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Best Photo Shot Black And White.

Try Long Exposure. Long exposure shots could work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this may help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If required , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). naturally , when exposures extend farther than as for 1/60 sec a tripod is wanted to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are just as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more useful . An ND grad is supportive when you want to retain detail in a bright sky while a polarizing filter may be used to reduce reflections and boost contrast. Alternatively, judge taking two or more shots with different exposures to create a high dynamic range (HDR) composite. Don’t be anxious to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, should also be advantageous for manipulating contrast in digital images. They work by darkening objects of their opposite colour while lightening objects of her own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

Shoot RAW + JPEG. The greatest monochrome conversions are lighted on by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As most photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. most cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact style cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users can also do this if they activate her camera’s live assumption procedure , but the usually slower responses mean that many will find it preferable or check the image on the screen post-capture.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would right away be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dreary straight from the camera. fortunately , it’s possible to work adjust the brightness of these two colours singly to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some strong blacks and whites. This should be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, should inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the unsurpassed composition.

Take Control. Although coloured filters could still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a some years ago Photoshop’s Channel Mixer was the preferred means of turning colour images monochrome, but now Adobe Camera Raw has more powerful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations may become unnatural looking. And adjusting the brightness of a red or pinkish shirt with the red sliding control, for moment , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls can also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create segregation between objects of the same brightness but with diverse colours.

Dodge and Burn. Dodging and burning is a channel that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers may only thought of taking a degree of because you could target the highlights, shadows or mid-tones with both. This means that you could use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten up them to increase local contrast. It’s a good convention of sharing a sense of superior sharpness and enhancing texture. Plus, because you can set the opacity of the tools, you should build up his effect gradually so the impact is subtle and there are no hard edges.

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A post shared by D.Bledsoe (@dameonbledsoe) on Oct 13, 2016 at 8:44am PDT

Do you have any sure-fire tips and tricks to shooting black and white photography with your iPhone? Are there any tools that you use to get you that perfect iPhone masterpiece?

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Texture can be as simple as the gravel on the sidewalk or as complex as a massive wall of flowers and vines. You could even use a macro lens to pick up on textures of tiny little things you wouldn’t normally be able to shoot: you just need to think outside the box and shoot a variety of subjects!

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If you’re looking to snap some killer black and white photography with your iPhone, there are some handy tools, tricks, and tips you can pull out of your back pocket to shoot something that’s truly breathtaking.

Reality is made up of circles, but we see straight lines. (Peter Senge)

When you shoot textures in black and white, if the contrast is high enough and the photo is clear enough, you’ll get a striking, captivating, interesting-to-look-at photograph: all you need is your iPhone and a whole lot of texture.

A post shared by A&R Photography (@a_and_rphotography) on Sep 4, 2016 at 1:48pm PDT

Let us know what your best advice is for shooting in black and white, and don’t forget to link to your social media accounts so we can see your beautiful black and white photography!

A post shared by marekkuko (@marekkuko) on Aug 25, 2016 at 9:01am PDT

External lenses can also amp up the quality of your iPhone photographs, even making them look like they were captured with a DSLR camera.

Hi There,I thought this little photo snippet may be of interest to you next time your looking for some photo inspiration.Don’t discount what might initially seem a dull and flat scene. With a few tricks you can transform them into stunning black & white photos.Enjoy,KarlSAVE 50% on ALL our DVD courses while they’re in stock: http://bit.ly/50percent-OFF—————————————Get more photography tips using the links below:Learn about photography kit here: http://www.karltaylorphotography.com/…Beginner Photographer Tips: http://www.karltaylorphotography.com/…Advanced Photographer Tips: http://www.karltaylorphotography.com/…Pro-Photographer Tips: http://www.karltaylorphotography.com/…See my commercial photography in more detail here: http://www.karltaylorportfolio.comFacebook: https://www.facebook.com/KarlTaylorPh…Twitter: https://twitter.com/karltaylorphoto*********************Don’t miss the next LIVE online photography workshop:http://bit.ly/karl-taylor-online-work…

A post shared by Daniel (@dan__with__cam) on Jan 28, 2017 at 3:50pm PST

If you’re looking to shoot in black and white with your iPhone, one thing that you might want to keep your eye out for is extreme/varied texture.

Speaking of perfection, you’ll have the most editing control over the overall quality and final product of your black and white masterpiece if you shoot in color. Adjusting things like tone and saturation matters, regardless of whether or not there’s color at the end of the editing process.

