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A Look Into Black And White In Design.

Shoot RAW + JPEG. The most excellent monochrome conversions are gained by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As numerous photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. numerous cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact drive cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users should also do this if they activate his camera’s live perceive process , but the usually slower responses mean that numerous will find it preferable or check the image on the screen post-capture.

Take Control. Although coloured filters could still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a some years ago Photoshop’s Channel Mixer was the favored means of turning colour images monochrome, but now Adobe Camera Raw has more powerful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust one of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as subtle gradations may become unnatural looking. And adjusting the brightness of a red or pinkish shirt with the red sliding control, for moment , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls should also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create delineation between objects of the same brightness but with different colours.

Dodge and Burn. Dodging and burning is a street that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers could only aspiration of because you could target the highlights, shadows or mid-tones with both. This means that you should use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten them to increase local contrast. It’s a good manner of giving a sense of greater sharpness and enhancing texture. Plus, because you could set the opacity of the tools, you may build up their effect gradually so the impact is crafty and there are no hard edges.

Try Long Exposure. Long exposure shots may work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this could help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If compulsory , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). characteristically , when exposures extend farther than as to 1/60 sec a tripod is wanted to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are simply as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is collaborative when you want to retain detail in a bright sky while a polarizing filter can be used to reduce reflections and boost contrast. Alternatively, contemplate taking two or more shots with different exposures to create a high dynamic range (HDR) composite. Don’t be anxious to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, can also be useful for manipulating contrast in digital images. They work by darkening objects of his opposite colour while lightening objects of their own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would right away be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dowdy straight from the camera. happily , it’s possible to work adjust the brightness of these two colours singly to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some forceful blacks and whites. This may be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, should inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the greatest composition.

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This design by Themes channels the op-art movement by creating a striking and engrossing illusion that requires you to literally take a step back to appreciate its true form. This design plays on the contrast between black and white to create this ‘hidden’ illustration, proving that not only is black and white a good looking duo, but a highly flexible one too!

How about a photo filter option in Indesign? It would save me so much time, if i didn’t have to launch photoshop, convert a color photo to BW, save and then go back to indesign and reimport the BW image.

Quick note: If you’re using busy monochromatic lines like this example, be sure to balance it out with blocks of white or black (again, as this example does) to prevent the design from becoming overwhelming.

Want to build a clean, sophisticated website? Consider going back to basics and experimenting with a monochromatic design just as Adam Widmanski has done in this example. By limiting your interface and image color scheme to black and white and pairing it with a minimal, well-aligned layout, you can create a more clean, cohesive and united design.

Want your design to really pack a punch? Scale it up! This editorial spread design by Purpose does just that by scaling up its typographical elements to create bold and daring spread designs. Plus, by scaling up (mostly) sans serif typefaces, this piece creates new shapes for other elements to align against, making this bold black and white layout very neat and organized too.

28. Create Clever Negative Space Illustrations via Moodboard

1300 on FillmoreThis specialty food product is a line created for the 1300 on Fillmore restaurant, run by chef David Lawrence. Each bottle design features a simple black-and-white picture of his hands as they work with various ingredients, each one related to the item itself.

This 1993 poster by Armin Hofmann amps up the image contrast to bring out the lighter tones of the image, which helps to highlight the shapes and curves of the image. These highlighted curves are also contrasted with a sharp graphic that mimics the shape of the photograph and helps to both sharpen the image up and add a new layer of meaning.

Taking inspiration from traditional or vintage designs is always great, but how can we make our design appear modern and stylish while maintain that old world charm? Well, this website design for The Ordinary manages to do that by combining elegant vintage-inspired type, photography, and textures with a sleek monochromatic palette and clean navigable layout, keeping it charming and traditional, and not out of touch or outdated.

Silent MonkeyUnlike the logo above, Silent Monkey uses a white background to give the image more light and brevity. The cartoon ape in the center is cute and simple, and the lack of a mouth brings the image together with the name very effectively.

What fun is design if you can’t break the rules every now and then? This monochromatic design by Mash Creative bends a few traditional typographical rules by running the type off of the page at various points, and not aligning the entire title to one point. But, the effect of this is a really stunning, eye-catching and engaging poster.

