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Black And White Photographic Prints.

Take Control. Although coloured filters could still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the favored means of turning colour images monochrome, but now Adobe Camera Raw has more strong tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations can become unnatural looking. And adjusting the brightness of a red or pink shirt with the red sliding control, for moment , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls could also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create segregation between objects of the same brightness but with diverse colours.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would straight away be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dingy straight from the camera. providentially , it’s possible to work adjust the brightness of these two colours separately to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some forceful blacks and whites. This may be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, may inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the greatest composition.

Try Long Exposure. Long exposure shots should work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this should help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If required , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). naturally , when exposures extend farther than as regards 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are merely as advantageous in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is helpful when you require to retain detail in a bright sky while a polarizing filter should be used to reduce reflections and boost contrast. Alternatively, evaluate taking two or more shots with unique exposures to create a high dynamic range (HDR) composite. Don’t be anxious to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, can also be advantageous for manipulating contrast in digital images. They work by darkening objects of their opposite colour while lightening objects of his own. An orange filter, for example, will darken the blue of the sky while a green one will lighten foliage.

Dodge and Burn. Dodging and burning is a manner that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers should only dream of because you should target the highlights, shadows or mid-tones with both. This means that you can use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten them to grow local contrast. It’s a great wont of giving a sense of superior sharpness and enhancing texture. Plus, because you should set the opacity of the tools, you should build up his effect gradually so the impact is subtle and there are no hard edges.

Shoot RAW + JPEG. The greatest monochrome conversions are stumbled on by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As numerous photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. many cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact path cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users should also do this if they activate her camera’s live theory system , but the usually slower responses mean that many will find it preferable or check the image on the screen post-capture.

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Bicycle Display at Swiss Transport Museum Lucerne Switzerland

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99′,Price:’£ 35.99′,ArtistName:’Philippe Hugonnard’,ArtistId:171647,Title:’Cityscape Empire State Building and One World Trade Center Manhattan NYC’,PODConfigID:4990623,APNum:10269058,AvailableInOtherSizes:’true’,ItemDisplayTypeID:97,Source:’GalleryPage’}

Shown in 30 x 23 cm | Photographic Print 50 Size and Print Options

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Shown in 23 x 30 cm | Photographic Print 49 Size and Print Options

Shown in 41 x 30 cm | Photographic Print 28 Size and Print Options

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99′,Price:’£ 34.99′,ArtistName:’Ansel Adams’,ArtistId:22099,Title:’Mt McKinley Range Clouds Denali National Park Alaska 1948′,PODConfigID:0,APNum:415526,AvailableInOtherSizes:’false’,ItemDisplayTypeID:5,Source:’GalleryPage’}

Cityscape Empire State Building and One World Trade Center Manhattan NYC

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Playboy Bunnies Will Challenge Press Club Rabbits at the Press Club February 1978

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99′,Price:’£ 36.99′,ArtistName:’Alexander Gardner’,ArtistId:39902,Title:’Abraham Lincoln 1863′,PODConfigID:8363144,APNum:3733681,AvailableInOtherSizes:’true’,ItemDisplayTypeID:25,Source:’GalleryPage’}

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99′,Price:’£ 59.99′,ArtistName:’Alfred Eisenstaedt’,ArtistId:24141,Title:’Children at a Puppet Theatre Paris 1963′,PODConfigID:4990704,APNum:3784725,AvailableInOtherSizes:’true’,ItemDisplayTypeID:97,Source:’GalleryPage’}

Shown in 23 x 30 cm | Photographic Print 55 Size and Print Options

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Shown in 30 x 41 cm | Photographic Print 55 Size and Print Options

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99′,Price:’£ 23.99′,ArtistName:’Natalie Fobes’,ArtistId:150950,Title:’Cat Sitting In Bathroom Sink’,PODConfigID:14258387,APNum:8667553,AvailableInOtherSizes:’true’,ItemDisplayTypeID:97,Source:’GalleryPage’}

