Black And White Photography Film Vs Digital


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Black And White Photography Film Vs Digital

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Black And White Photography Film Vs Digital.


In additional, many digital cameras take advantage of sequential shots and HDR capabilities to create photographs with exceptional high dynamic range beyond what is capable with film.

The digital revolution has caught up to film in many regards, killing many of the arguments for film being better than its technological counterpart. However, the most notable reason to shoot analog may be the resolution obtained from medium format cameras. Not all explanations can be laid within technical comparisons though. Many will argue that shooting analog is a more personal and enjoyable experience – that decision, is completely up to you.

One last item to consider with noise/grain is that film may be a better medium for capturing long exposure photographs. Image sensors must be operated at low temperatures to avoid thermal noise, a process that can become difficult with prolonged usage of the imaging circuitry. Film, on the other hand, does not have any issues with overheating.

__mason thank you for this great comparison! I’ve been shooting film for years, & when I tried going out with a digital camera a few times I just couldn’t get near the results I was used to without time at a computer. granted I’m no photoshop expert. but man there really is nothing better than composing a photo, developing it & loving it as is. there’s a lack of satisfaction & emotion in knowing I need to re-work all of my digital images to get the right colors & mood. I’m sure a lot of people love that aspect, but I’ll forever prefer letting the magic happen then & there, with light simply making its way to a piece of film.

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Film vs. Digital: A Comparison of the Advantages and Disadvantages

A release by Kodak showcased that most film has around 13 stops of dynamic range. Today’s modern digital cameras all average around 14 stops of dynamic range, with high-end units such as the Nikon D810 reaching almost 15 stops. Film continuous to deliver incredible dynamic range, but today’s digital technology can easy match it.

With film usage and adoption on the rise, we wanted to resurrect the debate of digital photos versus analog photos.  As a film processing lab we obviously have a bias, so not going to say which is better, but just to present the differences and list advantages.

Increasing the ISO of a digital camera or selecting high-speed film will make your photographs more susceptible to noise and grain. In most situations, noise is unwanted in color photos; however, with black and white images, some artists view the grain as adding character, and thus not as a negative point.

Tags: analog, comparison, digital, dynamicrange, film, grain, iso, noise, resolution, speed

When it comes to both digital and analog formats, photographers want to know that their efforts will result in sharp, high-resolution photographs. With digital image sensors, we determine resolution by counting the number of pixels within a given area. Film does not have pixels, and thus an analysis of a film’s resolving power is calculated through angular resolution. Both methods of measurement can be correlated with each other and thus compared for equivalent resolution.

We’d love to hear your thoughts on this topic in the comments below.

That being said, many professional photographers who shoot film opt to do so with medium or large formats. According to research carried out by a team of four industry experts, it was found that medium format film has a potential to capture a jaw-dropping 400 MP photograph, however, after digital scanning, resulted in a resolution of 50 to 80 MP. Another test, also conducted by Roger N. Clark, noted that larger formats such as 4×5 inches can capture 200 MP equivalent photographs after being scanned.

The random appearance of small textures within a photograph may be referred to as digital noise or film grain. With analog film, grain is the result of small chemical particles that have not received enough light. Within digital image sensors, noise is the result of unwanted signals created by the camera’s digital circuitry; this can be due to excess heat or a sensor’s ability to handle unruly signals in the airwaves.

In a world in which photographs are primarily taken with digital image sensors, there are a growing number of photographers who are newly interested in film formats of the past. But why would anyone in our age of technological convenience still choose to shoot with analog film?

Also, if you’re looking for a little less saturation, there are other great film choices, like Provia 100 which isn’t as saturated but still has great color and fine grain or you could go with a color negative film which will give you more subtle colors and has a wider range of exposure latitude.

To understand the advantages and disadvantages of each shooting practice, we are comparing the different aspects of each’s image quality, along with the cost of usage. If you have been thinking of tinkering with film photography, you have landed in the right place.

Digital has a much more expensive up front cost and evolving technology means you will most likely want to upgrade your equipment within a few years. For those who demand instant access to their photographs, there is nothing faster and more convenient than digital. When shooting high-speed action photography, there is also no concern about running out of film; large memory cards can easily store hundreds or thousands of high-resolution photographs.

Let’s say that you want a modern digital camera with resolution, dynamic range, and grain equivalent to ISO 100 film. You may choose to pick up a Nikon D3300 – an entry camera that checks off all the boxes. The initial purchase may cost $500, but with a cheap memory card ($30) you can shoot unlimited photographs and delete what you don’t need. You may then opt to upgrade your camera within a five-year span for another $500.

Testing by Magnetic Recording Technology Expert, Norman Koren, showcased that digital photography has evolved to the point at which it has far less noise than the equivalent available film speed. Of course, digital noise depends on the sensor within a digital camera, so older units may not be as efficient.

ben_holiday Shooting jpg without a raw option is just sad 😐 and holds no candle to velvia or any film. That being said a raw file in the right hands can be a very different story. Film and digital are tools there is a tool for every type of job, in the end it’s all about how they are used and the skill of the user. barce I hate feeling broke after shooting with film. Yeah, I did a similar experiment with a raw Canon T3i and Velvia which did a great job of catching very subtle highlights. Film you can over expose to get details but digital you have to do the opposite. Right now digital to print is way less hassle. If I had to photograph in Antarctica I’d stick with film. No digital camera’s battery can stand the cold (-20C/F). That’s the only job I see for film these days.

Once the almighty reason to shoot with analog film over digital, dynamic range is no longer the huge debate it once was in the past. While the dynamic range of an Image is a complex process that takes into account the sensor used, the type of file compression, and other factors, digital is ultimately winning against analog film.

