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Artwork Design Black And White Photography.

Shoot RAW + JPEG. The greatest monochrome conversions are happen on by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As numerous photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. most cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact drive cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users can also do this if they activate her camera’s live postulation modus operandi , but the usually slower responses mean that most will find it preferable or check the image on the screen post-capture.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are merely as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is supportive when you want to retain detail in a bright sky while a polarizing filter could be used to decrease reflections and boost contrast. Alternatively, see taking two or more shots with unique exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, could also be useful for manipulating contrast in digital images. They work by darkening objects of their opposite colour while lightening objects of his own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

Take Control. Although coloured filters could still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a a couple years ago Photoshop’s Channel Mixer was the preferred means of turning colour images monochrome, but now Adobe Camera Raw has more strong tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust one of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as subtle gradations could become unnatural looking. And adjusting the brightness of a red or pink shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls may also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create delineation between objects of the same brightness but with different colours.

Try Long Exposure. Long exposure shots may work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this may help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If compulsory , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). characteristically , when exposures extend beyond with respect to 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would right away be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and lackluster straight from the camera. happily , it’s possible to work adjust the brightness of these two colours discretely to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some powerful blacks and whites. This may be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, can inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the most excellent composition.

Dodge and Burn. Dodging and burning is a system that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers can only hope of because you may target the highlights, shadows or mid-tones with both. This means that you could use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten up them to grow local contrast. It’s a great routine of giving a sense of greater sharpness and enhancing texture. Plus, because you can set the opacity of the tools, you could build up his effect gradually so the impact is crafty and there are no hard edges.

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This poster design by Atelier Martino & Jaña combines type and imagery in a fluid, natural way, by working with the curves and contours of the image. By using custom hand type and elegant monochromatic watercolor effects to complement the focal image, this piece flows beautifully from one element into the next, creating a classy and sophisticated design.

Type in its most basic format is usually flat and linear, so why not spice it up by adding a little texture and effect to it like this poster by Ronan Kelly does. By using overlaid radial lines, shadowy edges, and warped letters, this design turns the type from flat and lifeless to dramatic and evocative.

Contrast doesn’t just refer to light vs. dark, but also thick vs. thin, big vs. small, etc. so, consider experimenting with more than one form of contrast when building your design, just as Naranjo—Etxeberria does in this beautiful example. By contrasting not only light and dark tones, but also thick and thin lines within the graphics and type, this piece effectively amps up the contrast in more ways than one.

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Why settle for just one geometric pattern when you can mix, match, and combine a few of them to create a striking effect. This poster design by Project 5 does just that by mish-mashing a handful of sharp black and white geometric patterns within a bold graphic. Monochromatic color schemes lend themselves to a lot of flexibility, so have a go at making the most of that flexibility by mixing and matching your elements.

Have you ever encountered a black and white design that captured your attention? Or do you have some tips up your sleeve about mastering the monochrome? Leave your thoughts in the comments below!

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This design by Metric72 brings a whole lot of drama to the table. This poster manages to pack a real punch by using a perfect combo of a striking black and white palette, a powerfully constructed image, bold leading lines, and an atypical diagonal alignment in place of the typical horizontal/vertical alignment.

05. Naturally Combine Imagery and Type Atelier Martino & Jaña

Contrasting organic textures with sharper graphics is a great way to keep your design modern and sharp, just as this design by Sara Westermann is kept. By creating a frame for the focal image from a mix of a handpainted texture and a sharp, angular graphic, this design has the personal, organic feel of a painted texture, but the modern and sleek appearance of a sharp graphic.

As designer Chloe Galea notes, this striking branding set “(Takes) inspiration from optical illusionary art, and the idea of makeup as a way of creating illusions, the packaging for the Classic Collection uses a series of monotone patterns to create a striking collection, bold enough to stand out from competition”.

41. Don’t Forget the White (or Black) Space Philippe Apeloig

This poster by Max Kuwertz foregoes the typical notions of cleanly set, linear poster type by instead crumpling and warping the bold type by using perspective to replicate a crumpled up piece of paper. This simple addition of the crumpled effect takes this design from ordinary and plain to unique, eye-catching, tangible, and memorable.

But, despite this, for lots of designers, stripping your design’s palette back to just black and white might not seem like a viable option, or it might not even have crossed your mind.

In this list we’ll look at 50 stunning monochromatic designs and hopefully you’ll quickly begin to notice how flexible this small palette really is, and just how easy it is for you to kickstart your own black and white designs. So, let’s get started.

Taking inspiration from traditional or vintage designs is always great, but how can we make our design appear modern and stylish while maintain that old world charm? Well, this website design for The Ordinary manages to do that by combining elegant vintage-inspired type, photography, and textures with a sleek monochromatic palette and clean navigable layout, keeping it charming and traditional, and not out of touch or outdated.