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99′,Price:’£ 59.99′,ArtistName:’Wallace Kirkland’,ArtistId:61431,Title:’Otters Playing in Bathroom’,PODConfigID:4990800,APNum:3760320,AvailableInOtherSizes:’true’,ItemDisplayTypeID:97,Source:’GalleryPage’}

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99′,Price:’£ 23.99′,ArtistName:’Winfred Evers’,ArtistId:162537,Title:’Two White Calla Lilies’,PODConfigID:4990619,APNum:6263239,AvailableInOtherSizes:’true’,ItemDisplayTypeID:97,Source:’GalleryPage’}

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99′,Price:’£ 34.99′,ArtistName:’Ansel Adams’,ArtistId:22099,Title:’Moon and Half Dome Yosemite National Park 1960′,PODConfigID:0,APNum:415524,AvailableInOtherSizes:’false’,ItemDisplayTypeID:5,Source:’GalleryPage’}

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99′,Price:’£ 23.99′,ArtistName:’Bettmann’,ArtistId:75647,Title:’Chimpanzee Reading Newspaper’,PODConfigID:14258387,APNum:8668236,AvailableInOtherSizes:’true’,ItemDisplayTypeID:97,Source:’GalleryPage’}

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Shown in 30 x 23 cm | Photographic Print 52 Size and Print Options

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99′,Price:’£ 23.99′,ArtistName:’John Glembin’,ArtistId:51242,Title:’Buffalo Grazing Buffalo Gap Nat Grassland SD’,PODConfigID:4990619,APNum:3535082,AvailableInOtherSizes:’true’,ItemDisplayTypeID:97,Source:’GalleryPage’}

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White Horses of Camargue Running Through the Water Camargue France

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99′,Price:’£ 23.99′,ArtistName:’Walter Bibikow’,ArtistId:48419,Title:’Bicycle Display at Swiss Transport Museum Lucerne Switzerland’,PODConfigID:4990619,APNum:3679736,AvailableInOtherSizes:’true’,ItemDisplayTypeID:97,Source:’GalleryPage’}

Solitary Tree on the Shore of Loch Etive Highlands Scotland UK

Shown in 41 x 30 cm | Photographic Print 35 Size and Print Options

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99′,Price:’£ 23.99′,ArtistName:’Ann Collins’,ArtistId:265334,Title:’USA California Joshua Tree National Park at Hidden Valley’,PODConfigID:4990619,APNum:14583912,AvailableInOtherSizes:’true’,ItemDisplayTypeID:97,Source:’GalleryPage’}

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98′,Price:’£ 7.98′,ArtistName:’Grant Rooney’,ArtistId:171412,Title:’The House of Parliament and Westminster Bridge’,PODConfigID:0,APNum:9568431,AvailableInOtherSizes:’false’,ItemDisplayTypeID:5,Source:’GalleryPage’}

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99′,Price:’£ 17.99′,ArtistName:’Ansel Adams’,ArtistId:22099,Title:’Tetons and The Snake River Grand Teton National Park c1942′,PODConfigID:0,APNum:6216715,AvailableInOtherSizes:’false’,ItemDisplayTypeID:5,Source:’GalleryPage’}

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99′,Price:’£ 113.99′,ArtistName:’Bert Stern’,ArtistId:28479,Title:’Vogue – April 1962′,PODConfigID:8419446,APNum:9675516,AvailableInOtherSizes:’true’,ItemDisplayTypeID:177,Source:’GalleryPage’}

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99′,Price:’£ 39.99′,ArtistName:’Doug Chinnery’,ArtistId:166881,Title:’Infinite Vision’,PODConfigID:4990703,APNum:9385851,AvailableInOtherSizes:’true’,ItemDisplayTypeID:97,Source:’GalleryPage’}

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99′,Price:’£ 23.99′,ArtistName:’Nadia Isakova’,ArtistId:119378,Title:’White Horses of Camargue Running Through the Water Camargue France’,PODConfigID:4990619,APNum:10622673,AvailableInOtherSizes:’true’,ItemDisplayTypeID:97,Source:’GalleryPage’}

Shown in 41 x 41 cm | Photographic Print 38 Size and Print Options

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