Black And White Photography Underwater

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Black And White Photography Underwater

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Black And White Photography Underwater.

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Black and white Kelp scene from Australia. Photo by Cal Mero. Oly SP350, F11, 1/90th, ISO 200. The high degree of contrast helps make this a nice black and white photo.  

Squid and other pelagic invertebrates make excellent black and white subjects. F8, 1/200th, ISO 320, 60mm+1.4x teleconverter, Anilao, Phillipines.

Adjust the image’s tones by adjusting the color sliders Or, select the Targeted Adjustment Tool (TAT) and your cursor will change to a crosshair.  Grab a tone of the image you want to change and as you move the mouse the TAT tool will move the sliders up and down for you

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Converting Color to B&W Use the B&W command in photoshop, under image, adjustments, black and white Alternatively, shoot in Raw and using the convert to grayscale command in Adobe Camera Raw / Lightroom

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Further Reading Wreck Photography underwater Silhouette compositions underwater Taking your underwater photography to the next level Taking underwater photos with ambient light Artistic underwater compositions

Images with ambient light only.  Wide angle works a bit better, but this doesn’t mean strobe-filled photos are bad Simple compositions with a minimal amount of elements.  This sea lion image has two, the sea lion and the background Serene compositions that emphasize a clean negative space and where a subject is clearly identified.

  In the image with the sea lion, the negative space is the background water B&W photos emphasize shapes, textures, patterns, structures, and tonality.  Look for images with these elements.

Image Toning Split toning is an effective way to either sepia tone or cool tone images.  You can also do this non-destructively.  Here are the steps: Select the split toning tab Slide the Saturation to about 20 as a starting point so you can see the color changes you are about to make For sepia toning, slide the Hue to a numerical value between 25 and 35 in both Highlights and Shadows until you get the desired effect.

To dial in the final result, slide the Saturation up or down to emphasize or deemphasize the color effect Slide Balance left or right to accentuate these tonal changes in the highlights or the shadows—if it needs it.

  Usually sliding toward the shadows is the way to go. To cool tone, do the same as above, but adjust the Hue to a numerical value between 210 and 230

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Ultimately, art is subjective, and the best way for you to start figuring out what images are going to convert best from your collection is to get your feet wet.  Start playing with your images in post production and spend time with them.

  Convert them to B&W, and then bring them back.  Play with the contrast, brightness, and tonalities throughout your images and you will discover what works and what doesn’t work with your photo style, but the criteria laid out here is a great place to start.

  How to Convert Your Images There are many ways to convert images to B&W.  There are a dozen methods in Photoshop alone and there are all sorts of Photoshop plug-ins and 3rd party programs. Depending on what tipster you talk to, their method is the right one.

  So again, where do we start?  I suggest starting with a RAW workflow—like in color photography.  Although most cameras have a B&W mode, you’ll ultimately have more control shooting in RAW and doing your adjustments in post production.

  When converting images with a RAW converter, the adjustments you make are “non-destructive.”  To use simple English, by using a RAW converter like Lightroom or Photoshop’s ACR (Adobe Camera RAW), you can do a whole series of changes without compromising the integrity of the file.

  Each time you change the color or contrast to a JPEG opened up in Photoshop, you are degrading the underlying quality of that image.  Since this is not the case with RAW images first edited in a RAW converter, your net result is a better quality file.

  I suggest using Photoshop’s Adobe Camera Raw (ACR) for your B&W conversions, which is the same RAW converting engine found in Lightroom, and it’s the method of choice for most pros.  Additionally, you can perform simple tonal adjustments to your B&W images before actually opening them in Photoshop.

  Here are the basic steps to follow in ACR.   Step One: Open a RAW file in Photoshop, and it will automatically open in ACR. Select the HSL/Grayscale tab Check the box to Convert To Grayscale Select Auto to have Photoshop control your adjustments or select Default to adjust tones manually

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Black and white (B&W) photography always seems to have an interesting mystique surrounding it.  Although good black and white photography is often of simple subjects and compositions, it’s usually reserved for those turtleneck wearing, chardonnay sipping, fine art types.  Well I convert a lot of images to black and white, which I think look okay, and I drink more beer than chardonnay.  So you can do it, too.

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Beyond this, we can spend hours, days, or weeks talking about B&W as it’s a subject that’s almost as big as photography itself. Digital imaging has opened up so many doors for underwater photographers, and black and white shouldn’t be left to the chardonnay sippers or the museum curators.

