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Black And White Photography Canon 70D.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are just as advantageous in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more useful . An ND grad is cooperative when you want to retain detail in a bright sky while a polarizing filter should be used to reduce reflections and boost contrast. Alternatively, think of taking two or more shots with different exposures to create a high dynamic range (HDR) composite. Don’t be anxious to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, should also be advantageous for manipulating contrast in digital images. They work by darkening objects of his opposite colour while lightening objects of her own. An orange filter, for example, will darken the blue of the sky while a green one will lighten foliage.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would straight away be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dowdy straight from the camera. luckily , it’s possible to work adjust the brightness of these two colours separately to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some strong blacks and whites. This could be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, may inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the best composition.

Shoot RAW + JPEG. The unsurpassed monochrome conversions are run into by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As many photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. many cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact convention cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users could also do this if they kick in his camera’s live line of thinking use , but the usually slower responses mean that most will find it preferable or check the image on the screen post-capture.

Try Long Exposure. Long exposure shots could work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this can help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If compulsory , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively). classically , when exposures extend beyond in regard to 1/60 sec a tripod is wanted to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Take Control. Although coloured filters may still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the favored means of turning colour images monochrome, but now Adobe Camera Raw has more forceful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust one of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations could become unnatural looking. And adjusting the brightness of a red or pink shirt with the red sliding control, for moment , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls should also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create delineation between objects of the same brightness but with different colours.

Dodge and Burn. Dodging and burning is a scheme that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers can only aspiration of because you may target the highlights, shadows or mid-tones with both. This means that you could use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten up them to grow local contrast. It’s a good policy of sharing a sense of greater sharpness and enhancing texture. Plus, because you could set the opacity of the tools, you should build up their effect gradually so the impact is subtle and there are no hard edges.

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Using Picture Style, you can set what kind of corrections you are going to make before shooting.

Press the down-arrow button to cycle through the Picture Style options until you find Monochrome. Press the Set button to select monochrome operation, and your camera is ready to shoot in black-and-white.

Yes, This document is helpful No, This document needs a clearer explanation

Standard: This option captures the image by using the characteristics that Canon offers as suitable for the majority of subjects.

HomeAround The HomeEntertainmentHow to Make My Canon EOS Shoot in Black and White

It also prevents the image degradation that occurs when resaving image files with retouching software.

Press the Menu button, and then use the right-arrow button to the right of the LCD screen to scroll through the menu pages until you find Picture Style. Use the down-arrow button to highlight the item.

The extent to which Picture Styles affect your image depends on the subject as well as on exposure settings and lighting conditions. The following figure shows you a test shot at each setting (except Auto) to give you a general idea of what to expect. As you can see, the differences are subtle, with the exception of the Monochrome option, of course.

Picture Style is a function that makes it easy to set the appropriate characteristics for the images being taken. The effects in the table below are provided.

Press the Set button to access the Picture Style list, and use the down-arrow button to highlight Monochrome. Press the Set button again to select monochrome operation, and then press the Menu button to exit menu mode. Your camera is ready to shoot in black-and-white.

Monochrome: This setting produces black-and-white photos — or, to be more precise, grayscale images. Technically speaking, a true black-and-white image contains only black and white, with no shades of gray.

If you don‘t capture the image in the Raw format, you can’t access the original image colors later. In other words, you’re stuck with only a black-and-white image.

If you set the Quality option to Raw (or Raw + Large/Fine), the camera displays your image on the monitor in black and white during playback. But during the Raw converter process, you can either choose to go with your grayscale version or view and save a full-color version. Or (even better) you can process and save the image once as a grayscale photo and again as a color image.

When developing RAW images, you can adjust them by using the Digital Photo Professional software supplied with your camera so that the Picture Style setting used when shooting is reflected in the image

PhotographyCamerasCanon CameraPicture Style Options on Your Canon EOS 70D

Press the down-arrow button. The Picture Style list appears on the LCD screen.

