Art Of Black And White Photography

best black and white pictures Art Of Black And White Photography

best black and white pictures Art Of Black And White Photography

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The art of black and white photography
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Black and white imaging is alive and well in spite that every digital device, be it a digital camera, a tablet or a phone, produce stunning color images there is still room for…Read more

chromasia.com/training Photography and post-production training for photographers

In this video we begin by taking a look at the features of a colour image contribute towards making it easier to create a stunning black and white image DURING the black and white conversion process. From there we move on to explain tonal range and the histogram, before taking a look at how you can adjust the tonal range and brightness of your images using the Levels tool.

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I HAVE JUST FINISHED READING TORSTEN HOFFMANN’S SECOND EDITION AND MUST ADMIT THAT IF YOU HAD ALREADY READ THE FIRST EDITION THERE IS PROBABLY NOT A LOT MORE NEW INFORMATION.Read more

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Photography and the Art of Seeing: A Visual Perception Workshop for Film and Digital Photography

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I have just started reading this book and I am finding it to be superb. It is technically up to date but reaches back to the film world where black and white photos were the only game available. He not only covers techniques but also artistic insights, compositions, and creating worthwhile photographs while avoiding cliched photos.

Exactly what I was looking for, a book for photographers with practical techniques and valuable insights. Highly recommended.

3.0 out of 5 starsWell written. Insights on “Meaning” in photography. But not as good in showing the reader “how” to accomplish his aim.

Converting a portrait to black and white using Lab Color mode

Very good. Some challenges but a great read. If you are thinking about black and white photography this the book.

Very disappointed in the book. It is only helpful if you are using PS3. Since PS6 was the first version of Photoshop I used and I currently use CC, it is virtually useless.I purchased it because of a recommendation from Rocky Nook.

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German photographer Torsten Andreas Hoffman writes, “Photography is not preeminently about technique, but rather is about images with content that express the photographer’s consciousness while being created in an interesting way.

“The Art of Black and White Photography is divided into four sections. The first covers some technical issues such as file types (RAW, TIFF, JPEG), the polarizing filter, and the gradient filter. The second is an overview of genres.

The core of the book is Section Three, Rules of Composition. Section Four wraps up with some Photoshop techniques. Hoffman’s own photos – both analog and digital – demonstrate the concepts presented in the text.

The author is clearly knowledgeable about photography, but not always effective at imparting that knowledge. For example, he frequently refers to “image tension” without ever explaining what he means by this.

In this zipped archive you’ll find 28 images (2 RAW files, 5 layered Photoshop files and 21 JPEGs: all at around 1500px wide) that you can download and work through as you go through the lectures. The images are named in the order in which they appear in the course.

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Anyone who wants to learn how to create technically optimal and aesthetically stunning black and white images.

In this video we take a detailed look at how to use the Camera Raw plugin in Photoshop to convert your images to black and white. This is a powerful technique, and the only one we’ll be discussing that allows you to convert your image during the RAW conversion process. However, unlike many of the other techniques we discussed previously, it does have its limitations, particularly in terms of embedding it within an overall workflow.

This was a gift for my husband. He loves it and keeps returning to it, finding more each time. He is an accomplished photographer himself.

Ideally, Photoshop CS3 or above. If you’re using an earlier version of Photoshop (CS2 or below) you’ll be able to work with most of the tools and techniques covered in this course other than the Black and White tool which was introduced in Photoshop CS3.

No prior knowledge of Photoshop. You’ll be learning some powerful and sometimes complex techniques, but we’ll work through each of these step-by-step.

Well written. Insights on “Meaning” in photography, going beyond snapping shots, beyond the technical, beyond classification [“There’s a shot of the Grand Canyon”] to sensing and feeling and expressing oneself, approaching in some cases a meditative state.

All this is good, though I got a lot more from Bruce Barnbaum’s earlier work “The Art of Photography.”

In this video you will learn how to use the Calculations method to create a black and white image. This is a destructive technique, and quite complex to master, but it is a powerful and flexible method of creating a black and white image.

Black & White Photography: The timeless art of monochrome in the post-digital age

Photography as Meditation: Tap Into the Source of Your Creativity

The Art of Black and White Photography: Techniques for Creating Superb Images in a Digital Workflow Second Edition

This is a welcome volume for B&W photogs and a useful read for color photographers from another fine German photographer/author. This is Hoffmann’s first instructional book to be published in English, although he has had numerous articles on image design/composition published in the magazine “Leica Fotographie International”, or LFI, which, by the way, is not published by Leica-Camera GMBH.

Hoffmann emphasizes the possibilities in tonal manipulation in digital and analogue photographing. The point of his presentation is always to show how manipulating the tones and, therefore, contrast, contributes to the design of the image with respect to the photographer’s intentions.

