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Black And White Photography Kolkata.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would straight away be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and monotonous straight from the camera. providentially , it’s possible to work adjust the brightness of these two colours discretely to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some strong blacks and whites. This can be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, should inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the best composition.

Try Long Exposure. Long exposure shots may work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this should help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If required , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). classically , when exposures extend farther than as for 1/60 sec a tripod is wanted to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Shoot RAW + JPEG. The most excellent monochrome conversions are happen on by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As most photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. many cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact policy cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users may also do this if they activate her camera’s live idea means , but the usually slower responses mean that most will find it preferable or check the image on the screen post-capture.

Take Control. Although coloured filters could still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a some years ago Photoshop’s Channel Mixer was the favored means of turning colour images monochrome, but now Adobe Camera Raw has more forceful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations can become unnatural looking. And adjusting the brightness of a red or pink shirt with the red sliding control, for moment , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls can also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create discrimination between objects of the same brightness but with diverse colours.

Dodge and Burn. Dodging and burning is a convention that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers could only aspiration of because you can target the highlights, shadows or mid-tones with both. This means that you may use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten them to increase local contrast. It’s a great method of giving a sense of greater sharpness and enhancing texture. Plus, because you could set the opacity of the tools, you may build up his effect gradually so the impact is crafty and there are no hard edges.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are merely as advantageous in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is cooperative when you want to retain detail in a bright sky while a polarizing filter can be used to decrease reflections and boost contrast. Alternatively, hold taking two or more shots with varied exposures to create a high dynamic range (HDR) composite. Don’t be anxious to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, could also be useful for manipulating contrast in digital images. They work by darkening objects of his opposite colour while lightening objects of his own. An orange filter, for example, will darken the blue of the sky while a green one will lighten foliage.

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1932: An aerial view of Calcutta, showing Government House (large white structure to the left), The Post Office (with white dome) and the Esplanade Curzon Gardens in the foreground. (Photo by Keystone/Getty Images)

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A pavement under construction in Calcutta, circa 1880. At the far end is St Andrew’s Church, on the corner of Dalhousie Square. (Photo by Hulton Archive/Getty Images)

The interior of St Peter’s Church, situated within the walls of the British East India Company’s stonghold, Fort William in Kolkata (Calcutta), circa 1850. (Photo by Hulton Archive/Getty Images)

1946: Cobblers working on the pavement in Calcutta. (Photo by Jean & Patrick Turnbull/Fox Photos/Getty Images)

Circa 1950: A steam locomotive on the narrow gauge mountain railway which runs between Darjeeling and Calcutta. (Photo by Richard Harrington/Three Lions/Getty Images)

For some of us, Calcutta isn’t a city. It’s a way of life. The city’s lean, grimy skyscrapers jostle for space with majestic, colonial architecture. Tracks for trams crisscross the rain-washed roads and the pavements are the domain of small-scale businesses flourishing just as well as the swarms of mosquitoes that hover over people’s heads as they take an evening stroll by the lake.

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Circa 1920: Two Indian fakirs in Calcutta demonstrating that they can lift stones weighing 200 pounds with their neck or shoulders. (Photo by L Harlingue/Henry Guttmann/Getty Images)

26th April 1926: Troops in a street in north Calcutta where they are restoring order during unrest between Hindus and Muslims. Riots are believed to have been provoked by playing music outside a mosque when Muslims were assembled at prayer. (Photo by Topical Press Agency/Getty Images)

Circa 1955: A labourer in Calcutta swings heavy clubs in order to loosen his muscles as part of his early morning exercises before the working day. (Photo by Three Lions/Getty Images)

Circa 1935: A Jain temple in Calcutta, India. (Photo by Fox Photos/Getty Images)

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Prince Charles talking to Mother Teresa during his visit to her home for babies and children, Calcutta, December 1980. (Photo by Keystone/Hulton Archive/Getty Images)

19th August 1959: Dr Bimal Chandra and Arati Saha from Calcutta prepare to conquer the Channel. (Photo by Fox Photos/Getty Images)

March 1928: Government House, Calcutta. (Photo by Topical Press Agency/Getty Images)

