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Black And White Photography Jordan.

Try Long Exposure. Long exposure shots could work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this can help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If compulsory , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). characteristically , when exposures extend beyond on the subject of in connection with 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would instantly be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dreary straight from the camera. happily , it’s possible to work adjust the brightness of these two colours discretely to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some forceful blacks and whites. This should be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, should inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the greatest composition.

Shoot RAW + JPEG. The most excellent monochrome conversions are chanced on by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As many photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. numerous cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact approach cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users could also do this if they activate her camera’s live conceptualization strategy , but the usually slower responses mean that most will find it preferable or check the image on the screen post-capture.

Take Control. Although coloured filters can still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a a couple years ago Photoshop’s Channel Mixer was the preferred means of turning colour images monochrome, but now Adobe Camera Raw has more powerful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations could become unnatural looking. And adjusting the brightness of a red or pinkish shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls could also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create differentiation between objects of the same brightness but with different colours.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are merely as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more useful . An ND grad is helpful when you want to retain detail in a bright sky while a polarizing filter could be used to decrease reflections and boost contrast. Alternatively, count taking two or more shots with diverse exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, should also be useful for manipulating contrast in digital images. They work by darkening objects of her opposite colour while lightening objects of her own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

Dodge and Burn. Dodging and burning is a style that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers may only hope of because you could target the highlights, shadows or mid-tones with both. This means that you could use the Burn tool to darken highlights when they are too bright, or the Dodge tool to perk up them to increase local contrast. It’s a good pathway of giving a sense of superior sharpness and enhancing texture. Plus, because you can set the opacity of the tools, you should build up their effect gradually so the impact is subtle and there are no hard edges.

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Photography has the power to transform the perspective of both viewer and photographer. The images that stick can transport you a world away and truly convey the soul of their subjects. The Black and White Street photographs by Jordan Stead inspire wanderlust while capturing the true soul of the places he’s traveled.

Phoblographer: Why high contrast black and white? What does it do for you?

Al-Khoury is the owner of Darat Al Tasweer, a specialized centre for photography located in the inspiring Jabal Al Lweibdeh. She specializes in breathtaking stills of nature and environment and is widely known for hosting weekly and monthly photography hangouts, where she shares her expertise. Visitors can join in a photography spree all around Jordan.

Jordan Stead: Digital for ease of use and dissemination. P&S because, as an alterative travel camera to my SLR, it is quite literally all I want to do: point and shoot. As mentioned, it’s an incredibly cathartic experience to make pictures without concerning yourself with technical requirements and nuances, such as when photographing for a paying client. For me, the GR perfectly served this purpose – and actually fit in my pocket.

A post shared by Anas Al-kurdi Photography (@anas_alkurdi_photography) on Jan 30, 2017 at 6:07am PST

Phoblographer: This is much different from the K-9 portrait work, so what made you want to get into doing street photography?

#fineart #creative #image with @obaidamelhem1 #hasselblad #unique #dubai #ukraine #amman #mylife #studio #indoor #omayami

Street shooting has always represented the opposite of my staff photojournalism and freelance visual production work. Street is a total “creative juices” affair; my photographic equivalent to the “stream of consciousness” practice for authors of the written word. Photographing the street is fast, messy and cathartic.

Mohammad expresses his passion for fashion photography through different perspectives and backgrounds, using wonderful editing techniques to finish up his work of art.

Mr. Al Saqqa is a professional portrait photographer, the owner of Robina Studio, and the personal photographer of His Majesty Prince Hasan. He has been in the trade for over a decade, and has a high profile for being favoured by the Royal family.

A post shared by Sarah Nasser (@sarahnasserphotography) on Jan 18, 2017 at 12:01pm PST

This esteemed gentleman is iconically known for his jaw-dropping lively images, which once seen, you can’t help but stare mesmerized at his genius timings. Ali is a black-and-white photography specialist, whose photographs are so scarily alive, that if you look close enough, you might imagine the figures in motion!

@harpersbazaararabia @cartier #fashionphotography @mazenabusrour #fashionstylist @gemmamjones #model @mmgmodels #makeup @biancahartkopf #hair @jehnnamahoney #harpersbazaar #photoshoot #editorial #red #mazenabusrour #cartier

Black and White Bangkok: The Street Photography of Jordan Stead

Jordan Stead: The K-9 work was one of countless assignments I shot while on staff as a photojournalist for editorial outlets. I by no means ever was – or probably ever will be – a purely pet portrait photographer. The dog photographs were part of a one-off project.

Jordan Stead: I’ve always photographed and toned for “the crunch,” whether in color or otherwise. The GR quickly became my “least effort” photographic tool, and in turn, I utilized one of the excellent monochrome presets that comes baked into the Ricoh. I’m normally a manual shooter on SLRs, but with the Ricoh, I dabble in Aperture Priority. While setting a specific ISO has always been in practice, my GR remains primarily in Auto ISO. Even my controlling nature of shooting SLRs with specific AF points was ditched in favor of the GR’s excellent “Snap Focus” mode. My GR mindset: how can I dumb this thing down enough to eschew technical details and come away with personally meaningful photographs?

