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Black And White Photography Course.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would straight away be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dingy straight from the camera. fortunately , it’s possible to work adjust the brightness of these two colours discretely to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some powerful blacks and whites. This should be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, can inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the best composition.

Try Long Exposure. Long exposure shots can work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this should help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If required , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively). typically , when exposures extend farther than with respect to 1/60 sec a tripod is wanted to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Take Control. Although coloured filters should still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a a couple years ago Photoshop’s Channel Mixer was the preferred means of turning colour images monochrome, but now Adobe Camera Raw has more strong tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations can become unnatural looking. And adjusting the brightness of a red or pink shirt with the red sliding control, for moment , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls may also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create delineation between objects of the same brightness but with varied colours.

Dodge and Burn. Dodging and burning is a policy that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers can only thought of taking a degree of because you could target the highlights, shadows or mid-tones with both. This means that you may use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten up them to grow local contrast. It’s a great method of giving a sense of superior sharpness and enhancing texture. Plus, because you may set the opacity of the tools, you should build up their effect gradually so the impact is subtle and there are no hard edges.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are simply as advantageous in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is helpful when you want to retain detail in a bright sky while a polarizing filter could be used to decrease reflections and boost contrast. Alternatively, contemplate taking two or more shots with unique exposures to create a high dynamic range (HDR) composite. Don’t be anxious to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, should also be useful for manipulating contrast in digital images. They work by darkening objects of her opposite colour while lightening objects of their own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

Shoot RAW + JPEG. The most excellent monochrome conversions are set foot on by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As numerous photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. most cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact approach cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users should also do this if they kick in their camera’s live supposition pathway , but the usually slower responses mean that numerous will find it preferable or check the image on the screen post-capture.

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Masking: Selective adjustments and blending conversion techniques

In this, the first of two videos on toning and colorizing your images, you will learn how to use a range of tools to: apply a single colour to an image, how to split-tone an image using Camera Raw, and how to apply a duotone within Photoshop. You will also learn how to incorporate toning into your black and white workflow. Photography and post-production training for photographers

Anyone who wants to learn how to create technically optimal and aesthetically stunning black and white images.

In this video you will learn how to use the Channel Mixer to convert your images to black and white, a tool that offers a high degree of control over the black and white conversion process.

In this video you will learn how to soften and smooth skin tones during the black and white conversion process: to remove blemishes, brighten the skin and so on. This is an especially useful technique for portraits of women and children. Using exactly the same tools you will learn how to maximise detail, a technique well suited to male portraiture. As you’ll see though, in both instances, this can involve some counter-intuitive decision making at the outset.

Histograms break down the value of a photograph. Once you understand value you can use it to create stark contrasts or to create soft, subtle compositions. Value in the photography world really just translates to light. If you have a heavily lighted photography it is high on the value scale. If you have a low lighted photograph then it is low on the value scale.

It’s here! ON1 Director of Product Dan Harlacher takes you on a deep-dive into the world of black and white photography. Learn how to think in black and white to compose and properly expose for this, the pinnacle of photographic expression. Then learn how to convert to black and white, control tonality, simulate film and darkroom techniques and even get the best black and white prints. Dan has been a passionate practitioner of black and white photography going back to his days in the darkroom where we was a college instructor. In this all-encompassing course you will learn everything you need to know about shooting and converting black and white using the latest modern digital technology.

Black and White Photography in the Digital Era (free video) Black and White Landscapes (free video)

In this video you will learn how to convert a portrait (or any other image) to black and white using Lab Color mode, a powerful alternative to RGB. You will learn the basics of Lab, before moving on to discover why this can be a useful technique for black and white portraiture.

The Curves tool can be intimidating, at least at first, but it is the most powerful, most useful, and most flexible tool within Photoshop, and can be used to adjust both the tonal range and contrast within your images in precise and targeted ways. In this video we take a detailed look at how to use this tool.

In this video you will learn how to use the Calculations method to create a black and white image. This is a destructive technique, and quite complex to master, but it is a powerful and flexible method of creating a black and white image.

In this video we take our first look at the range of black and white conversion techniques we’ll be covering during this course. We’ll then take a detailed look at some of the simpler techniques: how they work, when you should use them, and the degree of control they offer over the back and white conversion process. We conclude by summarising the limitations of these simpler techniques.

Lesson 1IntroductionLesson 2Seeing B&WLesson 3Exposing for B&WLesson 4Camera FiltersLesson 5Digitally Converting to B&WLesson 6Controlling Tone & ContrastLesson 7Making Local AdjustmentsLesson 8Detail & TextureLesson 9Film Darkroom LooksLesson 10InfraredLesson 11Using PresetsLesson 12PrintingLesson 13Editing an Architectural PhotoLesson 14Editing a Waterfall PhotoLesson 15Studio Shoot & Edit: FloralLesson 16Studio Shoot & Edit: A Portrait

How to create technically optimal and aesthetically stunning black and white images with Photoshop. How to develop an effective, powerful, and efficient black and white workflow. How to use a range of black and white conversion techniques to maximise the impact of your images.

How to evaluate the tonal range and tonal balance of an image in order to work out the changes that need to be made during subsequent post-production. How to use the histogram effectively. How to create and use adjustment layers.

How to use masks to seamlessly blend two or more adjustment layers. How to use the Curves tool, Photoshop’s most powerful tool, to apply both global and selective changes to the tonal range and tonal balance of your images.

How to blend two or more conversion techniques within the same image. How to smooth skin tones, a technique that’s especially useful for portraits of women and children. How to lighten your subject’s eyes.

