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Black And White Photos Restored.

Try Long Exposure. Long exposure shots could work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this should help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If required , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). naturally , when exposures extend beyond with regard to 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would at once be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dingy straight from the camera. happily , it’s possible to work adjust the brightness of these two colours separately to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some powerful blacks and whites. This can be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, could inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the most excellent composition.

Dodge and Burn. Dodging and burning is a method that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers can only hope of because you can target the highlights, shadows or mid-tones with both. This means that you could use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten up them to increase local contrast. It’s a great track of sharing a sense of better sharpness and enhancing texture. Plus, because you could set the opacity of the tools, you may build up his effect gradually so the impact is subtle and there are no hard edges.

Take Control. Although coloured filters could still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a a couple years ago Photoshop’s Channel Mixer was the favorite means of turning colour images monochrome, but now Adobe Camera Raw has more powerful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust one of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations should become unnatural looking. And adjusting the brightness of a red or rosy shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls can also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create separation between objects of the same brightness but with varied colours.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are purely as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is helpful when you want to retain detail in a bright sky while a polarizing filter could be used to reduce reflections and boost contrast. Alternatively, judge taking two or more shots with varied exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, could also be useful for manipulating contrast in digital images. They work by darkening objects of his opposite colour while lightening objects of her own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

Shoot RAW + JPEG. The unsurpassed monochrome conversions are run against by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As most photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. most cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact characteristic cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users may also do this if they kick in his camera’s live postulation modus operandi , but the usually slower responses mean that most will find it preferable or check the image on the screen post-capture.

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A young John F. Kennedy immediately after his graduation from Harvard, in the summer of 1940

12. Broadway at the United States Hotel Saratoga Springs, N.Y. ca 1900-1915

5. Newspaper boy Ned Parfett sells copies of the evening paper bearing news of Titanic’s sinking the night before. (April 16, 1912)

Abraham Lincoln by Alexander Gardner, taken in February, 1865

11. W.H. Murphy and his Associate Demonstrating their Bulletproof Vest on October 13, 1923

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Topics colored historic photos, colored historic pictures, colored old photos, colored old pictures, colorized history, full-page, historic photos colorized, historic pictures, historic pictures colorized, history in colors, photo restoration

18. Crowded Bunks in the Prison Camp at Buchenwald, April 16, 1945

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UPDATE: check out  Historic Black and White Pictures Restored in Color (Part II)!

9. Painting WWII Propaganda Posters, Port Washington, New York – 8 July 1942

Artist Colorizes Old Black & White Photos, And It Makes A Huge Difference In How We See Past Events

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However, one must bear in mind that an equally important part of the colourizing process takes the good old fashioned guesswork. Even having all of the accessible information on the subject in theory, you can never be 100% percent sure of the true colours and hues that could have been captured on any given photograph. Nevertheless, a coloured historical photograph, which you otherwise only would have seen in black and white, can make like you could have been part of a world that you’ve never even seen.

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UPDATE:  check out  Historic Black and White Pictures Restored in Color (Part II)!

7. View from Capitol in Nashville, Tennessee During the Civil War, 1864

10. Big Jay McNeely Driving the Crowd at the Olympic Auditorium into a Frenzy, Los Angeles, 1953

7. Sergeant George Camblair practicing with a gas mask in a smokescreen – Fort Belvoir, Virginia, 1942

16. Otto Frank, Anne Frank’s father and the only surviving member of the Frank family revisiting the attic they spent the war in, 3 May 1960

Post officers show off their brand-new “Autopeds” scooters, Washington, D.C., 1917

20. Boys after buying Easter flowers in Union Square, New York, April 1908

It’s nice to see that the community of history fans is growing, and that people want to make it relevant to others. However, this has also sparked some discussion, as some say that the artists are just messing with historic facts and misinforming people. So, view it critically. For more old photographs restored in color, check out the works of Sanna Dullaway and redditor mygrapefruit from Sweden.

Most often the color palette that we associate with history is limited to black and white only. But have you ever imagined what did people, their outfits and backgrounds look like in real life – in color? Members of this one group on reddit, called r/ColorizedHistory, sure have: they pick historic photos that we have only seen in black and white, and bring them back to life by digitally coloring them. Of course, some interpretation and imagination is used in the process, but all of the artists try to work with as much historical accuracy as possible.

