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Black And White Photo Nomination.

Dodge and Burn. Dodging and burning is a road that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers can only thought of taking a degree of because you may target the highlights, shadows or mid-tones with both. This means that you may use the Burn tool to darken highlights when they are too bright, or the Dodge tool to perk up them to increase local contrast. It’s a good lane of sharing a sense of greater sharpness and enhancing texture. Plus, because you may set the opacity of the tools, you can build up her effect gradually so the impact is crafty and there are no hard edges.

Shoot RAW + JPEG. The unsurpassed monochrome conversions are got as far as by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As many photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. most cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact track cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users can also do this if they kick in her camera’s live conception routine , but the usually slower responses mean that most will find it preferable or check the image on the screen post-capture.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would instantly be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and lackluster straight from the camera. fortunately , it’s possible to work adjust the brightness of these two colours discretely to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some powerful blacks and whites. This could be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, can inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the most excellent composition.

Try Long Exposure. Long exposure shots may work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this should help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If required , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively). typically , when exposures extend beyond concerning 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Take Control. Although coloured filters may still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a some years ago Photoshop’s Channel Mixer was the preferred means of turning colour images monochrome, but now Adobe Camera Raw has more powerful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust one of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as subtle gradations may become unnatural looking. And adjusting the brightness of a red or pink shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls can also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create separation between objects of the same brightness but with diverse colours.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are merely as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more useful . An ND grad is collaborative when you want to retain detail in a bright sky while a polarizing filter can be used to reduce reflections and boost contrast. Alternatively, evaluate taking two or more shots with diverse exposures to create a high dynamic range (HDR) composite. Don’t be anxious to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, could also be useful for manipulating contrast in digital images. They work by darkening objects of her opposite colour while lightening objects of her own. An orange filter, for example, will darken the blue of the sky while a green one will lighten foliage.

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It’s not just that these photos are now maybe 10-15% of the content I’m seeing on Instagram and Facebook, but it’s also that if you are a lackey who gets sucked into this, you have to post SEVEN times. If you’re anything like me, you’re selective of what you post and where. That’s kind of the allure of Snapchat and Instagram’s stories in that you can half-ass post something knowing it will go away and it won’t clutter up your pages. Not only does this make you post something on your page, you have to do it SEVEN TIMES. For me, that’s like two months of content. It basically dilutes the quality of your personal page and feed.

In my day, the word challenge implied that something was actually, well, challenging. Remember 2014’s Ice Bucket Challenge? Hackneyed and pointless or not, it was at least a genuine ordeal. Or what about the Kylie Lip Challenge? Against medical advice, kids defied one another to get their lips to swell using shot glasses as vacuums. Now that was a challenge. Even the Mannequin Challenge required some effort: You try freezing in place and making a decent video of it.

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No people? Everyday life? I’m sorry, but life (or at least mine) is not that scenic or artistic. I work from home. Yesterday, the only time I left was to get a smog check of my car. None of that warrants a photo. None of my friends are clamoring for a black and white photo of my office or my car getting smog checked. Let’s say you could take a few good black and white photos. That’s still just a few! You have to do this for seven straight days.

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If you tag me to do this, you’re basically giving me a homework assignment. You’re asking me to take some time out of my day for a full week. Time is precious and any social media trend that requires my time needs to have some type of payoff. This doesn’t. I wouldn’t like doing it and 98% of whoever follows me wouldn’t either.

The Facebook and Instagram 7-day Black and White Challenge is terrible and needs to be stopped Just say no.

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Seven days, seven photos in black and white of your everyday life. No explanation, no people.

One frequently heard complaint about Facebook, at least among those of us who signed up in college before anyone else could, is that it’s overrun with photos of people’s kids. (Sorry, parents!) But even a few days of #7days7photos—so many black-and-white fences and faux-pensive shots of cats!—is enough to make anyone nostalgic for the endless streams of baby photos.

As with the Ice Bucket Challenge, photographers are encouraged to tag friends to rope them in, one friend for each of the seven days. I hope a lot of people decline or politely forget to participate, because if everyone who’s tagged starts posting photos in this vein, we’re going to have to burn down Facebook. (As if all the Russian-purchased ads weren’t bad enough!) Facebook was already corny, but taking the people out of it and rendering it all in pretentious black and white is one thumbs-up more than I’m willing to dole out.

