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Black And White Prints Scotland.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would instantly be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dull straight from the camera. providentially , it’s possible to work adjust the brightness of these two colours singly to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some forceful blacks and whites. This should be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, should inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the greatest composition.

Dodge and Burn. Dodging and burning is a routine that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers can only dream of because you could target the highlights, shadows or mid-tones with both. This means that you could use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten them to grow local contrast. It’s a good process of sharing a sense of greater sharpness and enhancing texture. Plus, because you can set the opacity of the tools, you can build up her effect gradually so the impact is subtle and there are no hard edges.

Take Control. Although coloured filters could still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the favorite means of turning colour images monochrome, but now Adobe Camera Raw has more strong tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust one of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations could become unnatural looking. And adjusting the brightness of a red or pinkish shirt with the red sliding control, for moment , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls may also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create differentiation between objects of the same brightness but with varied colours.

Shoot RAW + JPEG. The most excellent monochrome conversions are blundered on by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As most photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. numerous cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact road cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users could also do this if they activate their camera’s live perception course of action , but the usually slower responses mean that most will find it preferable or check the image on the screen post-capture.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are merely as advantageous in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is supportive when you require to retain detail in a bright sky while a polarizing filter could be used to decrease reflections and boost contrast. Alternatively, make of,find taking two or more shots with varied exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, could also be useful for manipulating contrast in digital images. They work by darkening objects of her opposite colour while lightening objects of his own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

Try Long Exposure. Long exposure shots can work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this may help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If compulsory , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively). characteristically , when exposures extend farther than regarding 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

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Shown in 46 x 61 cm | Photographic Print 20 Size and Print Options

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Shown in 61 x 46 cm | Photographic Print 21 Size and Print Options

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https://www.art.co.uk/gallery/id–b6927/scotland-prints.htm?ui=7CE25AAE8FD745BA80C858FB66976164

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Shown in 46 x 30 cm | Photographic Print 15 Size and Print Options

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Shown in 46 x 61 cm | Photographic Print 22 Size and Print Options

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Shown in 28 x 19 cm | Stretched Canvas Print 7 Size and Print Options

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Shown in 61 x 41 cm | Giclee Print 18 Size and Print Options

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Shown in 46 x 61 cm | Photographic Print 54 Size and Print Options

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View Looking East Along Dumbarton Road to Partick Cross 1955

Shown in 30 x 41 cm | Photographic Print 13 Size and Print Options

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Shown in 41 x 41 cm | Photographic Print 8 Size and Print Options

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A Locomotive Being Transported under the Forth and Clyde Canal at Rockvilla 1955

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Shown in 61 x 41 cm | Giclee Print 12 Size and Print Options

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99′,Price:’£ 35.99′,ArtistName:’Pete Cairns’,ArtistId:99305,Title:’Stony Beach on Knoydart Peninsula Western Scotland’,PODConfigID:14258389,APNum:14007421,AvailableInOtherSizes:’true’,ItemDisplayTypeID:97,Source:’GalleryPage’}

{ImageUrl:’https://cache2.artprintimages.com/p/MED/103/10342/EQ7S500Z/art-print/clouds-west-sands-st-andrews-east-neuk-of-fife.jpg’,Imageid:10854722,ItemId:16,Width:400,Height:396,ZoneProductID:’48266208385A’,ItemPrice:’131.

99′,Price:’£ 131.99′,ArtistName:”,ArtistId:0,Title:’Clouds West Sands St Andrews East Neuk Of Fife’,PODConfigID:0,APNum:15386817,AvailableInOtherSizes:’false’,ItemDisplayTypeID:11,Source:’GalleryPage’}

{ImageUrl:’https://cache2.artprintimages.com/p/MED/26/2696/1TOUD00Z/art-print/high-street-slum-buildings-in-glasgow.jpg’,Imageid:2771280,ItemId:27,Width:338,Height:450,ZoneProductID:’13881991A’,ItemPrice:’65.

99′,Price:’£ 65.99′,ArtistName:”,ArtistId:0,Title:’High Street Slum Buildings in Glasgow’,PODConfigID:4990880,APNum:3593246,AvailableInOtherSizes:’true’,ItemDisplayTypeID:97,Source:’GalleryPage’}

Shown in 41 x 61 cm | Photographic Print 18 Size and Print Options

Shown in 41 x 30 cm | Photographic Print 22 Size and Print Options

Ship TimeShip time indicates the typical number of business days it takes for your item(s) to leave our facilities but does not include transit time from our facilities to the final destination.Orders that contain multiple items with different ship times will be shipped out based on the item with the longest ship time.

Please note: Ship time is determined based on the method of payment chosen.This item cannot be framed

{ImageUrl:’https://cache2.artprintimages.com/p/MED/93/9387/IKR8500Z/art-print/pete-cairns-bluebells-flowering-in-beech-wood-perthshire-scotland-uk.jpg’,Imageid:9953552,ItemId:13,Width:400,Height:300,ZoneProductID:’40500798944A’,ItemPrice:’35.