If you set the appropriate style for what you want to express before taking pictures (for example, the Portrait setting for shooting people, or the Landscape setting for shooting the sky and deep green trees), there is no need to edit images with retouching software afterwards because they will be recorded with desired characteristics.

Open Digital Photo Professional and navigate to the folder containing photos to convert. Double-click the image to open the editor.

Picture StylePicture Style EffectsAuto The color tone will be adjusted automatically to suit the scene. The colors will look vivid, especially for blue skies, greenery, and sunsets in nature, outdoor, and sunset scenes.

Standard The image looks vivid, sharp, and crisp. This is a general-purpose Picture Style suitable for most scenes.Portrait For nice skin tones. The image looks softer. Suited for close-up portraits. By changing the [Color tone], you can adjust the skin tone.

Landscape For vivid blues and greens, and very sharp and crisp images. Effective for impressive landscapes.Neutral This Picture Style is for users who prefer to process images with their computer. For natural colors and subdued images.

Faithful This Picture Style is for users who prefer to process images with their computer. When the subject is captured under a color temperature of 5200K, the color is adjusted colorimetrically to match the subject’s color.

Images will appear dull and subdued.Monochrome Creates black-and-white images.User Def. 1-31~3 You can register a basic style such as [Portrait], [Landscape], a Picture Style file, etc., and adjust it as desired.

Any User Defined Picture Style that has not been set will have the same default settings as the [Auto] Picture Style.

Click File on the menu bar and Save As from the drop-down list. Name your black-and-white photo and click Save. You now have both the color original and the black-and-white copy.

Your Canon EOS 70D offers Picture Styles, which you can use to further tweak color as well as saturation, contrast, and image sharpening. Sharpening is a software process that adjusts contrast in a way that creates the illusion of slightly sharper focus. The key word here is slightly: Sharpening cannot remedy poor focus but instead produces a subtle tweak to this aspect of your pictures.

Landscape: In a nod to traditions of landscape photography, this Picture Style emphasizes greens and blues and amps up color saturation and sharpness, resulting in bolder images.

Faithful: The Faithful style is designed to render colors as closely as possible to how your eye perceives them.

Portrait: This mode reduces sharpening slightly from the amount that’s applied in Standard mode, with the goal of keeping skin texture soft. Color saturation, on the other hand, is slightly increased.

Using Digital Photo Professional to Convert to Black-and-White

One drawback with using Picture Style on-camera is the possibility of forgetting to change back to color mode. Many image editing applications can turn color photos into black-and-white after shooting, and Canon’s Digital Photo Professional ships with your camera, or, if you’ve misplaced your disk, you can download it from Canon’s support website.

Auto: This is the default setting; the camera analyzes the scene and determines which Picture Style is the most appropriate.

Digital cameras record images after applying an electrical correction process for color tones, brightness, and contours to the signal output from the image sensor.

In Basic Zone modes, [Auto] is set automatically. If the desired color tone is not obtained with [Auto], use another Picture Style. can be displayed in the viewfinder when [Monochrome] is set.

Click on the Adjust image colors tab. Click and drag the Saturation slider all the way to the left. The color is removed from your photo, leaving a black-and-white image.

There are two methods to access Picture Style. Each works the same way, and the methods are common to most Canon EOS models.

The Picture Style will be set and the camera will be ready to shoot.

Shooting in black-and-white with any Canon EOS requires a simple change to the Picture Style setting, available in the camera’s menus. It’s also possible to shoot in full color and convert your images to black-and-white using software supplied with your camera.

For more information on adjusting Picture Styles and registering Picture Styles, please refer to the Related information section.

Neutral: This setting reduces saturation and contrast slightly compared to how the camera renders images when the Standard option is selected.

Black-and-white images shot in JPEG cannot be reverted to color. If you want to later shoot pictures in color, make sure the [Monochrome] setting has been canceled.

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