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It’s all about personal preference here. If you’re not sure what yours is, try finding the first ten black and white portraits that stand out to you the most and see if you can deconstruct them in terms of lighting.

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If you’re working on an image that you feel isn’t up to scratch and you ask yourself if it will work in black and white, the answer is probably no. A black and white treatment will often emphasize the flaws that made you question the image in the first place, and a bad photo is a bad photo regardless of its color scheme or lack thereof.

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If you’re new to black and white photography, do remember that these are guides and not rules. If you need to stray from them to get the result you’re after, do so without hesitation.

Like the eyes, other facial features become more prominent in a black and white portrait. You can use this to your advantage by conveying emotion in your images. Even tiny changes in your subject’s expression can make a difference. Things like a raised eyebrow, a twitch at the corner of a mouth, and smile lines under the eyes can all be used to great effect.

This can be a difficult concept to understand without seeing it, so I have included an example of a color version of one the images above. Ask yourself: How did your perception of the photos change? What did you notice first in each of the images? Do you feel differently or think differently of it when you view it in color than in black and white?

Why would you choose to create black and white photographs in the era of digital cameras that are capable of accurately capturing millions upon millions of colors? Black and white photography seems to be a constant in the history of the medium, with color technology only propagating itself into wide use around halfway between Nicéphore Niépce’s first heliograph and today.

Portrait photography is a genre where black and white images can really shine. Like any technique, there are considerations that you should regard that can help to make sure your images have the most impact.

If you have trouble imagining how an image may look in black and white, try setting your camera to a monochrome setting. While it isn’t recommended to do this for a final image, as long as you shoot in RAW file format, then all of your image’s color data will still be present in the file, and Lightroom and Adobe Camera Raw will reset the photo back to color once it’s imported. Doing this will allow you to have an idea of how an image will work in black and white, while still providing the highest amount of versatility in post-production.

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Hopefully, you can see that even though bold colors can make for vivid imagery, their absence can as well.

For many photographers, black and white is more than a creative choice at the post-production stage; it’s a mindset. If you can start the creation of an image knowing that you intend it to be black and white, you can take steps to ensure that all of the elements of a good monochrome image are in place before you press the shutter. Things like contrast in tonality, contrast in lighting, and appropriate expressions from your subjects are all elements that are difficult, if not impossible, to fix after an image is taken.

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If you’re going to create high contrast black and white photos, the best advice is to add it with light, not in Photoshop. Small global adjustments are okay and won’t hurt your images, but definitely do not crank the contrast slider to 100. Try to limit it between +15/-15. For local adjustments, use a dodging and burning technique of your choice. The key point in this, and all post-production, is subtlety.

Finally, if you try black and white and you like it: welcome to the addiction!

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Editor’s Note: This is one of a series of articles this week featuring black and white photography tips. Look for earlier ones below and more daily over the next week.

There’s a lot of debate on both sides of the argument, but for me and many others it’s a simple matter of aesthetics. A good black and white treatment has a way of stripping unneeded information from an image, helping you to emphasize specific elements to your viewer without the distractions color can provide.

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Certain subjects scream out to be shot in black and white. Other subjects may not be so obvious. Bright, punchy colors obviously make for vivid color photos, but by removing the color element you can completely change how a subject or scene is perceived. When you want to ensure your viewer is focused on a particular element, color as a graphic element, can become a distraction. Try removing it.

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When it comes to lighting a black and white portrait image, there are no hard and fast rules. If you like high contrast images with hard gradations in tone, then choose a harder source of light. If you like soft tones and subtler images, then you want a softer light source.

Here is an exercise you can do with your portrait subjects to get a mixture of great expressions. Prepare a list of words or phrases and ask them to react to how they feel to each one. The words you choose can be simple descriptors of emotion like: love, sad, joy, angry and melancholy. For more diverse expressions try more abstract words, or funny ones like: cheeseburger, politics, Teletubbies or Hulk smash. As a bonus, this sometimes works extremely well to lighten the mood when you have a subject who’s tense or nervous during a sitting.

The most important part of the majority of portraits are the eyes. They are usually the focal point that the rest of your image is built around. This is especially true with black and white. With the omission of color, a black and white image often breaks down into graphic forms and shapes. Eyes are shapes that everyone recognizes and they draw immediate focus from your viewers. Make sure that your subject’s eyes are well lit, and focus is critical.