He spends a significant amount of space on showing how to elicit mood in various kinds of photographs (content).His chapters start with, what I find to be, rather interesting summaries of the chapter topic’s history, significant practitioners, and current directions.

Then he examines several of his own images in detail. His commentary on an image concentrates on the visual structure and on the darkroom and/or digital manipulations necessary to realize his intentions.

The only other book that comes to mind for nearly such excellence in pictorial descriptions or captions is the first edition of Bill Smith’s “Designing a Photograph,” which sets the standard for applying the Gestalt visual psychological approach to analyzing image structure.

Rather differently from the other two top volumes on image structure currently in print, Michael Freeman’s “The Photographer’s Eye,” and Harald Mante’s “The Photograph,” Hoffmann spends significant time looking at the various genres of photographic subject matter and then covers composing/design from the point of view of visual tensions and abstract structure.

There is overlap with both of the other volumes, but also depth and emphasis that is his own. Color is not part of the subject in this book, but color photographers will benefit from Hoffmann’s insights into tonality, contrast, and structure in images.

This book, IMHO, sort of completes the circle of really good books on photographic composition/design at the intermediate level. With this book, the years 2007 and 2008 have been the best in a few decades for the publication of outstanding books on design/composition, and it is interesting to this reviewer that the three best are by an English and two German photographer/authors .

It just does not seem that US practioners are taught the nuts and bolts of visual design to any degree of depth and ability to articulate their thoughts about image structure. The ability of even world class US photographers to discuss the reasons that their images work in structural terms is relatively rare.

I like this book enough to make a triumvirate of this one, Freeman’s book, and Mante’s book for readers interested in sophisticated, analytical approaches to visual design and image structure. The only thing I would wish for is that more of his photos be accompanied by those delightful little thumbnails with his structural line diagrams.

The more of these there are in a book, the more an interested reader packs away in one’s mental image databank for later resurrection and use.Some asides before I finish. Hoffmann gets more visual mileage from aircraft vapor trails than anyone else I know of.

Most of us regard these as intrusions into the tranquility of our landscape images. But, in the venerable tradition of divorcing content from an image’s abstract structure, and the role of structure being to support the content, Hoffmann integrates these features into his images so forcefully that to remove them would ruin the image.

Bravo; Mante would be proud.Too, the basic structural architecure of many of his images rests upon the grid formed from the golden ratio approximations of breaking the height and width into 5/8th and 3/8th divisions.

One advantage of this choice versus the preference of US photographers for the Thirds Rule is that the Thirds method breaks the space into nine identical rectangles – a recipe well on the way to boring space management.

Yet, as shows Charles Bouleau in his seminal book, “The Painter’s Secret Geometry,” even relatively simple visual architectures in the hands of someone with excellent training and inspired talent yield captivating, dynamic images, while the plodders among us achieve less subtle and interesting results.

I hope it will not be so long before Hoffmann gives us a volume on design in color photography.19 November 2008. I just read this book again. It is more satisfying, informative, and a pleasure to read than I realized the first time through.

The second section covers thirteen genres or concepts, each one starting with a delightful essay that I began to look forward to in succeeding chapters. Beginning with a chapter on dealing with cliches and ending with a chapter on eliciting mystical elements from a subject and a chapter on panoramics, he deals with the major philosophical aspects relating to photography in each genre, how such issues have changed through the history of photography, sometimes the relationships to other visual arts, and some reference to major past and current practitioners.

The third section presents fourteen aspects of composing images, from “what is composition” to movement in the image. The prefatory remarks are much more brief than in the genres/concepts section, but are insightful.

His approach to composing emphasizes the principles of design and techniques of visualization and thinking to achieve the principles, and less concentration on the elements that one gets from Mante and Freeman.

In all four sections of the book, when he discusses a photograph, he does it better, more thoroughly from a structural point of view, and at a higher level than most any other writing I have seen.I now feel that this book ranks right up there with Freeman and Mante as coequal in quality, depth, and level of presentation.

These are the three strongest books on the composition/design subject in years. If you are interested in analytical, thinking, focussed approaches to making, understanding, and appreciating images, I cannot recommend too strongly owning and reading several times the three books by Freeman, Mante, and Hoffmann.

As a fan of black and white photography, I’ve read a couple of books that explain the “how” of this segment of shooting pictures. This one is terribly disappointing. It opens by telling readers to not take photos that are clichés, and as you go through and look at the photos in the book, by the author, you see many clichés.

There are sections talking about shooting portraits, street photography, landscapes, etc, but all they do is show his photos and explain how he shot them; there is no broader explanation of shooting black and white, as opposed to color.

