Take Control. Although coloured filters can still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the favorite means of turning colour images monochrome, but now Adobe Camera Raw has more strong tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations can become unnatural looking. And adjusting the brightness of a red or rosy shirt with the red sliding control, for moment , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls can also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create delineation between objects of the same brightness but with unique colours.
Try Long Exposure. Long exposure shots should work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this can help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If required , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively). naturally , when exposures extend beyond respecting 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.
Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are simply as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more useful . An ND grad is cooperative when you require to retain detail in a bright sky while a polarizing filter could be used to reduce reflections and boost contrast. Alternatively, appraise taking two or more shots with unique exposures to create a high dynamic range (HDR) composite. Don’t be anxious to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, can also be useful for manipulating contrast in digital images. They work by darkening objects of their opposite colour while lightening objects of his own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.
Dodge and Burn. Dodging and burning is a procedure that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers could only aspiration of because you may target the highlights, shadows or mid-tones with both. This means that you should use the Burn tool to darken highlights when they are too bright, or the Dodge tool to perk up them to grow local contrast. It’s a great way of giving a sense of better sharpness and enhancing texture. Plus, because you can set the opacity of the tools, you could build up her effect gradually so the impact is crafty and there are no hard edges.
Shoot RAW + JPEG. The best monochrome conversions are ended up at by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As numerous photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. numerous cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact road cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users may also do this if they kick in their camera’s live presumption custom , but the usually slower responses mean that most will find it preferable or check the image on the screen post-capture.
Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would instantaneously be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dingy straight from the camera. providentially , it’s possible to work adjust the brightness of these two colours discretely to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some forceful blacks and whites. This may be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, should inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the unsurpassed composition.
Related Images of African Paintings In Black And White
Zebra Beauty IIRealistic Signed Close-Up Painting of a Zebra
The Spirit of AfricaOriginal Ghanaian Abstract Painting in Black and White
Tall and SlenderBlack and White Expressionist Painting of a Woman from Ghana
Dance on the Durbar GroundsMathematical Durbar Festival Original Signed Painting
“I, Diogenis Papadopoulos, was born in Accra on November 20, 1985 to a Greek father and Ghanaian mother. I have a brother and two sisters. My artwork is a product of my intelligence and it grows from a lifetime of experiences, thoughts and emotions.
No one can duplicate them exactly. “I use acrylic paints, canvas, brushes, palette knife and watercolors for my artwork. I am inspired by the things I see, hear, or come across in books, magazines, papers etc.
, I feel motivated when I see other great works of art. “The story of how I became a painter starts at about the age of 10 or 11 years. I liked watching movies at the cinema, and one day I came across a poster advertising a film.
I liked it and wanted to have a copy of it, and I thought that the only way I could own a copy was to draw it. I felt the urge to try and I painted it several times but couldn’t achieve any good results.
I got so angry with myself, broke the pencil and tore the sketchpad. On my way home I met a friend who had a sketchpad of pencil drawings from film posters. I followed him home to and gave it a try. My friend’s house became my second home until I was good at sketching.
After improving my sketching techniques, I went from one cinema to another drawing film posters of Jackie Chan, Bruce Lee, Rambo, etc. I kept practicing every day after school. “After completing my basic education, I enrolled as a student at Ghanatta College of Art and Design and learnt how to paint.
That is how I became an artist. My skills have improved through constant practice. I have taught my craft to many people and continue doing so. Presently I teach senior high students pursuing art. “I think Novica’s mission of making it possible to sell my works to appreciators worldwide is the greatest idea that someone has ever come up with.
Novica is indeed a home for great artists. “To my Novica customers, your patronage will encourage me to come up with greater masterpieces to suit your passion, emotions and taste. My dreams and goals for the future are to become an icon in art who many artists of today and tomorrow, passionate lovers and admirers of art, will look upon as a mentor.
Zebra Beauty IGhanaian Original Signed Painting of an African Zebra
Fragile CradleSigned Original Ink Drawing of Mother and Child
“After improving my sketching techniques, I went from one cinema to another drawing film posters of Jackie Chan, Bruce Lee, Rambo, etc.”
They Can Play AnywayMother and Child Ink Cubist Painting from Ghana
SaxophonistSigned Modern Painting of a Saxophone Player from Ghana
Mother’s Love IIntimate Mother and Child Ink Drawing by Ghanaian Artist
Tree of LifeExpressionist Painting of Healing Tree from Africa
The State of Unconsciousness IFine Art Ink Drawing of Sleeping Woman and Equations
Village LifeSigned Impressionist Painting of a Village from Ghana
Beaded WaistDipo Dancer Painting of Ghanaian Woman’s Rite of Passage
GentlemanOriginal Acrylic Portrait of Man on Canvas from West Africa
The MeetingSigned Freestyle Painting of Fish in Black and White
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