A post shared by cella lao rousseau (@hellorousseau) on Apr 20, 2016 at 11:28am PDT

If you’re someone who’s frustrated with shooting with their iPhone because they think their low-light photos are poor quality and not as crisp, or if you’re someone who struggles with shooting high-quality iPhone photos like that which are displayed online and in Apple ads, try shooting in bright lighting, or with different, stark, bold, lighting choices, like christmas lights or sparklers!

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The Your Best Shot 2017 Flickr group has 5,000+ members who have uploaded nearly 4,000 photos to the pool so far. If you haven’t already joined the group, we encourage you to upload your single best photo taken this year before you miss your chance on January 5th, 2018! Here is a selection of our favorite black and white images.

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Here’s how to shoot the best black and white photos on your iPhone.

This could mean the rough, crumbling brick of an older building downtown, the jagged, sharp glint of broken car window glass in the sunlight, the wispy, matted fur of your grandmother’s 19-year-old gray cat, or the soft, swirling lines of a soggy piece of driftwood.

One key thing that makes black and white photography of any kind stand out is straight, bold, clean lines. If your black and white photo is contrasted enough, then even a simple line on the street can make your photo all the more powerful and interesting to look at.

When you typically edit a color photo, you need to be careful that you aren’t over-saturating things, making colors too loud and obnoxiously vibrant, and making sure your contrast doesn’t turn your subjects into noseless, hyper-exposed monsters.

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Shooting in black and white can be incredibly striking and powerful. Photographer Ansel Adams showed us the true beauty of mother nature with his striking black and white landscape photographs, while Sally Mann’s stunning black and white portraiture paints a picture of people frozen in time.

Shooting in color allows you to see little details and things you might miss when you shoot in black and white, so it’s always best so shoot in color and edit your photo to perfection in black and white.

You can start practising shooting straight lines by looking around your house and finding straight lines around your environment before snapping and editing them with your iPhone. Do you have a bookshelf full of DVDs? Have a large window that sun beams come through for some added awesome contrast? Are the tiles in your shower picture-ready?

It may seem a bit backwards to shoot your black and white photograph in color and then convert it to black and white, but there are a couple of reasons you do this:

Texture, texture, texture Look for the lines Shoot in color Editing & contrast Lighting matters Lens up your life Texture, texture, texture

You can save a photo or video to a gallery from its detail page, or choose from your faves here.

Changing your perspective is key to shooting in black and white, and one tool that can help is an external lens.

A post shared by marekkuko (@marekkuko) on Jul 6, 2016 at 8:03am PDT

You can also try editing with specifically designed filters that can turn your iPhone photos into black and white beauties with just a few swipes and a tap. VSCO does a really good job of providing a variety of modern, sleek black and white filters for your iPhone photography.

Of course lighting matters with all types of photography (you try taking a breathtaking portrait against a window during a sunny day or snapping a landscape shot at 3 in the morning with a little point-and-shoot camera), but it especially matters with black and white photography.

Wherever there is light, one can photograph. (Alfred Stieglitz)

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When you edit your iPhone photography into black and white, you can be a lot more extreme with your photo editing levels, playing around with huge bursts of contrast, adjusting saturation to extremes to make certain portions of your photos look more emphasized and detailed, and so, so much more.

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Editing is probably one of the most important things you can do to make your black and white photo POP — even more so than shooting in color!

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There are plenty of different lenses that you can find online, and in all honesty, they’re just terrific to have for any type of shoot!

Get creative with your lighting and your black and white photography will shine.

If you shoot a beautifully colored, graffitied wall in only black and white, not only will you limit yourself to an only black and white photo, but you’ll never be able to play around with the colored version, edit it, and maybe even discover it’s better than the black and white version of the photo. TLDR; more options in the long run.

Whether you’re looking to get the texture on a shattered piece of glass with an intimate micro lens or looking to spice up a boring downtown cityscape with the pop of a fisheye, using an external lens for your your black and white iPhoneography can really spice things up.

When you photograph people in color, you photograph their clothes. But when you Photograph people in black and white, you photograph their souls. (Ted Grant)

Experimenting with lines that go in different directions can also be an incredibly cool way to play with people’s eyes, especially since your black and white iPhoneography photos need to depend on the shape of things rather than the color to draw in attention.

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Having stark, sharp, bright, bold lighting can turn a portrait, landscape, or object shot from average to spectacular; it just takes a bit of stepping out of your comfort zone, creativity, and a shift in perspective.

📱 ⬛️ ⚪️ How to shoot the best black and white photos on your iPhone Looking to snap the best black and white photography with your iPhone? Here are a few tips and tricks to keep in mind!

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