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Black And White Your Pictures.

Shoot RAW + JPEG. The greatest monochrome conversions are came upon by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As most photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. most cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact thoroughfare cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users should also do this if they activate his camera’s live view routine , but the usually slower responses mean that many will find it preferable or check the image on the screen post-capture.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are merely as advantageous in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is supportive when you require to retain detail in a bright sky while a polarizing filter may be used to reduce reflections and boost contrast. Alternatively, think of taking two or more shots with diverse exposures to create a high dynamic range (HDR) composite. Don’t be anxious to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, can also be useful for manipulating contrast in digital images. They work by darkening objects of her opposite colour while lightening objects of her own. An orange filter, for example, will darken the blue of the sky while a green one will lighten foliage.

Try Long Exposure. Long exposure shots should work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this can help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If compulsory , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively). classically , when exposures extend beyond in respect of 1/60 sec a tripod is wanted to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Take Control. Although coloured filters can still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the preferred means of turning colour images monochrome, but now Adobe Camera Raw has more strong tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations may become unnatural looking. And adjusting the brightness of a red or pinkish shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls can also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create demarcation between objects of the same brightness but with diverse colours.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would instantaneously be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and colorless straight from the camera. fortunately , it’s possible to work adjust the brightness of these two colours discretely to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some powerful blacks and whites. This should be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, can inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the most excellent composition.

Dodge and Burn. Dodging and burning is a lane that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers should only thought of taking a degree of because you can target the highlights, shadows or mid-tones with both. This means that you could use the Burn tool to darken highlights when they are too bright, or the Dodge tool to perk up them to grow local contrast. It’s a great road of giving a sense of superior sharpness and enhancing texture. Plus, because you can set the opacity of the tools, you may build up her effect gradually so the impact is crafty and there are no hard edges.

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icoConvert to another format

Also, just try the Sepia effect to give an awesome brown color to your pictures.

To place your photo in Black & White in few seconds only, you do not need a software: Simply use ConvertImage! You can now reproduce the same effect as old photos by taking out its colours.

ConvertImage is your onlinefile conversion tool : List of supported filetypes… Convert an image to BMP Convert an image to GIF Convert an image to ICO Convert an image to JPG Convert an image to PCX Convert an image to PDF Convert an image to PNG Convert an image to PSD Convert an image to TIF

ConvertImage is able to read all your photos …BMP, WBMP, DIBCURGIFJPG, JPEG, JPEPCX, RLEPDFPICT, PCT, PICPNGPSBPSDTIFXCF… and turn your photos into black and white quickly !… and quickly convert them to all the following formats:JPGPDFPNGBMPGIFPSDTIFPCX

Your photo will be turned into black and white in the next step, just after sending your file.» See an example

If you have any problems using this Black & White or sepia image converter, please contact me.

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The Black & White effect is equivalent to place your photo in gray scale. Your photos will be wonderful when edited with greeting cards, wedding announcements, birth announcements, scrapbooking or simply to be used in a personal or professional document.

 Change your pictures to Black and White online on ConvertImage !

The black and white allows your photo to reveal its natural beauty, bringing out the contrasts of light. This lack of colors allows the eye to capture the essence of your photo without being distracted.

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Turn a picture to Black & White onlineBlack and White (B/W)Online Photo effects[ALL] ConvertImage ConvertImage

Please choose which format you want to convert your file toChoose the size of your icon :24x2432x3248x4864x64Standard Icon (16, 32, 48, 64)Please select which size you want your icon.Create a FAVICON.ICO (16×16) »

I ImageB&W or Sepia image Black & White or sepia image converter

You can link to this tool using this HTML code. Simply copy and paste it into your page:

Supported file types :BMP, WBMP, DIBCURGIFJPG, JPEG, JPEPCX, RLEPDFPICT, PCT, PICPNGPSBPSDTIFXCF

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