What’s black and white and red all over? This newspaper-inspired branding package by Manitou Design, Shamil Karim and Kristina Udovichenko. This newspaper inspired design uses type, illustrated imagery and a very editorial black and white color scheme to channel Russian traditions.

27. Take Inspiration From Newspapers Manitou Design, Shamil Karim and Kristina Udovichenko

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A lot of optical illusions play on black and white color schemes, so take a leaf from Chloe Galea‘s book and channel that into your design.

Black and white palettes really lend themselves to minimalism, so why not experiment with that? This design by Márton Jancsó channels minimalism by using one photographic/typographic focal point, very little and very simply set type, and a whole lot of white space. Use minimalism to help you redirect focus to your design’s most important focal point.

Want to convey a particular emotion through your design without reaching for a vivid color? Have a go at using expressive type. This design by Sam Wood uses dramatic, hand painted type and a complementary lively and evocative image to channel excitement and drama. So, instead of using bold colors to communicate your message, try to use or create visual elements that pinpoint it in a unique way.

Black and white can seem like a very inflexible palette, but believe me when I say, it’s actually quite the opposite. In fact, black and white is incredible versatile, easy to use, and effective as anything!

Describing a stationary object as having a lot of ‘movement’ can sound a little odd, but check out this design from Paperjam and note how it uses warped bold lines to create a sense of movement and depth. By overlapping the type with the graphic lines, this piece creates the illusion of the type being sucked into the design, giving the piece as a whole a very immersive effect.

Consider complimenting your super simple color palette with a super simple design. This monochromatic design by Cocorrina takes a walk on the mild side by pairing simple, elegant type with one simple graphic and just one focal image. By aligning these elements to the center of the page and upping the amount of white (or grey) space, this design remains stylish, beautiful, and simple. When in doubt, strip back your design and keep it simple.

A great way to highlight the stark contrast between your black and white palette is to create a striking negative space inspired graphic like the one in this poster via Moodboard. By creating this negative space, ambigram-like design (meaning it can be ‘read’ upside down or rightside up) the contrast between the two colors is made much more apparent and sharp. Have a play with negative space, and if you’re a bit more daring, ambigrams, and see what clever things you can unlock!

This angular poster by LaGasulla reminds us that type doesn’t have to sit on a flat plane that extends from the left of the page to the right. In fact, as this piece shows us, sometimes by adjusting the perspective of your elements, you can create an intriguing appearance of dimension and depth.

Quick note: If you’re using busy monochromatic lines like this example, be sure to balance it out with blocks of white or black (again, as this example does) to prevent the design from becoming overwhelming.

This 1993 poster by Armin Hofmann amps up the image contrast to bring out the lighter tones of the image, which helps to highlight the shapes and curves of the image. These highlighted curves are also contrasted with a sharp graphic that mimics the shape of the photograph and helps to both sharpen the image up and add a new layer of meaning.

Negative space refers to the space around a design, and the shape that space makes. This design by Mieczysław Wasilewski uses negative space to create a strong graphic that visualizes the titular concept. Consider using your bold black and white palette to create a strong, clever negative-space inspired design that packs a punch.

We tend to think of patterns as colorful, geometric things, but check out this monochromatic design by Pharaoh that instead uses elegant and detailed illustrations to form a branded pattern. The combination of mysterious, beautifully drawn elements and the sharp black and white palette make this branding kit effective and striking.

White space is a magical tool in the world of design, but it’s important to remember that it doesn’t always have to be white. In the case of this design by Philippe Apeloig, the white space is black, but it acts just like any other piece white space out there would – it frames, declutters, simplifies and lets the design ‘breathe’, putting the focus back on the important elements, like that clever dimensional typographical title.

Type is something that is always effective when executed in black and white, so why not scale it up and make it a focal point? This design by Pedro Arbeláez does just that by mish-mashing scaled-up and scaled-down type, creating a very effective design that blurs the line between body copy and titular type, transforming the type into the main visual element of this design.

Another way to add texture to your design is by breaking out the watercolors and adding some soft watercolor effects to your elements, just as this save the date card by A Fabulous Fete does. By pairing this with the elegant, effortless script type, the clean white space and the simple body copy, this soft texturing can disrupt that clean, stark effect, and add a little organic touch.

This design by Themes channels the op-art movement by creating a striking and engrossing illusion that requires you to literally take a step back to appreciate its true form. This design plays on the contrast between black and white to create this ‘hidden’ illustration, proving that not only is black and white a good looking duo, but a highly flexible one too!