As designer Chloe Galea notes, this striking branding set “(Takes) inspiration from optical illusionary art, and the idea of makeup as a way of creating illusions, the packaging for the Classic Collection uses a series of monotone patterns to create a striking collection, bold enough to stand out from competition”.

This design by My Little Fabric pairs an elegant and detailed illustration with a crisp white transparent frame and elegant type to create a super simple, classic design. The contrast of the sharp graphic against the traditional serifs and illustrations keeps this design fresh and modern, while still retaining that vintage-inspired charm.

Describing a stationary object as having a lot of ‘movement’ can sound a little odd, but check out this design from Paperjam and note how it uses warped bold lines to create a sense of movement and depth. By overlapping the type with the graphic lines, this piece creates the illusion of the type being sucked into the design, giving the piece as a whole a very immersive effect.

Contrast doesn’t just refer to light vs. dark, but also thick vs. thin, big vs. small, etc. so, consider experimenting with more than one form of contrast when building your design, just as Naranjo—Etxeberria does in this beautiful example. By contrasting not only light and dark tones, but also thick and thin lines within the graphics and type, this piece effectively amps up the contrast in more ways than one.

We’ve had a look at a few examples of how effective black and white lines can be, and this example by Mário Rodrigues is no exception. In this case, the use of bold stripes acts as a focal point of the design as it perfectly complements the bold, line-based logo, making it a natural choice for this branding kit.

Who said frames have to always be square? And on that note, who said frames have to include the whole image? This design by Bili Cardona disregards these notions of frames by instead framing his focal image within a pattern of geometric shapes. These sharp shapes contrast neatly against the monochromatic image and bring a unique, modern flair to the design.

Type is something that is always effective when executed in black and white, so why not scale it up and make it a focal point? This design by Pedro Arbeláez does just that by mish-mashing scaled-up and scaled-down type, creating a very effective design that blurs the line between body copy and titular type, transforming the type into the main visual element of this design.

Contrasting organic textures with sharper graphics is a great way to keep your design modern and sharp, just as this design by Sara Westermann is kept. By creating a frame for the focal image from a mix of a handpainted texture and a sharp, angular graphic, this design has the personal, organic feel of a painted texture, but the modern and sleek appearance of a sharp graphic.

Why have just one business card design when you can have four? This design by Shutterfly via The Tomkat Studio plays up on the flexibility of black and white palettes by creating four different geometric pattern-based card designs. Consider mixing and matching your monochromatic patterns and designs to keep things fresh and new!

This branding design by Bureau Hofmann goes geometric by pairing a sharp flat black and white color palette with bold, heavy, shape-based letterforms. Heavily geometric branding can very easily look playful and quirky if a vibrant color scheme is used, but by using the simple black and white palette in this example, this design is kept strong, professional and punchy.

We tend to think of patterns as colorful, geometric things, but check out this monochromatic design by Pharaoh that instead uses elegant and detailed illustrations to form a branded pattern. The combination of mysterious, beautifully drawn elements and the sharp black and white palette make this branding kit effective and striking.

The real benefit of these two shades is to meld together in a contrasting design. Using such a stark dichotomy, you immediately establish a dynamic in the design that is impossible for the viewer to ignore. It is clean, can be either simple or complex, and has endless opportunities that other color schemes just don’t manage to generate. It all just balances itself out.

05. Naturally Combine Imagery and Type Atelier Martino & Jaña

I’m with you on this one. It would be a lot more helpful to have a simple “Convert to Black & White” option in the Effects menu so that I can quickly sample what any photo would look like in my concept designs as B&W. This would be especially useful and a huge time saver when I’m creating concept designs for my clients and I’m having to find dozens (if not hundreds) of stock photos, then dropping them into my layouts, scaling them, positioning them, and then I should be able to (and would love to) just be one or two clicks away from seeing what the image would look like/do for my layout in B&W.

Designing with black and white: 50 striking examples for your inspiration

A lot of optical illusions play on black and white color schemes, so take a leaf from Chloe Galea‘s book and channel that into your design.

SubtractionSubtraction is the website for social collage app Mixel, created by former New York Times design editor Khoi Vinh. He took an interesting approach to the main image by using his large black dog as the featured subject. Then, he built the rest of the site in black and white around it.