The section on composition looks like it’s cribbed from another book, with specious things like the golden ratio, and is really quite useless; at least it’s not specific to black and white photos.The text is bland and boring – which could be in part because of the translation – and after reading about a quarter of the book, I skimmed the rest, looking at the photos, and reading some of the descriptions.

This is overall pretty useless for those who want to know more about shooting black and white pictures.

I originally became acquainted with Hoffmann through his book “Photography as Meditation” and thoroughly enjoyed his insights into developing a vision for my photography.Read more

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5.0 out of 5 starsA Hearty Welcome to Another Top German Photographer/Author

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4.0 out of 5 starsVery good. Some challenges but a great read

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This item: The Art of Black and White Photography: Techniques for Creating Superb Images in a Digital Workflow

composition darkroom photos photoshop section photographer image shooting elements chapters photographic useful concepts photographers raw example technical hoffmann genres golden

In this video we begin our discussion of black and white portraiture by taking another look at the tools and techniques we discussed in previous lectures, particularly in terms of how these can be used to delineate your subject from the background. 

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In The Art of Black and White Photography a great variety of thematic photos are analyzedto show how mood and emotion are evoked by certain fundamental elements,while…Read more

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The Photographer’s Black and White Handbook: Making and Processing Stunning Digital Black and White Photos

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Masking: Selective adjustments and blending conversion techniques

In this video you will learn how to soften and smooth skin tones during the black and white conversion process: to remove blemishes, brighten the skin and so on. This is an especially useful technique for portraits of women and children. Using exactly the same tools you will learn how to maximise detail, a technique well suited to male portraiture. As you’ll see though, in both instances, this can involve some counter-intuitive decision making at the outset.

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Book Condition: An apparently unread copy in perfect condition. Dust cover is intact; pages are clean and are not marred by notes or folds of any kind. At ThriftBooks, our motto is: Read More, Spend Less.

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This is my first book by this author so I am interested in what he says. He begins, of course, by discussing camera choice and the use of filters.Read more

In this, the final video in The Art of Black and White photography, you will learn how to add multiple and complex tones to your image using a range of powerful and flexible tools. These include the Gradient Map, the Color Balance tool, the Channel Mixer, the Selective Color tool, and my personal favourite, the Curves tool.

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5.0 out of 5 starsThis was a gift for my husband. He loves …

Converting to black and white using the Black and White tool

Paperback: 264 pages Publisher: Rocky Nook; Second edition (January 24, 2012) Language: English ISBN-10: 1933952962 ISBN-13: 978-1933952963 Product Dimensions: 8 x 0.7 x 10 inches Shipping Weight: 2 pounds (View shipping rates and policies) Average Customer Review: 3.

7 out of 5 stars 29 customer reviews Amazon Best Sellers Rank: #1,731,921 in Books (See Top 100 in Books) #68 in Books > Arts & Photography > Photography & Video > Black & White #143 in Books > Arts & Photography > Photography & Video > Equipment, Techniques & Reference > Darkroom & Processing #1942 in Books > Arts & Photography > Photography & Video > Equipment, Techniques & Reference > Reference

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In this video we take a detailed look at the Twin Hue/Saturation method of creating a black and white: a non-destructive technique that provides relatively limited control over the black and white conversion process. We then go on to consider why such control is important control is important, particularly in terms of meeting your creative aims for an image. We conclude by taking a look at why a higher degree of control is often be required.

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In this video you will learn how to use one of Photoshop’s most powerful and flexible black and white conversion methods, the Black and White tool.

2.0 out of 5 starsThis book won’t teach you much about shooting black and white

Comment: An apparently unread copy in perfect condition. Dust cover is intact; pages are clean and are not marred by notes or folds of any kind. At ThriftBooks, our motto is: Read More, Spend Less.

Torsten Andreas Hoffmann is mostly known as the photographer and author of illustrated books on New York, Paris, Rome, and the Himalayas. He regularly teaches workshops on photography with an emphasis on composition and black and white photography. Hoffmann is a regular contributor to LFI, the highly acclaimed international journal published by Leica.

chromasia.com/training Photography and post-production training for photographers

Always good to read another view point on creating photographic images. Well printed book that motivates any photographer to get back to shooting for fun, not just money.

5.0 out of 5 stars… Hoffmann through his book “Photography as Meditation” and thoroughly enjoyed his insights into developing a vision for my ph

4.0 out of 5 starsVery knowledgeable – technique and artist principles

Yhis is the best book that I have yet read. Thanks to the author.

In this video we begin by taking a look at the limitations and problems associated with Dodging and Burning, a technique you can use to make selective adjustments to the tonal range and tonal balance of your images. From there we move on to work through a range of detailed examples, each of which will teach you how to use multiple adjustment layers and masks to make selective and targeted adjustments to your images to greatly increase their impact. In the final section you will learn how and why to blend multiple black and white conversion techniques within a single image.