99′,Price:’£ 35.99′,ArtistName:’Pete Cairns’,ArtistId:99305,Title:’Bluebells Flowering in Beech Wood Perthshire Scotland UK’,PODConfigID:14258389,APNum:14007375,AvailableInOtherSizes:’true’,ItemDisplayTypeID:97,Source:’GalleryPage’}

Glasgow Central Station Looking East Towards the Union Street Entrance 1955

{ImageUrl:’https://cache2.artprintimages.com/p/MED/86/8675/B84U300Z/art-print/fortunato-gatto-united-kingdom-uk-scotland-inner-hebrides-isle-of-skye.jpg’,Imageid:9203971,ItemId:5,Width:400,Height:267,ZoneProductID:’32134741078A’,ItemPrice:’35.

99′,Price:’£ 35.99′,ArtistName:’Fortunato Gatto’,ArtistId:238908,Title:’United Kingdom Uk Scotland Inner Hebrides Isle of Skye’,PODConfigID:4990827,APNum:13020668,AvailableInOtherSizes:’true’,ItemDisplayTypeID:97,Source:’GalleryPage’}

Shown in 61 x 46 cm | Photographic Print 19 Size and Print Options

Subjects Artists Framed Art Canvas Rooms Best Sellers All Art Photos to Art Clearance /cdn 180233

Shown in 23 x 30 cm | Photographic Print 24 Size and Print Options

Shown in 61 x 20 cm | Photographic Print 9 Size and Print Options

Shown in 61 x 46 cm | Photographic Print 20 Size and Print Options

Scots Pine (Pinus Sylvestris) in Morning Mist Glen Affric Inverness-Shire Scotland UK Europe

{ImageUrl:’https://cache2.artprintimages.com/p/MED/82/8221/SJMA300Z/art-print/hulton-archive-forth-bridge.jpg’,Imageid:8745517,ItemId:22,Width:400,Height:267,ZoneProductID:’29886058379A’,ItemPrice:’35.

99′,Price:’£ 35.99′,ArtistName:’Hulton Archive’,ArtistId:221247,Title:’Forth Bridge’,PODConfigID:14258384,APNum:12359480,AvailableInOtherSizes:’true’,ItemDisplayTypeID:97,Source:’GalleryPage’}

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{ImageUrl:’https://cache2.artprintimages.com/p/MED/83/8309/6BNI300Z/art-print/doug-chinnery-cairngorm-reflection.jpg’,Imageid:8833947,ItemId:3,Width:400,Height:400,ZoneProductID:’30044459041A’,ItemPrice:’47.

99′,Price:’£ 47.99′,ArtistName:’Doug Chinnery’,ArtistId:166881,Title:’Cairngorm Reflection’,PODConfigID:4990799,APNum:12473268,AvailableInOtherSizes:’true’,ItemDisplayTypeID:97,Source:’GalleryPage’}

{ImageUrl:’https://cache2.artprintimages.com/p/MED/26/2676/DWEUD00Z/art-print/simon-marsden-milton-lockhart-house-lanarkshire-scotland.jpg’,Imageid:2755215,ItemId:8,Width:400,Height:300,ZoneProductID:’13915183A’,ItemPrice:’52.

99′,Price:’£ 52.99′,ArtistName:’Simon Marsden’,ArtistId:107889,Title:’Milton Lockhart House Lanarkshire Scotland’,PODConfigID:8880731,APNum:3519423,AvailableInOtherSizes:’true’,ItemDisplayTypeID:43,Source:’GalleryPage’}

Shown in 30 x 23 cm | Photographic Print 24 Size and Print Options

Shown in 41 x 41 cm | Photographic Print 19 Size and Print Options

Shown in 61 x 41 cm | Photographic Print 15 Size and Print Options

{ImageUrl:’https://cache2.artprintimages.com/p/MED/26/2676/WKEUD00Z/art-print/simon-marsden-craig-hall-perthshire-scotland.jpg’,Imageid:2755202,ItemId:4,Width:400,Height:300,ZoneProductID:’13914987A’,ItemPrice:’52.

99′,Price:’£ 52.99′,ArtistName:’Simon Marsden’,ArtistId:107889,Title:’Craig Hall Perthshire Scotland’,PODConfigID:8880731,APNum:3519371,AvailableInOtherSizes:’true’,ItemDisplayTypeID:43,Source:’GalleryPage’}

{ImageUrl:’https://cache2.artprintimages.com/p/MED/101/10102/8HKV500Z/art-print/pete-cairns-scots-pine-tree-reflected-in-lake-at-dawn-loch-an-eilean-scotland-uk.jpg’,Imageid:10605028,ItemId:15,Width:369,Height:450,ZoneProductID:’47420393971A’,ItemPrice:’59.

