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Black And White Photographers And Their Works.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would instantaneously be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and featureless straight from the camera. luckily , it’s possible to work adjust the brightness of these two colours singly to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some strong blacks and whites. This should be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, may inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the best composition.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are purely as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is cooperative when you require to retain detail in a bright sky while a polarizing filter should be used to reduce reflections and boost contrast. Alternatively, appraise taking two or more shots with diverse exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, can also be advantageous for manipulating contrast in digital images. They work by darkening objects of their opposite colour while lightening objects of their own. An orange filter, for example, will darken the blue of the sky while a green one will lighten foliage.

Shoot RAW + JPEG. The greatest monochrome conversions are made by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As many photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. most cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact convention cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users should also do this if they activate their camera’s live feeling course of action , but the usually slower responses mean that most will find it preferable or check the image on the screen post-capture.

Take Control. Although coloured filters can still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the preferred means of turning colour images monochrome, but now Adobe Camera Raw has more strong tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as subtle gradations can become unnatural looking. And adjusting the brightness of a red or pink shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls can also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create demarcation between objects of the same brightness but with unique colours.

Dodge and Burn. Dodging and burning is a fashion that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers should only dream of because you could target the highlights, shadows or mid-tones with both. This means that you could use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten them to increase local contrast. It’s a great peculiarity of sharing a sense of superior sharpness and enhancing texture. Plus, because you should set the opacity of the tools, you could build up their effect gradually so the impact is crafty and there are no hard edges.

Try Long Exposure. Long exposure shots may work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this should help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If required , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively). naturally , when exposures extend farther than regarding 1/60 sec a tripod is wanted to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

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Staircase is an example of Gibson’s high-contrast, minimalist black and white compositions have influenced a generation of photographers. By isolating the essential elements of a scene, his pictures show a style that is unique and immediately recognizable. [via]

Sources and Resources Tribute to Masters of Photography B/W Photo Gallery 1000 B&W Flickr Pool Decisive Moments: Classics in B&W The Blanco y Negro – Black and White Flickr Pool Noir & Blanc Blue and White Excellence Moments The Art of Black and White (Hard Cover) Ten Truly Inspiring Photographers Key Ingredients to B/W Photography

Alison’s life in black and white photos. The significance of these pictures emerges in retrospect. “When my daughter Alison was born, in the tradition of a new parent, I began to photograph her, initially in a separate and private body of work. However, in the process of documenting Alison’s growth, I developed a passionate interest in human relationships and capturing intimate moments in the lives of family and friends.”

Dog snout. Sometimes the moments from our life are the most valuable moments we should enjoy and keep in mind.

“No peeping please!” Very powerful, emotional and somehow sad photo.

Tour Eiffel: extraordinary contrast and perspective. Strong, clean and very precise shot.

Aneta Kowalczyk makes portrait photography. Some of her photos are provoking, some are strange and some are extremely beautiful. The example below displays the beautiful side of black and white photography.

This shot was taken in El Salvador. Child with star mask during “Day Of The Dead”. Other child in background rolls tire for repair in garage where he works at an adult’s job. The photo is full of tiredness and stubbornness. Simple motif conveying strong emotions.

Meet Smashing Book 6 with everything from design systems and accessible single-page apps to CSS Custom Properties, Grid, Service Workers, performance, AR/VR and responsive art direction. New frontiers in front-end and UX with Marcy Sutton, Harry Roberts, Laura Elizabeth and many others.

Indeed, beautiful black and white photography doesn’t attract with its play of colors. Here close attention to composition, lighting, perspective and the context it is shot in are important. Hence, before considering the photos presented below please prepare some patience and time. This post presents some truly excellent examples of beautiful black-and-white photography.

Rui Palha photographs simple people in simple situations. Result: extraordinary photos of simple things surrounding our life.

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Alignment. Sometiems all it takes is to be at the right place in the right moment and take a shot under the right angle. That’s what happened here.

Alin Ciortea presents examples of modern street photography. In black and white, of course.

Woman Of Tibet. Realism at its best. Awarded with International Photography Awards in 2007.

This photo has been taken in South Crillon Glacier, Washburn.

lighting plays with geometry. Or geometry plays with lighting? The winner of the Black & White Spider Awards 2007.

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Erwitt, an advertising and journalistic photographer known for his black and white candid shots of ironic and absurd situations within everyday settings — the master of the “indecisive moment”.

Rodney Smith has his own understanding of professional black-and-white-photography. Unusual, abstract and surrealistic works.

June 9, 2008 Leave a comment Beautiful Black and White Photography 6 min read Graphics, Pictures, Photography Share on Twitter or LinkedIn

Further Reading on SmashingMag: (Really) Stunning Pictures and Photos 35 Fantastic HDR Pictures 35 Brilliant Examples of Rain Photography Breaking Out Of The Box: Design Inspiration

One of the most famous contemporary black and white photographers. Classic!

Two Tree Hill. The composition looks very surreal, yet powerful and beautiful.

Vitaly Friedman loves beautiful content and doesn’t like to give in easily. When he is not writing or speaking at a conference, he’s most probably running … More about Vitaly…

Ten extraordinary black and white photographs sent to the Wired.com editorial by its readers.

Iranian film director Abbas Kiarostami on the hills surrounding the capital, where his film “Taste of Cherry”, which was co-awarded the Golden Palm in Cannes 1997, was shot.

An illustrative summary of iconic pictures with their pairs of Balakov’s Lego figure pictures which are reconstructing famous moments in the history of mankind.

Notice: this post isn’t supposed to showcase the best black-and-white-photos of world’s best photographers; please see it as a modest attempt to inspire designers for experimenting with black and white instead of using a variety of vibrant colors all the time. Hopefully, everybody will find something interesting and unusual for herself or himself.

Artistic yet beautiful and extremely powerful shot. Michele Clement is the winner of Black & White Spider Awards 2007 in category “Outstanding Achievement”.

This photo, titled Candy Cigarette, not just displays something, it tells a story. It is both emotional and beautiful. This is what the originality of black-and-white-photography is all about.

In her legendary photos Toni Frissell impresses with a strong trend toward surrealism or realism. The photo presented below, although in black and white, is both extremely sharp and clear. To achieve such level of clarity in black and white is extremely hard.

Pedro Meyer shows the life of people across the globe. This photo was taken in Rio De Janeiro.

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Unfortunately, the photographer is unknown. The photo seems to be taken at exact the right moment from exactly the right angle with a perfect lighting. Black and white can be powerful as well.

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Berk-plage – France. What a sky! A really strange squadron: octopus, teddy bear and skates.

If you’ve been following Smashing Magazine for a while, you know that almost all posts from the Monday Inspiration series are pretty colorful and eye-catching. This post is an exception. Compared to colorful designs where catchy colors help the design to stand out, in black-and-white designs the ability to stand out depends only on its ability to communicate rather than on its appealing visual presentation.

Polese’s works pay close attention to small, tiny details. The tones are perfects and compositions are beautiful which is why the photos are presented in this post. Notice the sharp contrast and the lighting at the first image below and the sharp pathway leading to the light in the second one.

Simple yet excellent composition. This photo manages not just to show something, but to capture a moment of life in all its beauty and vividness.

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