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Black And White Photography Bristol.

Dodge and Burn. Dodging and burning is a lane that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers can only thought of taking a degree of because you could target the highlights, shadows or mid-tones with both. This means that you may use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten them to increase local contrast. It’s a great mannerism of giving a sense of better sharpness and enhancing texture. Plus, because you can set the opacity of the tools, you can build up her effect gradually so the impact is crafty and there are no hard edges.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would immediately be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dingy straight from the camera. happily , it’s possible to work adjust the brightness of these two colours singly to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some strong blacks and whites. This may be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, can inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the unsurpassed composition.

Shoot RAW + JPEG. The most excellent monochrome conversions are blundered on by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As many photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. many cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact path cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users could also do this if they kick in his camera’s live impression method , but the usually slower responses mean that most will find it preferable or check the image on the screen post-capture.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are merely as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more useful . An ND grad is helpful when you require to retain detail in a bright sky while a polarizing filter should be used to reduce reflections and boost contrast. Alternatively, hold taking two or more shots with diverse exposures to create a high dynamic range (HDR) composite. Don’t be anxious to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, can also be advantageous for manipulating contrast in digital images. They work by darkening objects of her opposite colour while lightening objects of her own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

Try Long Exposure. Long exposure shots can work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this can help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If required , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). characteristically , when exposures extend farther than as regards 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Take Control. Although coloured filters should still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the favorite means of turning colour images monochrome, but now Adobe Camera Raw has more powerful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as subtle gradations may become unnatural looking. And adjusting the brightness of a red or pinkish shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls could also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create discrimination between objects of the same brightness but with diverse colours.

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BRISTOL, UK – CIRCA SEPTEMBER 2016: Bristol Harbour (part of Port of Bristol) in black and white

England, Bristol – Oct 02, 2017: Diversity in Britain, Two Muslimas walking next to Jehovah’s Witnesses, Black and white photography

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Bristol, England – Jan 22, 2018: Beggar Woman Sitting next to Rubbish Bin, Black and White High Contrast Photography

BRISTOL, UK – AUG 21, 2015: View of a Banksy piece depicting the Queen as David Bowie in his Ziggy Stardust persona seen on a city centre street. Banksy is a world renowned street artist from Bristol.

BRISTOL – OCT 31: View of a Banksy piece depicting the Queen as Ziggy Stardust seen on a city centre street on Oct 31, 2015 in Bristol, UK. Banksy is a world renowned street artist from Bristol.

Statue of Edmund Burke in Bristol City Centre, low angle black and white shallow depth of field vertical photography

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Bristol, England – March 16, 2018: Hotel du Vin and Bistro Bristol, view from Lewins Mead, black and white horizontal photography

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North Facade of Bristol Cathedral BW, Entrance and decorated towers, low angle black and white shallow depth of field horizontal photography

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Bench in the snow at the view point on Durdam Downs, Bristol. Black and white photo. Photo taken in 2018.

Here at Black on White Cameras we repair all makes of traditional cameras including specialist servicing and restoration of Hasselblad, Bronica, Mamiya, Nikon, Pentax, Olympus, Minolta and Canon.

BRISTOL, UK – CIRCA SEPTEMBER 2016: Bristol City Hall (formerly the Council House) in black and white

BRISTOL, UK – CIRCA SEPTEMBER 2016: Bristol Cathedral (formally the Cathedral Church of the Holy and Undivided Trinity) in black and white

Looking up a Fireman Ladder BW, Firefighter Truck extendable Ladder next to Tower Block, England 2018 shallow depth of field horizontal perspective black and white photography

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Bristol, England – March 16, 2018: Unknown Person walking in to Tower House, black and white shallow depth of field horizontal photography

Bristol, England – March 16, 2018: Tower House Facade low angle, black and white shallow depth of field horizontal photography

BRISTOL, UK – MAY 18, 2015: View of the famous Banksy graffiti piece titled Mild Mild West seen on a city centre brick wall. Bristol is well known for its vibrant and political street art scene.

