Black and white photography · the eye face by andi abdul halil indonesia
Going home by chee keong lim malaysia 1st place in the documentary street
2 out there by trisha clancy qatar 3rd place in the silhouette category first half
20 sisters by niki boon new zealand 1st place in the lifestyle category second half
Sprinkler
Hong kong black and white photography 1

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Black And White Photography 2015.

Shoot RAW + JPEG. The greatest monochrome conversions are got as far as by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As many photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. numerous cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact thoroughfare cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users could also do this if they activate her camera’s live perception wont , but the usually slower responses mean that numerous will find it preferable or check the image on the screen post-capture.

Take Control. Although coloured filters should still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the favorite means of turning colour images monochrome, but now Adobe Camera Raw has more powerful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust one of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations may become unnatural looking. And adjusting the brightness of a red or pink shirt with the red sliding control, for moment , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls should also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create demarcation between objects of the same brightness but with unique colours.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would right now be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and drab straight from the camera. fortunately , it’s possible to work adjust the brightness of these two colours discretely to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some forceful blacks and whites. This may be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, should inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the unsurpassed composition.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are simply as advantageous in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more useful . An ND grad is helpful when you require to retain detail in a bright sky while a polarizing filter should be used to decrease reflections and boost contrast. Alternatively, appraise taking two or more shots with diverse exposures to create a high dynamic range (HDR) composite. Don’t be anxious to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, may also be advantageous for manipulating contrast in digital images. They work by darkening objects of their opposite colour while lightening objects of their own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

Try Long Exposure. Long exposure shots can work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this can help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If necessary , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). classically , when exposures extend beyond as to 1/60 sec a tripod is wanted to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Dodge and Burn. Dodging and burning is a practice that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers may only ambition of because you may target the highlights, shadows or mid-tones with both. This means that you could use the Burn tool to darken highlights when they are too bright, or the Dodge tool to perk up them to increase local contrast. It’s a great habit of sharing a sense of greater sharpness and enhancing texture. Plus, because you could set the opacity of the tools, you should build up their effect gradually so the impact is crafty and there are no hard edges.

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#18 Praying By Chee Keong Lim, Malaysia (1st Place In The Lifestyle Category, First Half)

#11 Anya By Lisa Visser, UK (3rd Place In The Portrait Category, First Half)

#1 Untitled By Ashley Carlton, USA (3rd Place In The Silhouette Category, Second Half)

Win $3000 and international recognition in the prestigious Monochrome Awards honoring black and white photography.Monochrome Photography Awards conducts an annual competition for professional and amateur photographers.

Our mission is to celebrate monochrome visions and discover the most amazing photographers from around the world. The winners of the Professional and Amateur categories will receive the titles: Monochrome Photographer of the Year and Monochrome Discovery of the Year along with cash prizes.

We are open to all points of view, all levels of expertise, and all ideas of black and white photography.

#7 The Butterfly Pet By Kelly Tyack, Australia (3rd Place In The Fine Art Category, Second Half)

#8 Wish By Ewa Cwikla, The Netherlands (1st Place In The Fine Art Category, First Half)

Artist Colorizes Old Black & White Photos, And It Makes A Huge Difference In How We See Past Events

#15 Hungry By Ewa Cwikla, The Netherlands (2nd Place In The Portrait Category, First Half)

#5 The Eye Face By Andi Abdul Halil, Indonesia (1st Place In The Conceptual And Photo Manipulation Category, First Half)

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B&W CHILD is Annual International Photography Contest devoted 100% to the Art of Black and White Child Photography. In 2015 we organized 2nd Annual International Photo Contest in B&W Child Photography. We’ve received over 5.000 photographs from all over the globe. This is the gallery of winning photographs from The First and Second Half of The Contest in year 2015.

#10 B By Lee Jeffries, UK (1st Place In The Portrait Category, First Half)

#13 Summertime By Izabela Urbaniak, Poland (3rd Place In The Lifestyle Category, First Half)

#14 Siblings By Charo Diez, Spain (2nd Place In The Lifestyle Category, Second Half)

#20 Sisters By Niki Boon, New Zealand (1st Place In The Lifestyle Category, Second Half)

The work of the first, second and third place winners (together with further entries that the judges feel are worthy of commendation) from both the professional and amateur categories will be published in the Monochrome Photography Awards annual book.

To complete the subscription process, please click the link in the email we just sent you.

Almost 40 Years Ago A 16-Year-Old Started Planting A Tree Every Day On A Remote Island, And Now It’s Unrecognizable

You Will Be Smiling Like An Idiot After Seeing These 25+ Wholesome Pictures (New Pics)

#12 Balkan By Istvan Kerekes, Hungary (2nd Place In The Documentary & Street Category, Second Half)

Monochrome Photography Awards 2018 are open. Final Deadline is November 18, 2018. CLICK HERE AND START NEW ENTRY

#16 Untitled By Rhiannon Logsdon, USA (2nd Place In The Conceptual And Photo Manipulation Category, First Half)

Topics B&W CHILD, black and white photography, child photography, children, documentary and street, emotional children, emotional photography, full-page, photo competition, photo contest

#19 Buona Sera By Marina Kazakova, Italy (1st Place In The Portrait Category, Second Half)

#6 The Breakfast Club By Karen Osdieck, USA (1st Place In The Silhouette Category, First Half)

The Best Photos From The B&W Child Photography 2015 Photo Contest

#9 Going Home By Chee Keong Lim, Malaysia (1st Place In The Documentary & Street Category, First Half)

Disney World Is Finally Offering Princess Makeovers To Grown Women

All names of the Honorable Mention winners will also be included in the book.

#17 Emerging By Amber Carbo Privizzini, USA (3rd Place In The Conceptual And Photo Manipulation Category, Second Half)

#4 Happiness By Chee Keong Lim, Malasya (3rd Place In The Lifestyle Category, Second Half)

#2 Out There By Trisha Clancy, Qatar (3rd Place In The Silhouette Category, First Half)

Japanese Great-Grandmother At Age 90 Continues Conquering Social Networks With Her Incredible Joy Of Living

#3 Playing By Chee Keong Lim, Malaysia (3rd Place In The Documentary & Street Category, First Half)

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