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Black And White Pictures History.

Try Long Exposure. Long exposure shots could work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this should help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If necessary , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively). characteristically , when exposures extend farther than as to 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Dodge and Burn. Dodging and burning is a oddity that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers may only hope of because you can target the highlights, shadows or mid-tones with both. This means that you could use the Burn tool to darken highlights when they are too bright, or the Dodge tool to perk up them to increase local contrast. It’s a good route of giving a sense of superior sharpness and enhancing texture. Plus, because you may set the opacity of the tools, you can build up her effect gradually so the impact is subtle and there are no hard edges.

Shoot RAW + JPEG. The best monochrome conversions are landed up at by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As numerous photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. many cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact style cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users should also do this if they kick in his camera’s live abstraction manner , but the usually slower responses mean that many will find it preferable or check the image on the screen post-capture.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are just as advantageous in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more useful . An ND grad is helpful when you require to retain detail in a bright sky while a polarizing filter can be used to reduce reflections and boost contrast. Alternatively, judge taking two or more shots with diverse exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, can also be advantageous for manipulating contrast in digital images. They work by darkening objects of their opposite colour while lightening objects of his own. An orange filter, for example, will darken the blue of the sky while a green one will lighten foliage.

Take Control. Although coloured filters should still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a some years ago Photoshop’s Channel Mixer was the favorite means of turning colour images monochrome, but now Adobe Camera Raw has more strong tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as subtle gradations could become unnatural looking. And adjusting the brightness of a red or pink shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls may also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create delineation between objects of the same brightness but with varied colours.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would immediately be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dull straight from the camera. happily , it’s possible to work adjust the brightness of these two colours separately to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some powerful blacks and whites. This should be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, may inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the most excellent composition.

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Black-and-white images are not usually starkly contrasted black and white. They combine black and white in a continuum producing a range of shades of gray. Further, many monochrome prints in still photography, especially those produced earlier in its development, were in sepia (mainly for archival stability), which yielded richer, subtler shading than reproductions in plain black-and-white.

However, black-and-white photography has continued to be a popular medium for art photography, as shown in the picture by the well-known photographer Ansel Adams. This can take the form of black-and-white film or digital conversion to grayscale, with optional digital image editing manipulation to enhance the results. For amateur use certain companies such as Kodak manufactured black-and-white disposable cameras until 2009. Also, certain films are produced today which give black-and-white images using the ubiquitous C41 color process.

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7. Sergeant George Camblair practicing with a gas mask in a smokescreen – Fort Belvoir, Virginia, 1942

3. Portrait Used to Design the Penny. President Lincoln Meets General McClellan – Antietam, Maryland ca September 1862

Most American newspapers were black-and-white until the early 1980s; The New York Times and The Washington Post remained in black-and-white until the 1990s. Some claim that USA Today was the major impetus for the change to color. In the UK, color was only slowly introduced from the mid-1980s. Even today, many newspapers restrict color photographs to the front and other prominent pages since mass-producing photographs in black-and-white is considerably less expensive than color. Similarly, daily comic strips in newspapers were traditionally black-and-white with color reserved for Sunday strips.:Color printing is more expensive. Sometimes color is reserved for the cover. Magazines such as Jet magazine were either all or mostly black-and-white until the end of the 2000s when it became all-color. Manga (Japanese or Japanese-influenced comics) are typically published in black-and-white although now it is part of its image. Many school yearbooks are still entirely or mostly in black-and-white.

In a black and white pre-credits opening sequence in the 2006 Bond film, Casino Royale, a young James Bond (played by Daniel Craig) gains his licence to kill and status as a 00 agent by assassinating the traitorous MI6 section chief Dryden at the British Embassy in Prague, as well as his terrorist contact, Fisher, in a bathroom in Lahore. The remainder of the film starting with the opening credits is shown in color.

The earliest television broadcasts were transmitted in black-and-white, and received and displayed by black-and-white only television sets.[1] Scottish inventor John Logie Baird demonstrated the world’s first color television transmission on July 3, 1928 using a mechanical process. Some color broadcasts in the U.S. began in the 1950s, with color becoming common in western industrialized nations during the late 1960s. In the United States, the Federal Communications Commission (FCC) settled on a color NTSC standard in 1953, and the NBC network began broadcasting a limited color television schedule in January 1954. Color television became more widespread in the U.S. between 1963 and 1967, when major networks like CBS and ABC joined NBC in broadcasting full color schedules. Some TV stations (small and medium) in the US were still broadcasting in B&W until the late 80s to early 90s, depending on network. Canada began airing color television in 1966 while the United Kingdom began to use an entirely different color system from July 1967 known as PAL. The Republic of Ireland followed in 1970. New Zealand began color broadcasting in 1973, and Australia experimented with color television in 1967 but continued to broadcast in black-and-white until 1975, and New Zealand experimented with color broadcasting in 1973 but didn’t convert until 1975. In China, black-and-white television sets were the norm until as late as the 1990s, color TVs not outselling them until about 1989. In 1969, Japanese electronics manufacturers standardized the first format for industrial/non-broadcast videotape recorders (VTRs) called EIAJ-1, which initially offered only black-and-white video recording and playback. While seldom used professionally now, many consumer camcorders have the ability to record in black-and-white.

