Colorization Of Black And White Images

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Colorization Of Black And White Images

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Colorization Of Black And White Images.

With Google’s vast image libraries, world-class researchers and developers, and AI prowess, though, we may soon see some colorization results that push the envelope in terms of what’s possible.

First, you look for simple patterns: a diagonal line, all black pixels, and so on. You look for the same exact pattern in each square and remove the pixels that don’t match. You generate 64 new images from your 64 mini filters.

It’s easier than ever to take action on your pictures in @googlephotos. Rolling out today, you may start to see suggestions to brighten, archive, share, or rotate your photos, right on the image. #io18

Go to the Jupyter notebook. Under the Jobs tab on the FloydHub website, click on the Jupyter Notebook link and navigate to this file:

Imagine you had to color black and white images — but with restriction that you can only see nine pixels at a time. You could scan each image from the top left to bottom right and try to predict which color each pixel should be.

After a couple of steps the filtered images you produce might look something like these:

Let’s go back to the generator. For each batch, we generate 20 images in the below format. It takes about an hour on a Tesla K80 GPU. It can do up to 50 images at a time with this model without having memory problems.

In sum, we are searching for the features that link a grid of grayscale values to the three color grids.

With ImageDataGenerator, we adjust the setting for our image generator. This way, each image will never be the same, thus improving the learning rate. The shear_rangetilts the image to the left or right, and the other settings are zoom, rotation and horizontal-flip.

We mounted a public dataset on FloydHub (which I’ve already uploaded) at the datadirectory with the below line:–dataemilwallner/datasets/colornet/2:data

The FloydHub web dashboard will open in your browser. You will be prompted to create a new FloydHub project called colornet. Once that’s done, go back to your terminal and run the same initcommand.

grayscaled_rgb = gray2rgb(rgb2gray(batch))embed = create_inception_embedding(grayscaled_rgb)

Here are the most common architectures from previous research, with links:

Earlier this year, Amir Avni used neural networks to troll the subreddit/r/Colorization — a community where people colorize historical black and white images manually using Photoshop.

You can also easily colorize your own black and white images with my three versions of the colorization neural network using FloydHub.

We’ll start by making a simple version of our neural network to color an image of a woman’s face. This way, you can get familiar with the core syntax of our model as we add features to it.

As you can see below, a Lab encoded image has one layer for grayscale, and has packed three color layers into two. This means that we can use the original grayscale image in our final prediction. Also, we only have two channels to predict.

yield ([X_batch, create_inception_embedding(grayscaled_rgb)], Y_batch)

For the alpha version, simply replace the woman.jpgfile with your file with the same name (image size 400×400 pixels).For the beta and the full version, add your images to the Testfolder before you run the FloydHub command.

You can also upload them directly in the Notebook to the Test folder while the notebook is running. Note that these images need to be exactly 256×256 pixels. Also, you can upload all test images in color because it will automatically convert them into B&W.

Tags: ai, artificialintelligence, autocolorization, colorization, colorize, google, googlei/o, googlephotos

You can watch Google CEO Sundar Pichai introduce these new Google Photos features during the Google I/O keynote yesterday in this video (it starts at 1:33:15):

floyd run –data emilwallner/datasets/colornet/2:data –mode jupyter –tensorboard

for filename in os.listdir(‘/Color_300/Train/’): X.append(img_to_array(load_img(‘/Color_300/Test’+filename)))

Two further differences are: upsampling layers and maintaining the image ratio. Classification networks only care about the final classification. Therefore, they keep decreasing the image size and quality as it moves through the network.

First, we download the Inception ResNet v2 neural network and load the weights. Since we will be using two models in parallel, we need to specify which model we are using. This is done in Tensorflow, the backend for Keras.

Google is also baking a host of other AI-powered features into Google Photos, including automatic content creation (collages, animations, movies), automatic photo enhancements (e.g. brightening dark photos, rotating, and desaturating the background of portraits), and facial recognition (e.g. recognizing people in photos and asking if you’d like to share with them).

I was fascinated by Amir’s neural network, so I reproduced it and documented the process. First off, let’s look at some of the results/failures from my experiments (scroll to the bottom for the final result).

Color pop desaturates the background while leaving subjects in color. One-tap photo sharing with people identified in photos.

In the fusion layer, we first multiply the 1000 category layer by 1024 (32 * 32). This way, we get 1024 rows with the final layer from the Inception model.

We match it with our neural network, which also returns values between -1 and 1.

I’ll show you how to build your own colorization neural net in three steps.

For a convolutional neural network, each filter is automatically adjusted to help with the intended outcome. We’ll start by stacking hundreds of filters and narrow them down into two layers, the a and b layers.

encoder_inputis fed into our Encoder model, the output of the Encoder model is then fused with the embed_inputin the fusion layer; the output of the fusion is then used as input in our Decoder model, which then returns the final output, decoder_output.

The before-and-after colorization example shown at Google I/O 2018.

