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Black And White Zebra Print Wallpaper.

Shoot RAW + JPEG. The most excellent monochrome conversions are got as far as by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As many photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. many cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact routine cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users should also do this if they kick in his camera’s live line of thinking procedure , but the usually slower responses mean that many will find it preferable or check the image on the screen post-capture.

Take Control. Although coloured filters may still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the preferred means of turning colour images monochrome, but now Adobe Camera Raw has more forceful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as subtle gradations could become unnatural looking. And adjusting the brightness of a red or pinkish shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls could also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create segregation between objects of the same brightness but with unique colours.

Try Long Exposure. Long exposure shots should work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this can help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If required , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). characteristically , when exposures extend beyond respecting 1/60 sec a tripod is wanted to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Dodge and Burn. Dodging and burning is a method that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers could only aspiration of because you should target the highlights, shadows or mid-tones with both. This means that you can use the Burn tool to darken highlights when they are too bright, or the Dodge tool to perk up them to increase local contrast. It’s a good manner of sharing a sense of superior sharpness and enhancing texture. Plus, because you should set the opacity of the tools, you may build up his effect gradually so the impact is subtle and there are no hard edges.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would right now be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and monotonous straight from the camera. providentially , it’s possible to work adjust the brightness of these two colours singly to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some strong blacks and whites. This may be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, can inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the greatest composition.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are simply as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more useful . An ND grad is supportive when you require to retain detail in a bright sky while a polarizing filter could be used to reduce reflections and boost contrast. Alternatively, assess taking two or more shots with different exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, can also be useful for manipulating contrast in digital images. They work by darkening objects of her opposite colour while lightening objects of their own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

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I was really disappointed with this wallpaper, but I don’t know if it was to do with the paste that I used, but when it went on it looked lovely but as it dried the wallpaper…Read more

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Beautiful wallpaper matches up well with hardly any waste I bought 4 rolls for a feature wall and still had 2 rolls left over..would highly recommend

Beige Black Black & White Blue Brown Gold Green Grey Neutral Orange Pink Purple Red Silver Taupe Turquoise Yellow

All ColorsBeigeBlackBlack & WhiteBlueBrownGreenNeutralOrangePinkPurpleSilverWhiteYellow

This wallpaper is truly lovely. It looks very expensive and is of great quality. It only lost one star because being a half drop match its a little bit complicated to match and you end up losing a bit of paper but other than that its amazing!

This cool Black & White Zebra Print Wallpaper is perfect for animal print lovers who what a room a little different from the norm. The wallpaper is ideal to use to create a feature wall or why not go to town with the theme and use on all the walls of your room. The high quality paper is easy to apply and has metallic accents for a textured, realistic finish.

Add to Basket Add to Basket Add to Basket Customer Rating 4 out of 5 stars (12) 0 out of 5 stars (0) 5 out of 5 stars (1) 0 out of 5 stars (0) Price Unavailable £12.99 £8.99 £12.75 Shipping — FREE Shipping FREE Shipping FREE Shipping Sold By — Amazon.

co.uk YourEverydayStuff Home Image DIY Colour — Nights Black Black/White Included Components — Roll of wallpaper — 1 x Nala Wallpaper Item Dimensions — 10.05 m x 53 cm x 7.6 cm — 56 x 24 x 13 cm Item Type Name — Serengeti Wallpaper — “Nala” Wallpaper Material — Standard – Flat and Smooth — Textured Wallpaper Style — Shapes and stripes — Shapes and stripes

High quality zebra print themed wallpaper 10.05 metres (33 feet) long, 53.5cm (21 in) wide 26.5cm pattern repeat. Metallic accents for a textured look Easy to apply. Ideal for any room in the house! Colour: Black and White

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ASINB00AYX0JZO Customer Reviews 4.2 out of 5 stars 12 customer reviews Best Sellers Rank 545,033 in Home & Kitchen (See top 100) #2178 in DIY & Tools > Painting Supplies, Tools & Wall Treatments > Wallpaper #26332 in Home & Kitchen > Artwork Delivery Destinations:Visit the Delivery Destinations Help page to see where this item can be delivered.

Date First Available9 Jan. 2013   

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Zebra Wallpaper Animal Print Black White Modern Luxury Washable

Animal Prints Brick Candice Olson Coastal Contemporary Cork Country Damask Designer Floral Geometric Grasscloth Leaf Plaid Scandinavian Silk & Satin Stripe Textured Toile Traditional Trellis Waverly Wood

This paper is great i bought it for my liveingroom to go with white walls and it looked fab up ,now i have moved into new home i have ordered 2 more rolls for my bedroom and great price ,,,,now my family wants to order some 2 its great thank you

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Bought this for my daughters bedroom. It was delivered within days of placing the order, It was easy to hang and looks great. Would definitely recommend.

Arthouse 670300 Serengeti Wallpaper, Nights, 53 cm x 10.05 m

Bathroom Bedroom Boys Room Girls Room Hallway Kids Room Kitchen Living Room

Graham & Brown Vinyl Wallpaper Gilded Feather Collection Glitterati 32 – 945

2.0 out of 5 starsI was really disappointed with this wallpaper

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Absolutely love this wallpaper just finished putting it up and its transformed my living just has i thought it so stylish and fancy looking its even better than i expected thank you amazon my best buy yet on here!!!

Gorgeous wall paper!!! Material, colors… I am soooo happy 🙂 thank you!! I love it!!

5.0 out of 5 starsAbsolutely love this wallpaper just finished putting it up and its …

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arrived on the tuesday and brought on the thursday very good and nice paper well worth money

Lovely paper great on feature wall looks clean and nice to put up would recommend this paper great price x

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