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Take Control. Although coloured filters can still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the favored means of turning colour images monochrome, but now Adobe Camera Raw has more forceful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as subtle gradations can become unnatural looking. And adjusting the brightness of a red or pink shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls can also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create discrimination between objects of the same brightness but with unique colours.

Shoot RAW + JPEG. The unsurpassed monochrome conversions are fetched up at by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As most photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. many cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact route cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users can also do this if they kick in her camera’s live abstraction thoroughfare , but the usually slower responses mean that many will find it preferable or check the image on the screen post-capture.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would at once be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and colorless straight from the camera. luckily , it’s possible to work adjust the brightness of these two colours separately to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some strong blacks and whites. This could be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, may inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the greatest composition.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are purely as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is cooperative when you require to retain detail in a bright sky while a polarizing filter can be used to decrease reflections and boost contrast. Alternatively, count taking two or more shots with unique exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, could also be useful for manipulating contrast in digital images. They work by darkening objects of her opposite colour while lightening objects of her own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

Try Long Exposure. Long exposure shots should work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this should help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If compulsory , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). characteristically , when exposures extend beyond about 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Dodge and Burn. Dodging and burning is a routine that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers can only aspiration of because you may target the highlights, shadows or mid-tones with both. This means that you may use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten them to grow local contrast. It’s a great pathway of sharing a sense of greater sharpness and enhancing texture. Plus, because you may set the opacity of the tools, you may build up their effect gradually so the impact is crafty and there are no hard edges.

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Photographer Name : Jochen Abitz Title : Hazy Feelings Description : At the end of our shooting it began to rain and it becomes colder and colder. I think you can feel this in my photo.

Photographer Name : R Thiagarajan Title : Survival… Description : This is the picture taken in one of the street walk I had recently. There were many people selling some products on the road side. They were busy with their own business. Suddenly i noticed an old lady sitting in a corner of shop and selling groundnuts. No one turned up to buy groundnut but she was selling, for a long time. After an hour a small boy came down and bought groundnut for a little money. The moment she sold her groundnut, I could see this expression on her face.

Photographer Name : Akash Sethi Title : The Crying Lady Description : The Lady was on the side of the road, wanting money and when one gentleman dropped a coin, she was smiling but the tears in her eyes said differently. I was very emotionally attached to the picture as the two emotions, sadness and happiness can both be seen in her eyes. I wish someday, poverty extinguishes from this lovely country of India.

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Photographer Name : Rafiul Alam Title & Description : Concentration Determined

Portraits done in black and white add an additional layer of complexity to their subject. The choice to appear void of color says something about the person, though what it says varies greatly between people. Below are 100 stunning black and white portraits to give you inspiration in your designs. The range of subjects and what their portraits say about them run across the entire spectrum of the human experience, and you’re sure to find something that resonates.

I am the Exorcist. No entity of Earth’s creation has any power over me. I sit in this stillness knowing I am healed before I am broken.” ~Poetry by Jennifer Holly MacDonald.

Previous Article The Black and White Portrait Contest – Winner and Honorable Mentions

Photographer Name : Ashok Saravanan Title : Hanuman Description : Man decorated himself as Hanuman (the human god of Strength and Powerful in hindu belief) during a CAR festival, Place : Triplicane, Chennai, India.

Photographer Name : Rajagopalan Sarangapani Title : The Little Angel Description: Initially when i was trying to click her she was not co-operating and running behind her mother due to shy, When i told that i ll show her how beautiful she ll be if she poses for one click for me. It was just a fraction of a second she just turned and looked at me with her beautiful smile , but with shy & then ran behind her mother. Not even ready to see the photo i ve taken.

Photographer Name : Balaji Maheshwar Title : 4th Day in Homeless World Description : She was just 4 days old when i took this. Her parents live homeless in a road side settlement in chennai, India. I felt a strong emotion and love in the way she was gripped by her mother close to the body. It was like a Homeless mom’s message to her child- “Never Give up”

Photographer Name : Jessica Islam Lia Title : The Exorcist Description: “I am the Exorcist. All the evils of this world pass through me now, without consequence.

Photographer Name : Mahesh Balasubramanian Title : The Gaze Description : This is one of my street portrait taken during Mylapore Festival in Chennai, India. He is a road side worker who prepares “Bajji” (South Indian food). He did not know that I was clicking him. After the shot, I showed him and he was happy after seeing him in digital screen.

Photographer Name : Arun Titan Title : Scribbles Description : Took the photograph of this girl with the rusted wall in Tiruporur, Tamil Nadu, India. The eyes speaks the untold story of her scribbled life and environment.

Photographer Name : Vicky Morin Title & Description : Portrait of a Girl Copyrights: All images displayed are protected by copyright. Their reproduction, even in part, is forbidden without the explicit approval of the rightful owners.

In our previous post, we have announced the Winner and 5 Honorable Mentions. In this post we have selected 25 Best Entries out of 526 pictures in The Black and White Portrait Photography Contest. Pictures are displayed by Alphabetical Order. Thank you all for your participation.

Photographer Name : Saeed Alawi Title & Description : Little Boy

Photographer Name : Kirstin McKee Title : Rain Watching Description : A portrait of my daughter as she watches the rain.

A good portrait reveals something about its subject beyond the immediate appearance of the photograph. It includes layers of meaning and depth that portray the person as a whole, not just the superficial initial impression. Great portraits give us an idea of who the person really is, beyond what they’re trying to outwardly depict.

Next Article A Master in Fine Art Portrait Photography – Oleg Oprisco

Photographer Name : Derek Winchester Title : Winner’s Smile Description : This photo was taken in Xian China. He was playing a version of Chinese chess and had just made a good move so was celebrating.

Photographer Name : Maria Kanevskaya Title & Description : Take Me – A Self Portrait

Photographer Name : Bhoopathy Rathnam Title : I wait for you… Every moment, every day.

Tags :Best Entries Black and White Portrait Photography Miscellaneous Photography Contest Portrait Photography

Photographer Name : Swarat Ghosh Title : Reflective~ in a thoughtful mood Description : This Photo was taken when i went for street photography in old parts of Hyderabad city.This old gentleman is a grocery shop owner at the old city. At this age people normally retires from their respective job..he is an exception. Kudos to him and his stamina!!.

25 Best Entries of The Black and White Portrait Contest, 4.5 out of 5 based on 17 ratings

Photographer Name : Animesh Hazra Title : Bhutanese Girl Description : A young Bhutanese girl in Thimpu.

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Photographer Name : Shirren Lim Title : [the] caretaker Description : Shot at the Goddess of Mercy Temple in Penang, Malaysia.

Black and White Photography: 100 Pieces of Exquisite Portrait

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