Double exposure effect
Double exposure on 35mm film no edit
What interests me the most in double exposure is split images i like the idea of combining 2 distinct scenes and create 1 image using a splitter
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Hypnotic double exposure portraits alison scarpulla yellowtrace
10 amazing examples of double exposure photography digital arts

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Double Exposure Film.

Take Control. Although coloured filters should still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the preferred means of turning colour images monochrome, but now Adobe Camera Raw has more powerful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust one of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as subtle gradations could become unnatural looking. And adjusting the brightness of a red or rosy shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls could also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create demarcation between objects of the same brightness but with different colours.

Shoot RAW + JPEG. The most excellent monochrome conversions are arrived at by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As most photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. many cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact avenue cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users should also do this if they kick in their camera’s live thought oddity , but the usually slower responses mean that numerous will find it preferable or check the image on the screen post-capture.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are just as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is collaborative when you require to retain detail in a bright sky while a polarizing filter could be used to decrease reflections and boost contrast. Alternatively, see taking two or more shots with varied exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, could also be advantageous for manipulating contrast in digital images. They work by darkening objects of their opposite colour while lightening objects of his own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would instantly be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dingy straight from the camera. providentially , it’s possible to work adjust the brightness of these two colours separately to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some forceful blacks and whites. This could be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, should inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the greatest composition.

Dodge and Burn. Dodging and burning is a wont that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers can only aspiration of because you should target the highlights, shadows or mid-tones with both. This means that you can use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten them to increase local contrast. It’s a great mechanism of sharing a sense of superior sharpness and enhancing texture. Plus, because you should set the opacity of the tools, you may build up her effect gradually so the impact is crafty and there are no hard edges.

Try Long Exposure. Long exposure shots can work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this may help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If required , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). classically , when exposures extend beyond as for 1/60 sec a tripod is wanted to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

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I put everything I know and practice about double exposures into the PDF.  I go through all my successes and each type of double exposure I make (turns out there are alot of different kinds) and explain how thoroughly.  I also show my mistakes and explain what went wrong and why.  Along with the PDF, there is a facebook group SEEING DOUBLE where I will answer all questions and we can share our double exposures and learn from everyone else.

Prostitute Sugar is set up by a corrupt politician. She is convinced of the futility of appealing her case in the courts and signs on to a chain gang run by the notorious Dr. John who … See full summary »

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Naive, but brash and sultry teenage runaway Bonnie finds herself lost and adrift in America. The lovely young lass runs afoul of a colorful array of evil oddballs who all treat her like an … See full summary »

Edit Cast Cast overview, first billed only: Michael Callan … Adrian Wilde Joanna Pettet … Mindy Jordache James Stacy … B.J. Wilde Pamela Hensley … Sgt. Fontain Cleavon Little … Police Chief Seymour Cassel .

.. Dr. Frank Curtis Robert Tessier … Bartender David Young … Sgt. Buckhold Don Potter … Lewis Misty Rowe … Bambi Frances Bay … Old Woman Alfred Mazza … Charlie Jeana Keough … Renee (as Jeana Tomasina) Sally Kirkland .

.. Hooker Debbie Zipp … Toni

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The hero-worship that Simone has for a pop singer is built to a crescendo until she passes out when she finally sees him up-close in a crowd of fans pushing him for autographs. She is later… See full summary »

You can ORDER my SEEING DOUBLE workshop for $149 — just click here.

Connections Featured in Katarina’s Nightmare Theater: Double Exposure (2011) See more »

A 136 page PDF explaining in depth the why, how, and art of shooting double exposures. The PDF goes through why I shoot double exposures and what my thinking is behind the art. I go through and explain in great detail how I make all the different types of different exposures step by step. I talk about the different cameras you can use and the different film stocks and their differences. The techniques apply for digital shooters as well. I have images for each technique and images of all the mistakes and how to avoid them. Also how to level up and great unexpected images and all the different creative ideas you can use to make YOUR voice shine. Homework and examples are included for each section.

A photographer for a men’s magazine is disturbed by a recurring dream he has that he is killing his models by various gruesome means. Then he discovers that his city is being terrorized by a slasher who is stalking and murdering women on the streets. He begins to suspect that he may actually be the killer. Written by [email protected]

Strippers in Manhattan are being stalked and maimed by a psycho-killer. A conflicted ex-boxer-turned-talent-manager and his business partner and friend, who represent some of the girls, set out to find him before he strikes again.

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A photographer for a men’s magazine is disturbed by a recurring dream he has that he is killing his models by various gruesome means. Then he discovers that his city is being terrorized by … See full summary »

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The water supply for a large city zoo becomes contaminated with PCP, and the animals go crazy and get loose.

Filming Locations: Ventura Boulevard, Sherman Oaks, Los Angeles, California, USA See more »

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Goofs When questioning the bartender, the police show him photographs of several of the victims. Among the photos is a picture of April’s dead body, but the character April had not yet been killed at that point. See more »

Production Co: Crown International Pictures,Destiny Worldwide Entertainment,Greyhill Productions See more »

Who’s been decapitating the innocent girls at a local night school? The police are baffled.

A group of martial arts students are en route to an island that supposedly is home to the ghosts of martial artists who have lost their honor. A Hitler lookalike and his gang are running a … See full summary »

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Trivia Several of the nighttime scenes were shot without permits. See more »

A sex-crazed nympho helps speed along her father’s death so she can use the inheritance to help out her depraved boyfriend.

A strip-joint owner and a manicurist find that they have many things in common, the foremost being that they are psychotic serial killers. They fall in love and are happy being the family … See full summary »

Double Exposure is the United States’ first and only film festival dedicated to investigative reporting on film. It pairs five days of film screenings with a professional symposium that brings together watchdog journalists and filmmakers venturing into investigative storytelling.

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R | 1h 34min | Comedy, Crime, Drama | 9 November 1983 (Colombia)

I’ll be honest, double exposures hasn’t been something in my repertoire of shooting. But after reading Wendy’s super comprehensive “Seeing Double” guide, I think that all is going to change. I love that she isn’t teaching you how to be her, she is sharing everything she knows about shooting double exposures, and encourages you to find your own path. The assignments and info in this pdf is not only easy to comprehend, there are a lot of A-HA moments, but it really gets your own creative wheels spinning on how you are going to implement what she has taught. This guide is really a great way to get inspired and open up your creative horizons. Worth every penny.

Plot Keywords: nightmare | photographer | model | female full frontal nudity | car caravan | See All (28) »

In this satire on 70s B-movie industry, a young ditsy pretty blond arrives in Hollywood to try her luck as an actress. After some mishap, a shady agent finds her a job with a sleazy B-movie crew plagued by strange deadly accidents.

Teenager Melissa moves into a small town filled with racial prejudice and bullying and each time she meets up with one of the boys in town, they end up murdered – but who is the killer?

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