In parallel to the encoder, the input images also run through one of today’s most powerful classifiers — the Inception ResNet v2 . This is a neural network trained on 1.2M images. We extract the classification layer and merge it with the output from the encoder.

Most of the images turned out poor. But I was able to find a few decent ones because of a large validation set (2,500 images). Training it on more images gave a more consistent result, but most of them turned out brownish. Here is a full list of the experiments I ran including the validation images.

You can also make a local FloydHub installation with their 2-min installation, watch my 5-min video tutorial or check out my step-to-step guide. It’s the best (and easiest) way to train deep learning models on cloud GPUs.

As mentioned, you start with low-level features, such as an edge. Layers closer to the output are combined into patterns. Then, they are combined into details, and eventually transformed into a face. This video tutorial provides a further explanation.

With just 40 lines of code, we can make the following transition. The middle picture is done with our neural network and the picture to the right is the original color photo. The network is trained and tested on the same image — we’ll get back to this during the beta-version.

Start with an epoch value of 1 and the increase it to 10, 100, 500, 1000 and 3000. The epoch value indicates how many times the neural network learns from the image. You will find the image img_result.pngin the main folder once you’ve trained your neural network.

Google is taking to the stage at the Google I/O developer conference this week to show off its new products and technologies, one of which is a new AI-powered version of Google Photos. The new app will feature a host of new intelligent features, including the ability to colorize black-and-white photos with one tap.The “Colorize” tool uses artificial intelligence to make a “best guess” of what a color version of an old monochrome photo would have looked like.

Our neural network finds characteristics that link grayscale images with their colored versions.

Today, colorization is usually done by hand in Photoshop. To appreciate all the hard work behind this process, take a peek at this gorgeous colorization memory lane video:

First, we have to resize the image to fit into the Inception model. Then we use the preprocessor to format the pixel and color values according to the model. In the final step, we run it through the Inception network and extract the final layer of the model.

floyd run –data emilwallner/datasets/colornet/2:data –mode jupyter –tensorboardTechnical explanation

I chose the ‘fusion layer’ architecture (the fifth one in the list above).

1.0/255 indicates that we are using a 24-bit RGB color space. It means that we are using numbers between 0–255 for each color channel. This results in 16.7 million color combinations.

Click the below button you open a Workspace on FloydHub where you will find the same environment and dataset used for the Full version. You can also find the trained models for Serving.

Takeaways from the Alpha versionReading research papers is challenging. Once I summarized the core characteristics of each paper, it became easier to skim papers. It also allowed me to put the details into a context.

Starting simple is key. Most of the implementations I could find online were 2–10K lines long. That made it hard to get an overview of the core logic of the problem. Once I had a barebones version, it became easier to read both the code implementation, and also the research papers.

Explore public projects. To get a rough idea for what to code, I skimmed 50–100 projects on colorization on Github.Things won’t always work as expected. In the beginning, it could only create red and yellow colors.

At first, I had a Relu activation function for the final activation. Since it only maps numbers into positive digits, it could not create negative values, the blue and green spectrums. Adding a tanh activation function and mapping the Y values fixed this.

Understanding > Speed. Many of the implementations I saw were fast but hard to work with. I chose to optimize for innovation speed instead of code speed.Beta version

Our final prediction looks like this. We have a grayscale layer for input, and we want to predict two color layers, the ab in Lab. To create the final color image we’ll include the L/grayscale image we used for the input. The result will be creating a Lab image.

Here are some of the validation images, using only 20 images to train the network on.

canvas = np.zeros((400, 400, 3))canvas[:,:,0] = X[0][:,:,0]canvas[:,:,1:] = output[0]

Colorspaces: Lab, YUV, HSV, and LUV (more detail here and here)

model.fit_generator(image_a_b_gen(batch_size), steps_per_epoch=1, epochs=1000)

To the left side, we have the B&W input, our filters, and the prediction from our neural network.

Loss: Mean square error, classification, weighted classification (link)

Before we get into detail into how it works, let’s run the code.

Below is the result of coloring the validation images with our beta version.

Huge thanks to Federico Baldassarre, for answering my questions and their previous work on colorization. Also thanks to Muthu Chidambaram, who influenced the core implementation in Keras, and the Unsplash community for providing the pictures. Thanks also to Marine Haziza, Valdemaras Repsys, Qingping Hou, Charlie Harrington, Sai Soundararaj, Jannes Klaas, Claudio Cabral, Alain Demenet, and Ignacio Tonoli for reading drafts of this.

We map the predicted values and the real values within the same interval. This way, we can compare the values. The interval ranges from -1 to 1. To map the predicted values, we use a tanh activation function. For any value you give the tanh function, it will return -1 to 1.

You can start using some of these powerful new features today by downloading the latest version of Google Photos for iOS and Android.

The neural network operates in a trial and error manner. It first makes a random prediction for each pixel. Based on the error for each pixel, it works backward through the network to improve the feature extraction.