Black and white are too of the most emotive visuals in nature. Polar opposites, the two seem to stand for opposing metaphors, as well. Black is usually seen as dark, a symbol of authority and power, and, occasionally, as a symbol of evil. White is a sign of purity and brightness and of a natural innocence that combats its opponent.

his design by Helmo creates an engrossing effect by slicing and dicing each image and piecing them back together. The use of the sophisticated monochrome palette keeps this experimental design from becoming overwhelming, and the geometric shapes within the split images helps align the type and graphic elements in a neat, presentable way.

A great way to let your type and imagery interact in an interesting way is to let them layer, just as this beautiful monochromatic example by Jordan Hu does. By layering letters, words, and little chunks of type over the image in a way that highlights the image’s shapes and dimensions, this piece creates a delicate and natural effect where no one element overpowers the next.

There are two different lines of the boxes, one that is black with white font and one that is white with black font, featuring a black-and-white picture of a cluster of grapes on a vine as the only decoration. The slight reddish color of the foil on the bottle works well with this design.

2otsuThis portfolio site for a graphic design group has been featured on a number of lists for best overall concept. Available in both Flash and HTML, it uses viewer interaction to great effect. You start by deciding what format you want to view it in. Everything at this point is black and white.

Lines are incredibly versatile graphic elements, and when paired with a stark black and white palette, there’s no stopping them from being really striking. This design by Demian Conrad makes the most of this device by using a mix of straight and curvy lines to frame and draw attention toward the title type.

It would be far better than manually picking and choosing images to convert to greyscale in Photoshop, and it would also save a fair amount of hard drive space.

This design by Metric72 brings a whole lot of drama to the table. This poster manages to pack a real punch by using a perfect combo of a striking black and white palette, a powerfully constructed image, bold leading lines, and an atypical diagonal alignment in place of the typical horizontal/vertical alignment.

A great way to highlight the stark contrast between your black and white palette is to create a striking negative space inspired graphic like the one in this poster via Moodboard. By creating this negative space, ambigram-like design (meaning it can be ‘read’ upside down or rightside up) the contrast between the two colors is made much more apparent and sharp. Have a play with negative space, and if you’re a bit more daring, ambigrams, and see what clever things you can unlock!

5. Re: Convert color photos to Black and White in Indesign sethr39241257 Sep 27, 2017 6:40 AM (in response to sethr39241257)

Over to You – Get Started With Your Own Black and White Palettes!

If there’s one thing all creative industries can agree on, it’s that black and white is a timeless duo.

Convert color photos to Black and White in Indesign pagalina Apr 11, 2017 1:56 PM

The beauty of black and white color schemes is that you can take your design and simply invert the colors and you have a whole new (still functional and effective) design in your hands. This invitation design by Robot Food does just that by having half the invitation as white on black and the other half inverted as black on white, creating a bold contrast between the two designs.

40. Detailed Illustrations vs. Sharp Graphics My Little Fabric

This angular poster by LaGasulla reminds us that type doesn’t have to sit on a flat plane that extends from the left of the page to the right. In fact, as this piece shows us, sometimes by adjusting the perspective of your elements, you can create an intriguing appearance of dimension and depth.

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Want to add something unique to your design? Consider framing it in a mysterious or atypical way. This intriguing poster design by Przemek Bizoń takes a bit of a unique approach to framing by only revealing segments of the underlying monochromatic image, which adds interest and a unique touch to the design. Plus, these block-like frames help make aligning elements much easier and faster – two birds, one stone.

6. Re: Convert color photos to Black and White in Indesign peterpica Oct 2, 2017 12:58 PM (in response to pagalina)

This poster design by Atelier Martino & Jaña combines type and imagery in a fluid, natural way, by working with the curves and contours of the image. By using custom hand type and elegant monochromatic watercolor effects to complement the focal image, this piece flows beautifully from one element into the next, creating a classy and sophisticated design.

Designing with light and shadow: 10 highly effective tips you should try [with case studies]

Have you tried Edit Original? Right click the placed photo in InDesign and choose Edit Original  from the context menu (or the Pencil button in the Links panel). You can add a B/W Adjustment layer, save and close. When you come back to InDesign, the file is updated. When I’m editing photos, I keep Ps open and it’s quick as can be. This also works with Illustrator files.

