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Canon 7D Black And White Photography.

Try Long Exposure. Long exposure shots can work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this could help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If required , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). classically , when exposures extend farther than re 1/60 sec a tripod is wanted to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Take Control. Although coloured filters should still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a a couple years ago Photoshop’s Channel Mixer was the preferred means of turning colour images monochrome, but now Adobe Camera Raw has more powerful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust one of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations can become unnatural looking. And adjusting the brightness of a red or rosy shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls should also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create segregation between objects of the same brightness but with unique colours.

Shoot RAW + JPEG. The most excellent monochrome conversions are fetched up at by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As numerous photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. numerous cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact modus operandi cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users could also do this if they kick in her camera’s live feeling thoroughfare , but the usually slower responses mean that many will find it preferable or check the image on the screen post-capture.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would instantly be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and featureless straight from the camera. providentially , it’s possible to work adjust the brightness of these two colours discretely to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some strong blacks and whites. This should be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, could inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the most excellent composition.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are merely as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is helpful when you require to retain detail in a bright sky while a polarizing filter can be used to decrease reflections and boost contrast. Alternatively, evaluate taking two or more shots with varied exposures to create a high dynamic range (HDR) composite. Don’t be anxious to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, could also be useful for manipulating contrast in digital images. They work by darkening objects of his opposite colour while lightening objects of his own. An orange filter, for example, will darken the blue of the sky while a green one will lighten foliage.

Dodge and Burn. Dodging and burning is a mode that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers could only thought of taking a degree of because you can target the highlights, shadows or mid-tones with both. This means that you should use the Burn tool to darken highlights when they are too bright, or the Dodge tool to perk up them to increase local contrast. It’s a good street of sharing a sense of better sharpness and enhancing texture. Plus, because you may set the opacity of the tools, you should build up their effect gradually so the impact is subtle and there are no hard edges.

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I had a ball shooting B&W.  I forgot how rewarding it can be.  More on shooting B&W to come!

Shooting B&W is a great time to use Canon 7D’s JPG+RAW shooting function.

Posted onApril 14, 2010June 22, 2011Authorphotoframd9 Comments

So what actually happens when the B&W photo is saved as Raw? Well, surprisingly all of the color information is still saved in the Raw file.  If you change your mind and want a full color photo, all you have to do is change the Picture Style in Canon’s Digital Photo Professional (DPP).  The Picture Style has NO permanent effect on a Raw file.  It simply adds an additional tag to the Raw file indicating the Picture Style which was used when the photo was taken.  You can change the Picture Style at will.  Pretty cool right!

With these settings in place, you can now make additional changes like setting the Picture Style to Monochrome and repeating the above steps to further customize the Custom Function.  You now have two completely different setting groups available on your Canon 7D.  By following these steps, you can now quickly switch between color and B&W photography just by turning the Mode Dial.

The first step in the process is to Register.  Cursor to Register and press the Set button.  (Should you later want to erase these settings, you will also see the option to Clear Settings on this screen too.)

Adobe Camera Raw, Lightroom and Capture One ignore the Picture Style setting

To be honest, I have not thought about shooting in black & white for years.  Back in my film days, it was getting harder and harder to find someone local that would process and print B&W film.  Then I bought the Canon 20D, and I never looked back.  But, thanks to all my new Friends on Facebook, I have been inspired.  B&W is used in such creative ways today to produce photos with drama and beauty that is lost in full color.

Yes, the Canon 7D has a B&W mode.  It is available as a Picture Style from the button on the back of the camera (see the red ring above).  Use the Multi-function Controller (joystick) to select the M – Monochrome Picture Style.  If you click the Info button, you can customize the setting further.  Best yet, the Canon 7D has built-in Filter Effects to simulate shooting with Yellow, Orange, Red, Blue and Green Filters.  The wonders of digital – no more expensive color filters to forget to pack!

However, if you save the photos as JPGs in the Canon 7D, all of the color information is lost.  The Canon 7D does save the images as RGB JPGs instead of Greyscale JPGs for full compatibility, but the images are monochromatic.  Even boosting the Saturation level in Photoshop will not restore the color values.

CategoriesPhotographyTagsb&w, best-of-7d-tips, black & white, camera raw, canon 7d tips, dpp

Recovering Photos and Video from Formatted Compact Flash Card

Finalize the Custom Function with the OK selected and press the Set button.

It is important to note that only Canon’s DPP will read the Picture Style tag in the Canon 7D Raw file.  Adobe Camera Raw 5.6 (as shown above) along with Lightroom 3 (Beta 2) and even Capture One 5 Pro will preview the Raw file as a Thumbnail in B&W.  However, as soon as you click on the image, each program reads the Raw file and generates its own thumbnail in color and opens the image in full color.  (I was shooting in RAW+JPG for all of my B&W shots.  That’s why you see double images, both a color Raw file and a B&W JPG.)

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It seems every Canon introduces a new way to set Custom Functions.  The Canon 7D is no different.  By default, each of the Custom Functions starts at the camera default settings.  If you are happy with the way you have customized the settings on the Canon 7D, you will want to copy those setting to a Custom Function to begin.  Start with the 3rd Wrench Setting in the Menu and use the Multi-Function Controller (joystick) to cursor down to the Camera user setting then press the Set button.

Flip the Magic Button to Jump Between HD-Video and Still Photography

Basically, Custom Functions will take a snap shot of all the settings applicable to one of the other Modes (P, TV, AV, M or B) and store them either C1, C2 or C3.  It includes your AF Focusing mode as well as your Video Capture settings.  Once the Custom Function is set, you can continue to tweak the settings … like add a Picture Style of Monochrome to shoot stills and/or video in B&W.  You could now switch very quickly between color and B&W photography.  Pretty cool!

Hint – if you are new to B&W, just remember the following tips:

Be honest … have you ever used those additional spots on the Mode Dial? That C1, C2 and C3 are called Custom Functions and they can be a real time saver.

CategoriesPhotography, VideoTagsb&w, best-of-7d-tips, black and white, canon 7d tips, custom functions

Which Dial Mode setting do you want to use?  Cursor to either C1, C2 or C3 on this screen and press the Set button.

Canon 7D Tips – Shooting both Stills & HD-Video with One Camera

Well, the Canon 7D knows you want to shoot B&W and will display the image on the camera’s LCD as a B&W photo.  If you are on-location, it is very important to know that “you got the shot”.  B&W does take practice and it is easier to see it than try to think how it will look in Photoshop.

5.  Update these setting as you go by repeating these steps.

Canon 7d Tips – Reformat Corrupt Compact Flash Cards for a Clean Start

Posted onApril 12, 2010June 22, 2011Authorphotoframd9 Comments

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Red Filter will appear to darken cool colors like Blues and Greens and lighten warm colors like Reds and Orange. Green Filter will do the opposite, darkening warm colors and lighten cool colors. Yellow Filter will appear to lighten yellows to almost white and produce a subtle shift to all other colors.

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