99′,Price:’£ 59.99′,ArtistName:’Pete Cairns’,ArtistId:99305,Title:’Scots Pine Tree Reflected in Lake at Dawn Loch an Eilean Scotland UK’,PODConfigID:0,APNum:15081069,AvailableInOtherSizes:’false’,ItemDisplayTypeID:11,Source:’GalleryPage’}

{ImageUrl:’https://cache2.artprintimages.com/p/MED/27/2703/ZDFND00Z/art-print/carl-mydans-village-of-edinburgh-on-tristan-da-cunha.jpg’,Imageid:2778878,ItemId:31,Width:400,Height:300,ZoneProductID:’13871009A’,ItemPrice:’65.

99′,Price:’£ 65.99′,ArtistName:’Carl Mydans’,ArtistId:61546,Title:’Village of Edinburgh on Tristan Da Cunha’,PODConfigID:4990880,APNum:3600849,AvailableInOtherSizes:’true’,ItemDisplayTypeID:97,Source:’GalleryPage’}

Shown in 61 x 41 cm | Photographic Print 21 Size and Print Options

{ImageUrl:’https://cache2.artprintimages.com/p/MED/79/7906/6XE9300Z/art-print/dunnottar-castle-scotland.jpg’,Imageid:2177411,ItemId:7,Width:400,Height:300,ZoneProductID:’10256575301A’,ItemPrice:’17.99′,Price:’£ 17.

99′,ArtistName:”,ArtistId:0,Title:’Dunnottar Castle Scotland’,PODConfigID:0,APNum:11980987,AvailableInOtherSizes:’true’,ItemDisplayTypeID:5,Source:’GalleryPage’}

Shown in 61 x 46 cm | Photographic Print 13 Size and Print Options

{ImageUrl:’https://cache2.artprintimages.com/p/MED/26/2675/IAEUD00Z/art-print/simon-marsden-buchannan-castle-stirlingshire-scotland.jpg’,Imageid:2754987,ItemId:9,Width:400,Height:300,ZoneProductID:’13912246A’,ItemPrice:’52.

99′,Price:’£ 52.99′,ArtistName:’Simon Marsden’,ArtistId:107889,Title:’Buchannan Castle Stirlingshire Scotland’,PODConfigID:8880731,APNum:3518511,AvailableInOtherSizes:’true’,ItemDisplayTypeID:43,Source:’GalleryPage’}

{ImageUrl:’https://cache2.artprintimages.com/p/MED/96/9641/NXOE500Z/art-print/inverness-inverness-shire-1932.jpg’,Imageid:10173326,ItemId:29,Width:400,Height:400,ZoneProductID:’43452685754A’,ItemPrice:’32.

99′,Price:’£ 32.99′,ArtistName:”,ArtistId:0,Title:’Inverness Inverness-Shire 1932′,PODConfigID:4990795,APNum:14349022,AvailableInOtherSizes:’true’,ItemDisplayTypeID:97,Source:’GalleryPage’}

Shown in 61 x 46 cm | Photographic Print 22 Size and Print Options

Shown in 41 x 30 cm | Giclee Print 24 Size and Print Options

Shown in 61 x 46 cm | Giclee Print 24 Size and Print Options

Shown in 41 x 41 cm | Photographic Print 18 Size and Print Options

{ImageUrl:’https://cache2.artprintimages.com/p/MED/71/7118/U6DM100Z/art-print/view-looking-east-along-dumbarton-road-to-partick-cross-1955.jpg’,Imageid:7392234,ItemId:11,Width:400,Height:300,ZoneProductID:’21692136095A’,ItemPrice:’57.

99′,Price:’£ 57.99′,ArtistName:”,ArtistId:0,Title:’View Looking East Along Dumbarton Road to Partick Cross 1955′,PODConfigID:4990879,APNum:9849851,AvailableInOtherSizes:’true’,ItemDisplayTypeID:97,Source:’GalleryPage’}

Views Glasgow University with the River Kelvin Flowing Alongside

{ImageUrl:’https://cache2.artprintimages.com/p/MED/93/9388/DPR8500Z/art-print/doug-pearson-skyline-of-edinburgh-scotland.jpg’,Imageid:9953928,ItemId:21,Width:400,Height:300,ZoneProductID:’40501166838A’,ItemPrice:’23.

99′,Price:’£ 23.99′,ArtistName:’Doug Pearson’,ArtistId:102010,Title:’Skyline of Edinburgh Scotland’,PODConfigID:4990619,APNum:14007719,AvailableInOtherSizes:’true’,ItemDisplayTypeID:97,Source:’GalleryPage’}

Shown in 61 x 41 cm | Photographic Print 18 Size and Print Options

Scots Pine Tree Reflected in Lake at Dawn Loch an Eilean Scotland UK

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