Advanced Suggestions These advanced tips are to help you look previous all the basic ideas which cowl most features of photography. The digital camera gear, tools and accessories are things that make it easier to take higher photographs. These tips are there that will help you acquire deeper information , looking at a potential message, experience or emotion you need to portray. This article helps the place and when to make use of things such as micro-contrast. Additionally the right way to successfully use and place the blackest areas of the photograph in relation to the mid-tone gray areas. Your images will profit immensely.

How To Make an Image Black and White in Photoshop & Lightroom All cameras, apart from the Leica M Monochrom, take pictures in colour. If you want a black and white picture , then you`ll want to convert the colour to a monochrome state. There are lots of strategies you can do this, however just a few offers you the absolute best high quality and tonal range. Learn our article right here on how one can make a picture black and white, with out dropping high quality , element or different essential factors.

Put up -Processing Black and White Images All digital editing software program for Mac, PC, smartphone or Android presents a conversion from colour to black and white. Except you took a colour photograph , converted it into black and white in a non- destructive method , you can not revert it. The data is not there. There are many methods to convert to black and white, some of that are non- destructive ( allows you to go back to colour when you like) but only a few ways where you`ll be able to convert the image properly. This text tells you what you should or shouldn’t be doing to get essentially the most out of your photographs.

Methods to Edit Photos on Cellular Now that we now have looked primarily at DSLRs, let’s flip our attention in the direction of cell photography. Shooting with your mobile is quick and simple , and now changing and processing your images into black and whites is not any more difficult. This article shows you how you can utilize an app to turn these photos into something really dramatic.

Learn how to Manage Photos in Publish - Manufacturing Working with black and white photographs is just not the same as working with color – each have different focuses and wish completely different areas of attention. The Black and White pictures can profit from colours. Including yellow into the picture using a color mixer can affect the detail in the sky. This brings out characteristics in an in any other case overexposed phase of the image. Additionally , tweaking of contrasts and highlights can have very dramatic ends in a Black and White photograph.

Issues to Think about When Enhancing Black and White Photographs When it comes right down to the enhancing of your photographs , the hardware could be just as vital as the software program you use. Your computer monitor can have a colour administration system that will show your images differently to the color management of the printing. Also , the place you edit the photographs can be important , creating colour casts that change how you see our images. You would possibly suppose that black and white images will not be affected, however they still use colour information within the gray , mid-tone areas of your work. No matter you may be doing along with your photographs as a final product, be it a e-book or an exhibition, all of them want totally different treatments.

Methods to Use Tonal Contrast with Photography The tonal range in black and white photography is among the most important things to focus on. The range is mainly the diploma of how bright or how dark elements of your image are. The bigger the tonal vary , which means the extra dark and light-weight areas there are, the extra spectacular the image. Though distinction works nicely in both color and black and white, the latter wants it extra to stand out and make a lasting impression.

10 Ideas for Utilizing Luminosity Masks in Digital Blending Luminosity masks are a function in Photoshop that helps you isolate areas of a excessive gentle depth in the photograph ’s pixels. With these choices , you may select areas of the photograph and only work on particular tones, not the whole image. These are great to assist enhance the main target and look of a selected object in your frame. This text provides you an amazing rundown, from creating the masks to the completed image.

How to Transition From Taking to Making the Photograph Ansel Adams mentioned , “You don’t take a photograph , you make it”. This guide takes you thru many ideas. Wanting at the primary components , what makes an amazing photograph and how you can make it into a last , polished print. Specializing in the basic ideas and continuing to determine , isolate and management the weather will assist your photographic confidence.

How to Edit Black And White Images in Lightroom Lightroom is without doubt one of the greatest instruments out there to help you get the perfect from your photography. It is straightforward and quick to select -up and may help with your workflow. Presets are a good way to get very impressive images. They are also quick and easy to make use of and are created by photographic fans or Adobe itself. In this article, you will get an idea of what you should be looking at in terms of modifying your work and the best way to obtain dramatic results.

Processing Images in Photoshop In comparison with the ease of processing pictures in Lightroom, Photoshop is a bit more difficult and requires more studying time. This article helps you to get the most effective out of your black and white picture by working with colour layers, filters and blending options.

IMAGE COLLECTIONS : Black White Portraits Black And White Photography

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