To recap, the input is a grid representing a black and white image. It outputs two grids with color values. Between the input and output values, we create filters to link them together. This is a convolutional neural network.

fusion_output = RepeatVector(32 * 32)(embed_input) fusion_output = Reshape(([32, 32, 1000]))(fusion_output)fusion_output = concatenate([fusion_output, encoder_output], axis=3) fusion_output = Conv2D(256, (1, 1), activation=’relu’)(fusion_output)

This article is for beginners. Yet, if you’re new to deep learning terminology, you can read my previous two posts here and here, and watch Andrej Karpathy’s lecture for more background.

inception = InceptionResNetV2(weights=None, include_top=True)inception.load_weights(‘/data/inception_resnet_v2_weights_tf_dim_ordering_tf_kernels.h5’)inception.graph = tf.get_default_graph()

It starts adjusting for the situations that generate the largest errors. In this case, the adjustments are: whether to color or not, and how to locate different objects.

After training the neural network, we make a final prediction which we convert into a picture.

For example, these nine pixels are the edge of the nostril from the woman just above. As you can imagine, it’d be next to impossible to make a good colorization, so you break it down into steps.

Coloring networks keep the image ratio constant. This is done by adding white padding like the visualization above. Otherwise, each convolutional layer cuts the images. It’s done with the *padding=’same’*parameter.

Since humans can only perceive 2–10 million colors, it does not make much sense to use a larger color space.

Lastly, we create a black RGB canvas by filling it with three layers of 0s. Then we copy the grayscale layer from our test image. Then we add our two color layers to the RGB canvas. This array of pixel values is then converted into a picture.

The next step is to create a neural network that can generalize — our “beta” version. We’ll be able to color images the bot has not seen before.

When we train the network, we use colored images. We convert RGB colors to the Lab color space. The black and white layer is our input and the two colored layers are the output.

Our final version of the colorization neural network has four components. We split the network we had before into an encoder and a decoder. Between them, we’ll use a fusion layer. If you are new to classification networks, I’d recommend having a look at this tutorial.

To understand the weakness of the alpha version, try coloring an image it has not been trained on. If you try it, you’ll see that it makes a poor attempt. It’s because the network has memorized the information. It has not learned how to color an image it hasn’t seen before. But this is what we’ll do in the beta version. We’ll teach our network to generalize.

While the neural network is good at certain subjects such as turning grass green, others, like nailing the skin tones on people, are a lot more challenging. So, Google is working to improve the feature and won’t be launching it until it’s “really right,” the company tells TechCrunch.

If you want to look ahead, here’s a Jupyter Notebook with the Alpha version of our bot. You can also check out the three versions on FloydHub and GitHub, along with code for all the experiments I ran on FloydHub’s cloud GPUs.

The process is similar to that of most neural networks that deal with vision. The type of network here is known as a convolutional neural network. In these networks, you combine several filtered images to understand the context in the image.

The main difference from other visual neural networks is the importance of pixel location. In coloring networks, the image size or ratio stays the same throughout the network. In other types of network, the image gets distorted the closer it gets to the final layer.

We use the images from our folder, Xtrain, to generate images based on the settings above. Then, we extract the black and white layer for the X_batch and the two colors for the two color layers.

The network starts by coloring all the objects brown. It’s the color that is most similar to all other colors, thus producing the smallest error.

This for-loop first counts all the file names in the directory. Then, it iterates through the image directory and converts the images into an array of pixels. Finally, it combines them into a giant vector.

f() is the neural network, [B&W] is our input, and [R],[G],[B] is our output.Alpha version

Colorization has traditionally been done by Photoshop experts who spend hours upon hours researching colors and meticulously converting small portions of photos at a time. But researchers have been making huge strides in teaching AI how to colorize images through learning from examples. Simple apps and websites have also emerged to provide auto-colorization.

How to colorize black & white photos with just 100 lines of neural network code

# Get imagesimage = img_to_array(load_img(‘woman.png’))image = np.array(image, dtype=float)# Import map images into the lab colorspaceX = rgb2lab(1.0/255*image)[:,:,0]Y = rgb2lab(1.0/255*image)[:,:,1:]Y = Y / 128X = X.

reshape(1, 400, 400, 1)Y = Y.reshape(1, 400, 400, 2)# Building the neural networkmodel = Sequential()model.add(InputLayer(input_shape=(None, None, 1)))model.add(Conv2D(8, (3, 3), activation=’relu’, padding=’same’, strides=2))model.

add(Conv2D(8, (3, 3), activation=’relu’, padding=’same’))model.add(Conv2D(16, (3, 3), activation=’relu’, padding=’same’))model.add(Conv2D(16, (3, 3), activation=’relu’, padding=’same’, strides=2))model.