A post shared by Ali Saadi (@aspire_photo) on Sep 19, 2016 at 4:49am PDT

A post shared by Farras Oran (@farrasoran) on Mar 26, 2017 at 9:47am PDT

Seattle-based photographer Jordan Stead considers himself to be a visual storyteller, and has over a decade of experience creating images for both editorial and commercial clients. Jordan has a natural love for life that comes across in his personal work as well as in his writing.

Jordan Stead: Ha, when you put it that way, I get even sadder than the day I sold my Fuji off to a good home. By no means did I intend to replace my trusty X100S, but it spent an awful lot of time on my bookshelf this past year. While I use my SLRs for work, the X100S was always my travel and play-around camera. After it took an involuntary hiatus from use, a friend of mine offered up his Ricoh GR to me for an extraordinarily low price. I nabbed it with little prior knowledge, choosing to discover the magic of the camera through use, rather than market research (such as with more expensive photographic purchases). So far, I couldn’t be happier.

A Creative Director and Director of Commercial Photography at Robina Studio, a graphic designer, a billboard and commercial photography specialist; Omar is the whole package of what a real moving talent ought to be. He shows passion for his work through a unique artistic touch seen clearly in his edgy photography. Additionally, he would happily perform regular photoshoots upon booking and requests.

“Here’s me @mohd_hijjawi and @tamaraalgabbani taking photos with this Cuite ” 🐶🐶😍❤️

A post shared by Mohammad Hijjawi Photography (@mohd_hijjawi) on Mar 26, 2017 at 8:50am PDT

PS: If you love black and white photography, you should subscribe to La Noir Image. We start out at $15/year but $40 gets you more goodies and $100 gets you a personalized portfolio critique.

Phoblographer: What typically motivated you to click the shutter on specific moments? Did it have to do with emotions? How do you feel you captured the feelings in your images? Does black and white help there?

As Jordan was too small for his rapid-growing talent, Abusrour has relocated to Dubai where his art exploded onto the international scene. Keep an eye out for his editiorial work in Vogue, and follow him on Instagram for living proof of his mesmerizing vision.

Phoblographer: Why digital? Why not film? And why point and shoots?

Anas Abu Jaber is the master of composition and editing. He goes around shooting one wedding after the other, bringing out the details of each moment and using every stream of light to his benefit when creating masterpieces.

Young Sarah has a genuine talent for bringing out the beauty of the human soul in her surreal natural photographs.

A post shared by Anas Abu Jaber (@anasabujaberphotography) on Feb 10, 2017 at 4:36am PST

Thailand 2016/2017. Mandatory posted copyright: (Photo: JORDAN STEAD | www.jordanstead.com)

We recently had an opportunity to speak with Jordan about his latest travel photography project – capturing the streets of Bangkok. Phoblographer: What made you ditch your Fuji?

Ahmad Aljezawi 1/6 #photo #photoshoot #photography #mensphotography #greeneyes #models #curlyhair #beard #jordan #amman #vsco #vscostyle #gentelmen #eyes

It is real, but like a dream. 2009 Debeen natural reserve, Jordan. حقيقي ولاكنه كالحلم؛ محمية دبين الطبيعية، الاردن. #loveJO #debeen #Jordan #deers #nature #photography #instagram #الاردن

A post shared by Mazen Abusrour (@mazenabusrour) on Apr 4, 2017 at 1:44am PDT

A post shared by Omar Khyami (@omarkhyami) on Feb 8, 2016 at 12:45am PST

#InstaStyle #instaPhoto #photographer #photography #Photo #Wedding #party #followMe #LikeForLike #Follow #fashion #weddingphotography #photooftheday #photoshoot #photosession #Jordan #amman  #beamman #jo

Photography is a controversial art in Jordan. However, that has not stopped these top 10 talented photographers from creating impressive pieces of work to watch out for, so explore their skills with this guide.

A young professional who has taken on photography as a passion. His beautiful eye and high-profile editing can clearly be seen in every shot he works on.

You can contact or see more of Jordan’s work on his website.

Maybe it’s because I haven’t worked with a “point and shoot”, truly pocket-sized camera in a decade, but the GR’s no-nonsense feature set and back-to-basics construction brought me great joy in recent months.

It casually accompanies me more often than other cameras have in the past, I’m not caught up in laborious “photographer thoughts”, and I’m coming away with images that keep me creatively satiated in new ways.

Now let’s just hope its build quality lasts me longer than six months of abuse.

Farras Oran is famously known as Her Majesty’s, Queen Rania of Jordan, personal photographer. His privilege of being the Queen’s personal escort, and his unique eye, make him one of the highest recommended photographers in Jordan and the Arab Region.

Jordan Stead: Shooting without color does two things to a photographic mind. One, it eliminates the possibility of leaning on color as a crutch to claim a “good” photograph. Secondly, it allows a photographer to focus solely on use of available light and attentiveness to natural moments, especially when on the street. The process is streamlined, simplified. I react even faster to moments, shapes and visual urges than I would with a bigger camera or shooting for color.

A post shared by Linda Al khoury (@darataltasweer) on Jul 11, 2015 at 12:01pm PDT

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