  As I mentioned, B&W is a great format for highlighting patterns, textures, shapes, and tonalities in the aquatic world, which is a stage that has no shortage of these elements.If you want to learn more about postproduction, read DivePhotoGuide.

com’s Mastering Digital Workflow & Editing, or look me up at  Admittedly, I like geeking out on this digital stuff more than I probably should, and I also teach workshops on digital workflow, Lightroom, and Photoshop for nature and underwater photographers

There are many benefits to digital technology and it has made a lot of underwater photographers happy.  Today, we digital divers aren’t limited to 36 frames per dive.  We can proof our images immediately while underwater.

  We don’t have to wait for our E-6 processing to come back from the lab, and we can decide on the final look of our image after the actual shoot. Creating black and white photos is one of the big benefits of digital.

If your hair is gray, or starting to gray like mine, you may remember the wall-o-film.  Some photo stores still have them, but they are nothing like they were five, ten, or fifteen years ago.   I remember going into my neighborhood photo shop and seeing that wall behind the counter with dozens and dozens of film types.

  There was black and white film, color film, slide film, tungsten film, fast or slow film, Polaroid film, neutral tone film, film with brilliant color, and the list goes on and on. During this time photographers had to decide on a color palette and general look of their image as they bought their film and far before putting on their first fin or snorkel.

  Consequently, once a film shooter was on their dive, they were locked into that look, that color, or that grayscale.   Today’s underwater digital photographer gets to be more spontaneous and decide later if they want color or black and white, or even other looks.

  Accordingly, and in my humble opinion, our ability to settle on a look in postproduction is the biggest and most misunderstood benefit that has emerged from this technology.   If you like high saturated Kodachrome or Velvia-like color, create it in post.

  If you want to make images black and white or sepia tone and add grain to your photo to create and antiquated look, do it in post.

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Black and White Underwater Photos   A creative approach to your underwater photography

Peter Pinnock started his underwater photography career 25 years ago. What began innocently as a hobby soon lurched out of control and turned into a career that has spanned 2 decades and 5 continents. Peter’s pictures of…

Black and white photos have always been a favorite form of expression for artists. Without color to distract the viewer, form, lines, and shades can be emphasized. Shooting black and white will place more emphasis on the creative side of your photography, and less emphasis on the technical. Wide angle lenses make the best B&W photos, especially rectilinear lenses that can emphasis lines. Use your own ideas for B&W photos, but here are some ideas for your black and white photography:


Finding the Right Image I think some images simply look better in B&W.  The reasons are complex and a bit subjective, but I think there are some basic principles we can follow.  Take this image of a solitary sea lion as an example.

  I was actually going to throw this away.  I had a certain kind of sea lion shot in mind during this shoot, and this shot was not it. But before hitting the delete key, I converted it to B&W and was pleased with the results.

  Looking back, it is clear why I didn’t like the color version.  The color is dull, it has no warmth and it has no contrasting color, which is often useful to separate subjects and background or other elements of a composition.

Keep details in the shadow areas. Frame a composition without any blown highlights. Keep the photo tack sharp and in focus Emphasis details – fill the frame with sharp details and texture Emphasis shape – choose a fish or shark with a well recognized shape Emphasis lines – wrecks are perfect for leading lines Go for the old, grainy look with a high ISO.

Wrecks can work well with this concept. Try to think in black and white before shooting. Imagine what the photo will look like in B&W, find subjects that will best show off the motif you are striving towards.

Good black and white photos have lots of detail and contrast. F10, 1/160th, ISO 400. nikon d300, Tokina 10-17mm at 10mm.

With that said, and by analyzing other parts of this image, we can start to get an idea as to what works when choosing an image to convert to B&W.  Here are some criteria for choosing:

So, for those of you who have been content thus far with your ability to come back from your dive in one piece and with some properly exposed images, let me encourage you to branch out.  Despite what your puritanical film-shooting friend is telling you, to use Photoshop is NOT cheating.

  This is where digital has a leg up on film.  Let’s go over how to convert to black and white, which will hopefully make you a hit at your local chardonnay and arugula-serving fine art parties.  

Advanced Tips These superior ideas are to help you look past all the fundamental ideas which cowl most points of photography. The digicam gear, gear and accessories are issues that enable you to take better photographs. These tips are there that will help you gain deeper knowledge , looking at a potential message, experience or emotion you want to portray. This text helps where and when to make use of things reminiscent of micro-contrast. Also how one can successfully use and place the blackest areas of the photograph in relation to the mid-tone gray areas. Your photographs will profit immensely.

