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A black and white photo to sketch effect in photoshop

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Black And White Photo Sketch Effect.

Try Long Exposure. Long exposure shots should work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this should help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If necessary , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). classically , when exposures extend farther than with regard to 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Dodge and Burn. Dodging and burning is a scheme that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers should only hope of because you can target the highlights, shadows or mid-tones with both. This means that you may use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten them to grow local contrast. It’s a great mannerism of giving a sense of better sharpness and enhancing texture. Plus, because you should set the opacity of the tools, you can build up her effect gradually so the impact is subtle and there are no hard edges.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would straight away be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dowdy straight from the camera. happily , it’s possible to work adjust the brightness of these two colours discretely to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some strong blacks and whites. This could be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, could inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the most excellent composition.

Shoot RAW + JPEG. The most excellent monochrome conversions are run across by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As most photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. numerous cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact mode cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users should also do this if they kick in his camera’s live funny feeling wont , but the usually slower responses mean that many will find it preferable or check the image on the screen post-capture.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are purely as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more useful . An ND grad is supportive when you require to retain detail in a bright sky while a polarizing filter should be used to reduce reflections and boost contrast. Alternatively, think of taking two or more shots with diverse exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, may also be advantageous for manipulating contrast in digital images. They work by darkening objects of her opposite colour while lightening objects of their own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

Take Control. Although coloured filters may still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the favorite means of turning colour images monochrome, but now Adobe Camera Raw has more forceful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust one of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as subtle gradations could become unnatural looking. And adjusting the brightness of a red or pink shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls could also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create differentiation between objects of the same brightness but with diverse colours.

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Change this layers blending mode to multiply so the underlying artwork can be seen then reduce the opacity of the layer to around 50 to produce a much
Black and white pencil sketch the effect after lowering the layer opacity
Add another adjustment layer this time select the black and white option the default settings will suffice to remove the colour and generate more of aFake sketchesThe sketch effect using a lower radius valueChange this glowing edges layers blending mode to multiply to render the white background transparent then reduce the opacity of the layer to aroundGimp sketch effect picture black whiteCreate a black and white drawing effect in photoshop

Click on the Background layer in the Layers panel to select it:

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We need to make a copy of the Background layer. To do that, go up to the Layer menu in the Menu Bar along the top of the screen, choose New, then choose Layer via Copy. Or, for a faster way to duplicate a layer, simply press Ctrl+J (Win) / Command+J (Mac) on your keyboard:

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Go up to the Filter menu at the top of the screen, choose Blur, then choose Gaussian Blur:

This tutorial is from our Photo Effects series. Let’s get started!

The controls and options for the Levels adjustment layer appear in the Properties panel, but we don’t actually need them. Instead, to darken our sketch effect, all we need to do is change the blend mode of the Levels adjustment layer from Normal to Multiply:

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As I mentioned a moment ago, one of the great benefits of applying a filter as a Smart Filter is that we can easily go back and edit its settings later if needed. If we look again in the Layers panel, we see the Gaussian Blur filter listed as a Smart Filter below its Smart Object. If at any point you feel your sketch effect could use a bit more fine-tuning, simply double-click directly on the words Gaussian Blur to re-open its dialog box and re-adjust the Radius value:

Next, we need to invert the layer. Go up to the Image menu at the top of the screen, choose Adjustments, then choose Invert. Or, press Ctrl+I (Win) / Command+I (Mac) on your keyboard for the shortcut:

Then, just as we did back in Step 4, duplicate the Background layer by going up to the Layer menu at the top of the screen, choosing New, then choosing Layer via Copy, or by pressing Ctrl+J (Win) / Command+J (Mac) on your keyboard:

Click OK when you’re done to accept your setting and close out of the Gaussian Blur dialog box. Here’s my result:

We need to move our Color layer to the top of the layer stack. To do that, click on it and, with your mouse button held down, drag the layer upward until you see a white horizontal bar appear directly above the Hue/Saturation layer:

There’s no specific Radius value to choose here since it will depend both on the size of your image and on what you think looks best. For me, I’ll set my Radius value to around 12 pixels:

Here’s what it will look like as a black and white pencil sketch:

When the white bar appears, release your mouse button to drop the Color layer into place:

Photoshop adds a Levels adjustment layer named Levels 1 directly above the Background copy Smart Object (and below the Hue/Saturation adjustment layer):

It is now given to everyone to achieve real hand drawn sketches over any photography, and then turn it into a beautiful online stroke drawing.

If you find that your sketch is now too dark, you can brighten it back up by lowering the opacity of the Levels adjustment layer. You’ll find the Opacity option directly across from the blend mode option at the top of the Layers panel. By default, opacity is set to 100%. I’ll lower mine to around 60%:

The Color blend mode hides all the tonal information (the brightness values) on the layer and allows only the colors to show through, creating our colorizing effect:

This opens the Gaussian Blur dialog box. To create our main sketch effect, all we need to do is apply some blurring to this layer. To do that, click on the Radius slider at the bottom of the dialog box and begin slowly dragging it towards the right to apply a slight amount of blur. Keep an eye on the image as you drag and you’ll see it beginning to look more and more like a sketch. Don’t drag too far, though, as too much blurring will make it look like a photo again. A little blurring is all we need.