In this, the first of two videos on toning and colorizing your images, you will learn how to use a range of tools to: apply a single colour to an image, how to split-tone an image using Camera Raw, and how to apply a duotone within Photoshop. You will also learn how to incorporate toning into your black and white workflow.

Learn how to create dramatic and compelling black and white images using a range of powerful Photoshop techniques.

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How to create technically optimal and aesthetically stunning black and white images with Photoshop. How to develop an effective, powerful, and efficient black and white workflow. How to use a range of black and white conversion techniques to maximise the impact of your images.

How to evaluate the tonal range and tonal balance of an image in order to work out the changes that need to be made during subsequent post-production. How to use the histogram effectively. How to create and use adjustment layers.

How to use masks to seamlessly blend two or more adjustment layers. How to use the Curves tool, Photoshop’s most powerful tool, to apply both global and selective changes to the tonal range and tonal balance of your images.

How to blend two or more conversion techniques within the same image. How to smooth skin tones, a technique that’s especially useful for portraits of women and children. How to lighten your subject’s eyes.

How to maximise the detail in your subject’s face: especially suitable for male portraiture. How to add unique and compelling tones to your images to really bring them to life.

In this video you will learn how to convert a portrait (or any other image) to black and white using Lab Color mode, a powerful alternative to RGB. You will learn the basics of Lab, before moving on to discover why this can be a useful technique for black and white portraiture.

The Curves tool can be intimidating, at least at first, but it is the most powerful, most useful, and most flexible tool within Photoshop, and can be used to adjust both the tonal range and contrast within your images in precise and targeted ways. In this video we take a detailed look at how to use this tool.

Many of the most powerful, memorable and effective photographs are black and white images. With digital photography though you can no longer take a great black and white photograph… but you can create one using the black and white photography techniques taught in this course. So if you’re confused about which black and white conversion techniques to use, unsure about how to adjust the tonal range and balance of your black and white photos using curves and masks want to make more of your black and white portraits and you want to learn how to tone your black and white images this course is for you. What black and white photography techniques are you going to learn: * You’re going to learn how to use a range of powerful flexible and non-destructive black and white conversion techniques. You’re will learn which are the most useful and powerful e.g. the Channel Mixer and Black and White tool when to use one technique rather than another and which techniques to avoid (and why).* You will learn how to evaluate the tonal range and tonal balance of an image and then how to make global and selective changes using adjustment layers selections masks and the Curves tool: four of the most powerful tools and techniques within Photoshop.* You’ll then learn how to use these tools and techniques to overcome some of the unique problems you’ll face when converting your portraits to black and white including how to delineate your subject from the background how to work with skin tones to maximise detail or smooth your subject’s skin and how to enhance your subject’s eyes.* You’ll learn how to add unique and complex tones that will really bring your black and white images to life.* You’re going to learn how to embed all of these tools and techniques into a flexible powerful and repeatable workflow.* But this isn’t just a course about post-production and Photoshop: each video will also enable you to develop the skills and give you black and white photography tips you need to create not only technically optimal black and white photographs but ones that are aesthetically striking too.* When you create a black and white image pressing the shutter is just the start. Sign up for The Art of Black and White Photography and take the next step now. Downloads are ENABLED for this course!

In this video you will learn how to use the Channel Mixer to convert your images to black and white, a tool that offers a high degree of control over the black and white conversion process.

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In this video we take our first look at the range of black and white conversion techniques we’ll be covering during this course. We’ll then take a detailed look at some of the simpler techniques: how they work, when you should use them, and the degree of control they offer over the back and white conversion process. We conclude by summarising the limitations of these simpler techniques.

Very knowledgeable! Great at explaining the processes, especially the whys and why nots. Great explanation of what is required to create a stunning black and white image. Excellent job of explaining the histogram, the levels tool, and the curves tool.

Over the last few years, most books on photography have been focused on the new breed of cameras and how to master the digital imaging workflow. In The Art of Black and White Photography author and photographer Torsten Andreas Hoffmann takes a different approach, focusing on image composition and image capture, with an emphasis on the creative aspects of black and white photography rather than on the digital workflow. After introducing the ground rules of composition, Hoffmann illustrates their applications with his own stunning black and white images that cover various photographic genres, including architecture, street photography, portraiture, and surreal photography. Also discussed are the elements of a “photographic language”‘, which distinguishes creative photography from random shooting. Finally, you will learn valuable post-processing techniques, mostly using Photoshop, that emphasize the functions necessary for creating outstanding black and white images.This second edition has been updated to include Photoshop CS5, as well as brand new images, content, and a revised layout.

This PDF contains the slides used during each of the lectures.

Art Of Black And White Photography