Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are simply as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is supportive when you want to retain detail in a bright sky while a polarizing filter may be used to reduce reflections and boost contrast. Alternatively, deem taking two or more shots with varied exposures to create a high dynamic range (HDR) composite. Don’t be anxious to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, should also be advantageous for manipulating contrast in digital images. They work by darkening objects of her opposite colour while lightening objects of her own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.
Take Control. Although coloured filters should still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a a couple years ago Photoshop’s Channel Mixer was the favored means of turning colour images monochrome, but now Adobe Camera Raw has more powerful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations can become unnatural looking. And adjusting the brightness of a red or rosy shirt with the red sliding control, for moment , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls can also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create differentiation between objects of the same brightness but with unique colours.
Shoot RAW + JPEG. The most excellent monochrome conversions are arrived at by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As numerous photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. numerous cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact oddity cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users may also do this if they kick in their camera’s live notion drive , but the usually slower responses mean that most will find it preferable or check the image on the screen post-capture.
Dodge and Burn. Dodging and burning is a path that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers may only thought of taking a degree of because you should target the highlights, shadows or mid-tones with both. This means that you should use the Burn tool to darken highlights when they are too bright, or the Dodge tool to perk up them to increase local contrast. It’s a great technique of sharing a sense of superior sharpness and enhancing texture. Plus, because you should set the opacity of the tools, you should build up their effect gradually so the impact is subtle and there are no hard edges.
Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would right now be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dingy straight from the camera. happily , it’s possible to work adjust the brightness of these two colours discretely to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some powerful blacks and whites. This could be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, may inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the most excellent composition.
Try Long Exposure. Long exposure shots can work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this could help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If necessary , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively). typically , when exposures extend farther than re 1/60 sec a tripod is wanted to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.
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The modern world is awash with color. Every time we look at our phones or computer screens, dozens of garish hues clamor for our attention. Black and white pictures offer a break from this exhausting sensory bombardment, giving you chance to step back, relax and regain your focus. After suffering an initial drop in popularity with the advent of color photography in the 1970s, black and white prints are now enjoying a renaissance among stylish young people with an eye for classy, elegant interior design.
The simplicity of black and white pictures makes them ideal for printing on a wide range of materials. Forex PVC foam board is ideal for pictures with a high proportion of white space, and its semi-gloss finish will give your wall art a premium look and feel. Alternatively, choose the classic option of black and white posters on high-quality photo paper for a flexible design that can be pinned to any wall or framed for an extra touch of class. Printed canvas, Dibond and acrylic glass formats are also available.
Black and white wall art can turn your home or office into a refuge from the hectic buzz of daily life. The stark contrasts and strong lines encourage deeper thought and reflection, emphasizing detail and form. Our range of black and white pictures includes both timeless classics and modern masterpieces. The instantly recognizable “Lunch on a Skyscraper” will add wit and charm to any office, while the philosophical “pause” is the ideal focal point to bring relaxation to your living room.
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The Black and White Photography category contains 37,656 items
Black and white is timeless! With black and white prints on your walls, you can easily add and swap colourful decor elements whenever you like. We have a huge range of monochrome posters incorporating photographic art to graphic designs and beautiful nature designs.
Playboy Bunnies Will Challenge Press Club Rabbits at the Press Club, February 1978
Black and white prints are something that always works well. Here you will find black and white prints and black and white posters that can be stylishly framed in your home, office or workplace. If you are putting together a gallery wall, black and white prints and posters are an obvious complement to a good collection. Nicely combining photos with text prints and illustrations will create an interesting wall with a personal touch. All black and white prints are printed on matte, uncoated paper to give an exclusive feel. Frames are not included, but can be purchased separately. You can also shop for prints by browsing through our “Inspiration-Prints”. There we have different combinations of posters in different environments. It can’t go wrong with black and white wall art!
Black and white photographies of landscapes and animals provide the perfect peaceful backdrop for your bedroom, and our impressive range of cityscapes will add a touch of sophistication to any wall. If you still think black and white is boring, you clearly haven’t seen our stunning Milky Way photographs or Victoria Ivanova’s dramatic “The soul of a mustang”!
Black and white is also the perfect format for examining everyday life in greater detail. The stark lines in our portraits really bring out the subject’s character, while even mundane objects such as typewriters or the keys of a piano take on a fascinating mystique in these close-up shots. Fans of pop culture will also love our range of film and music stars, which includes iconic photographs of Audrey Hepburn, Charlie Chaplin, The Beatles and many more.
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