Charles darwin image credit sanna dullaway
Black and white recolored by ladywintereldritch
Now in every individuals home you may have some black white photos of your beloved ones will you ever thought to see it in color
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Iconic black and white photos amazingly recolored

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Black And White Pictures Recolored.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would right now be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dull straight from the camera. luckily , it’s possible to work adjust the brightness of these two colours singly to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some forceful blacks and whites. This may be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, should inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the greatest composition.

Take Control. Although coloured filters could still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a a couple years ago Photoshop’s Channel Mixer was the favored means of turning colour images monochrome, but now Adobe Camera Raw has more strong tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations may become unnatural looking. And adjusting the brightness of a red or rosy shirt with the red sliding control, for moment , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls can also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create demarcation between objects of the same brightness but with unique colours.

Dodge and Burn. Dodging and burning is a process that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers should only thought of taking a degree of because you should target the highlights, shadows or mid-tones with both. This means that you should use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten up them to grow local contrast. It’s a good avenue of giving a sense of superior sharpness and enhancing texture. Plus, because you could set the opacity of the tools, you should build up her effect gradually so the impact is crafty and there are no hard edges.

Shoot RAW + JPEG. The most excellent monochrome conversions are got to by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As most photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. most cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact procedure cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users could also do this if they kick in her camera’s live postulation route , but the usually slower responses mean that many will find it preferable or check the image on the screen post-capture.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are merely as advantageous in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is cooperative when you want to retain detail in a bright sky while a polarizing filter may be used to decrease reflections and boost contrast. Alternatively, make of,find taking two or more shots with different exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, could also be advantageous for manipulating contrast in digital images. They work by darkening objects of his opposite colour while lightening objects of his own. An orange filter, for example, will darken the blue of the sky while a green one will lighten foliage.

Try Long Exposure. Long exposure shots should work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this can help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If compulsory , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). classically , when exposures extend farther than about 1/60 sec a tripod is wanted to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

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Take a trip back in time through these photos below. It’s quite incredible to see Abraham Lincoln and Albert Einstein in living color.

20 Historic Black and White Pictures Restored in Color (Part I)

11. W.H. Murphy and his Associate Demonstrating their Bulletproof Vest on October 13, 1923

It’s nice to see that the community of history fans is growing, and that people want to make it relevant to others. However, this has also sparked some discussion, as some say that the artists are just messing with historic facts and misinforming people. So, view it critically. For more old photographs restored in color, check out the works of Sanna Dullaway and redditor mygrapefruit from Sweden.

6. Lee Harvey Oswald, 1963, being transported to questioning before his murder trial for the assassination of President John F. Kennedy.

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4. Lou Gehrig, July 4, 1939. Photo taken right after his famous retirement speech. He would pass away just two years later from ALS.

Colorize Photos Use Deep Learning to Automatically Colorize Black and White Photos

UPDATE: check out  Historic Black and White Pictures Restored in Color (Part II)!

Even though the idea looks simple, the final image has a surprisingly touching effect: by seeing those historic moments in color, we can relate to them easier, and this makes the pictures a whole lot more powerful. Instead of seeing those photos like we’re used to in history books, we now meet people that seem a lot more real, and situations – war scenes, for example – that look as if they have just happened.

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UPDATE:  check out  Historic Black and White Pictures Restored in Color (Part II)!

CULTURE These 53 Colorized Photos From The Past Will Blow You Away. Especially The One Of Albert Einstein.

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34. A Washington, D.C. filling station in 1924. Patty Allison

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40. 1920s Australian mugshots from the New South Wales Police Dept.

16. British Troops Cheerfully Board their Train for the First Stage of their Trip to the Western Front – England, September 20, 1939

2. Albert Einstein, Summer 1939 Nassau Point, Long Island, NY

53. President Lincoln with Major General McClernand and Allan Pinkerton at Antietam in 1862.

Artist Colorizes Old Black & White Photos, And It Makes A Huge Difference In How We See Past Events

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42. Brothers Robert Kennedy, Edward “Ted” Kennedy, and John F. Kennedy outside the Oval Office.

37. Louis Armstrong plays to his wife, Lucille, in Cairo, Egypt 1961. Jordan J. Lloyd

47. Nazi Minister of Propaganda Joseph Goebbels scowls at a Jewish photographer, 1933.

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Most often the color palette that we associate with history is limited to black and white only. But have you ever imagined what did people, their outfits and backgrounds look like in real life – in color? Members of this one group on reddit, called r/ColorizedHistory, sure have: they pick historic photos that we have only seen in black and white, and bring them back to life by digitally coloring them. Of course, some interpretation and imagination is used in the process, but all of the artists try to work with as much historical accuracy as possible.

2. Brigadier General and actor Jimmy Stewart. Stewart flew 20 combat missions over Nazi-occupied Europe, and even flew one mission during Vietnam.

Old Wooden Chest With A False Bottom Exposes An Ancestor’s Curious Past

7. View from Capitol in Nashville, Tennessee During the Civil War, 1864

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14. Joseph Goebbels Scowling at Photographer Alfred Eisenstaedt after Finding out he’s Jewish, 1933

Up until the 1970s, color photography was extremely rare, and so when we think about history prior to that time, we often envision it in black and white. Today’s technology now enables us to “colorize” historical photos, giving us our only chance at seeing what the world really looked like back then. And it was truly spectacular.

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49. An RAF pilot getting a haircut while reading a book between missions.

Seeing these photos in color for the first time makes it easy to imagine we could all have been part of a world that we’ve never even seen. It literally changes our perspective of history.

10. Big Jay McNeely Driving the Crowd at the Olympic Auditorium into a Frenzy, Los Angeles, 1953

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