Black and white color schemes are already pretty bold, so consider complementing that with an equally as bold design. This branding set by Studio—JQ and Matt Wilson uses scale to help the brand mark pack a punch and act as the main visual focal point.

4. Re: Convert color photos to Black and White in Indesign sethr39241257 Sep 21, 2017 1:15 PM (in response to pagalina)

Want to convey a particular emotion through your design without reaching for a vivid color? Have a go at using expressive type. This design by Sam Wood uses dramatic, hand painted type and a complementary lively and evocative image to channel excitement and drama. So, instead of using bold colors to communicate your message, try to use or create visual elements that pinpoint it in a unique way.

If you’re looking for a way to add a lot of cinematic drama to your design, check out this movie poster by Kate Marie Koyama Design. By pairing monochromatic photographs, bold, stacked sans serif type, and pronounced stripe cut outs, this design channels the dark tones and venetian blind shadows of film noir to create a mysterious, engrossing design.

It is also a softened version of a brighter shade, mixing it beautifully.

When i have had to do this in the past to lots of photos, I’ve put a solid black block over them then > effects > saturation

But, despite this, for lots of designers, stripping your design’s palette back to just black and white might not seem like a viable option, or it might not even have crossed your mind.

Type is how we communicate ideas and thoughts, so make sure people pay attention to your type by embellishing it with a sharp black and white palette and stunning typographic composition, just as this design by Friends of Type has done. This beautiful (entirely hand crafted!) piece uses a mishmash of shapes, typographical styles and bold and thin lines to bring this Bueller quote to life.

In this list we’ll look at 50 stunning monochromatic designs and hopefully you’ll quickly begin to notice how flexible this small palette really is, and just how easy it is for you to kickstart your own black and white designs. So, let’s get started.

27. Take Inspiration From Newspapers Manitou Design, Shamil Karim and Kristina Udovichenko

Many graphic designers today see that the best way to stick out in today’s full color world is not to join them but to set themselves apart by refusing to follow the norm. Duality has become the name of the game, giving us every reason to try it ourselves to see the effect.

2. Re: Convert color photos to Black and White in Indesign BarbBinder Apr 11, 2017 2:14 PM (in response to pagalina)

Negative space refers to the space around a design, and the shape that space makes. This design by Mieczysław Wasilewski uses negative space to create a strong graphic that visualizes the titular concept. Consider using your bold black and white palette to create a strong, clever negative-space inspired design that packs a punch.

The text is extremely small, which is actually a benefit, as it makes the words seem somehow quieter, as though they are being whispered to the viewer.

Another way to add texture to your design is by breaking out the watercolors and adding some soft watercolor effects to your elements, just as this save the date card by A Fabulous Fete does. By pairing this with the elegant, effortless script type, the clean white space and the simple body copy, this soft texturing can disrupt that clean, stark effect, and add a little organic touch.

Exporting your PDF in grayscale ought to work, though. Have you tried that?

When it comes to branding, we often assume that a brand has to have a signature color, but as this branding kit by Miklós Kiss proves, a monochromatic palette can be just as effective as any signature color. By using sharp lines, an intricate logotype and bold graphic elements, this branding kit stays professional and clean while still effectively memorable.

Henry (Lagarde)This Argentinian wine is already well known throughout Europe for its taste. But the packaging needed to be just as memorable. Using a black bottle instead of the traditional, shaded green glass, they used both a black-and-white label and a matching box.

Consider complimenting your super simple color palette with a super simple design. This monochromatic design by Cocorrina takes a walk on the mild side by pairing simple, elegant type with one simple graphic and just one focal image. By aligning these elements to the center of the page and upping the amount of white (or grey) space, this design remains stylish, beautiful, and simple. When in doubt, strip back your design and keep it simple.

Culinary ZenThe black background with the white text and image is very direct and well made. It is impossible not to have your eyes immediately drawn to it as a whole rather than any particular part of the logo.

For example, you see Lawrence handling cornmeal for the jalapeno cornbread mix or dicing garlic cloves for the roasted garlic and bacon vinaigrette. The design is elegant and effective, without any color at all. It looks even more striking against the clear bottles of liquid dressings that have their own, natural color.

