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Black And White Portrait Video.

Dodge and Burn. Dodging and burning is a avenue that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers may only ambition of because you may target the highlights, shadows or mid-tones with both. This means that you could use the Burn tool to darken highlights when they are too bright, or the Dodge tool to perk up them to increase local contrast. It’s a good policy of sharing a sense of superior sharpness and enhancing texture. Plus, because you can set the opacity of the tools, you may build up their effect gradually so the impact is subtle and there are no hard edges.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are simply as advantageous in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is collaborative when you want to retain detail in a bright sky while a polarizing filter can be used to reduce reflections and boost contrast. Alternatively, think taking two or more shots with unique exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, could also be useful for manipulating contrast in digital images. They work by darkening objects of his opposite colour while lightening objects of his own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would right now be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dowdy straight from the camera. luckily , it’s possible to work adjust the brightness of these two colours discretely to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some powerful blacks and whites. This may be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, may inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the unsurpassed composition.

Take Control. Although coloured filters could still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the favored means of turning colour images monochrome, but now Adobe Camera Raw has more strong tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations can become unnatural looking. And adjusting the brightness of a red or pink shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls should also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create demarcation between objects of the same brightness but with diverse colours.

Shoot RAW + JPEG. The most excellent monochrome conversions are came upon by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As many photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. numerous cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact style cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users should also do this if they kick in his camera’s live belief fashion , but the usually slower responses mean that numerous will find it preferable or check the image on the screen post-capture.

Try Long Exposure. Long exposure shots should work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this should help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If necessary , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). typically , when exposures extend beyond re 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

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How to paint a Portrait in Oils – Time-lapse video by Will Kemp oil painting

My BRAND NEW Lightroom Presets: ► https://www.yurifineart.com/presetsInstagram: ► https://www.instagram.com/yurifineart || Camera: ► https://amzn.to/2HxJB4yIn this lightroom tutorial I’m editing a portrait of a man who was feeding pigeons in paris. I’m taking the RAW file and I am turning it into the fully edited and fully retouched black and white photograph while explaining every step and every slider I adjust do from start to finish!►Subscribe For Daily Photography Videos: https://goo.gl/g2qEsgI am a landscape photographer and I usually don’t shoot portraits so I can’t promise to do more portrait edits, but there will be many general lightroom, landscape, nature, cityscape… tutorials. Just something to consider when you subscribe :)———————————MY PHOTO GEAR:► My Camera: https://amzn.to/2HxJB4y► Newer Version Of My Camera: https://amzn.to/2Kl2g1f► Super Sharp Sony 50mm F1.8 Lens: https://amzn.to/2HxBWDi► Budget 35mm F1.8 Lens: https://amzn.to/2Km201S► My Tripod: https://amzn.to/2HEoAB1► 128GB SD Card: https://amzn.to/2KlDnCp► Lavalier Microphone: https://amzn.to/2r6cWca► Compact Rode Microphone: https://amzn.to/2jdf9hu► Color Accurate Video Light: https://amzn.to/2r5EfCx(These are amazon affiliate links, they give me a small commission if you buy something through the link at no extra cost to you – Thanks for supporting me and my channel :)———————————FINE ART PRINTS: ► Prints: https://www.yurifineart.com/printsYou can purchase high quality prints of my very best photos from my website. When purchasing a print, you can expect great attention to detail, top sharpness and a print that looks just as vivid as you see it on the website. This helps me to make free educational videos in the future and is greatly appreciated!———————————SOCIAL MEDIA:► Website: http://www.yurifineart.com►Instagram: https://www.instagram.com/yurifineart/► Subscribe on YouTube: http://bit.ly/SubscribeToYuriFineart► Facebook: https://www.facebook.com/YuriFineart► Twitter: https://twitter.com/YuriFineart———————————Thanks for watching! :)Ignore:Lightroom, Lightroom 6 tutorial, lightroom cc, lightroom cc 2015, lightroom cc tutorial, portrait, portrait editing, lightroom portrait editing, lightroom portrait retouching, portrait photography, portrait, portrait photo editing, image editing

New Year, New View? How a Few Small Changes Influenced my Portrait Painting Style by Will Kemp oil painting

A beginners guide to colour strings (and how to paint quicker) by Will Kemp acrylic painting

“When you come back to your painting you’ll notice how the oil has become translucent overnight and won’t have the same coverage that you first thought.” How to paint a portrait series. This is part 3 of a 5 part series of tutorials for beginners making the transition from drawing to oil painting. Here is a quick review […]

There was a small sign that hung below an empty black space, it read ‘In Prestito‘. On loan. Last Summer I was back in Florence, Italy, to visit one of my favourite paintings that had enticed me to the city over 10 years ago. The only problem was, when I got to the gallery, the […]

How to paint a black & white portrait in Oils Have you been practising your portrait drawing for years yet making the jump to oil portrait painting always seems to end in an underwhelming finish? Or do you walk around portrait galleries in awe with the question, ‘How do they do that?’ Maybe you’re frustrated […]

How to Glaze an Oil Portrait Course – New Course! by Will Kemp oil painting

How to paint a portrait series. This is part 5 of a 5 part series of tutorials for beginners making the transition from drawing to oil painting. We look at how importance value and tone are in creating a realistic black and white portrait using classical oil painting techniques. Here is a quick review of what we have […]