How To Make an Image Black and White in Photoshop & Lightroom All cameras, apart from the Leica M Monochrom, take photos in colour. If you want a black and white image , then it is advisable convert the color to a monochrome state. There are numerous methods you are able to do this, however only a few will provide you with the very best quality and tonal range. Read our article right here on how to make an image black and white, without dropping high quality , element or different important factors.

Publish -Processing Black and White Photography All digital modifying software for Mac, PC, smartphone or Android provides a conversion from colour to black and white. Unless you took a colour photograph , transformed it into black and white in a non- harmful manner , you can not revert it. The data is no longer there. There are various methods to convert to black and white, some of that are non- destructive ( permits you to go back to color if you happen to like) however just a few methods where you`ll be able to convert the image properly. This article tells you what you need to or shouldn’t be doing to get probably the most out of your photographs.

Tips on how to Edit Pictures on Cell Now that we have looked primarily at DSLRs, let’s flip our consideration in the direction of cellular photography. Shooting along with your cell is quick and simple , and now changing and processing your images into black and whites isn`t any extra difficult. This text shows you how you can utilize an app to turn these pictures into something actually dramatic.

How one can Manage Photographs in Post - Production Working with black and white pictures shouldn`t be the same as working with color – both have different focuses and want completely different areas of attention. The Black and White photographs can benefit from colours. Including yellow into the picture utilizing a color mixer can affect the element in the sky. This brings out traits in an otherwise overexposed section of the image. Also , tweaking of contrasts and highlights can have very dramatic leads to a Black and White photograph.

Things to Take into account When Editing Black and White Images When it comes all the way down to the editing of your pictures , the hardware might be simply as essential because the software you use. Your pc monitor can have a color administration system that will present your pictures otherwise to the colour management of the printing. Also , the place you edit the pictures can be necessary , creating color casts that change how you see our images. You might think that black and white pictures won`t be affected, but they nonetheless use colour info within the gray , mid-tone areas of your work. Whatever you`ll be doing with your pictures as a ultimate product, be it a book or an exhibition, they all need different treatments.

Find out how to Use Tonal Distinction with Images The tonal vary in black and white photography is likely one of the most necessary issues to focus on. The vary is principally the degree of how bright or how darkish parts of your image are. The larger the tonal range , that means the extra dark and light areas there are, the more impressive the image. Though distinction works well in both color and black and white, the latter needs it more to face out and make an enduring impression.

10 Ideas for Using Luminosity Masks in Digital Blending Luminosity masks are a characteristic in Photoshop that helps you isolate areas of a excessive mild intensity in the photograph ’s pixels. With these selections , you`ll be able to select areas of the photograph and only work on specific tones, not the entire image. These are nice to assist increase the focus and look of a particular object in your frame. This article gives you an excellent rundown, from creating the masks to the completed image.

The way to Transition From Taking to Making the Photograph Ansel Adams mentioned , “You don’t take a photograph , you make it”. This guide takes you thru many ideas. Looking at the basic elements , what makes an important photograph and the way to make it right into a closing , polished print. Specializing in the basic concepts and continuing to determine , isolate and management the weather will assist your photographic confidence.

The right way to Edit Black And White Photographs in Lightroom Lightroom is likely one of the greatest tools out there that will help you get the perfect from your photography. It is straightforward and fast to choose -up and may also help with your workflow. Presets are an effective way to get very spectacular images. They are also fast and easy to use and are created by photographic enthusiasts or Adobe itself. On this article, you will get an idea of what you need to be looking at when it comes to enhancing your work and the way to achieve dramatic results.

Processing Photographs in Photoshop In comparison with the ease of processing images in Lightroom, Photoshop is a little more difficult and requires more learning time. This article lets you get the very best out of your black and white picture by working with color layers, filters and mixing options.

IMAGE COLLECTIONS : Black And White Photography Underwater

Black and white underwater photography by hengki koentjoro white bubbles black figureUnderwater photography of scuba divers coral or wildlife can sometimes seem commonplace regardless of the remote destination or subject but indonesianBlack and white underwater photography by hengki koentjoro colossalResilient lifeBlack and white underwater photographStunning black and white underwater photography by hengki koentjoroBlack and white underwater photography by wayne levinAs far back as i can remember i have been attracted to the sea and as a kid i dreamt about what lay beneath the waves i imagined how it would lookPhoto by cal mero oly sp350 f11 1 90th iso 200 the high degree of contrast helps make this a nice black and white photo