add(Conv2D(32, (3, 3), activation=’relu’, padding=’same’))model.add(Conv2D(32, (3, 3), activation=’relu’, padding=’same’, strides=2))model.add(UpSampling2D((2, 2)))model.add(Conv2D(32, (3, 3), activation=’relu’, padding=’same’))model.

add(UpSampling2D((2, 2)))model.add(Conv2D(16, (3, 3), activation=’relu’, padding=’same’))model.add(UpSampling2D((2, 2)))model.add(Conv2D(2, (3, 3), activation=’tanh’, padding=’same’))# Finish modelmodel.

compile(optimizer=’rmsprop’,loss=’mse’)#Train the neural, y=Y, batch_size=1, epochs=3000)print(model.evaluate(X, Y, batch_size=1))# Output colorizationsoutput = model.predict(X)output = output * 128canvas = np.

zeros((400, 400, 3))canvas[:,:,0] = X[0][:,:,0]canvas[:,:,1:] = output[0]imsave(“img_result.png”, lab2rgb(canvas))imsave(“img_gray_scale.png”, rgb2gray(lab2rgb(canvas)))

As you may know, a neural network creates a relationship between an input value and output value. To be more precise with our colorization task, the network needs to find the traits that link grayscale images with colored ones.

Below is the code for the beta version, followed by a technical explanation of the code.

To turn one layer into two layers, we use convolutional filters. Think of them as the blue/red filters in 3D glasses. Each filter determines what we see in a picture. They can highlight or remove something to extract information out of the picture. The network can either create a new image from a filter or combine several filters into one image.

This is then reshaped from 2D to 3D, a 32 x 32 grid with the 1000 category pillars. These are then linked together with the output from the encoder model. We apply a 254 filtered convolutional network with a 1X1 kernel, the final output of the fusion layer.

To achieve the color white, for example, you need an equal distribution of all colors. By adding an equal amount of red and blue, it makes the green brighter. Thus, a color image encodes the color and the contrast using three layers:

def create_inception_embedding(grayscaled_rgb): grayscaled_rgb_resized = [] for i in grayscaled_rgb: i = resize(i, (299, 299, 3), mode=’constant’) grayscaled_rgb_resized.append(i) grayscaled_rgb_resized = np.

array(grayscaled_rgb_resized) grayscaled_rgb_resized = preprocess_input(grayscaled_rgb_resized) with inception.graph.as_default(): embed = inception.predict(grayscaled_rgb_resized) return embed

To create our batch, we use the tweaked images. We conver them to black and white and run them through the Inception ResNet model.

TakeawaysRun a lot of experiments in smaller batches before you make larger runs. Even after 20–30 experiments, I still found mistakes. Just because it’s running doesn’t mean it’s working. Bugs in a neural network are often more nuanced than traditional programming errors.

One of the more bizarre ones was my Adam hiccup.A more diverse dataset makes the pictures brownish. If you have very similar images, you can get a decent result without needing a more complex architecture.

The trade-off is the network becomes worse at generalizing.Shapes, shapes, and shapes. The size of each image has to be exact and remain proportional throughout the network. In the beginning, I used an image size of 300.

Halving this three times gives sizes of 150, 75, and 35.5. The result is losing half a pixel! This led to many “hacks” until I realized it’s better to use a power of two: 2, 8, 16, 32, 64, 256 and so on.

Creating datasets: a) Disable the .DS_Store file, it drove me crazy. b) Be creative. I ended up with a Chrome console script and an extension to download the files. c) Make a copy of the raw files you scrape and structure your cleaning scripts.


batch_size = 50def image_a_b_gen(batch_size): for batch in datagen.flow(Xtrain, batch_size=batch_size): lab_batch = rgb2lab(batch) X_batch = lab_batch[:,:,:,0] Y_batch = lab_batch[:,:,:,1:] / 128 yield (X_batch.reshape(X_batch.shape+(1,)), Y_batch)

Because most of the training data is quite similar, the network struggles to differentiate between different objects. It will fail to generate more nuanced colors. That’s what we’ll explore in the full version.

In short, a picture can take up to one month to colorize. It requires extensive research. A face alone needs up to 20 layers of pink, green and blue shades to get it just right.

You can explore and use this dataset (and many other public datasets) by viewing it on FloydHub

Colorize Photos Use Deep Learning to Automatically Colorize Black and White Photos

The first section breaks down the core logic. We’ll build a bare-bones 40-line neural network as an “alpha” colorization bot. There’s not a lot of magic in this code snippet. This well help us become familiar with the syntax.

Note: in the below code I switch from Keras’ sequential model to their functional API. [Documentation]

After converting the color space using the function rgb2lab() we select the grayscale layer with: [ : , : , 0]. This is our input for the neural network. [ : , : , 1: ] selects the two color layers, green–red and blue–yellow.

model = Model(inputs=[encoder_input, embed_input], outputs=decoder_output)

floyd run –data emilwallner/datasets/colornet/2:data –mode jupyter –tensorboardTechnical Explanation

By transferring the learning from the classifier to the coloring network, the network can get a sense of what’s in the picture. Thus, enabling the network to match an object representation with a coloring scheme.