In this video i’m showing you how to make a black and white portrait photo with photoshop cs6 and also photoshop cc .This is the easiest way to make a black and white portrait photo with photoshop.If you like this video hit on the like , share this video and don’t forget to subscribe ;-)•SUBSCRIBE MR.SANDMAN↪︎ https://www.youtube.com/channel/UCOxA…JOIN WITH MR.SANDMAN HERE✅FACEBOOK↪︎ https://www.facebook.com/mrsandmanoff…✅TWITTER ↪︎ https://twitter.com/mrSandman175✅GOOGLE +↪︎ https://plus.google.com/1176178109112…

The 3 key secrets of portrait painting success by Will Kemp oil painting

Off – Screen, Oil on linen, 40 x 30 cm, Will Kemp self portrait 2011 I’ve just had my self-portrait selected for the Ruth Borchard Self-Portrait Competition. It was painted with Ivory black, raw umber (both Micheal Harding oil paints) and titanium white (Winsor and Newton) on pre-primed linen. About the painting Offscreen represents a […]

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Painting portraits with acrylics can be frustrating. It can seem that you’re facing an uphill struggle. After the pleasure of not getting headaches from toxic turpentine and being able to paint with thick impasto marks there seems to be double payback for daring to tackle a portrait with acrylics. Not only do the colours appear […]

Head Study – After Collins, Oil on Linen, Will Kemp “Every time I paint a portrait I lose a friend” John Singer Sargent How not to paint a portrait, a personal tale Let me take you back several years to the beginning of my experiments with portraiture. It was a bright sunny morning after a […]

How to Paint a Portrait in Oil – Part 2 by Will Kemp oil painting

How to Paint a Portrait in Oil – Part 4 by Will Kemp oil painting

This week I’ve been featured in the U.K’s best selling artist magazine, ‘Artist & Illustrators‘. The article was on understanding ‘How light sources can add impact to your portraits’. It looked at three professional portrait painters and how they approach portrait lighting set ups of their subjects. Below is the conversation I had with Martha Alexander […]

When you first start painting, the vision is of squeezing out bright vivid paint colours, a handful of paintbrushes, maybe a beret? But often this approach is an illusion, an artist myth. To get professional results you need a professional approach. If you want freedom and expression on the canvas, a bit of premixing can […]

How to Paint Acrylic Portraits by Will Kemp acrylic painting

How to Glaze an Oil Portrait for Beginners Course When I was trying to find my way in portraiture, I’d spend hours studying Old Master paintings thinking “Wow, how did they do that?” I was flummoxed. Not only did the skin look realistic, but they’d managed to capture those bluish grey tones that lie just […]

We arrived in Paris to catch the last few days of a retrospective exhibition of the Swedish painter Anders Zorn (1860-1920) After a snowy week in England, we woke to blue skies, warm croissants and this amazing rooftop view from our hotel room. I couldn’t resist a quick pen sketch of the row of chimney […]

Discovering Zorn, the Petit Palais & Patisseries in Paris by Will Kemp drawing

Studying Holbein’s Portrait Drawings: A Brief Encounter by Will Kemp oil painting

Detail, Mary Zouch, Hans Holbein The Younger, Black and Coloured Chalks, Pen and Ink c.1532-43, Royal Collection Trust / © Her Majesty Queen Elizabeth II 2017 I was in London last month to catch the Encounter: Drawings from Leonardo to Rembrandt exhibition, held at the National Portrait Gallery until 22 October 2017. I was particularly interested in studying the […]

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How to choose a basic Portrait painting palette for Oils by Will Kemp oil painting

Earlier in the Summer, I took an impromptu trip to see ‘Late Rembrandt‘. It was the first time that an exhibition had been solely dedicated to Rembrandt’s late works. Many of the most famous paintings that he produced in the last 15 years of his life had been brought together from museums and private collections […]

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An Artist in His Studio, John Singer Sargent, 1904 Last month saw the opening of a new exhibition at the National Portrait Gallery in London. The show highlights the work of one of my favourite portrait painters, John Singer Sargent (1856 – 1925) I’ve been a fan of Singer Sargent’s paintings ever since visiting the […]

How to Paint a Portrait in Oil – Part 1 by Will Kemp oil painting

Self Portrait Painting selected for Ruth Borchard Competition by Will Kemp portraits

How to paint a portrait series. This is part 4 of a 5 part series of tutorials for beginners making the transition from drawing to oil painting. We look at how importance value and tone are in creating a realistic black and white portrait using classical oil painting techniques. Here is a quick review of what we have […]

How to paint a black & white portrait in Oils This is a time-lapse video of a classical approach to a black & white grisaille portrait painting. It accompanies a free series of 5 step by step, portrait tutorials. Click here to read How to paint a portrait in Oil : Part 1 A full, […]

How do you approach lighting a portrait painting? by Will Kemp portraits

How to Paint a Portrait in Oil – Part 3 by Will Kemp oil painting

The Art of Painting (detail),  Johannes Vermeer, 1666 You might think you need more time, or the perfect paint brand or a new brush. When the weekend comes and you’ve finally managed to find some ‘you’ time, the blank canvas stares back at you and the finished portrait, you so desperately wanted to achieve, seems a world […]

When Vanessa suggested a spot of Winter sun, if I’m honest, I dragged my feet. Locations where being proposed and I politely nodded. When she casually mentioned a possible trip to Seville, my interest was piqued. Why? Seville was the birthplace and hometown of Spanish artist Diego Velázquez, and one of my favourite paintings is […]

How to Paint a Portrait in Oil – Part 5 by Will Kemp oil painting

Discovering Velázquez, The Duke & Unexpected Treasures by Will Kemp painting

How to paint a black & white portrait in Oils a Step by Step approach In this series of 5 posts, I am going to look at the process of how to tackle painting a black & white portrait using oil paints. So when you come back to your painting the next day, it’s a good […]

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