In short, that 35mm film camera that you picked up from the flea market may not be able to outperform the latest digital cameras, but a medium format or large format unit can deliver and exceed the same resolution of Phase One’s latest $40,000 camera system.

While in Eastern Sierra Nevada we shot two photos, one film and the other digital. Both the digital photo and the film photo were taken with the same settings. The left image was captured on Velvia 50, taken with a Canon EOS 3, a 50mm lens at f/4. The photo on the right was taken with a full frame Canon 6D with 50mm, 100 iso and f/4. Both images are unedited. As you can see, Velvia 50 has very fine grain and has rich vibrant colors straight from the scan compared to the unedited JPEG from the Canon 6D. And yes, you do have the option to edit digital photos but there’s something special about making a beautiful image in-camera on film and not having to spend any time editing!

For over 40 years, we have developed literally millions of rolls of film and we still love it! Most of us have been doing it for a long time – A.J., Ronnie, Joe, Emmanuel, Aimee, Nancy, Chris, Glen, Keith, Jay, Cyrus, Philip – all with at least 10 years in the craft. We love cameras of all types, as well as the trippy, new films. The Darkroom… Lots of experience and lots of love!Learn more about The Darkroom.

May 28, 2017 / By Trevor Lee / In Film Photography,Film Tips and Reviews,Photo Lab Blog

Digital cameras also have the advantage of being able to change film speeds between individual photographs. For most common roll films used today (135, 120, etc.), the ISO is kept constant across the entire roll. The exception is with large format cameras that use one sheet at a time, and thus can be switched between shots.

This was originally posted on our Instagram (instagram.com/thedarkroomlab). Below is some of the comments from that post. 

If you were to pick up a decent film camera for $150 and then shoot 100 photographs a month for a year, your total film costs would be around $260 (using Kodak Ektar 100 Pro) and your development costs would be around $370. Over a five year span, you may not want to upgrade your camera, but total development costs and film would still amount around $3,200.

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koribrus The same thing sold me after 1roll. I still shoot both, but the bigger love is with film.

Independent testing of dynamic range on film cameras, such as the tests conducted by Roger N. Clark, showed that high-end digital cameras in 2005 began to show “huge dynamic range compared to [scans of] either print or slide film”. Films used in the testing included Kodak Gold 200 and Fujifilm FujiChrome Velvia.

Analog film can be pushed or pulled multiple stops when needed, but the amount of contrast within the image is affected. Some photographers use this to their advantage to create the ideal look they desire, but this method still does not allow extremely high ISO speeds without impacting image tones.

When it comes to shooting in low light conditions, digital image sensors easily take the cake. Film can usually be found available in speeds between 100 and 3200, although 6400 film does exist. Today’s digital camera systems can match the noise produced by analog cameras in these ranges, as well as push their sensitivity many stops higher. Consumer digital cameras such as Fujifilm’s X100T can simulate sensitivities as high as ISO 51200 while professional Nikon systems, such as the D4s, can shoot as high as ISO 409,600.

When it comes to cost and convenience, both digital and analog formats have their advantages and disadvantages. Noting the number of photographs you take within a given time, the urgency of needing an image available, and the type of subjects you shoot, will help you choose between the two options.

Film Photography Advantages Lower initial cost than for a comparable digital camera With a higher dynamic range, film is better at capturing details in whites and blacks and can’t be replicated with digital cameras.

Also film can capture subtle details lost in digital photography Film is more forgiving of minor focusing issues and exposure problems Film captures photos at higher resolution than most digital cameras Analog film can be pushed or pulled multiple stops when needed, but the amount of contrast within the image is affected.

Some photographers use this to their advantage to create the ideal look they desire, but this method still does not allow extremely high ISO speeds without impacting image tones. Film photographers with a limited number of exposures available on a roll of film must think more about their images before shooting them.

Digital photographers tend to take pictures first and think later. Depending on your viewpoint, this is either an advantage or disadvantage. Unlike digital cameras, film cameras are future proof and don’t become obsolete.

No power or batteries needed. Long trips and cold conditions can be limiting for digital cameras. The Darkroom photo lab scans your film photos, now allowing you to edit your images on a computer with photo-editing software or share in social media.

Digital Photography Advantages The resolution in even point-and-shoot cameras, which is often 12 to 20 megapixels is high enough resolution for large prints. Digital cameras also have the advantage of being able to change film speeds between individual photographs.

The cameras are generally lighter weight than film cameras. Memory cards are tiny and can store many images. Instant gratification and images can be viewed immediately. Some film photographers consider this a disadvantage.

You can edit your images directly on the camera. You can choose to print only the images you like best. Many cameras offer built-in filters.

Analog is much more affordable up front, and you will most likely be able to use your film body for decades to come, as genuine enhancements are to the film itself. That being said, analog shooters will be spending a lot more money on film rolls and development costs. There is the need to conserve film more carefully as nothing can be just deleted as with digital and photos are not availably instantly. Most available processing labs take at least 24 hours, if not a few days, to complete the process. Sadly, one hour photography stores are a dying breed.

velorydr Cool, thanks for the comparison! It would be interesting to see how true Velvia film would hold up against an in-body Fujifilm digital simulation, or VSCO simulation. Keep up the good work!

Just as different sensors produce different resolutions, different types of film will also produce different resolutions. Roger N. Clark’s analysis of standard 35mm film showcased that depending on the type of film used, the resolution fell between 4 and 16 million pixels. For example, Clark’s study noted that Fujifilm’s Provia 100 film produced a resolution around 7 MP while Fujifilm’s Velvia 50 produced a resolution around 16 MP. Considering that entry cameras such as Nikon’s D3330 produce around 24 MP, 35mm film doesn’t have much of an advantage in this scenario.



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IMAGE COLLECTIONS : Black And White Photography Film Vs Digital

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