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Black And White Music.

Take Control. Although coloured filters may still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a a couple years ago Photoshop’s Channel Mixer was the preferred means of turning colour images monochrome, but now Adobe Camera Raw has more strong tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as subtle gradations may become unnatural looking. And adjusting the brightness of a red or pink shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls could also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create differentiation between objects of the same brightness but with varied colours.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are purely as advantageous in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more useful . An ND grad is cooperative when you require to retain detail in a bright sky while a polarizing filter may be used to decrease reflections and boost contrast. Alternatively, deem taking two or more shots with different exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, could also be useful for manipulating contrast in digital images. They work by darkening objects of his opposite colour while lightening objects of their own. An orange filter, for example, will darken the blue of the sky while a green one will lighten foliage.

Dodge and Burn. Dodging and burning is a manner that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers may only aspiration of because you could target the highlights, shadows or mid-tones with both. This means that you should use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten them to increase local contrast. It’s a great mechanism of giving a sense of superior sharpness and enhancing texture. Plus, because you can set the opacity of the tools, you may build up their effect gradually so the impact is crafty and there are no hard edges.

Try Long Exposure. Long exposure shots may work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this may help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If required , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively). characteristically , when exposures extend farther than on the subject of in connection with 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Shoot RAW + JPEG. The greatest monochrome conversions are fetched up at by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As many photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. most cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact street cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users may also do this if they kick in his camera’s live concept custom , but the usually slower responses mean that many will find it preferable or check the image on the screen post-capture.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would instantly be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and lackluster straight from the camera. happily , it’s possible to work adjust the brightness of these two colours separately to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some forceful blacks and whites. This can be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, should inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the greatest composition.

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ohhhhhh… this video is breathtaking really… I love watching it… and you can’t go wrong with such a beautiful song!



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The 1975 is so talented group. All of their music videos are black & white till now. And this is the best.

oh yeah, scream scream scream… this video looks so fresh, that if you see it now for the 1st time you would probably thinke it’s anew release.

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Michael Jackson’s “Black Or White” was the first of nine short films from 1991’s Dangerous. Directed by John Landis, “Black Or White” features groundbreaking special effects and electrifying dance sequences. The original full-length short film premiered simultaneously in 28 countries for a record-breaking global audience of 500 million! (This edited version was created for mainstream airtime after controversy arose over the final “panther sequence.”)Buy/Listen to Dangerous: Amazon –… iTunes –… Spotify –… Written and Composed by Michael Jackson Rap Lyrics and Intro by Bill BottrellProduced by Michael Jackson for MJJ Productions, Inc. and Bill BotrellExecutive Producer: Michael JacksonFrom the album Dangerous, released November 26, 1991Released as a single November 11, 1991THE SHORT FILMDirector: John LandisPrimary Production Location: Los Angeles, CaliforniaMichael Jackson’s short film for “Black or White” was the first of nine short films produced for recordings from Dangerous, Michael’s fourth album as an adult solo performer. As a single, “Black or White” was an international sensation, topping the charts in 20 countries in 1991 and 1992, including the United States, Canada, the United Kingdom, France, Spain, Ireland, Australia and New Zealand.”Black or White” was certified Gold and Platinum by the Recording Industry Association of America on January 6, 1992. The song was also nominated for a Grammy Award for Best Pop Vocal Performance – Male in 1993. Both “Black or White” and its follow-up “Remember the Time” received BMI Urban Awards in 1993 for being two of the most performed songs of the year.The ambitious “Black or White” short film again found Michael pushing the boundaries of the “music video” as art form. (This edited version of the short film was created for mainstream airtime after controversy arose over the final “panther sequence.”) An extended prologue stars Macaulay Culkin as a boy whose father (George Wendt) is angered by the playing of loud rock music after bedtime. After being admonished for “wasting your time with this garbage,” Culkin vengefully plugs a guitar into an enormous speaker, blasting his father out of the house and across the globe, still sitting in his easy chair.Follow the Official Michael Jackson Accounts: Facebook –… Twitter –… Spotify –… Newsletter –… YouTube –… Website –…


The best of the best and the greatest of the greatest! The album really deserves such an award. Like it so-so much. X

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1. The Unforgiven – Metallica 2. Love Bites (So Do I) – Halestorm 3. My Immortal – Evanescence lukestheman4

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XFeaturedTop Ten Musicians Who Died in Their 30sGg2000XTrendingBest Songs of 2018XTrendingBest Singers of 2018TeamRocket747Best Songs of All TimeBest Singers of All TimeBest Guitarists EverBest Eminem SongsBest Metallica SongsTop 10 Linkin Park SongsBest Green Day SongsRockerboyBest Albums of All TimeBest Female Singers of All TimehayreanmarjonBest Avenged Sevenfold SongsGreatest Music Artists of All Timecamp0112Best Beatles SongsTop Ten Best Music GenresRHCPfan

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I love metallica, they are my favourite band and always will be, This is one of there best songs ever. METALLICA RULES! – dragon13304

Flawless performance by the two Jackson siblings which will stand the test of time for centuries to come. One of the very few videos that sound just as good as it looks and vice-versa.

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It’s incredible that I gotta add this song… 30 things befored JUDAS PRIEST? WTF? – rock2metal

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1. Vogue – Madonna 2. Back To Black – Amy Winehouse 3. Rhythm Nation – Janet Jackson listener97

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I LOVE this music video. The direction, dance moves, the song, everything is just so perfect! – TheSudhanva

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Great storyline and beyonce puts a lot of emotion into the video.

1. Back To Black – Amy Winehouse 2. Vogue – Madonna 3. One – Metallica Magnolia

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This one is epic! It’s everything Madonna is about! Visual masterpiece, full of art…


Evanescence changed rock music for woman! This song was pivotal.

I love how Metallica actually bought the rights to “johnny got his gun” which is the movie in the music video – munkee_linc97

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Category Music Song Black or White Artist Michael Jackson Writers Michael Jackson Licensed to YouTube by SME (on behalf of Epic/Legacy); SOLAR Music Rights Management, MijacCatalog, Downtown Music Publishing, ASCAP, UBEM, and 14 Music Rights Societies

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This video is a tremendous influence. The most expensive video ever made and it looks super slick. Thanks to MJ and Janet! Love you forever!

when she is sitting on the bus steps, with her long black hair, short dress and tights, she looks incredible! she is not as sexy when she is dressed as elvis in the video though lol! – dananana

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Natural, no computer. Others followed it in style and scheme.

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