They were astonished with Amir’s deep learning bot. What could take up to a month of manual labour could now be done in just a few seconds.

The true color values range between -128 and 128. This is the default interval in the Lab color space. By dividing them by 128, they too fall within the -1 to 1 interval. This “normalization” enables us to compare the error from our prediction.

The Lab color space has a different range in comparison to RGB. The color spectrum ab in Lab ranges from -128 to 128. By dividing all values in the output layer by 128, we bound the range between -1 and 1.

TakeawaysThe research terminology was daunting. I spent three days googling for ways to implement the “fusion model” in Keras. Because it sounded complex, I didn’t want to face the problem. Instead, I tricked myself into searching for short cuts.

I asked questions online. I didn’t have a single comment in the Keras slack channel and Stack Overflow deleted my questions. But, by publicly breaking down the problem to make it simple to answer, it forced me to isolate the error, taking me closer to a solution.

Email people. Although forums can be cold, people care if you connect with them directly. Discussing color spaces over Skype with a researcher is inspiring!After delaying on the fusion problem, I decided to build all the components before I stitched them together.

Here are a few experiments I used to break down the fusion layer.Once I had something I thought would work, I was hesitant to run it. Although I knew the core logic was okay, I didn’t believe it would work.

After a cup of lemon tea and a long walk — I ran it. It produced an error after the first line in my model. But after four days, several hundred bugs and several thousand Google searches, “Epoch 1/22” appeared under my model.

Next steps

We enabled Tensorboard with –tensorboardWe ran the job in Jupyter Notebook mode with –mode jupyterIf you have GPU credit, you can also add the GPU flag –gputo your command. This will make it approximately 50x faster

This was because it produces some of the best results. It is also easier to understand and reproduce in Keras. Although it’s not the strongest colorization network design, it is a good place to start. It’s a great architecture to understand the dynamics of the coloring problem.

git clone

datagen = ImageDataGenerator( shear_range=0.2, zoom_range=0.2, rotation_range=20, horizontal_flip=True)

Black and white images can be represented in grids of pixels. Each pixel has a value that corresponds to its brightness. The values span from 0–255, from black to white.

Instead of using Imagenet, I created a public dataset on FloydHub with higher quality images. The images are from Unsplash — creative commons pictures by professional photographers. It includes 9,500 training images and 500 validation images.

X = rgb2lab(1.0/255*image)[:,:,0]Y = rgb2lab(1.0/255*image)[:,:,1:]

I used the neural network design from this paper by Federico Baldassarre and collaborators. I proceeded with my own interpretation in Keras.

Keras’ functional API is ideal when we are concatenating or merging several models.

Color images consist of three layers: a red layer, a green layer, and a blue layer. This might be counter-intuitive to you. Imagine splitting a green leaf on a white background into the three channels. Intuitively, you might think that the plant is only present in the green layer.

But, as you see below, the leaf is present in all three channels. The layers not only determine color, but also brightness.

Colorizing images is a deeply fascinating problem. It is as much as a scientific problem as artistic one. I wrote this article so you can get up to speed in coloring and continue where I left off. Here are some suggestions to get started:

First, we’ll use an algorithm to change the color channels, from RGB to Lab. L stands for lightness, and a and b for the color spectra green–red and blue–yellow.

Here, we use a grayscale image as input and run it through our trained neural network. We take all the output values between -1 and 1 and multiply it by 128. This gives us the correct color in the Lab color spectrum.

Science fact — 94% of the cells in our eyes determine brightness. That leaves only 6% of our receptors to act as sensors for colors. As you can see in the above image, the grayscale image is a lot sharper than the color layers. This is another reason to keep the grayscale image in our final prediction.

For example: 100 images with a batch size of 50 gives 2 steps per epoch. The number of epochs determines how many times you want to train all images. 10K images with 21 epochs will take about 11 hours on a Tesla K80 GPU.

cd Coloring-greyscale-images-in-Keras/floydhubfloyd init colornet

To double the size of the image, the coloring network uses an upsampling layer.

Manually adding small dots of color in a picture to guide the neural network (link)Find a matching image and transfer the coloring (learn more here and here)Residual encoder and merging classification layers (link)Merging hypercolumns from a classifying network (more detail here and here)Merging the final classification between the encoder and decoder (details here and here)

The stronger the GPU you have, the more images you can fit into it. With this setup, you can use 50–100 images. steps_per_epoch is calculated by dividing the number of training images with your batch size.

The max-pooling layers in classification networks increase the information density, but also distort the image. It only values the information, but not the layout of an image. In coloring networks we instead use a stride of 2, to decrease the width and height by half. This also increases information density but does not distort the image.

After calculating the final error, the network updates the filters to reduce the total error. The network continues in this loop until the error is as low as possible.