Want to add something unique to your design? Consider framing it in a mysterious or atypical way. This intriguing poster design by Przemek Bizoń takes a bit of a unique approach to framing by only revealing segments of the underlying monochromatic image, which adds interest and a unique touch to the design. Plus, these block-like frames help make aligning elements much easier and faster – two birds, one stone.

When paired with a black and white palette, geometric patterns can be really striking, as you can see in this design by Demian Conrad. A really cool thing about this piece is how it explores the makeup of various patterns, and how by overlapping some of them, new patterns are formed. Have a play with layering and mixing up your pattern designs and see what you can come up with!

This branding design by Bureau Hofmann goes geometric by pairing a sharp flat black and white color palette with bold, heavy, shape-based letterforms. Heavily geometric branding can very easily look playful and quirky if a vibrant color scheme is used, but by using the simple black and white palette in this example, this design is kept strong, professional and punchy.

The beauty of black and white color schemes is that you can take your design and simply invert the colors and you have a whole new (still functional and effective) design in your hands. This invitation design by Robot Food does just that by having half the invitation as white on black and the other half inverted as black on white, creating a bold contrast between the two designs.

Consider pairing your sharp monochromatic color scheme with some bold lines to create a unique and stylized effect. This beautifully balanced piece by MUTI does just that with its symmetrical wire-like design, built up of bold white lines that contrast sharply against the black background, creating a stylish and evenly balanced illustration, jam packed full of symbols, illustrations, and a whole lot of character.

This design by Jean-Michel Verbeeck is very simple, right from the color palette down to the composition which only consists of title type, body copy, an image and a frame. The simple addition of the frame to this design not only draws attention into the content, but highlights the stark difference between the main two tones.

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This design by My Little Fabric pairs an elegant and detailed illustration with a crisp white transparent frame and elegant type to create a super simple, classic design. The contrast of the sharp graphic against the traditional serifs and illustrations keeps this design fresh and modern, while still retaining that vintage-inspired charm.

Lines are incredibly versatile graphic elements, and when paired with a stark black and white palette, there’s no stopping them from being really striking. This design by Demian Conrad makes the most of this device by using a mix of straight and curvy lines to frame and draw attention toward the title type.

A great way to let your type and imagery interact in an interesting way is to let them layer, just as this beautiful monochromatic example by Jordan Hu does. By layering letters, words, and little chunks of type over the image in a way that highlights the image’s shapes and dimensions, this piece creates a delicate and natural effect where no one element overpowers the next.

28. Create Clever Negative Space Illustrations via Moodboard

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So, next time you’re sitting down and getting ready to design a poster, invitation, or brand kit, just take time to consider cutting your color palette right down to just black and white. It might be a bit of a challenge at first, but trust that the end result can really pack a punch.

Type is how we communicate ideas and thoughts, so make sure people pay attention to your type by embellishing it with a sharp black and white palette and stunning typographic composition, just as this design by Friends of Type has done. This beautiful (entirely hand crafted!) piece uses a mishmash of shapes, typographical styles and bold and thin lines to bring this Bueller quote to life.

Got a lot of information to include on one page? Consider breaking that info up into separate blocks by using sharp, fine lines, just as this example by Amanda Jane Jones does. This piece divides the elegant monochromatic type and imagery into a modular grid which creates a strong structure and very neat composition.

Canyon Glow Excellent Capture! Got Ya! Reaching the sun Monument Valley Perfect Infinity They don’t, do you?… Chapman MOP Coppersmith Happy musician Hot dog Bull fight Ambiguity southern comfort To Drink La Familia The Flight when time stood still Embracing the Wind Parangtritis Galaxy Vulture When a pic tell a story the signalman A Resting King Lost in your Smile shootout Bo Give me your sadness lives on hold

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If there’s one thing all creative industries can agree on, it’s that black and white is a timeless duo.

Textures are one of the most ubiquitous design elements around, and you can easily (and effectively) adjust them to fit within your new monochromatic palette. This design by Axel Lokrantz Månson uses a monochromatic marbling texture to add a simple, unique effect to what is otherwise an extremely simple design.

Want to build a clean, sophisticated website? Consider going back to basics and experimenting with a monochromatic design just as Adam Widmanski has done in this example. By limiting your interface and image color scheme to black and white and pairing it with a minimal, well-aligned layout, you can create a more clean, cohesive and united design.

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They say black will never go out of style, so your secret weapon when it comes to creating a timeless and stylish design is to go monochromatic. This website design by Creative Riot does just that by using a light monochromatic palette, clean images, wide margins, and super simple type to stay fresh and very stylish.

