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Famous Black And White Cityscape Photographers.

Shoot RAW + JPEG. The greatest monochrome conversions are happen on by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As numerous photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. most cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact attribute cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users should also do this if they kick in his camera’s live opinion path , but the usually slower responses mean that most will find it preferable or check the image on the screen post-capture.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are just as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more useful . An ND grad is supportive when you require to retain detail in a bright sky while a polarizing filter could be used to decrease reflections and boost contrast. Alternatively, contemplate taking two or more shots with diverse exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, could also be useful for manipulating contrast in digital images. They work by darkening objects of his opposite colour while lightening objects of his own. An orange filter, for example, will darken the blue of the sky while a green one will lighten foliage.

Take Control. Although coloured filters should still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a a couple years ago Photoshop’s Channel Mixer was the favored means of turning colour images monochrome, but now Adobe Camera Raw has more strong tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as subtle gradations should become unnatural looking. And adjusting the brightness of a red or pinkish shirt with the red sliding control, for moment , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls could also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create segregation between objects of the same brightness but with varied colours.

Dodge and Burn. Dodging and burning is a wont that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers could only ambition of because you can target the highlights, shadows or mid-tones with both. This means that you can use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten up them to increase local contrast. It’s a good road of giving a sense of better sharpness and enhancing texture. Plus, because you could set the opacity of the tools, you could build up their effect gradually so the impact is subtle and there are no hard edges.

Try Long Exposure. Long exposure shots should work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this could help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If compulsory , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). classically , when exposures extend farther than respecting 1/60 sec a tripod is wanted to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would instantly be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and drab straight from the camera. providentially , it’s possible to work adjust the brightness of these two colours singly to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some strong blacks and whites. This should be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, could inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the unsurpassed composition.

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A photograph of Rio de Janeiro and Copacabana beach at night in black and white. Framed fine art prints available in various styles….

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New York City skylines, landmarks, architecture, and Central Park

A black and white view of the White House, Washington Monument, Jefferson Memorial, and the Mall at night, Washington DC…

A black and white panoramic skyline of the Brooklyn Bridge and Lower Manhattan at Night, New York City…

A daytime view of the Brooklyn Bridge and the skyscrapers of Lower Manhattan, including 1 World Trade Center and 8 Spruce Street (New York by…

A black and white panoramic view of Rio de Janeiro at night from the Pao de Acucar. Vista panoramica em preto e branco do Rio…

A panoramic view of Midtown Manhattan and the Chrysler Building at night in black and white. Limited edition fine art prints of this photo are available…

A night view of the Brooklyn Bridge and the skyscrapers of Lower Manhattan in black and white, including 1 World Trade Center and 8 Spruce…

In our online fine art photography gallery we offer signed limited edition photos of New York City, fine art architectural prints, large-scale panoramic cityscapes, framed black and white photographs and more. We provide our corporate clients and private collectors alike a broad selection of photos to chose from and our long-standing commitment to quality.

Andrew’s photographs are available as signed limited edition prints which can be purchased framed in various styles. Classic matted and framed prints, acrylic gallery-mounted  prints, and high-definition metal prints are available to suit any home or office decor.

A panoramic Skyline of Seattle, Washington at Night in black and white…

Andrew Prokos is an award-winning architectural and fine art photographer based in New York City. His photos have been widely published and exhibited in museums, galleries, and art collections in the USA, Europe, and Asia.  Andrew’s fine art photo collections include architectural, panoramic, cityscape, and landscape genres in both color and black and white.

Andrew captures his images using ultra high-resolution film and digital formats. This allows us to produce large-format prints up to 120 inches wide which display astonishing detail and sharpness. Interior designers, architects, hotels, and corporate art collections have purchased and proudly display Andrew’s photographs in their most important spaces

Panoramic View of Midtown Manhattan and Chrysler Building at Night (B&W)

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Black and white photography of cites and skylines from New York and other locations by photographer Andrew Prokos. Andrew’s black and white cityscape photos are available as gallery-quality framed prints or ultra high-resolution licensed images.

A black and white panoramic view of Midtown Manhattan as seen from Soho, New York City. Large-scale fine art prints of this ultra high-definition photo…

A panoramic cityscape of the buildings of Midtown Manhattan and the Empire State Building at night in black and white. Large-scale fine art prints of this ultra…

Brooklyn Bridge and Lower Manhattan Skyscrapers at Night (B&W)

Lower Manhattan Skyline and World Trade Center at Night (B&W)

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