April 1926: Police in Calcutta removing burning wood piled up in front of a building after riots between Hindus and Muslims. Missiles thrown from the top of neighbouring buildings litter the streets. (Photo by Topical Press Agency/Getty Images)

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1910: A car stops at the Netteri toll-gate on the Calcutta Road. (Photo by Hulton Archive/Getty Images)

Kolkata, then Calcutta, was the capital of India’s British empire until 1911 before the capital was relocated to Delhi. The lugubrious Hooghly bear silent testimony to India’s violent struggle for freedom, seeded in this city. This is the city of Rabindranath Tagore, Swami Vivekananda, Subhas Chandra Bose and Satyajit Ray.

1953: Rickshaw boys in the Calcutta streets. (Photo by Hulton Archive/Getty Images)

International traders and Indians jostle for space, bathing, cooking and collecting water, in the port of Calcutta. (Photo by Hulton Archive/Getty Images)

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30th September 1964: People cling to the side and rear of an overcrowded bus as it makes its way through flooding in the main street in Calcutta. (Photo by Keystone/Getty Images)

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Circa 1955: The Temple of Kali on the outskirts of Calcutta. (Photo by Three Lions/Getty Images)

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The Writers’ Building – built between 1776 and 1780 to house junior officers or ‘writers’ of the East India Company was designed by Thomas Lyon. The British aimed at making Calcutta the nerve centre of their growing empire. 24th August is commonly celebrated as Kolkata’s birthday. It is the day when Job Charnok of the English East India Company set foot in Kolkata in 1690. However, in 2003, a historic verdict by the Calcutta High Court declared that the city does not have a birthday or a founder. In spite of the verdict, many continue to celebrate the city’s birthday each year on 24th August. Here are 30 stunning images of the era gone by from the city of Kolkata.

30 Beautiful Black and White Photos of Kolkata That Will Take You Back in Time Happy Birthday, Kolkata!

Circa 1954: A masseur at Calcutta leans forward to put maximum pressure on a customer’s calves. (Photo by Three Lions/Getty Images)

Circa 1867: An Indian station near Calcutta. (Photo by Hulton Archive/Getty Images)

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Circa 1955: A Calcutta artist decorates a statue of Laxmi or Lakshmi, Hindu goddess of prosperity, for the Laxmi Pooja festival. The gypsum figure will be worshipped for two days before being sacrificed to the Hooghly river, in which it dissolves. (Photo by Three Lions/Getty Images)

3rd September 1937: The streets of Calcutta were turned into rivers after rains in the monsoon season were heavier than usual. (Photo by Keystone/Getty Images)

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Circa 1950: Men bathe in the Hooghly River, Calcutta under the shadow of the Howrah bridge. (Photo by Three Lions/Getty Images)

1946: A food queue in Calcutta, after four days of rioting and looting. (Photo by Keystone/Getty Images)

March 1952: Ceylonese schoolteacher from Malaya P Rajaratnum, science teacher Sen Gupta from Calcutta and assistant cultural attache at the Indonesian Embassy Sukesi Buduardjo enjoy an audience with Compton Mackenzie at a British Broadcasting Corporation studio at Broadcasting House in London. (Photo by Erich Auerbach/Getty Images)

17th March 1928: The Victoria Memorial Hall on the maidan near the racecourse at Calcutta. It was designed by Sir William Emerson in 1903. (Photo by Topical Press Agency/Getty Images)

Circa 1955: A young Hindu boy selling goldfish which he acquired in Calcutta’s Chinatown. (Getty Images)

Grand buildings on the banks of the Hooghly River in Calcutta, the capital of West Bengal in India, circa 1930. (Photo by Keystone/Hulton Archive/Getty Images)

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The Grand Hotel (later the Oberoi Grand) on Chowringhee Avenue, Calcutta, March 1928. The premises of Lyon & Lyon gun and rifle makers are visible beneath. (Photo by Topical Press Agency/Hulton Archive/Getty Images)

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British troops in Calcutta, with rifles at the ready, clearing a street after Hindus and Muslims used firearms against each other. (Photo by Keystone/Getty Images)

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