Corbel Head on St John Church in Bristol C, Architecture Details, black and white shallow depth of field horizontal photography

Clifton Suspension Bridge spanning the Avon Gorge and River Avon designed by Brunel and completed in 1864 in Bristol, UK in black and white

Bristol, England – Nov 26, 2017: Homeless Man Sitting on the Pavement Reading with a Street Preacher Talking to People in the Background, Shallow Depth of Field, Black and White Street Photography

Bristol, England – March 16, 2018: English Terraced Houses on St George Road, black and white shallow depth of field photography

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BRISTOL – SEPT 21: Graffiti piece by an unidentified artist on a building in the Stokes Croft area of the city on Sept 21, 2012 in Bristol, UK. Bristol is famed for its vibrant street art scene.

Bristol, England – March 16, 2018: Decorated facade of building on St Stephens Street, city centre of Bristol, black and white low angle shallow depth of field horizontal photography

The streets of Bristol in the city centre, a deep view over the magical old centre of the town, England, UK

England, Bristol – 03 Sep 2016: Nave and Ceiling at Bristol Cathedral Columns Impost and Keystone HDR black and white horizontal photography split toning sepia tone

Bristol, England – Nov 26, 2017: Young Man Carrying three Cases of Soft Drinks, Christmas Market in Bristol, Shallow Depth of Field, Black and White Street Photography

BRISTOL, UK – CIRCA SEPTEMBER 2016: Vintage train wheels at Bristol Harbour (part of Port of Bristol) in black and white

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Bristol Cathedral (formally the Cathedral Church of the Holy and Undivided Trinity) in Bristol, UK in black and white

Bristol, England – March 16, 2018: Looking Down Small Street, black and white horizontal photography

Black and white photo of a fountain in Bristol taken with a fast shutter to freeze the water.

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Bristol+black+and+white stock photos 1,050 Bristol+black+and+white stock photos, vectors, and illustrations are available royalty-free. See bristol+black+and+wh… stock video clips.

Bristol, England – March 16, 2018: Modern pedestrian promenade in Colston Avenue Bristol BW, split toning shallow depth of field horizontal photography

England, Bristol – Oct 15, 2017: City life in Bristol, Tennager Practising Tricks on his Bike A, Freeride Bike Jumper, Shallow Depth of Field black and white tone high contrast

Welcome to Black and White Bristol – a website focusing primarily on images of Bristol and the west of England in black and white. I am a Bristol-based artist working mainly with infrared & black and white photographic imaging but also painting in watercolours and acrylics.

Whilst the title ‘Black and White Bristol’ gives a clear indication of the main website theme, there are also images from further afield as well as a sprinkling of colour images.It’s often true in life that less is more – for my photography this is all about trying to learn how to take fewer, better quality, photos.

It is proving a challenging process for me but hopefully it means anyone viewing these images will have a less painful time – how thoughtful of me. Less is more is also a lesson I am trying to learn in my images – stripping the image down to the basic structure.

There is a bit more info on the ‘About’ page.Thanks for visiting! Any comments are most welcome.RobLatest News:November 2015: Very little time for photography this year but now the home extension is nearly complete I can dust off the camera again and get working.

Uplifting news this weekend as five images got nominated in the 10th Black and White Spider Awards (probably the most prestigious international black and white photography competition – but don’t quote me on that!) and one was a finalist in the Architecture category.

I’ve posted them in the Latest Work section but not all are very recent!October 2015: An infrared image I took of Bodiam Castle a few years ago was a finalist in the Epson International Panoramic Photography Awards this month, which was great news.

I’ve also been asked back to the University of Bristol Photography Society to present – I had better come up with something new this year! Looking forward to coming up with a few fresh ideas…September 2015: After most of the year being consumed by work commitments and a large extension project taking over our home, I have been reinvigorated by a charming Norwegian customer buying a print of one of my favourite Bristol images.

Thank you! I feel re-energised, not only to take more photographs, but to update this website given how it contains so few recent images. I am also keen to progress my Simplicity, Space and Subtlety project.

February 2015: Finalist again in International Garden Photographer of the Year! An image from The Alnwick Garden in Northumberland last Autumn won second place in Beautiful Gardens. Unfortunately I wasn’t able to make it to the private view at Kew Gardens but seeing it in The Times and being interviewed by The Daily Telegraph made up for it!December 2014: The presentation to the UoB PhotoSoc was a really enjoyable experience for me.