Remember the Ice Bucket Challenge? I hated that too, but you know what? It was for a good cause. Reportedly, it raised $100 million for ALS research. Yes, it was a bit obnoxious and a nuisance, but seeing Ice getting dumped over your douchey boss’s head was entertaining. But even as these videos got stale, it was good to know participants were doing this to drive awareness to a specific cause. Sure, there are 20 billion things probably better than posting a video of you pouring ice on your head, but at least this qualifies as somewhat of a good thing. The photo challenge, though? There is nothing redeeming or good about it.

Photo illustration by Natalie Matthews-Ramo. Photos by Natalie Matthews-Ramo and Thinkstock.

Since when does posting photos to Facebook constitute a challenge? That is one of the main points of Facebook! Many people can’t leave the house without posting a photo on Facebook. So to frame this as a challenge is just asking for trouble. The prompt to eschew color, people, and explanatory text has given participants free rein to post cringe-worthy “arty” pictures they’d normally have the good sense to be embarrassed by: their shadow-dipped lattes, their brooding pets, their kids’ tilted-over toys, often framed diagonally to add that extra “I’m doing serious photography” edge. The leaves! The cars! The fences! I saw one photo of a faucet, for some reason.

Social media can be a good thing. Staying connected with friends and giving you moments of stimulation when commercials come on and you’ve sat on the remote and can’t find it. But don’t be a sheep and just go along with this latest fad. I don’t know what I’d do if someone challenged me (murder is too harsh, but drawing blanks here for an alternative response), but when your time comes you’re going to have to make a decision. Just remember you’ll be remembered for how you respond. Don’t stand on the wrong side of history on this one.

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Well said. Beyond that, here are some additional beefs I have.

Seven Days, Seven Photos of Pensive Cats The pretentious “challenge” taking over Facebook is neither a challenge nor a good meme.

I’m going to ask the obvious question here: Since when does posting photos to Facebook constitute a challenge? That is one of the main points of Facebook! Many people can’t leave the house without posting a photo on Facebook. So to frame this as a challenge is just asking for trouble. The prompt to eschew color, people, and explanatory text has given participants free rein to post cringe-worthy “arty” pictures they’d normally have the good sense to be embarrassed by: their shadow-dipped lattes, their brooding pets, their kids’ tilted-over toys, often framed diagonally to add that extra “I’m doing serious photography” edge. The leaves! The cars! The fences! I saw one photo of a faucet, for some reason. Is this Facebook, or are these the photos that come prepackaged with frames at Ikea? I’ll give partial credit to the people who gave up entirely at creativity and and just took pictures of their cameras or laptops. If anything, this meme should help us appreciate how hard still-life photographers have it and how helpful color and human facial expressions are to the taking of good photos.

“He allows me to learn things and some days I may have to learn the hard way but at least you’re learning them for yourself.”

OK, let’s say you do this. Someone you look up to challenged you and you just give in. The stupid rules to this stupid challenge say you need to challenge someone else to do this every day you post. It’s like a dumb pyramid scheme except nobody makes money and we just have proliferated a bunch of photos of coffee cups.

You’ve seen it by now. At this point, maybe a dozen or more of your “friends” ( or just idiots you were dumb enough to accept a request from) are participating in this pointless growing social media phenomena. If you’re lucky enough not to be subjected to the latest social media annoyance, the basic premise is as follows.

The poster then mentions who “challenged” them and then on each day when they post a photo, they tag someone they’d like to see post seven dumb and boring black and white photos. I’ll let Slate do some of the heavy lifting here as to why this is stupid.

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Following in the illustrious footsteps of these past viral crazes, the challenge that has emerged from 2017’s rubble looks positively wimpy in comparison. It’s the “7 Days, 7 Photos” challenge, and my God is it an insult to the very concept of internet challenges. If you’ve been wondering why people have been clogging your Facebook feed with black-and-white photos, this is why: They’re participating in this so-called challenge to post a photo a day for seven days, but the photos must be black and white and contain no people or explanations. (Of course the “no explanations” rule is broken the second people post that they’re doing this, but I suppose that’s the least of anyone’s concerns.)

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