This poster by Max Kuwertz foregoes the typical notions of cleanly set, linear poster type by instead crumpling and warping the bold type by using perspective to replicate a crumpled up piece of paper. This simple addition of the crumpled effect takes this design from ordinary and plain to unique, eye-catching, tangible, and memorable.

Each image features one of Kaniewski’s photographs, which can be viewed by clicking for a larger image. You can also change the background from black to gray or white.

Then, it takes you to the main page and has you select what color you want for the interface. From there, you are directed to the now customized list of fast, scrolling portfolio images, which are black and white until you click on them and they expand in full color.

Black and White: Beautiful web design Black and White: Photography tips Black and White: Portrait Photography showcase Black and White: Animal Photography showcase Black and White: Water Photography showcase Product Packaging Design

Black and white palettes really lend themselves to minimalism, so why not experiment with that? This design by Márton Jancsó channels minimalism by using one photographic/typographic focal point, very little and very simply set type, and a whole lot of white space. Use minimalism to help you redirect focus to your design’s most important focal point.

This design by Jean-Michel Verbeeck is very simple, right from the color palette down to the composition which only consists of title type, body copy, an image and a frame. The simple addition of the frame to this design not only draws attention into the content, but highlights the stark difference between the main two tones.

They say black will never go out of style, so your secret weapon when it comes to creating a timeless and stylish design is to go monochromatic. This website design by Creative Riot does just that by using a light monochromatic palette, clean images, wide margins, and super simple type to stay fresh and very stylish.

As the designers note, “Traditional russian way of packaging is newspaper. So why not to follow traditions? We have collected in our newspaper some funny stories, statements and anecdotes for reading with a glass of beer”.

If Quark Xpress can you do it, then InDesign damn well better be able to do it too.

Got a lot of information to include on one page? Consider breaking that info up into separate blocks by using sharp, fine lines, just as this example by Amanda Jane Jones does. This piece divides the elegant monochromatic type and imagery into a modular grid which creates a strong structure and very neat composition.

1. Re: Convert color photos to Black and White in Indesign oleh.melnyk Apr 11, 2017 2:04 PM (in response to pagalina)

InDesign is a program for layout design, not image editing…

This beautiful branding kit by Demian Conrad uses a stunning black and white palette to give an organic marbling concept a sharp and professional execution. By creating organic, flowing, marble-like shapes and executing them in a sharp monochrome, this design remains sharp and professional, but with an organic, softer touch, creating an all-round memorable visual for the brand.

I have also tried to use the black shape over the picture with the saturation effects option on it, but that doesn’t result in a PDF with black & white photos. And that PDF is what my clients need to review the layout designs, so that solution doesn’t really work for 90% of the issue for me.

Black and white are two of the most useful shades you can find for any design project. What are some of your own favorite examples of black-and-white design?

Like bread and butter, monochromatic palettes and letterpressing effects just naturally fit together. Don’t believe me? Check out this branding kit by Anastasia Yakovleva that uses a sharp letterpressing effect to bring depth and tactility to the bold black and white design.

The use of the “C” doubling as a plate is another nice touch that brings it all together by giving the image itself more relevance to the actual name, not just the focus of the company.

So, next time you’re sitting down and getting ready to design a poster, invitation, or brand kit, just take time to consider cutting your color palette right down to just black and white. It might be a bit of a challenge at first, but trust that the end result can really pack a punch.

Consider pairing your sharp monochromatic color scheme with some bold lines to create a unique and stylized effect. This beautifully balanced piece by MUTI does just that with its symmetrical wire-like design, built up of bold white lines that contrast sharply against the black background, creating a stylish and evenly balanced illustration, jam packed full of symbols, illustrations, and a whole lot of character.

Have you ever encountered a black and white design that captured your attention? Or do you have some tips up your sleeve about mastering the monochrome? Leave your thoughts in the comments below!

The unique factor here is not the design itself but the way Vinh manages to make the contrast appear friendly and warm rather than the usual intensity the dual shades create.