Black man drinking at ‘Colored’ water cooler in streetcar terminal, Oklahoma City, Oklahom ca July, 1939

Joe Lincoln of Accord, champion decoy maker of New England, 1926

Yvonne (13) and Alexander (12) Sayn-Wittgenstein-Sayn take drink and smoke on yacht near Majorca

Update: As some readers pointed out, the B&W picture we used initially was a different shot from the same photoshoot, so we replaced the previous photo with the one that was actually colourized.  (Original photo by Jack Delano)

11. Louis Armstrong practicing in his dressing room, ca 1946

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20 Historic Black and White Pictures Restored in Color (Part II)

These colorized monochrome photos will change the way you imagine the past. Since we live and remember in color, a black-and-white image seems almost of another world. Through the process of colorization, that world becomes more familiar, easier to imagine, and easier to connect to.

Captain Walter “Waddy” Young and his crew pose in front of their caricatures on their B-29 Superfortress, November 24, 1944

The history of photography is only about two hundred years old and the period when it was possible to take coloured pictures is a lot shorter than that. However, colour makes us perceive the image we view as more realistic. Fortunately, there are communities of colourizing black and white photography enthusiasts, such as  r/ColorizedHistory (see our previous post), that bring us emotionally closer to our roots with their work.

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Soldiers wearing gas masks while peeling onions at Tobruk, October 15, 1941

Film colorization can be done by hand or digitally. Before the 1970’s, the most basic colorization required skillful painting of color directly onto film stock. The advent of computers allowed for digital colorization, a faster but still time-consuming process. In all cases, while there are some clues to the original color, artists often have to research or guess what color to use.

20 Historic Black and White Pictures Restored in Color (Part I)

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British tattoo artist George Burchett, the “King of Tattooists”, ca 1930

Stalin and Churchill in Livadia Palace during the Yalta Conference, February, 1945

2. Albert Einstein, Summer 1939 Nassau Point, Long Island, NY

Almost 40 Years Ago A 16-Year-Old Started Planting A Tree Every Day On A Remote Island, And Now It’s Unrecognizable

16. British Troops Cheerfully Board their Train for the First Stage of their Trip to the Western Front – England, September 20, 1939

Drewry’s Bluff, Virginia, sling cart used in removing captured artillery during the American Civil War, ca 1865

Children watch as their neighborhood is bombed in Minsk, Belorussia. The bombing was part of Operation Barbarossa. June, 1941

P.S.: be sure to check out 20 Historic Black and White Pictures Restored in Color (Part I)

If colorization interests you, then embrace the challenge! The guides here and here will help get you started, and we look forward to seeing your results! We previously wrote about colorization here.

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13. “The Tall Cowboy”, Ralph E. Madsen with Senator Morris Sheppard, 1919

Topics black and white photography, colored historic photos, colored historic pictures, colored old photos, colored old pictures, colorized black and white photography, colorized history, colourized black and white, colourized black and white photography, full-page, historic photos colorized, historic pictures, historic pictures colorized, historical photography, historical photos, history, history in colors, photo restoration

It’s often difficult to realize how close to us in the course of history are such events as the wedding day of our grandparents or WWII. Gladly, the digital possibilities now let us glimpse, even a little speculatively, at our past which was, believe it or not, in colour. The colourizing process is no easy business and it highly depends on the colourizer’s involvement into this activity. A great deal of colours can be recognized from the subtleties of greyish hues in black and white colours. Another way is to research the past fashions, the colouring of the places that still exist today and quite a lot of common sense that, for instance, let us know that the hair colour of a person in a historical black and white photo is most probably a natural one.

Topics colorized antique photos, colorized black and white, colorized historic photos, colorized monochrome, colorized photos, colorized vintage photos, full-page, historical photos

Adolf Hitler with Mussolini’s son-in-law and Joachim von Ribbentrop, attend a Nazi Party rally, ca 1930s

Slice of life! A mother helps her child off the trolley on a Broadway in New York City, July, 1913

14. Joseph Goebbels Scowling at Photographer Alfred Eisenstaedt after Finding out he’s Jewish, 1933

Even though the idea looks simple, the final image has a surprisingly touching effect: by seeing those historic moments in color, we can relate to them easier, and this makes the pictures a whole lot more powerful. Instead of seeing those photos like we’re used to in history books, we now meet people that seem a lot more real, and situations – war scenes, for example – that look as if they have just happened.

3. Portrait Used to Design the Penny. President Lincoln Meets General McClellan – Antietam, Maryland ca September 1862

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