Want your design to really pack a punch? Scale it up! This editorial spread design by Purpose does just that by scaling up its typographical elements to create bold and daring spread designs. Plus, by scaling up (mostly) sans serif typefaces, this piece creates new shapes for other elements to align against, making this bold black and white layout very neat and organized too.

This movie poster by Kyle Kim blurs the line between illustrations and type by constructing a striking title out of sharp black bird silhouettes, which when contrasted against the white background form the title type. The use of clustered elements and the radial composition draws attention in toward the title and then out toward the exterior information, making this monochromatic design not only cool and clever, but functional too.

Photography genre in which the artist makes a photograph of a concept or idea. Usually the conception of the idea precedes the realization of the photography. So enjoy and let us know by commenting below:

As the designers note, “Traditional russian way of packaging is newspaper. So why not to follow traditions? We have collected in our newspaper some funny stories, statements and anecdotes for reading with a glass of beer”.

If you’re looking for a way to add a lot of cinematic drama to your design, check out this movie poster by Kate Marie Koyama Design. By pairing monochromatic photographs, bold, stacked sans serif type, and pronounced stripe cut outs, this design channels the dark tones and venetian blind shadows of film noir to create a mysterious, engrossing design.

There are many different types of photography and black and white photography is one the beautiful type which required more techniques rather then any other photography type. We know you are already seen lots of black and white photos and this is not extraordinary black and white photos collection but we trying to gather beautiful photos that can touch your sole with his perfection.

Enjoy all the beautiful photos. All photos are simply amazing … I could imagine having several of these as my personal photos collection.

Like bread and butter, monochromatic palettes and letterpressing effects just naturally fit together. Don’t believe me? Check out this branding kit by Anastasia Yakovleva that uses a sharp letterpressing effect to bring depth and tactility to the bold black and white design.

Why have just one business card design when you can have four? This design by Shutterfly via The Tomkat Studio plays up on the flexibility of black and white palettes by creating four different geometric pattern-based card designs. Consider mixing and matching your monochromatic patterns and designs to keep things fresh and new!

his design by Helmo creates an engrossing effect by slicing and dicing each image and piecing them back together. The use of the sophisticated monochrome palette keeps this experimental design from becoming overwhelming, and the geometric shapes within the split images helps align the type and graphic elements in a neat, presentable way.

When it comes to branding, we often assume that a brand has to have a signature color, but as this branding kit by Miklós Kiss proves, a monochromatic palette can be just as effective as any signature color. By using sharp lines, an intricate logotype and bold graphic elements, this branding kit stays professional and clean while still effectively memorable.

Taking inspiration from anywhere and everywhere is often the best way to unlock a simple and clever idea. For example, this poster design via Fumettologicamente for an architecture conference takes inspiration from blueprint design by using fine lines to create a structure around the focal graphic element. This simple concept is complemented by a simple design and palette to make it a smart and powerful piece.

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This beautiful branding kit by Demian Conrad uses a stunning black and white palette to give an organic marbling concept a sharp and professional execution. By creating organic, flowing, marble-like shapes and executing them in a sharp monochrome, this design remains sharp and professional, but with an organic, softer touch, creating an all-round memorable visual for the brand.

Black and white color schemes are already pretty bold, so consider complementing that with an equally as bold design. This branding set by Studio—JQ and Matt Wilson uses scale to help the brand mark pack a punch and act as the main visual focal point.

We’ve had a look at a few examples of how effective black and white lines can be, and this example by Mário Rodrigues is no exception. In this case, the use of bold stripes acts as a focal point of the design as it perfectly complements the bold, line-based logo, making it a natural choice for this branding kit.

Who said frames have to always be square? And on that note, who said frames have to include the whole image? This design by Bili Cardona disregards these notions of frames by instead framing his focal image within a pattern of geometric shapes. These sharp shapes contrast neatly against the monochromatic image and bring a unique, modern flair to the design.

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34. Mix and Match Geometric Shapes Shutterfly via The Tomkat Studio

Over to You – Get Started With Your Own Black and White Palettes!

For more letterpressing inspiration, be sure to check out these 50 stunning letterpressed business cards to help get you inspired.

What fun is design if you can’t break the rules every now and then? This monochromatic design by Mash Creative bends a few traditional typographical rules by running the type off of the page at various points, and not aligning the entire title to one point. But, the effect of this is a really stunning, eye-catching and engaging poster.

Please feel free to join us and you are always welcome to share your thoughts even if you have more reference links related to other tips and tricks that our readers may like.

40. Detailed Illustrations vs. Sharp Graphics My Little Fabric

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A black and white palette is a classic for a reason, you can work it to become just about anything you want it to be – classic, sharp, modern, or traditional. All it takes is the right application, the right intent, and you’re ready to go.

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