This the third part in a multi-part blog series from Emil as he learns deep learning. Emil has spent a decade exploring human learning. He’s worked for Oxford’s business school, invested in education startups, and built an education technology business. Last year, he enrolled at Ecole 42 to apply his knowledge of human learning to machine learning.

In this section, I’ll outline how to render an image, the basics of digital colors, and the main logic for our neural network.

If you build something or get stuck, ping me on twitter: emilwallner. I’d love to see what you are building.

Just like black and white images, each layer in a color image has a value from 0–255. The value 0 means that it has no color in this layer. If the value is 0 for all color channels, then the image pixel is black.

If you scan the images again, you’d see the same small patterns you’ve already detected. To gain a higher level understanding of the image, you decrease the image size in half.

# Get imagesX = []for filename in os.listdir(‘/data/images/Train/’): X.append(img_to_array(load_img(‘/data/images/Train/’+filename)))X = np.array(X, dtype=float)Xtrain = 1.0/255*X#Load weightsinception = InceptionResNetV2(weights=None, include_top=True)inception.

load_weights(‘/data/inception_resnet_v2_weights_tf_dim_ordering_tf_kernels.h5′)inception.graph = tf.get_default_graph()embed_input = Input(shape=(1000,))#Encoderencoder_input = Input(shape=(256, 256, 1,))encoder_output = Conv2D(64, (3,3), activation=’relu’, padding=’same’, strides=2)(encoder_input)encoder_output = Conv2D(128, (3,3), activation=’relu’, padding=’same’)(encoder_output)encoder_output = Conv2D(128, (3,3), activation=’relu’, padding=’same’, strides=2)(encoder_output)encoder_output = Conv2D(256, (3,3), activation=’relu’, padding=’same’)(encoder_output)encoder_output = Conv2D(256, (3,3), activation=’relu’, padding=’same’, strides=2)(encoder_output)encoder_output = Conv2D(512, (3,3), activation=’relu’, padding=’same’)(encoder_output)encoder_output = Conv2D(512, (3,3), activation=’relu’, padding=’same’)(encoder_output)encoder_output = Conv2D(256, (3,3), activation=’relu’, padding=’same’)(encoder_output)#Fusionfusion_output = RepeatVector(32 * 32)(embed_input) fusion_output = Reshape(([32, 32, 1000]))(fusion_output)fusion_output = concatenate([encoder_output, fusion_output], axis=3) fusion_output = Conv2D(256, (1, 1), activation=’relu’, padding=’same’)(fusion_output)#Decoderdecoder_output = Conv2D(128, (3,3), activation=’relu’, padding=’same’)(fusion_output)decoder_output = UpSampling2D((2, 2))(decoder_output)decoder_output = Conv2D(64, (3,3), activation=’relu’, padding=’same’)(decoder_output)decoder_output = UpSampling2D((2, 2))(decoder_output)decoder_output = Conv2D(32, (3,3), activation=’relu’, padding=’same’)(decoder_output)decoder_output = Conv2D(16, (3,3), activation=’relu’, padding=’same’)(decoder_output)decoder_output = Conv2D(2, (3, 3), activation=’tanh’, padding=’same’)(decoder_output)decoder_output = UpSampling2D((2, 2))(decoder_output)model = Model(inputs=[encoder_input, embed_input], outputs=decoder_output)#Create embeddingdef create_inception_embedding(grayscaled_rgb): grayscaled_rgb_resized = [] for i in grayscaled_rgb: i = resize(i, (299, 299, 3), mode=’constant’) grayscaled_rgb_resized.

append(i) grayscaled_rgb_resized = np.array(grayscaled_rgb_resized) grayscaled_rgb_resized = preprocess_input(grayscaled_rgb_resized) with inception.graph.as_default(): embed = inception.predict(grayscaled_rgb_resized) return embed# Image transformerdatagen = ImageDataGenerator( shear_range=0.

4, zoom_range=0.4, rotation_range=40, horizontal_flip=True)#Generate training databatch_size = 20def image_a_b_gen(batch_size): for batch in datagen.flow(Xtrain, batch_size=batch_size): grayscaled_rgb = gray2rgb(rgb2gray(batch)) embed = create_inception_embedding(grayscaled_rgb) lab_batch = rgb2lab(batch) X_batch = lab_batch[:,:,:,0] X_batch = X_batch.

reshape(X_batch.shape+(1,)) Y_batch = lab_batch[:,:,:,1:] / 128 yield ([X_batch, create_inception_embedding(grayscaled_rgb)], Y_batch)#Train model tensorboard = TensorBoard(log_dir=”/output”)model.compile(optimizer=’adam’, loss=’mse’)model.

fit_generator(image_a_b_gen(batch_size), callbacks=[tensorboard], epochs=1000, steps_per_epoch=20)#Make a prediction on the unseen imagescolor_me = []for filename in os.listdir(‘../Test/’): color_me.append(img_to_array(load_img(‘.