9. Painting WWII Propaganda Posters, Port Washington, New York – 8 July 1942

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16. Otto Frank, Anne Frank’s father and the only surviving member of the Frank family revisiting the attic they spent the war in, 3 May 1960

However, one must bear in mind that an equally important part of the colourizing process takes the good old fashioned guesswork. Even having all of the accessible information on the subject in theory, you can never be 100% percent sure of the true colours and hues that could have been captured on any given photograph. Nevertheless, a coloured historical photograph, which you otherwise only would have seen in black and white, can make like you could have been part of a world that you’ve never even seen.

18. Crowded Bunks in the Prison Camp at Buchenwald, April 16, 1945

Since the late 1960s, few mainstream films have been shot in black-and-white. The reasons are frequently commercial, as it is difficult to sell a film for television broadcasting if the film is not in color. 1961 was the last year in which the majority of Hollywood films were released in black and white.[2]

The Wizard of Oz (1939) is in color when Dorothy is in Oz, but in black-and-white when she is in Kansas, although the latter scenes were actually in sepia when the film was originally released. The British film A Matter of Life and Death (1946) depicts the other world in black-and-white (a character says “one is starved of Technicolor … up there”), and earthly events in color. Similarly, Wim Wenders’s film Wings of Desire (1987) uses sepia-tone black-and-white for the scenes shot from the angels’ perspective. When Damiel, the angel (the film’s main character), becomes a human the film changes to color, emphasising his new “real life” view of the world.

Artist Colorizes Old Black & White Photos, And It Makes A Huge Difference In How We See Past Events

12. Broadway at the United States Hotel Saratoga Springs, N.Y. ca 1900-1915

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McDonald Lake, Glacier National Park, Montana – Ansel Adams – Taken between 1933 and 1942

See also[edit] dr5 chrome List of black-and-white films produced since 1970 Monochromatic color Selective color References[edit] Look up black-and-white in Wiktionary, the free dictionary. Wikimedia Commons has media related to Black and white.

As a form of censorship when movies and TV series are aired on Philippine television, many gory scenes are shown in black-and-white. Sometimes the exposure of innards or other scenes too bloody or gruesome are also blurred, not just rendered in monochrome, in compliance with Philippine broadcasting standards.

P.S.: be sure to check out 20 Historic Black and White Pictures Restored in Color (Part I)

The history of various visual media has typically begun with black and white, and as technology improved, altered to color. However, there are exceptions to this rule, including black-and-white fine art photography and in motion pictures, many art films.

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Update: As some readers pointed out, the B&W picture we used initially was a different shot from the same photoshoot, so we replaced the previous photo with the one that was actually colourized.  (Original photo by Jack Delano)

Most early forms of motion pictures or film were black and white. Some color film processes, including hand coloring were experimented with, and in limited use, from the earliest days of motion pictures. The switch from most films being in black-and-white to most being in color was gradual, taking place from the 1930s to the 1960s. Even when most film studios had the capability to make color films, the technology’s popularity was limited, as using the Technicolor process was expensive and the process cumbersome. For many years, it was not possible for films in color to render realistic hues, thus its use was restricted to historical films or musicals until the 1950s, while many directors preferred to use black-and-white stock. For the years 1940–1966, a separate Academy Award for Best Art Direction was given for black-and-white movies along with one for color.

Printing is an ancient art, and color printing has been possible in some ways from the time colored inks were produced. In the modern era, for financial and other practical reasons, black-and-white printing has been very common through the 20th century. However with the technology of the 21st century, home color printers, which can produce color photographs, are common and relatively inexpensive, a technology relatively unimaginable in the mid-20th century.

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Most computers had monochrome (black-and-white, black and green, or black and amber) screens until the late 1980s, although some home computers could be connected to television screens to eliminate the extra cost of a monitor. These took advantage of NTSC or PAL encoding to offer a range of colors from as low as 4 (IBM CGA) to 128 (Atari 800) to 4096 (Commodore Amiga). Early videogame consoles such as the Atari 2600 supported both black-and-white and color modes via a switch, as did some of the early home computers; this was to accommodate black-and-white TV sets, which would display a color signal poorly. (Typically a different shading scheme would be used for the display in the black-and-white mode.)

