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Beautiful black and white nature photography
Black and white photography

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Black And White Photographers Nature.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are purely as advantageous in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more useful . An ND grad is cooperative when you require to retain detail in a bright sky while a polarizing filter can be used to decrease reflections and boost contrast. Alternatively, interpret taking two or more shots with unique exposures to create a high dynamic range (HDR) composite. Don’t be anxious to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, can also be useful for manipulating contrast in digital images. They work by darkening objects of her opposite colour while lightening objects of her own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

Dodge and Burn. Dodging and burning is a trait that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers should only hope of because you can target the highlights, shadows or mid-tones with both. This means that you may use the Burn tool to darken highlights when they are too bright, or the Dodge tool to perk up them to grow local contrast. It’s a good style of sharing a sense of better sharpness and enhancing texture. Plus, because you may set the opacity of the tools, you can build up her effect gradually so the impact is subtle and there are no hard edges.

Take Control. Although coloured filters can still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a a couple years ago Photoshop’s Channel Mixer was the favored means of turning colour images monochrome, but now Adobe Camera Raw has more forceful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust one of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as subtle gradations may become unnatural looking. And adjusting the brightness of a red or rosy shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls can also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create segregation between objects of the same brightness but with different colours.

Shoot RAW + JPEG. The greatest monochrome conversions are came upon by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As many photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. many cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact strategy cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users could also do this if they kick in her camera’s live theory drive , but the usually slower responses mean that many will find it preferable or check the image on the screen post-capture.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would straight away be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dingy straight from the camera. happily , it’s possible to work adjust the brightness of these two colours singly to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some powerful blacks and whites. This should be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, may inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the best composition.

Try Long Exposure. Long exposure shots may work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this should help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If compulsory , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively). characteristically , when exposures extend beyond relating to 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

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#white #creativity #and #dragonfly #beautiful #black #transparent #nature #wings

Day after an all-day snow-fall. This morning the weather was better already, but changing; clouds…

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The best flower in the world … my bias as I have lived amongst them most of my life.

Incredibly entertaining japanese macaques in the hot spring near Nagano, Japan

#winter #macaques #snow #monkeys #black_and_white #japan #hotspring #animal

With a final tally of over 21,000 submissions, I think it’s safe to say that nature photography in black and white is alive and well in the digital age. As would be expected of National Geographic readers, the submissions were of a broad scope and of a high quality. I appreciate that many of you admire the unique attributes of the fine black-and-white photograph as championed by Ansel Adams. An intimate landscape of natural vegetation or foaming surf can still be exquisite when seen through fresh eyes. 

A stargazer usually burrows itself on the sand showing only part of the face waiting for a fish t…

In picking my favorites, I tried to strike a balance between those images that took full advantage of the black-and-white medium and those that were all-around pleasing in their visual presentation. I enjoyed very much seeing places I’ve visited, as well as place I’ve never been or didn’t know about, through so many different and diverse viewpoints. For me, nature is a subject matter with no limits for a photographer with clear eyes and a receptive heart. I hope you feel the same.

One of my favorite shot that captured nature wilderness. The shot taken when i was at Tanjung Les…

#yosemite #night #earthcanvas #moonrise #protecttheselands #landscapes

Moon rising over Yosemite Valley in Yosemite National Park – I was out in Yosemite for Christmas …

#ngmcreate_3 #ngmcreate #reflection #earthcanvas #feather #water #natgeoinspires #ngmcreate_2 #photooftheday #art #ngmcreate_1 #kolev

A wild African leopard gazes through the dense foliage next to the Shingwedzi river in the Kruger…

While taking some photos in a field with my Granddaughter she got a little ahead of me and i sta…

The designs and atmospheric effect make this photo work very well in b&w. The positioning of the bird in shadow makes them stand out against a lighter background.

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Dramatic rendering of the iconic migration scene. The darkened corners further enhances the mood and the photographer has captured the peak action of the jump.

We are no where in front of nature. This image is a composite of nine original photos stitched t…

#light #black_and_white #blackandwhite #portraits #family #portrait #people #culture #style #nature

A simple, but elegant photograph that creates a great mood in b&w. The tones are well handled and the composition enhances the feeling of the uplifting theme.

The pelicans enjoyed a sunny patch while cleaning themselves. I liked the light and their movemen…

Black-and-white photography is a departure from the reality we see every day, so this quality helps to carry the viewer away to a different world and create an emotional effect of the experience. Many of the best images also took advantage of the extraordinary qualities of the digital sensor to capture scenes difficult to record with the naked eye.

One of my most recent images of a Green turtle gliding through the sand that has been thrown up f…

I like to “paint” using my camera as a brush! Walking around the lake,I have noticed how the ligh…

Good morning world, lets enjoy another beautiful day in this world

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Peering out from a Neem (Azadirachta indica) tree cavity this Spotted Owlet (Athene brama) , a co…

Its a photograph of a dragon fly which was resting on the leaves in my garden during the retreati…

#hidden #nationalpark #wildlife #africa #eyes #greatnature #look #animal #leopard #camouflage #kruger

There also were many excellent wildlife submissions, the best of which either struck a nice mood or recorded a unique behavior. Wildlife in black and white can be striking, and after looking at your submissions I am surprised it’s not seen very often in publications and in galleries. 

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Nice light during the clearing storm of an often-photographed location.

Of the many lightning photographs submitted to date, this one stands out. The lightning emitting from above and below the cloud is stunning and more even feels more powerful in b&w.

Underwater photographs in black and white accentuate the form because they eliminate the usual blueness of a color image. Sometimes this made for the feeling of a dark underworld, but they could also have a steel-grey or high-key feel as well. 

An aerial of the delta of River Fulakvisl and Lake Hvitarvatn in the icelandic highlands. The riv…

It was already pretty dark when I spotted that moving silhouette.

Published May 6, 2014 | View the Assignment | Features Photos From 24 Contributors

Nice use of the circular form in the superwide view of the forest.

Pictures of a hunt or kill are more menacing to me in black and white. Textures or patterns in nature are a difficult subject to do well. Careful composition is key, but the quality of light makes the difference between an average photo and a keeper.

Nice rendering of the moonbow. Without showing any starry sky, it still carries the mood of night and works surprisingly well in b&w.

Requirement for this photo: One Full Moon, Spring run off at the Lower Yosemite Falls and rain g…

Recently named one of the 40 most influential nature photographers in the world by Outdoor Photographer, Peter Essick has spent the last two decades photographing natural areas around the world, revealing in careful compositions the spiritual and emotional aspects of nature.

A frequent contributor to National Geographic, his work has …

“Me salpicas con espumas inundadas de misterios de otros tiempos y distancias, con lamentos de pr…

#winter #sunrise #landsacape #snow #grand_canyon #black__and_white #nature

I like that many of you tried to include human beings in your definition of nature. Of these pictures, the ones that worked best for me had a small figure in the frame that seemed to blend in or be an accent. The theme of human oneness with nature is an important one but hard to convey without sending a mixed message.

The classic photographic medium of Black & White photography, or more generally, monochromatic images, allows the textures and and light to come to the forefront of the image. To view images organized by other color themes please see my photo-index.

For more monochromatic imagery please go here: black and white.

The great migration of the wildebeest over the Mara River in Northern Serengeti, Tanzania

beautiful, tones, textures and composition of a simple flower still life.

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