Designing for engagement: How color, type and space can impact the mood of your design

7. Re: Convert color photos to Black and White in Indesign [Jongware] Oct 2, 2017 1:06 PM (in response to sethr39241257)

Scent StoriesProbably the greatest example of black-and-white packaging, Scent Stories is a product line of perfumes made as a personal project by Ah&Oh Studio. It is based on four famous authors: Edgar Allan Poe, Marquise de Sade, George Orwell and Pierre de Laclos.

Textures are one of the most ubiquitous design elements around, and you can easily (and effectively) adjust them to fit within your new monochromatic palette. This design by Axel Lokrantz Månson uses a monochromatic marbling texture to add a simple, unique effect to what is otherwise an extremely simple design.

White space is a magical tool in the world of design, but it’s important to remember that it doesn’t always have to be white. In the case of this design by Philippe Apeloig, the white space is black, but it acts just like any other piece white space out there would – it frames, declutters, simplifies and lets the design ‘breathe’, putting the focus back on the important elements, like that clever dimensional typographical title.

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3. Re: Convert color photos to Black and White in Indesign Lucy CMB Jun 19, 2017 8:42 AM (in response to pagalina)

Type in its most basic format is usually flat and linear, so why not spice it up by adding a little texture and effect to it like this poster by Ronan Kelly does. By using overlaid radial lines, shadowy edges, and warped letters, this design turns the type from flat and lifeless to dramatic and evocative.

A black and white palette is a classic for a reason, you can work it to become just about anything you want it to be – classic, sharp, modern, or traditional. All it takes is the right application, the right intent, and you’re ready to go.

Rorohiko.com has InD plugins for this that works quite well.

Let’s take a look at how black-and-white designs are being used in various graphics, with great success.

Each scent was tailored to the tone of the writers’ stories, with a small explanation of each on the packaging. On the back of each bottle is a snippet from the authors’ most well known stories. Then, the bottles were topped with finely crafted busts for each. For de Sade it is a screaming women, for Poe a grinning skull, for Orwell a pig and for de Laclos a faceless, wigged aristocrat.

34. Mix and Match Geometric Shapes Shutterfly via The Tomkat Studio

41. Don’t Forget the White (or Black) Space Philippe Apeloig

When paired with a black and white palette, geometric patterns can be really striking, as you can see in this design by Demian Conrad. A really cool thing about this piece is how it explores the makeup of various patterns, and how by overlapping some of them, new patterns are formed. Have a play with layering and mixing up your pattern designs and see what you can come up with!

Taking inspiration from anywhere and everywhere is often the best way to unlock a simple and clever idea. For example, this poster design via Fumettologicamente for an architecture conference takes inspiration from blueprint design by using fine lines to create a structure around the focal graphic element. This simple concept is complemented by a simple design and palette to make it a smart and powerful piece.

but, technically, you can do the color conversion while exporting PDF file

For more letterpressing inspiration, be sure to check out these 50 stunning letterpressed business cards to help get you inspired.

Black and white can seem like a very inflexible palette, but believe me when I say, it’s actually quite the opposite. In fact, black and white is incredible versatile, easy to use, and effective as anything!

This movie poster by Kyle Kim blurs the line between illustrations and type by constructing a striking title out of sharp black bird silhouettes, which when contrasted against the white background form the title type. The use of clustered elements and the radial composition draws attention in toward the title and then out toward the exterior information, making this monochromatic design not only cool and clever, but functional too.

Why settle for just one geometric pattern when you can mix, match, and combine a few of them to create a striking effect. This poster design by Project 5 does just that by mish-mashing a handful of sharp black and white geometric patterns within a bold graphic. Monochromatic color schemes lend themselves to a lot of flexibility, so have a go at making the most of that flexibility by mixing and matching your elements.

What’s black and white and red all over? This newspaper-inspired branding package by Manitou Design, Shamil Karim and Kristina Udovichenko. This newspaper inspired design uses type, illustrated imagery and a very editorial black and white color scheme to channel Russian traditions.

Marcin Kaniewski PhotographyThis photographer has implemented a really brilliant design for his website. Not only does it use the beautiful contrast of black and white very effectively, going so far as to remove all color from even the thumbnails, but it acts as a portfolio as well.

Fashion AustraliaNot all shades have to be so bold, and actually, using intermediate colors is a good idea for less stark logos. This one uses a dark gray that softens the image. It works well with the only color in the logo, which is a pink bowtie on the kangaroo.

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