./Test/’+filename)))color_me = np.array(color_me, dtype=float)color_me = 1.0/255*color_mecolor_me = gray2rgb(rgb2gray(color_me))color_me_embed = create_inception_embedding(color_me)color_me = rgb2lab(color_me)[:,:,:,0]color_me = color_me.

reshape(color_me.shape+(1,))# Test modeloutput = model.predict([color_me, color_me_embed])output = output * 128# Output colorizationsfor i in range(len(output)): cur = np.zeros((256, 256, 3)) cur[:,:,0] = color_me[i][:,:,0] cur[:,:,1:] = output[i] imsave(“result/img_”+str(i)+”.

png”, lab2rgb(cur))

Implement it with another pre-trained modelTry a different datasetIncrease the network’s accuracy by using more picturesBuild an amplifier within the RGB color space. Create a similar model to the coloring network, that takes a saturated colored image as input and the correct colored image as output.

Implement a weighted classificationApply it to video. Don’t worry too much about the colorization, but make the switch between images consistent. You could also do something similar for larger images, by tiling smaller ones.

You still only have a 3×3 filter to scan each image. But by combining your new nine pixels with your lower level filters, you can detect more complex patterns. One pixel combination might form a half circle, a small dot, or a line. Again, you repeatedly extract the same pattern from the image. This time, you generate 128 new filtered images.

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Gradually increase the epoch value to get a feel for how the neural network learns.

For our “final” version, we’ll combine our neural network with a classifier. We’ll use an Inception Resnet V2 that has been trained on 1.2 million images. To make the coloring pop, we’ll train our neural network on portraits from Unsplash.

This was first published as a community post on Floydhub’s blog.

# Get imagesX = []for filename in os.listdir(‘../Train/’): X.append(img_to_array(load_img(‘../Train/’+filename)))X = np.array(X, dtype=float)# Set up training and test datasplit = int(0.95*len(X))Xtrain = X[:split]Xtrain = 1.

0/255*Xtrain#Design the neural networkmodel = Sequential()model.add(InputLayer(input_shape=(256, 256, 1)))model.add(Conv2D(64, (3, 3), activation=’relu’, padding=’same’))model.add(Conv2D(64, (3, 3), activation=’relu’, padding=’same’, strides=2))model.

add(Conv2D(128, (3, 3), activation=’relu’, padding=’same’))model.add(Conv2D(128, (3, 3), activation=’relu’, padding=’same’, strides=2))model.add(Conv2D(256, (3, 3), activation=’relu’, padding=’same’))model.

add(Conv2D(256, (3, 3), activation=’relu’, padding=’same’, strides=2))model.add(Conv2D(512, (3, 3), activation=’relu’, padding=’same’))model.add(Conv2D(256, (3, 3), activation=’relu’, padding=’same’))model.

add(Conv2D(128, (3, 3), activation=’relu’, padding=’same’))model.add(UpSampling2D((2, 2)))model.add(Conv2D(64, (3, 3), activation=’relu’, padding=’same’))model.add(UpSampling2D((2, 2)))model.add(Conv2D(32, (3, 3), activation=’relu’, padding=’same’))model.

add(Conv2D(2, (3, 3), activation=’tanh’, padding=’same’))model.add(UpSampling2D((2, 2)))# Finish modelmodel.compile(optimizer=’rmsprop’, loss=’mse’)# Image transformerdatagen = ImageDataGenerator( shear_range=0.

2, zoom_range=0.2, rotation_range=20, horizontal_flip=True)# Generate training databatch_size = 50def image_a_b_gen(batch_size): for batch in datagen.flow(Xtrain, batch_size=batch_size): lab_batch = rgb2lab(batch) X_batch = lab_batch[:,:,:,0] Y_batch = lab_batch[:,:,:,1:] / 128 yield (X_batch.

reshape(X_batch.shape+(1,)), Y_batch)# Train modelTensorBoard(log_dir=’/output’)model.fit_generator(image_a_b_gen(batch_size), steps_per_epoch=10000, epochs=1)# Test imagesXtest = rgb2lab(1.0/255*X[split:])[:,:,:,0]Xtest = Xtest.

reshape(Xtest.shape+(1,))Ytest = rgb2lab(1.0/255*X[split:])[:,:,:,1:]Ytest = Ytest / 128print model.evaluate(Xtest, Ytest, batch_size=batch_size)# Load black and white imagescolor_me = []for filename in os.

listdir(‘../Test/’): color_me.append(img_to_array(load_img(‘../Test/’+filename)))color_me = np.array(color_me, dtype=float)color_me = rgb2lab(1.0/255*color_me)[:,:,:,0]color_me = color_me.reshape(color_me.

shape+(1,))# Test modeloutput = model.predict(color_me)output = output * 128# Output colorizationsfor i in range(len(output)): cur = np.zeros((256, 256, 3)) cur[:,:,0] = color_me[i][:,:,0] cur[:,:,1:] = output[i] imsave(“result/img_”+str(i)+”.

png”, lab2rgb(cur))

Advanced Ideas These superior ideas are that will help you look previous all the basic ideas which cowl most elements of photography. The digicam gear, equipment and accessories are issues that provide help to take better photographs. These tips are there that will help you achieve deeper data , looking at a doable message, expertise or emotion you need to portray. This article helps the place and when to use things resembling micro-contrast. Also easy methods to successfully use and place the blackest areas of the photograph in relation to the mid-tone grey areas. Your photographs will profit immensely.

