Try Long Exposure. Long exposure shots should work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this may help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If required , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). naturally , when exposures extend farther than as to 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.
Take Control. Although coloured filters should still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the favored means of turning colour images monochrome, but now Adobe Camera Raw has more powerful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations can become unnatural looking. And adjusting the brightness of a red or pink shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls can also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create delineation between objects of the same brightness but with different colours.
Shoot RAW + JPEG. The most excellent monochrome conversions are lighted on by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As many photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. most cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact trait cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users could also do this if they kick in his camera’s live abstraction avenue , but the usually slower responses mean that numerous will find it preferable or check the image on the screen post-capture.
Dodge and Burn. Dodging and burning is a policy that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers may only ambition of because you could target the highlights, shadows or mid-tones with both. This means that you could use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten them to increase local contrast. It’s a good lane of giving a sense of better sharpness and enhancing texture. Plus, because you can set the opacity of the tools, you may build up her effect gradually so the impact is subtle and there are no hard edges.
Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are simply as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more useful . An ND grad is helpful when you want to retain detail in a bright sky while a polarizing filter could be used to decrease reflections and boost contrast. Alternatively, assess taking two or more shots with different exposures to create a high dynamic range (HDR) composite. Don’t be anxious to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, can also be advantageous for manipulating contrast in digital images. They work by darkening objects of his opposite colour while lightening objects of her own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.
Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would right now be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and colorless straight from the camera. happily , it’s possible to work adjust the brightness of these two colours discretely to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some forceful blacks and whites. This should be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, may inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the best composition.
Related Images of Cbr 150 Black And White Images
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2000×1404, 17 views Honda CBR150R Front 3-Quarter ‘Red/White’
667×447, 11 views Honda CBR150R Front 3-Quarter ‘Black/Green’
Honda has its share of performance bikes and the CBR150R adds to that portfolio. This one is the younger and more docile sibling of the popular CBR 250R. A host of design cues have been picked up from the elder one but it differentiates itself with the two-tone paint scheme Honda uses. The CBR150R is powered by a single cylinder, fuel-injected 149.4cc engine which produces 18.28bhp and it a fun thing to ride around the urban setting. It’s mated to a 6-speed gearbox and Honda has managed to bring in a sense of sportiness and fuel efficiency as well. A bit powerful than its rival, the Yamaha R15, the CBR150R helps Honda break into the growing segment of affordable sport bikes.
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TVS Apache RTR 200 4V PIRELLI R 2.0 Vs TVS Apache RTR 200 4V Pirelli
Fast Facts Type Sports Top Speed 134 km/h Length 2000 mm Width 825 mm Height 1120 mm Weight 138 kg Wheelbase 1305 mm Manufacturer HMSI Predecessor Honda NSR 150 Engine 149.4cc Gearbox 6-Speed Maximum Power 18.
28 Bhp @ 10500 rpm Maximum Torque 12.66 Nm @ 8500 rpm Seat Height 795 mm Know More Honda CBR150R
APHonda, a Thai owned, Honda affiliated company established in 1986 revealed a more masculine bike Honda CBR150R, 150cc 4-stroke sport bike for the new generation with lots of innovation and advanced technology. The design of Honda CBR150R seems to be inspired from the Honda’s VFR series which presents the look of a big engined bike. To place it far more than sporty bike it includes step-up seat which gives CBR150R a sporty touch with split grab rail which further endows the looks of the bike. It is integrated with a liquid cooled 150cc engine and its small exhaust pipe design creates an awesome look for it which ended with chrome. It also includes telescopic shocks at the front while the rear is equipped with a monoshock one. These features gives you comfort shrinking the jerks and bump at rough roads and offers dynamic relaxed riding experience.
674×446, 22 views Honda CBR150R Front 3-Quarter ‘Black/White’
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