire chapter in my HDR eBook talking explaining how to do it.  HDR is great for black and white photography because it exaggerates the dynamic range and edges.  Nothing pops quite like a black and white HDR.

Black and White Photography Tip #2: Give your photo some Silver Effex. Silver Effex Pro 2 is a Photoshop or Lightroom plugin that does one thing–make black and white photos look incredible.  In theory, you could replicate everything that Silver Effex Pro 2 does using Photoshop, but I have to confess that I have never been able to do it.  Black and whites look absolutely stunning in Silver Effex Pro 2.  The program is a bit pricey, but it is worth the money if you love black and white.  In fact, when I look at black and white produced by other photographers, I like to think I can tell if Silver Effex Pro 2 was used on the image.  Check it out here.

The art assembly line of female students busily engaged in copying World War II propaganda posters in Port Washington, New York, on July 8, 1942. The master poster is hanging in the background. [source]

Colorized by Patty Allison/Imbued with Hues Website | Facebook

Black and White Photography Tip #9: Use the correct terminology: Black and white, monochrome, grayscale. “Monochrome” means that a color is placed on a neutral background.  Therefore, black and white images, which put black on a white background, are a type of monochrome image.  Grayscale is merely a way to show black and white images on a computer, which uses a reduced set of shades of gray.

Original Photograph by Paul Thompson/Heritage Auction Gallery

Colorized by Dana Keller/History in Color Website | Facebook | Prints

If You’ve Never Seen How Fast Bears Can Climb Trees You Need to See This

19. Sergeant George Camblair practicing with a gas mask in a smokescreen – Fort Belvoir, Virginia, 1942

Categories: ART, BEST OF, HISTORY, LISTS, STORIES Tags: · colorized, digital art, photoshop, portraits

21. Otto Frank, Anne Frank’s father and the only surviving member of the Frank family revisiting the attic they spent the war in, 3 May 1960

Colorized by Sanna Dullaway/Past in Color Website | Facebook | deviantART | Prints

5. Mug shot of William Stanley Moore, 1 May 1925 Central Police Station, Sydney.

Black and White Photography Tip #6: Find a wide range of grays. Having white and black in the image will help add interest to a picture, but if other areas do not have a wide range of varying tones of gray, the photo will most likely look dull.  You can achieve a a wider range of grays by using flash to throw highlights and shadows over certain areas of the photo.

Black and White Photography Tip #4: Pay special attention to noise. With the outstanding low light performance of modern DSLR cameras, in addition to the noise removal programs at our disposal, photographers are used to getting away with noise.

Girls deliver ice. Heavy work that formerly belonged to men only is being done by girls. The ice girls are delivering ice on a route and their work requires brawn as well as the partriotic ambition to help., 09/16/1918 [source]

Black and White Photography Tip #1: Shoot in RAW.  Many times when I shoot for black and white, the photo just doesn’t turn out right when I finally review it on the computer.  By shooting in RAW, you’ll be able to change your mind later if the photo wasn’t as great in black and white as you’d hoped.

17. Norman Rockwell Entering his Stockbridge Studio Massachusetts, 1966

Original Photograph by New South Wales Police Dept./Historic Houses Trust

Black and White Photography Tip #15: HSL is the secret sauce. The last black-and-white tip is probably the most important.  When post-processing a black and white, you absolutely MUST tweak the colors in the HSL panel in Photoshop or Lightroom.  An exact tutorial on how to do this would be a blog post of its own, but your black and whites will look TEN TIMES better with an HSL adjustment.

When we see old photos in black and white, we sometimes forget that life back then was experienced in the same vibrant colours that surround us today. This gallery of talented artists helps us remember just that.

Black and White Photography Tip #12: B&W isn’t a replacement for bad lighting, but it can soften the blow. The photo of the deer on this page is an example of a photo that looked terrible in color, but which looks nice in black and white.  I shot the photo at high-noon.  Because I used a polarizer, I was able to cut out the reflections on the leaves and mask the fact that it was shot in terrible light.

18. “The Tall Cowboy”, Ralph E. Madsen with Senator Morris Sheppard, 1919

Sort by Most PopularSort by Price (Low to High)Sort by Price (High to Low)Sort by NewestSort by Fastest Ship Time

By entering your email address you are agreeing to our privacy policy

Black and White Photography Tip #13: Don’t get fooled. I confess to have made this mistake many times.  Sometimes I have shot a photo that includes very little color.  For example, a close-up of a penguin, or a night sky, or a dalmatian dog.  When I see these photos in Lightroom, I often reach for the black and white tools immediately, but I am always disappointed.  If the photo is practically colorblind to begin with, it probably won’t look as good in black and white as in color.

Lauren HashianNadia SawalhaNorthern RailGreenlandKatya JonesCoutinhoCarol VordermanPatrick DempseyJosie GibsonGmail accountMOT CheckChelsea vs Leicester CitySheffield UnitedJofra ArcherCelticEast Fife vs RangersAshley ColeWolves vs Man UnitedMia KhalifaDidcot power station
Related Post of 9/11 Black And White Photos