How to maximise the detail in your subject’s face: especially suitable for male portraiture. How to add unique and compelling tones to your images to really bring them to life.

High value is white and low value is black, you can see below a visual representation of value scale.

This PDF contains the slides used during each of the lectures.

In this video you will learn how to use one of Photoshop’s most powerful and flexible black and white conversion methods, the Black and White tool.

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In this video we begin our discussion of black and white portraiture by taking another look at the tools and techniques we discussed in previous lectures, particularly in terms of how these can be used to delineate your subject from the background. 

In this zipped archive you’ll find 28 images (2 RAW files, 5 layered Photoshop files and 21 JPEGs: all at around 1500px wide) that you can download and work through as you go through the lectures. The images are named in the order in which they appear in the course.

Learn how to create dramatic and compelling black and white images using a range of powerful Photoshop techniques.

In this video we begin by taking a look at the features of a colour image contribute towards making it easier to create a stunning black and white image DURING the black and white conversion process. From there we move on to explain tonal range and the histogram, before taking a look at how you can adjust the tonal range and brightness of your images using the Levels tool. Photography and post-production training for photographers

Converting a portrait to black and white using Lab Color mode

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Converting to black and white using the Black and White tool

In this video we begin by taking a look at the limitations and problems associated with Dodging and Burning, a technique you can use to make selective adjustments to the tonal range and tonal balance of your images. From there we move on to work through a range of detailed examples, each of which will teach you how to use multiple adjustment layers and masks to make selective and targeted adjustments to your images to greatly increase their impact. In the final section you will learn how and why to blend multiple black and white conversion techniques within a single image.

Ideally, Photoshop CS3 or above. If you’re using an earlier version of Photoshop (CS2 or below) you’ll be able to work with most of the tools and techniques covered in this course other than the Black and White tool which was introduced in Photoshop CS3.

No prior knowledge of Photoshop. You’ll be learning some powerful and sometimes complex techniques, but we’ll work through each of these step-by-step.

Current price: $10.99 Original price: $149.99 Discount: 93% off

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Very knowledgeable! Great at explaining the processes, especially the whys and why nots. Great explanation of what is required to create a stunning black and white image. Excellent job of explaining the histogram, the levels tool, and the curves tool.

In this video we take a detailed look at the Twin Hue/Saturation method of creating a black and white: a non-destructive technique that provides relatively limited control over the black and white conversion process. We then go on to consider why such control is important control is important, particularly in terms of meeting your creative aims for an image. We conclude by taking a look at why a higher degree of control is often be required.

Many of the most powerful, memorable and effective photographs are black and white images. With digital photography though you can no longer take a great black and white photograph… but you can create one using the black and white photography techniques taught in this course. So if you’re confused about which black and white conversion techniques to use, unsure about how to adjust the tonal range and balance of your black and white photos using curves and masks want to make more of your black and white portraits and you want to learn how to tone your black and white images this course is for you. What black and white photography techniques are you going to learn: * You’re going to learn how to use a range of powerful flexible and non-destructive black and white conversion techniques. You’re will learn which are the most useful and powerful e.g. the Channel Mixer and Black and White tool when to use one technique rather than another and which techniques to avoid (and why).* You will learn how to evaluate the tonal range and tonal balance of an image and then how to make global and selective changes using adjustment layers selections masks and the Curves tool: four of the most powerful tools and techniques within Photoshop.* You’ll then learn how to use these tools and techniques to overcome some of the unique problems you’ll face when converting your portraits to black and white including how to delineate your subject from the background how to work with skin tones to maximise detail or smooth your subject’s skin and how to enhance your subject’s eyes.* You’ll learn how to add unique and complex tones that will really bring your black and white images to life.* You’re going to learn how to embed all of these tools and techniques into a flexible powerful and repeatable workflow.* But this isn’t just a course about post-production and Photoshop: each video will also enable you to develop the skills and give you black and white photography tips you need to create not only technically optimal black and white photographs but ones that are aesthetically striking too.* When you create a black and white image pressing the shutter is just the start. Sign up for The Art of Black and White Photography and take the next step now. Downloads are ENABLED for this course!

The download for this course includes 16 video lessons and practice files to follow along. If you have questions or want to discuss this course head on over to Plus Forums Course Discussions. Not an ON1 Plus member? Learn more about our growing community.

Need help understanding how to stream ON1 Plus Courses? Check out Lesson 5 of the ON1 Plus Video Guide »

There are two reasons to shoot black and white photography. One reason is because you think it looks old fashioned and it’s a cool effect. A better reason to shoot black and white photography is because of the lessons it can teach you. Black and White Photography teaches you about values. We’re not talking about ethical values but the value in a monotone sense where color is taken out of the picture and we can focus on value as a single element.

6 hours on-demand video 2 Downloadable Resources Full lifetime access Access on mobile and TV

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Ansel Adams understood the dynamics of black and white photography along with other essential elements and principals of design and photography. A part of this could be that he didn’t meddle with color, since we often get distracted by color and loose the value of the composition. To truly understand composition shooting black and white photography is something you have to try as not just an “effect”, but as a teaching tool.

In this video we take a detailed look at how to use the Camera Raw plugin in Photoshop to convert your images to black and white. This is a powerful technique, and the only one we’ll be discussing that allows you to convert your image during the RAW conversion process. However, unlike many of the other techniques we discussed previously, it does have its limitations, particularly in terms of embedding it within an overall workflow.

In this, the final video in The Art of Black and White photography, you will learn how to add multiple and complex tones to your image using a range of powerful and flexible tools. These include the Gradient Map, the Color Balance tool, the Channel Mixer, the Selective Color tool, and my personal favourite, the Curves tool.

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