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Black And White Photography To Colour.

Try Long Exposure. Long exposure shots can work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this should help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If required , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively). classically , when exposures extend farther than respecting 1/60 sec a tripod is wanted to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would right away be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dowdy straight from the camera. fortunately , it’s possible to work adjust the brightness of these two colours discretely to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some powerful blacks and whites. This could be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, may inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the best composition.

Take Control. Although coloured filters could still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the preferred means of turning colour images monochrome, but now Adobe Camera Raw has more powerful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust one of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations could become unnatural looking. And adjusting the brightness of a red or rosy shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls could also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create segregation between objects of the same brightness but with unique colours.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are purely as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is supportive when you require to retain detail in a bright sky while a polarizing filter could be used to reduce reflections and boost contrast. Alternatively, think of taking two or more shots with unique exposures to create a high dynamic range (HDR) composite. Don’t be anxious to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, should also be advantageous for manipulating contrast in digital images. They work by darkening objects of her opposite colour while lightening objects of their own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

Dodge and Burn. Dodging and burning is a manner that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers should only hope of because you can target the highlights, shadows or mid-tones with both. This means that you can use the Burn tool to darken highlights when they are too bright, or the Dodge tool to perk up them to grow local contrast. It’s a good method of sharing a sense of superior sharpness and enhancing texture. Plus, because you could set the opacity of the tools, you should build up her effect gradually so the impact is subtle and there are no hard edges.

Shoot RAW + JPEG. The unsurpassed monochrome conversions are run into by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As many photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. most cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact attribute cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users can also do this if they activate their camera’s live line of thinking modus operandi , but the usually slower responses mean that many will find it preferable or check the image on the screen post-capture.

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2 next open the image you will be working withPhoto colorization takes a lot of time and skill and there are artists who do an impressive work doing it one of these artists is jordan lloydPhoto by dom crossley color tends toColour management for black and white photography sounds almost oxymoronic why would a black and white photographer need to invest time and money in aArtist colorizes old black white photos making history come to life 20 pics bored pandaBlack and white with color photodone

The before-and-after colorization example shown at Google I/O 2018.

Color pop desaturates the background while leaving subjects in color. One-tap photo sharing with people identified in photos.

Colorization has traditionally been done by Photoshop experts who spend hours upon hours researching colors and meticulously converting small portions of photos at a time. But researchers have been making huge strides in teaching AI how to colorize images through learning from examples. Simple apps and websites have also emerged to provide auto-colorization.

ColorizePhoto.com is the easiest way to add realistic color to black and white photos. Simply grab color from an existing image and paint it on the black and white photo.

While the neural network is good at certain subjects such as turning grass green, others, like nailing the skin tones on people, are a lot more challenging. So, Google is working to improve the feature and won’t be launching it until it’s “really right,” the company tells TechCrunch.

You can watch Google CEO Sundar Pichai introduce these new Google Photos features during the Google I/O keynote yesterday in this video (it starts at 1:33:15):

Colorize Photos Use Deep Learning to Automatically Colorize Black and White Photos

Google is taking to the stage at the Google I/O developer conference this week to show off its new products and technologies, one of which is a new AI-powered version of Google Photos. The new app will feature a host of new intelligent features, including the ability to colorize black-and-white photos with one tap.The “Colorize” tool uses artificial intelligence to make a “best guess” of what a color version of an old monochrome photo would have looked like.

Google is also baking a host of other AI-powered features into Google Photos, including automatic content creation (collages, animations, movies), automatic photo enhancements (e.g. brightening dark photos, rotating, and desaturating the background of portraits), and facial recognition (e.g. recognizing people in photos and asking if you’d like to share with them).

You can start using some of these powerful new features today by downloading the latest version of Google Photos for iOS and Android.

Tags: ai, artificialintelligence, autocolorization, colorization, colorize, google, googlei/o, googlephotos

With Google’s vast image libraries, world-class researchers and developers, and AI prowess, though, we may soon see some colorization results that push the envelope in terms of what’s possible.

It’s easier than ever to take action on your pictures in @googlephotos. Rolling out today, you may start to see suggestions to brighten, archive, share, or rotate your photos, right on the image. #io18 pic.twitter.com/NPT0l0GuBy

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