I just hope the audience enjoyed it as well! About 45 friendly and welcoming members of PhotoSoc asked some really interesting questions and I hope I was able to explain the basics of infrared photography reasonably clearly for those that were new to it.

A really busy year with talks, a one-to-one workshop, competition action, large and small commissions as well as an invitation to submit a portfolio to a prestigious New York gallery. But I’m still enjoying the day job as well!November 2014: A really interesting invitation from the University of Bristol Photosoc to come in and give a talk on black and white photography – I’ve decided to expand the theme and talk about infrared photography and photography as an art form.

I’ve been enjoying preparing the presentation and so I hope it is interesting for the audience! Also just got shortlisted again for International Garden Photographer of the Year, which is really heartening, even if I don’t get any further.

Moonlighting as a colour garden photographer, tut tut…July 2014: I’ve been lost in a self-imposed project for the past nine months, working on the themes of Simplicity, Space and Subtlety and trying to understand how I can manage to rein in my natural urge for drama.

Not for nothing does my family call me a drama queen. It’s been a challenge but I’m starting to come out the other side. Much of the existing website is starting to be overhauled but it’s another challenge to find the time to do the replacement.

It’s lots of fun doing entirely my own thing, though. This is very much a response to a challenge set by my mother last year and it could be a while before it is properly finished. I’m also having a number of serious technical issues caused by the combination of digital infrared, wideangle lenses and neutral density filters.

..but I won’t bore you with that now.

The Great Gatehouse (aka Abbey Gatehouse) in Bristol, UK in black and white

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BRISTOL, UK – CIRCA SEPTEMBER 2016: The Wills Memorial Building part of the University of Bristol at the top of Park Street in black and white

Aerial shot of Clifton Suspension Bridge spanning the Avon Gorge and Clifton Observatory, Bristol, UK – Black and white

Nelson Street Old Name Signs above Archway, black and white split toning horizontal photography

BRISTOL, UK – CIRCA SEPTEMBER 2016: Vintage trains at Bristol Harbour (part of Port of Bristol) in black and white

BRISTOL, UK – DECEMBER 7, 2017: Close-up of a cute black and white cat looking up to the sky from a windowsill.

Clifton Suspension Bridge by Brunel, Illuminated at Night, Bristol, England, UK

Bristol, England – March 16, 2018: St Pauls Community Sports Academy, black and white shallow depth of field horizontal photography

Bristol, England – March 16, 2018: The Salvation Army Charity Shop on Cheltenham Rd, shallow depth of field black and white horizontal street photography

Bristol, England – March 20, 2018: Homeless sleeping outside store, with advertise on the window “your next adventure awaits”, black and white split toning photography

Bristol Temple Meads Railway Station, in Black and White Sepia Tone

Ruins on Lundy Island in the Bristol Channel, with moody clouds above. In black and white.

Corbel Head on St John Church in Bristol D, Architecture Details, black and white shallow depth of field horizontal photography

St Mary Redcliffe Anglican parish church in Bristol, UK in black and white

LGBT Rainbow flag isolated on black and white background fine art dust effect, shallow depth of field

A pair of black swans nesting at the lake edge near Bristol in England. One bird reveals that there are white feathers under the black.

Top Facade of Old Bristol Royal Infirmary Hospital, black and white horizontal photography

Bristol, England – Nov 26, 2017: Street Sale at St Nicholas Market, Older Gentleman Demonstrating His Product To Younger Man, Black and White Street Photography

Bristol, England – Nov 26, 2017: Elderly Gentleman With Bent Posture Walking With A Stick, Shallow Depth of Field, Black and White Street Photography

Bristol, England – March 16, 2018: Looking Down Stokes Croft, black and white street photography, shallow depth of field

LGBT Rainbow flag isolated on black and white background, shallow depth of field

BRISTOL, UK – CIRCA SEPTEMBER 2016: Bristol Museum and Art Gallery in black and white

Ruins of St Peter church in Castle Park bombed during World War II and now preserved as a memorial in Bristol, UK in black and white

Clifton Suspension Bridge, Bristol, Long Exposure Black and White

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