Sue flood photography day 5 of black and white photo challenge taken at 186272212903274the bushcamp companys 242593429127029274mfuwe lodge
The above image was taken at bala lake in gwynedd wales a beautiful place i pulled onto the car park in the pouring rain it was dark grey i had
Fb black and white challenge day 5
Day 1 this was a photo i took in portling on the solway coast during the worst snow in scotland for 30 years i love the moody feel and the way the rock
Facebook black and white challenge day 5
Maidenhead bridge in spring

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Black And White Photography Challenge Facebook.

Try Long Exposure. Long exposure shots could work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this may help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If required , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively). typically , when exposures extend farther than as to 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are purely as advantageous in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more useful . An ND grad is cooperative when you want to retain detail in a bright sky while a polarizing filter should be used to reduce reflections and boost contrast. Alternatively, put down as,take for,account,reckon,treat,adjudge,size up,value,rate,gauge,sum up,weigh up taking two or more shots with varied exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, may also be useful for manipulating contrast in digital images. They work by darkening objects of her opposite colour while lightening objects of his own. An orange filter, for example, will darken the blue of the sky while a green one will lighten foliage.

Take Control. Although coloured filters could still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a a couple years ago Photoshop’s Channel Mixer was the favored means of turning colour images monochrome, but now Adobe Camera Raw has more forceful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust one of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations should become unnatural looking. And adjusting the brightness of a red or rosy shirt with the red sliding control, for moment , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls should also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create differentiation between objects of the same brightness but with unique colours.

Dodge and Burn. Dodging and burning is a oddity that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers may only thought of taking a degree of because you should target the highlights, shadows or mid-tones with both. This means that you should use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten up them to grow local contrast. It’s a good policy of sharing a sense of superior sharpness and enhancing texture. Plus, because you can set the opacity of the tools, you can build up her effect gradually so the impact is subtle and there are no hard edges.

Shoot RAW + JPEG. The best monochrome conversions are stumbled on by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As many photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. many cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact road cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users can also do this if they kick in his camera’s live supposition mode , but the usually slower responses mean that numerous will find it preferable or check the image on the screen post-capture.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would immediately be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and colorless straight from the camera. providentially , it’s possible to work adjust the brightness of these two colours singly to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some powerful blacks and whites. This can be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, could inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the most excellent composition.

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I love the moody feel and the way the rock face is silhouetted against the sky and how the black and white format really makes the dripping icicles stand
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You have to drag seven other idiots into thisJust a regular 30 day fbImage may contain plant flower nature and outdoorThe 7 day black and white photo challenge maidenheadImage may contain 1 person sitting table and indoorWhy i wont be doing the bw photo challenge on facebook www herviewfromhome

Since when does posting photos to Facebook constitute a challenge? That is one of the main points of Facebook! Many people can’t leave the house without posting a photo on Facebook. So to frame this as a challenge is just asking for trouble. The prompt to eschew color, people, and explanatory text has given participants free rein to post cringe-worthy “arty” pictures they’d normally have the good sense to be embarrassed by: their shadow-dipped lattes, their brooding pets, their kids’ tilted-over toys, often framed diagonally to add that extra “I’m doing serious photography” edge. The leaves! The cars! The fences! I saw one photo of a faucet, for some reason.

The Facebook and Instagram 7-day Black and White Challenge is terrible and needs to be stopped Just say no.

The poster then mentions who “challenged” them and then on each day when they post a photo, they tag someone they’d like to see post seven dumb and boring black and white photos. I’ll let Slate do some of the heavy lifting here as to why this is stupid.

No people? Everyday life? I’m sorry, but life (or at least mine) is not that scenic or artistic. I work from home. Yesterday, the only time I left was to get a smog check of my car. None of that warrants a photo. None of my friends are clamoring for a black and white photo of my office or my car getting smog checked. Let’s say you could take a few good black and white photos. That’s still just a few! You have to do this for seven straight days.

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Social media can be a good thing. Staying connected with friends and giving you moments of stimulation when commercials come on and you’ve sat on the remote and can’t find it. But don’t be a sheep and just go along with this latest fad. I don’t know what I’d do if someone challenged me (murder is too harsh, but drawing blanks here for an alternative response), but when your time comes you’re going to have to make a decision. Just remember you’ll be remembered for how you respond. Don’t stand on the wrong side of history on this one.

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Seven days, seven photos in black and white of your everyday life. No explanation, no people.

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You’ve seen it by now. At this point, maybe a dozen or more of your “friends” ( or just idiots you were dumb enough to accept a request from) are participating in this pointless growing social media phenomena. If you’re lucky enough not to be subjected to the latest social media annoyance, the basic premise is as follows.

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Remember the Ice Bucket Challenge? I hated that too, but you know what? It was for a good cause. Reportedly, it raised $100 million for ALS research. Yes, it was a bit obnoxious and a nuisance, but seeing Ice getting dumped over your douchey boss’s head was entertaining. But even as these videos got stale, it was good to know participants were doing this to drive awareness to a specific cause. Sure, there are 20 billion things probably better than posting a video of you pouring ice on your head, but at least this qualifies as somewhat of a good thing. The photo challenge, though? There is nothing redeeming or good about it.

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“He allows me to learn things and some days I may have to learn the hard way but at least you’re learning them for yourself.”

OK, let’s say you do this. Someone you look up to challenged you and you just give in. The stupid rules to this stupid challenge say you need to challenge someone else to do this every day you post. It’s like a dumb pyramid scheme except nobody makes money and we just have proliferated a bunch of photos of coffee cups.

It’s not just that these photos are now maybe 10-15% of the content I’m seeing on Instagram and Facebook, but it’s also that if you are a lackey who gets sucked into this, you have to post SEVEN times. If you’re anything like me, you’re selective of what you post and where. That’s kind of the allure of Snapchat and Instagram’s stories in that you can half-ass post something knowing it will go away and it won’t clutter up your pages. Not only does this make you post something on your page, you have to do it SEVEN TIMES. For me, that’s like two months of content. It basically dilutes the quality of your personal page and feed.

Well said. Beyond that, here are some additional beefs I have.

If you tag me to do this, you’re basically giving me a homework assignment. You’re asking me to take some time out of my day for a full week. Time is precious and any social media trend that requires my time needs to have some type of payoff. This doesn’t. I wouldn’t like doing it and 98% of whoever follows me wouldn’t either.

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