Try Long Exposure. Long exposure shots could work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this could help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If compulsory , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively). naturally , when exposures extend beyond apropos 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.
Shoot RAW + JPEG. The most excellent monochrome conversions are lighted on by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As many photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. many cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact mechanism cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users can also do this if they kick in her camera’s live hunch strategy , but the usually slower responses mean that many will find it preferable or check the image on the screen post-capture.
Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are merely as advantageous in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more useful . An ND grad is helpful when you require to retain detail in a bright sky while a polarizing filter can be used to reduce reflections and boost contrast. Alternatively, count taking two or more shots with different exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, may also be advantageous for manipulating contrast in digital images. They work by darkening objects of his opposite colour while lightening objects of his own. An orange filter, for example, will darken the blue of the sky while a green one will lighten foliage.
Take Control. Although coloured filters may still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the favorite means of turning colour images monochrome, but now Adobe Camera Raw has more powerful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as subtle gradations should become unnatural looking. And adjusting the brightness of a red or pinkish shirt with the red sliding control, for moment , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls can also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create differentiation between objects of the same brightness but with unique colours.
Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would instantly be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and monotonous straight from the camera. fortunately , it’s possible to work adjust the brightness of these two colours separately to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some powerful blacks and whites. This can be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, could inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the unsurpassed composition.
Dodge and Burn. Dodging and burning is a convention that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers should only thought of taking a degree of because you should target the highlights, shadows or mid-tones with both. This means that you could use the Burn tool to darken highlights when they are too bright, or the Dodge tool to perk up them to increase local contrast. It’s a good idiosyncrasy of giving a sense of superior sharpness and enhancing texture. Plus, because you may set the opacity of the tools, you can build up his effect gradually so the impact is subtle and there are no hard edges.
Related Images of Black And White Photography Zanzibar
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Beaches around Zanzibar are public, any of the hotels have their own private beach. Hotel managers therefore do not have much control about what is going on at the beach. But don´t worry about your safety. Local people are here trying to earn some money on tourism, nothing more. Though overall, it is recommended that you should not go far at night along the beach and carry valuables.
I felt like a fine art museum curator when I opened the package. I was both stunned and very pleased to find images that looked exactly as they do on your site but with the added depth and crispness that a physical print adds. They are nothing short of gallery quality! Thanks again for being such a great person to deal with – your art truly is an inspiration.
If you are interested in purchasing my prints, contact us.Fine art prints contact us
We would like to offer our personal recommendation of Matej Michalik photographic work. We have selected 2 of Matej’s beautiful images that are a perfect fit with our branding. Our packaging had a strong black and white theme that is complimented by the monochromatic images. Many thanks to Matej for letting us share and enjoy his work!
We have been looking for a piece of photography for some time to use as a feature art piece in our home, and we instantly fell in love with the Unda River photo by Matej Michalik. Matej has captured a moment of pure joy on the faces of these young children. The simplicity of the moment and the stunning background together creates an amazing photograph.
I specialize mainly in long exposure landscape photography, architecture, seascapes but I am also interested in shooting streets.
Like each country, Zanzibar has some of its customs, rules or principles that a tourist should know during their stay. After my 14th day trip to Zanzibar, I decided to put together a few things that you should read before you arrive in Zanzibar. This will avoid unnecessary inconvenience.
Which hotel to choose in Stone Town, Matemwe or Nungwi in Zanzibar?
Why do I use Long Exposure techniques? Because it is something out of reality, that can´t be seen by a naked eye. This tool enables the photographer to catch the motion which is so unique. I believe, that all this information will be helpful for all black & white photography lovers as well as for those who have just recently discovered this style.
The first option where you can exchange money for the Tanzanian shilling is at the airport. As in other countries, even in Zanzibar, it is not convenient to change money at the airport. The exchange rates at the exchange offices can be negotiable but you will never get close to the rates that are in Stone Town.
Welcome to my page dedicated to Black and White Photography. In the following lines you can find some information about me and what black and white photography means to me, what actually black and white fine art photography is and why I use the long exposure techniques. In my blog you can also read some stories about how some of the photographs were taken, what I was thinking about when I pressed the shutter, my vision of its final image, which programs I use to convert to black and white in the post process as well as the information about the gear I used. Here you can also find interviews with my favorite black and white photographers who I am in contact with and whose work I really like.
In Stone Town, I recommend Tembo House Hotel. It is a three-star hotel and it offers a very good standard. It’s advantage is central location and it is directly by the sea, so you can enjoy your breakfast with your feet sinking in the sand. There’s also nice staff, really in this hotel you will feel like at home.
I chose the photo because it symbolised infinite possibility. Focus. Direction. Serenity. It was a bold, beautiful depiction of how something so clean and simple can be so powerful and captivating.
In Pwani Mchangani I can recommend Ocean Paradise Beach Resort and Spa. I had a half board, it was really good choice and the quality of food was very nice. The hotel garden is beautifully maintained. They have private part of the beach with sunbeds where the Beach Boys do not have access. The beautiful white sand beach further enhance your experience. It´s truly a paradise.
We bought some pictures from Matej and situated them on our webpage. Some of them are also framed and exposed in our law firm. They look amazing and catch the eye of everyone who visits our office. Thank you Matej and good luck!
Local currency in Zanzibar is the Tanzanian Shilling (TSH). US dollars are generally acceptable in Zanzibar. It is best to exchange your dollars for shillings in Stone Town right at the very beginning of your stay, where you get the best rate. Also, in most hotels it is possible to pay with a credit card such as Visa or Mastercard. Money is also possible to withdraw from the ATMs, which can be found in Stone Town, I also found one in Nungwi. You can find more information about paying and prices in Zanzibar here.