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Black And White Photos Are Timeless.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are just as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is cooperative when you want to retain detail in a bright sky while a polarizing filter can be used to decrease reflections and boost contrast. Alternatively, consider taking two or more shots with varied exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, may also be useful for manipulating contrast in digital images. They work by darkening objects of his opposite colour while lightening objects of their own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

Try Long Exposure. Long exposure shots may work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this should help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If required , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively). typically , when exposures extend farther than respecting 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Dodge and Burn. Dodging and burning is a peculiarity that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers should only dream of because you can target the highlights, shadows or mid-tones with both. This means that you could use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten up them to grow local contrast. It’s a great road of giving a sense of better sharpness and enhancing texture. Plus, because you could set the opacity of the tools, you can build up her effect gradually so the impact is crafty and there are no hard edges.

Take Control. Although coloured filters may still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the favorite means of turning colour images monochrome, but now Adobe Camera Raw has more powerful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust one of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as subtle gradations should become unnatural looking. And adjusting the brightness of a red or rosy shirt with the red sliding control, for moment , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls can also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create demarcation between objects of the same brightness but with diverse colours.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would straight away be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dingy straight from the camera. luckily , it’s possible to work adjust the brightness of these two colours discretely to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some powerful blacks and whites. This should be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, should inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the greatest composition.

Shoot RAW + JPEG. The best monochrome conversions are reached by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As many photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. most cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact fashion cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users can also do this if they activate her camera’s live feeling procedure , but the usually slower responses mean that numerous will find it preferable or check the image on the screen post-capture.

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Other photographers who have mastered the art and craft of black and white photography include Annie Leibovitz, Nick Brandt, Henri Cartier-Bresson, and Diane Arbus. Take note that some of them used or use only film while others use the digital format. Yet, their photographs are always breathtaking and captivating.

We live in a world full of color, and its spectrum of shades and hues can be easily captured by modern cameras. Yet, black and white photography is still popular and sometimes even preferred over color photography.

01.11.2017 – Spotlight / Ashley Hoffman / black and white / concert photography

Although digital technology has made it very convenient for people to take loads of color pictures without having to worry about the cost of developing or film, black and white photography is still often practiced and is even flourishing. Digital photos are deliberately converted from colored to black and white in post processing.

In the latter part of the 20th century, color photography became simpler and cheaper, increasing its popularity with the regular consumers who wanted to record all kinds of family events. Interest in black and white photography waned as vibrant and colorful photos became the standard choice. Yet, the black and white technique still had a strong following, especially among street photographers, photojournalists, and artists. They preferred it precisely for its lack of color, which could distract the viewer from appreciating lines, textures, shapes, tonal contrast, and subtleties of the scene. Black and white photography was seen as a more ‘artistic’ style of capturing images.

Posted by Kristine Hojilla on September 3, 2011 in Articles & Tutorials 1 Comment

Judging from all the black and white photos that can be found in genres such as fashion, landscape, fine art, and portrait photography, as well as its profusion in photo sharing sites, black and white photography has been and will always be a classic technique that will never lose its charm.

One reason for the timeless appeal of black and white photography is that it is still considered a pure way of capturing the details of a subject or scene without the distraction of color. Another reason is that black and white photos stand out in a world where color photos have oversaturated the public consciousness.

Many people are renowned for their black and white photography; probably the most famous is Ansel Adams. He was an American photographer and environmentalist whose landscape shots were iconic for their clarity, depth, quality of light, and ability to evoke emotion.

The history of photography can be traced back to the ancient times when the Romans invented the camera obscura, a box with a tiny hole at one end that could reproduce images. Since then, cameras and the process of photography evolved by leaps and bounds. A pivotal point in its history was when black and white photography was made available to the general public in 1888, when George Eastman mass manufactured the Kodak box camera. Commercial color film would not be invented until 1907. Even after it had become available for public consumption, black and white film was still preferred because it usually produced better quality results at a less expensive price.

The black and white photography techniques of Ansel Adams are still being used as inspiration by those who want to improve their photo skills.

Black and white photography is important to me because it makes me think as a photographer. A lot of time, I depend on the lights and colors to create an appealing photo but in B&W, I don’t have those elements to use as a crutch. I actually started out my photography career shooting concerts. I wanted to see a show for free so I volunteered to photograph it for my school newspaper. Even now, after photographing different subjects, concerts and music still inspire me the most. Black and white photos are timeless. They have inspired artists for ages and they definitely will continue to inspire me.

Ynés MexíaIowa State footballUSC footballPenn State FootballBarcelona vs ValenciaPremier LeagueAlabama vs South CarolinaOhio State vs IndianaClemson vs SyracuseGeorgia BulldogsUCF footballFeleipe FranksTyson FuryZooey DeschanelReal MadridOklahoma SoonersASU footballTennessee vols footballFlorida State vs VirginiaCharlie Culberson
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