We’ve created our main sketch effect, but it’s a bit too light. Let’s darken it, and we can do that using a Levels adjustment layer. In the Adjustments panel again, click on the Levels icon (second icon from the left, top row):

Finally, if the color looks too intense, you can reduce it by lowering the Opacity value of the Color layer. I’ll lower mine down to 65%:

In this tutorial, we’ll learn how to easily turn a portrait photo into a pencil sketch, both in black and white and in color, using Photoshop CS6. If you’re using Photoshop CC, check out the updated Photoshop CC version.

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This removes all color from the photo, leaving it in black and white:

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A second copy of the Background layer, this one cleverly named Background copy 2, will appear directly above the original:

We’ll start by learning how to convert the photo into a black and white sketch (and how to keep the effect fully editable with Smart Filters), then we’ll finish things off by learning how to colorize our sketch using colors from the original image.

In the upper left of the Layers panel, change the blend mode of the Background copy layer from Normal (the default blend mode) to Color Dodge:

The controls and options for the Hue/Saturation adjustment layer appear in the Properties panel. To remove the color from the image, simply drag the Saturation slider all the way to the left to a value of -100:

Double-clicking on the Gaussian Blur Smart Filter will re-open it for further editing.

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You have a famous pencil stroke ! Drawing and charcoal adepts will love the online pencil sketch drawing effect offered by ConvertImage !

One thing I like to do whenever possible is take advantage of Photoshop’s Smart Filters, which keep the filters we apply to an image fully editable in case we want to go back later and change some of the settings. In a moment, we’re going to apply the Gaussian Blur filter, but before we do, let’s make sure we’ll be applying it as a Smart Filter.

Photoshop adds a Hue/Saturation adjustment layer named Hue/Saturation 1 above the Background layer:

This inverts the image, giving it a film negative appearance:

Here’s the photo I’ll be using (teen portrait photo from Shutterstock):

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You will apply the Sketch Drawing effect to your picture in the next step, just after sending your file.» See an exampleINFORMATION :Depending on the size of your image, this effect can last between 15 seconds and 2 minutes.

This is perfectly normal 🙂

The Multiply blend mode is one of the five most commonly used blend modes in Photoshop, and simply by changing the Levels adjustment layer to Multiply, we’ve managed to darken the sketch effect quickly and easily:

This will turn the image white. As with my image, you may still see a few small areas of black remaining, but for the most part, it should now appear white (don’t worry about the dark border around my image in the screenshot. It’s just Photoshop’s gray pasteboard area and not part of the effect):

Changing the blend mode of the Levels adjustment layer to Multiply.

Dragging the Radius slider to apply a small amount of blurring.

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Learn how to turn any portrait image into a black and white or color pencil sketch using Photoshop CS6.

For that, we first need to convert the layer to a Smart Object. With the Background copy layer still selected, click on the small menu icon in the upper right corner of the Layers panel:

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To create our sketch effect, the first thing we need to do is remove all the color from our image, and we can do that non-destructively using a Hue/Saturation adjustment layer. In the Adjustments panel, click on the Hue/Saturation icon (first icon on the left, middle row):

Once again, nothing will seem to have happened, but a small Smart Object icon appears in the lower right corner of the layer’s preview thumbnail letting us know it’s been converted into a Smart Object:

With my image newly opened in Photoshop, we see in my Layers panel that the photo is sitting all by itself on the Background layer, currently the only layer in my document:

This version of the tutorial, fully updated from the original version, features a more flexible, non-destructive way to create the sketch effect by taking advantage of Photoshop’s Smart Filters and adjustment layers, along with some handy layer blend modes.

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And there we have it! That’s how to turn a portrait photo into either a black and white or color pencil sketch using Smart Filters, adjustments layers and blend modes in Photoshop CS6! Visit our Photo Effects section for more Photoshop effects tutorials!

To colorize the sketch with the colors from the original image, change the blend mode of the Color layer from Normal to Color:

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We’re going to use this layer to colorize our sketch, so rather than putting up with Photoshop’s generic layer names like “Background copy 2”, let’s name the layer something more descriptive. Double-click directly on the words Background copy 2, which will select and highlight the name, then rename it Color. Press Enter (Win) / Return (Mac) when you’re done to accept the new layer name:

Combine this effect with the other ones available on the website (like the Sepia Effect), to obtain a unique photo !

And here’s the same effect after adding back the colors from the original photo:

And here, with more subtle colors, is my final “portrait to sketch” result:

Nothing will seem to have happened with the image, but if we look in the Layers panel, we see that a copy of the Background layer has appeared between the original and the Hue/Saturation adjustment layer:

At this point, the basic sketch effect is complete, but if you want to bring back some of the photo’s original color, you’ll want to continue on with these last few steps. First, click on the Background layer (the original one, not the copy) to select it and make it active once again:

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