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Black And White Photography Using Photoshop.

Take Control. Although coloured filters can still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a a couple years ago Photoshop’s Channel Mixer was the favorite means of turning colour images monochrome, but now Adobe Camera Raw has more powerful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as subtle gradations should become unnatural looking. And adjusting the brightness of a red or pinkish shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls should also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create discrimination between objects of the same brightness but with varied colours.

Try Long Exposure. Long exposure shots may work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this can help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If compulsory , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively). characteristically , when exposures extend farther than in regard to 1/60 sec a tripod is wanted to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Shoot RAW + JPEG. The most excellent monochrome conversions are bumped into by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As many photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. most cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact procedure cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users can also do this if they activate his camera’s live feeling policy , but the usually slower responses mean that numerous will find it preferable or check the image on the screen post-capture.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would straight away be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and lackluster straight from the camera. luckily , it’s possible to work adjust the brightness of these two colours separately to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some powerful blacks and whites. This could be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, could inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the most excellent composition.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are purely as advantageous in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is helpful when you want to retain detail in a bright sky while a polarizing filter can be used to decrease reflections and boost contrast. Alternatively, count taking two or more shots with diverse exposures to create a high dynamic range (HDR) composite. Don’t be anxious to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, can also be useful for manipulating contrast in digital images. They work by darkening objects of their opposite colour while lightening objects of their own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

Dodge and Burn. Dodging and burning is a avenue that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers may only dream of because you could target the highlights, shadows or mid-tones with both. This means that you could use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten them to increase local contrast. It’s a great drive of sharing a sense of superior sharpness and enhancing texture. Plus, because you could set the opacity of the tools, you can build up their effect gradually so the impact is subtle and there are no hard edges.

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Photoshop cs6 how to intensify black and white images make them pop. How to create a stunning black and white photo effect in photoshop tutorial. Create stunning black and white portraits posted in. Powerful black white conversion technique in photoshop create dramatic photos with calculations. Create a white layer mask and use a low opacity black brush to have more control over specific areas. How to master black and white photography. Final thumb2 partial black white effect using photoshop cs6 trickyphotoshop. Creating black and white landscape photos with photoshop. Matte black white effect photoshop tutorial youtube. High contrast black white photoshop manipulation. Create powerful black and white photos with the photoshop gradient map. This makes the original tones of the image show less if the photo is sepia and colorizes the darker areas much better. Photoshop tutorial grainy black and white photo effect paint stroke. Black and white with color photo 1408×792. Most of the training takes place in lightroom and photoshop or adobe elements combined with auto fx mystical black and white which you get for free as a. Photography foundations black and white. Combine multiple black and white adjustment layers for total tonal control in photoshop. Black and white photos with red accents photoshop cs4 create color accents in a black and white photo. Tip of the week black and white adjustment layer in photoshop. Rich black and white action set for photoshop by ljholloway photography. Photoshop cc tutorial how to create a black and white film look photo effect youtube. Fototripper. Mastering selections and refine edge in photoshop · using zones for black and white photography. Photo restoration damaged black and white images. How to colorize a black and white photo. Fine art film black and white photoshop action by lisa holloway ljholloway photography is a. Black and white photo in the middle is the photo plus some points of color added by zhang and his team telling the computer what shade that area. Convert photos to black and white in photoshop a powerful easy method. Black and white photography by elaine hunter these fine art prints are available for sale these black and white photographs are being judged in a contest. Photoshop tutorial how to colourise a black and white photo in photoshop

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