5. Newspaper boy Ned Parfett sells copies of the evening paper bearing news of Titanic’s sinking the night before. (April 16, 1912)

It’s often difficult to realize how close to us in the course of history are such events as the wedding day of our grandparents or WWII. Gladly, the digital possibilities now let us glimpse, even a little speculatively, at our past which was, believe it or not, in colour. The colourizing process is no easy business and it highly depends on the colourizer’s involvement into this activity. A great deal of colours can be recognized from the subtleties of greyish hues in black and white colours. Another way is to research the past fashions, the colouring of the places that still exist today and quite a lot of common sense that, for instance, let us know that the hair colour of a person in a historical black and white photo is most probably a natural one.

The history of photography is only about two hundred years old and the period when it was possible to take coloured pictures is a lot shorter than that. However, colour makes us perceive the image we view as more realistic. Fortunately, there are communities of colourizing black and white photography enthusiasts, such as  r/ColorizedHistory (see our previous post), that bring us emotionally closer to our roots with their work.

In computing terminology, black-and-white is sometimes used to refer to a binary image consisting solely of pure black pixels and pure white pixels; what would normally be called a black-and-white image, that is, an image containing shades of gray, is referred to in this context as grayscale.[3]

Black and white, often abbreviated B/W or B&W, and hyphenated black-and-white when used as an adjective, is any of several monochrome forms in visual arts.

Some modern film directors will occasionally shoot movies in black-and-white as an artistic choice, though it is much less common for a major Hollywood production. The use of black-and-white in the mass media often connotes something “nostalgic” or historic. The film director Woody Allen has used black-and-white a number of times since Manhattan (1979), which also had a George Gershwin derived score. The makers of The Good German (2006) used camera lens from the 1940s, and other equipment from that era, so that their black-and-white film imitated the look of early noir.

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20. Boys after buying Easter flowers in Union Square, New York, April 1908

Topics black and white photography, colored historic photos, colored historic pictures, colored old photos, colored old pictures, colorized black and white photography, colorized history, colourized black and white, colourized black and white photography, full-page, historic photos colorized, historic pictures, historic pictures colorized, historical photography, historical photos, history, history in colors, photo restoration

11. Louis Armstrong practicing in his dressing room, ca 1946

Contemporary photo of a Galápagos tortoise (Chelonoidis nigra) on Santa Cruz Island

The movie Pi is filmed entirely in black-and-white, with a grainy effect until the end.

In fact, monochrome film stock is now rarely used at the time of shooting, even if the films are intended to be presented theatrically in black-and-white. Movies such as John Boorman’s The General (1998) and Joel Coen’s The Man Who Wasn’t There (2001) were filmed in color despite being presented in black-and-white for artistic reasons. Raging Bull (1980) and Clerks (1994) are two of the few well-known modern films deliberately shot in black-and-white. In the case of Clerks, because of the extremely low budget, the production team could not afford the added costs of shooting in color. Although the difference in film stock price would have been slight, the store’s fluorescent lights could not have been used to light for color. By shooting in black-and-white, the filmmakers did not have to rent lighting equipment.

The films Pleasantville (1998), and Aro Tolbukhin. En la mente del asesino (2002), play with the concept of black-and-white as an anachronism, using it to selectively portray scenes and characters who are either more or less outdated or duller than the characters and scenes shot in full-color. This manipulation of color is utilized in the film Sin City (2005) and the occasional television commercial. The film American History X (1998) is told in a nonlinear narrative in which the portions of the plot that take place “in the past” are shown entirely in black and white, while the “present” storyline’s scenes are displayed in color. In the documentary film Night and Fog (1955) a mix of black-and-white documentary footage is contrasted with color film of the present.

Throughout the 19th century, most photography was monochrome photography: images were either black-and-white or shades of sepia. Occasionally personal and/or commercial photographs might be hand tinted. Color photography was originally rare and expensive and again often containing inaccurate hues. Color photography became more common from the mid-20th century.

Some formal photo portraits still use black-and-white. Many visual-art photographers use black-and-white in their work.

1 Media 1.1 Motion pictures 1.2 Television 1.3 Photography 1.4 Printing 2 Films with a color/black-and-white mix 3 Contemporary use 4 Computing 5 See also 6 References

13. “The Tall Cowboy”, Ralph E. Madsen with Senator Morris Sheppard, 1919

In black-and-white still photography, many photographers choose to shoot in solely black-and-white since the stark contrasts enhance the subject matter.

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