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Best Black And White Nature Photographers.

Take Control. Although coloured filters can still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the favorite means of turning colour images monochrome, but now Adobe Camera Raw has more strong tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations can become unnatural looking. And adjusting the brightness of a red or pinkish shirt with the red sliding control, for moment , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls may also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create separation between objects of the same brightness but with diverse colours.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are just as advantageous in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is collaborative when you want to retain detail in a bright sky while a polarizing filter can be used to decrease reflections and boost contrast. Alternatively, estimate taking two or more shots with unique exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, can also be advantageous for manipulating contrast in digital images. They work by darkening objects of her opposite colour while lightening objects of their own. An orange filter, for example, will darken the blue of the sky while a green one will lighten foliage.

Shoot RAW + JPEG. The most excellent monochrome conversions are found by chance by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As most photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. numerous cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact pathway cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users should also do this if they activate their camera’s live sneaking suspicion roadway , but the usually slower responses mean that many will find it preferable or check the image on the screen post-capture.

Try Long Exposure. Long exposure shots could work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this may help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If compulsory , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). characteristically , when exposures extend farther than concerning 1/60 sec a tripod is wanted to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would straight away be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dowdy straight from the camera. happily , it’s possible to work adjust the brightness of these two colours singly to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some strong blacks and whites. This could be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, may inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the most excellent composition.

Dodge and Burn. Dodging and burning is a system that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers can only hope of because you could target the highlights, shadows or mid-tones with both. This means that you can use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten them to grow local contrast. It’s a good manner of giving a sense of superior sharpness and enhancing texture. Plus, because you should set the opacity of the tools, you can build up his effect gradually so the impact is crafty and there are no hard edges.

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© Henri Cartier BressonTop 10 photographers who influenced photography to become what it is today (and any serious photographer should know)

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When we’re talking about documentary photography an extensive list of photographers come to mind but Dorothea Lange surely was one of the most prolific in this genre. She received a lot of recognition with her series of photos of migrant families. She documented the consequences the Great Depression had on displaced farm families, commissioned by the Farm Security Administration  When looking at her most famous photograph Migrant Mother, it reminds me, despite the obvious lack of colour, so much of Steve McCurry’s Afghan Woman. I’d say, that Migrant Mother is the Mother of this Afghan woman on more than one level.

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2. Richard Avedon: One of my favourite portrait/fashion photographers who created many iconic photographs of celebrities

Quote: “To photograph is to hold one’s breath, when all faculties converge to capture fleeting reality. It’s at that precise moment that mastering an image becomes a great physical and intellectual joy”

Quote: “I am convinced that any photographic attempt to show the complete man is nonsense. We can only show, as best we can, what the outer man reveals. The inner man is seldom revealed to anyone, sometimes not even the man himself.”

4. Robert Capa – 1913 – 1954 – War photographer, photo-essayist, co-founder of Magnum. His most famous, and at the same time a disturbing and iconic photograph, is a photo of the Spanish Civil war that depicts a man at the moment he’s being shot to death, called The Falling Soldier.

 The term Generation X was coined by Capa, who used it as a title for a photo-essay. During the first Indochina war, while being commissioned for a photo reportage of that war, he stepped on a landmine and became one of the casualties of one of the wars he documented so successfully.

The photographers are randomly ordered and the order doesn’t reflect any ranking nor does this pretend to be an extensive list.

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1. Edward Steichen 1872 – 1970 – The most famous representative of the so called pictorialism movement, an art movement that dominated the start of the last century. Considered to be the very first fashion photographer, creator of The Pond – Moonlight, which was the most expensive photograph ever with a price tag of almost $3,000,000 until the likes of Andreas Gursky, Cindy Sherman and Peter Lik broke that record.

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Quote: “Dodging and burning are steps to take care of mistakes God made in establishing tonal relationships”

One of the greatest portrait and editorial photographers of the past century who made many famous portraits of equally famous people. From Muhammed Ali and Kennedy to Churchill, Bogart and Hepburn: they were all iconized in front of Karsh’ camera. Karsh was known to give significant importance to the hands of his subjects, as any good portrait photographer would do, and he would lit their hands separately. Many of his photographs are familiar to many people even though they might not know the artist behind it.

Quote: “It’s not always easy to stand aside and be unable to do anything except record the sufferings around one.”

5. Nick Brandt: Still alive and relatively young compared to the mostly deceased photographers listed here. He documented the disappearing world of the African landscape, mainly wildlife with a strong fine art approach.

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Steichen partnered with Stieglitz in 1900, which resulted in the making of Camera Work.

Edward is regarded as one of the great American photographers who mastered the landscape, the portrait and the still life photograph. Especially known for his famous photographs of a pepper that many photography students still try to emulate. What not many people know is that Weston described the concept of pre-visualization at least ten years earlier than Ansel Adams who made this a term that every photographer today knows about. Together with Ansel Adams he was part of a group of San Francisco photographers called Group f/64 who emphasized the precisely focused and correctly exposed subject.

3. Henri Cartier Bresson – 1908 – 2004 – Street photographer, photo-essayist, co-founder of Magnum photography. H-C B coined “The Decisive moment” to reflect that there’s a unique moment in photography when everything falls into place for the perfect composition to express a meaningful message.

It’s highly intuitive and it cannot be repeated. Bresson was a master at that and created many iconic photographs that expressed this “Decisive moment’ and hereby elevating street or candid photography to an art form.

Many street photographers after him have tried to capture the Decisive moment photograph, but only a few succeeded. One of them who should be mentioned is Andre Kertesz from whom Bresson gained inspiration.

Kertesz called his Decisive Moment, “The delayed snapshot”.