How To Make an Image Black and White in Photoshop & Lightroom All cameras, apart from the Leica M Monochrom, take photos in colour. If you`d like a black and white image , then it`s essential convert the color to a monochrome state. There are a lot of methods you can do this, however only some gives you the best possible high quality and tonal range. Read our article here on easy methods to make a picture black and white, without shedding high quality , element or other essential factors.

Publish -Processing Black and White Pictures All digital editing software program for Mac, PC, smartphone or Android affords a conversion from color to black and white. Except you took a colour photograph , transformed it into black and white in a non- harmful method , you can not revert it. The information is not there. There are numerous ways to transform to black and white, a few of which are non- destructive ( allows you to return to colour if you happen to like) however just a few ways where you may convert the image properly. This article tells you what it is best to or shouldn’t be doing to get the most out of your photographs.

How you can Edit Photos on Cellular Now that now we have regarded primarily at DSLRs, let’s flip our consideration in the direction of cell photography. Capturing along with your cell is fast and straightforward , and now changing and processing your photographs into black and whites isn`t any extra difficult. This article exhibits you how to utilize an app to show these photographs into something really dramatic.

The right way to Handle Pictures in Put up - Manufacturing Working with black and white photographs shouldn`t be the identical as working with colour – both have completely different focuses and need completely different areas of attention. The Black and White pictures can benefit from colours. Including yellow into the image utilizing a color mixer can have an effect on the element in the sky. This brings out traits in an otherwise overexposed section of the image. Additionally , tweaking of contrasts and highlights can have very dramatic ends in a Black and White photograph.

Issues to Think about When Modifying Black and White Pictures When it comes right down to the enhancing of your images , the hardware might be just as necessary because the software program you use. Your laptop monitor will have a colour administration system that will present your photographs otherwise to the color administration of the printing. Additionally , where you edit the images can be necessary , creating color casts that change the way you see our images. You may suppose that black and white photos is not going to be affected, but they still use color information within the gray , mid-tone areas of your work. Whatever you may be doing with your pictures as a ultimate product, be it a e-book or an exhibition, all of them want completely different treatments.

How you can Use Tonal Contrast with Images The tonal range in black and white photography is without doubt one of the most necessary things to focus on. The range is basically the degree of how vibrant or how darkish parts of your image are. The larger the tonal vary , meaning the extra darkish and light areas there are, the extra impressive the image. Although contrast works well in both colour and black and white, the latter needs it extra to face out and make a long-lasting impression.

10 Suggestions for Utilizing Luminosity Masks in Digital Blending Luminosity masks are a feature in Photoshop that helps you isolate areas of a high mild intensity within the photograph ’s pixels. With these selections , you may choose areas of the photograph and only work on specific tones, not the entire image. These are nice to help boost the focus and look of a particular object in your frame. This article offers you a great rundown, from creating the masks to the completed image.

How you can Transition From Taking to Making the Photograph Ansel Adams stated , “You don’t take a photograph , you make it”. This information takes you through many ideas. Looking on the fundamental parts , what makes a fantastic photograph and methods to make it right into a ultimate , polished print. Specializing in the fundamental concepts and continuing to establish , isolate and management the elements will assist your photographic confidence.

How one can Edit Black And White Images in Lightroom Lightroom is likely one of the best instruments on the market that will help you get the most effective out of your photography. It is easy and quick to pick -up and can help together with your workflow. Presets are an effective way to get very impressive images. They`re also quick and straightforward to use and are created by photographic fans or Adobe itself. In this article, you will get an concept of what you ought to be looking at in relation to modifying your work and the way to achieve dramatic results.

Processing Photos in Photoshop Compared to the convenience of processing pictures in Lightroom, Photoshop is a bit more sophisticated and requires more learning time. This text helps you to get the very best out of your black and white picture by working with color layers, filters and mixing options.

IMAGE COLLECTIONS : Colorization Of Black And White Images

Colorizing black and white photographs with photoshopBlack and white image and the colorized versionHow amazing colorization of black and white photos are done fstoppersBlack and white to color by euroflash on deviantartColorize black and white photos onlineYou can find more of these colorized photographs in this online albumPhoto colorization takes a lot of time and skill and there are artists who do an impressive work doing it one of these artists is jordan lloydHow to colorize a black and white photo in photoshop hindi urduEnter image description here