2. Alfred Stieglitz 1864 – 1946 – Some say he’s the spiritual father of fine art photography. Founded Camera Work, a quarterly journal, considered to be the best and most beautiful photo magazine ever made.

Created a series of photos that only depicted clouds without any other reference points, called Equivalents, which can be seen as the start of fine-art in photography. Later on, Minor White wrote a famous essay on Equivalents, explaining Stieglitz’ concepts behind Equivalents.

The clouds as subject matter didn’t matter, it was the feeling conveyed and the symbolism that mattered. Stieglitz was also a friend of Steichen and co-founder of the Photo-Secession, a movement that promoted fine art photography.

Creator of iconic photographs like the Steerage, Spring Showers and several series of portraits of Georgia O’Keeffe

Of course this list doesn’t pretend to be an exhausting list; I could name at least a dozen other photographers who were equally important in the development of fine art photography in the past century.

But then it wouldn’t be a top 10 obviously. But if you’re interested I’m listing five other names here that are worth looking up and exploring:

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5. Ansel Adams 1902 – 1984. Arguably one of the best known American photographers. The way we perceive and assess a black and white photograph up to this day, is largely formed by Ansel Adams’ contributions for elevating black and white photography to an art form.

The term zone system was invented by him and he described how a good black and white should look like: good coverage of all tonal zones and a result of perceiving a scene in his mind’s eyes: visualization.

His knowledge and teachings are documented in a 3 Volume book called “The Camera”, “The Negative” and “The Print”, which is considered to be the best text book on (black and white) photography ever written and largely still apply to modern day’s digital photography.

Adams was also known for manipulating his images in the dark room to align it with his vision, his ‘pre-visualization’, rather than to accept the original negative as it is. Look at the video to get an impression of Adams’ post processing in the darkroom and how much he manipulated his images and how his famous photograph “Moon over Hernandez” looked like in a straight print without any manipulation.

Long exposure black and white minimalistic photography is quite a popular genre the last years and is still gaining in popularity. But despite the long list of great long exposure photographers of late it all started with Michael Kenna. Perhaps not the first long exposure photographer – who can tell? – but surely the photographer who was at the start of long exposure photography as a very popular genre. Kenna’s long exposure photographs are often times focused on night time long exposure photography with exposure times extending to 5 hours or more, of course using analog cameras. But besides the typical long exposure photographs with mainly seascapes and a famous series with nuclear power plants, called Power Station, Kenna also created a breathtaking series of lone trees in the snow. Michael Kenna, truly an artist who had a decisive influence on today’s photography.

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1. Julius Shulman: One of the greatest architectural photographers ever.

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4. Hiroshi Sugimoto: Japanese artist whose work can be seen on the U2 Album cover, ‘No line on the horizon’

by Joel Tjintjelaar | Mar 24, 2015 | Blog, most popular | 6 comments

I’ve compiled a list of famous photographers who have had a decisive influence on photography as an art form as we know it today. I’ve categorized the photographers in several genres that are considered fine art genres.

If you’re a serious photographer and don’t know the photographers or their work yet, then you really should start getting to know them!

Quote: “When one sees the residuum of greatness before one’s camera, one must recognize it in a flash. There is a brief moment when all that there is in a man’s mind and soul and spirit may be reflected through his eyes, his hands, his attitude. This is the moment to record. This is the elusive moment of truth”.

Environmental portrait photographer. Arnold Newman took the art of portraiture to another level by trying to include the natural habitat of his subjects in his photographs. Newman did that in a way that also gives an indication of the profession and passions of his subjects. Many times he framed his subjects, very often other famous artists like painters, musicians and architects, in such a way that they became part of their own artistic creations. Newman kept records of his photography sessions in so called ‘sitting books’ in which he would record details of that session.  The two pages below depict the sessions with composer Igor Stravinsky for probably his most famous environmental portrait photograph.

Quote: “I am trying here to say something about the despised, the defeated, the alienated. About death and disaster, about the wounded, the crippled, the helpless, the rootless, the dislocated. About finality. About the last ditch.”

Quote: “Anything that excites me for any reason, I will photograph; not searching for unusual subject matter, but making the commonplace unusual.”

Back in 2007 on a episode of the Antiques Roadshow, a collection of 23 issues of Camera Work was valued at a price of $ 60,000 to $ 90,000. You can view the entire collection of images that Camera Work published on photogravure.com.

Quote: “Photographing at night can be fascinating because we lose some of the control over what happens in front of the camera. Over a period of time the world changes; rivers flow, planes fly by, clouds pass and the earth’s position relative to the stars is different. This accumulation of time and events, impossible for the human eye to take in, can be recorded on film. For the photographer, real can become surreal, which is exciting. During the day, when most photographs are made, scenes are usually viewed from the vantage-point of a fixed single light source, the sun. At night the light can come from unusual and multiple sources. There can be deep shadows which act as catalysts for our imagination. There is often a sense of drama, a story about to be told, secrets revealed, actors about to enter onto the stage. The night has vast potential for creativity.”

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Quote: “It is not art in the professionalized sense about which I care, but that which is created sacredly, as a result of a deep inner experience, with all of oneself, and that becomes ‘art’ in time.”

Quote: “Photography is a medium of formidable contradictions. It is both ridiculously easy and almost impossibly difficult. It is easy because its technical rudiments can readily be mastered by anyone with a few simple instructions. It is difficult because, while the artist working in any other medium begins with a blank surface and gradually brings his conception into being, the photographer is the only imagemaker who begins with the picture completed. His emotions, his knowledge, and his native talent are brought into focus and fixed beyond recall the moment the shutter of his camera has closed.”

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