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Famous Quotes About Black And White Photography.

Take Control. Although coloured filters may still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the favorite means of turning colour images monochrome, but now Adobe Camera Raw has more strong tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as subtle gradations could become unnatural looking. And adjusting the brightness of a red or pink shirt with the red sliding control, for moment , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls may also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create separation between objects of the same brightness but with diverse colours.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would straight away be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dowdy straight from the camera. providentially , it’s possible to work adjust the brightness of these two colours separately to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some forceful blacks and whites. This should be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, could inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the greatest composition.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are simply as advantageous in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is supportive when you require to retain detail in a bright sky while a polarizing filter may be used to reduce reflections and boost contrast. Alternatively, view taking two or more shots with varied exposures to create a high dynamic range (HDR) composite. Don’t be anxious to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, could also be advantageous for manipulating contrast in digital images. They work by darkening objects of their opposite colour while lightening objects of her own. An orange filter, for example, will darken the blue of the sky while a green one will lighten foliage.

Shoot RAW + JPEG. The most excellent monochrome conversions are came upon by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As many photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. numerous cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact fashion cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users should also do this if they activate his camera’s live feeling procedure , but the usually slower responses mean that most will find it preferable or check the image on the screen post-capture.

Dodge and Burn. Dodging and burning is a peculiarity that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers may only hope of because you could target the highlights, shadows or mid-tones with both. This means that you could use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten up them to grow local contrast. It’s a great attribute of sharing a sense of greater sharpness and enhancing texture. Plus, because you may set the opacity of the tools, you may build up their effect gradually so the impact is crafty and there are no hard edges.

Try Long Exposure. Long exposure shots may work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this may help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If necessary , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively). classically , when exposures extend farther than regarding 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

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I’m very black and white about what I like or don’t like, and I’ve always been that way. Ryan Murphy

Things are not quite so simple always as black and white. Doris Lessing

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Ritesh has been photographing for about seven years now and his photographic interests have varied from nature and landscapes to street photography. You can see his photography on Flickr or on his website.

Black and white is abstract; color is not. Looking at a black and white photograph, you are already looking at a strange world. Joel Sternfeld

“I work in color sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I see more in black and white – I like the abstraction of it.” – Mary Ellen Mark “In the history of photography, we have many masterpieces in terms of black and white books.

You have Bresson’s ‘Decisive Moment,’ Frank’s ‘The Americans’… many masterpieces. But there is nothing to this caliber in color. Well, I think I’ll waltz with my muse and hope that I might be able to produce something on this order in color.

” – Ralph Gibson “Dodging and burning are steps to take care of mistakes God made in establishing tonal relationships.” – Ansel Adams “I think it’s because it was an emotional story, and emotions come through much stronger in black and white.

Color is distracting in a way, it pleases the eye but it doesn’t necessarily reach the heart.” – Kim Hunter

Everything is very black and white for me. I don’t really like playing mind games. Zayn Malik

If everything isn’t black and white, I say, ‘Why the hell not?’ John Wayne

When you create a black and white photograph, you create something that is abstract and strikingly real at the same time. Black and white photography is strange that way. It is perhaps this abstractness that makes black and white images so intriguing and timeless.

Life isn’t always black and white. You’re not always sure you’re right. At least I’m not. Brad Paisley

Life is not black and white; there is some gray nuance to it. Pilou Asbaek

Producing noteworthy black and white photographs often involves more than just converting a color photo to grayscale. An understanding of which scene would work better in black and white than color is crucial. Taking control of the tone during the conversion process is equally important.

Being glamorous is about strength and confidence. It’s black and white – dramatic. You have to be strong. Catherine Zeta-Jones

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I spent a lot of years trying to outrun or outsmart vulnerability by making things certain and definite, black and white, good and bad. My inability to lean into the discomfort of vulnerability limited the fullness of those important experiences that are wrought with uncertainty: Love, belonging, trust, joy, and creativity to name a few.

Brene Brown

I prefer black and white and portrait photography. I like old, you know, interesting faces, so I think black and white brings out the contrast. Brooklyn Beckham

Life isn’t black and white. It’s a million gray areas, don’t you find? Ridley Scott

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Black and white are the colors of photography. To me they symbolize the alternatives of hope and despair to which mankind is forever subjected. Robert Frank

I don’t see the world completely in black and white. Sometimes I do. Benicio Del Toro

Just simple things – I like black and white, monochrome; I like suits. Vanessa Kirby

We are all somewhere or the other a little grey, not black and white. We have our imperfections. Kriti Sanon

If you are interested in learning how to create black and white images that stand out – with a step by step guide that will equip you with everything you need to know, do take a look at the best-selling eBook Better Black and White, over at Photzy. You will learn how to evaluate a color scene for tone and how to convert an image to B&W, in a step-by-step process, using either Photoshop, Lightroom or Elements. Click here now to check it out.

There’s so much grey to every story – nothing is so black and white. Lisa Ling

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In tragedy, it’s hard to find a good resolution; it’s not black and white: it’s a big fog of gray. Paul Dano

“Color is everything, black and white is more.” – Dominic Rouse “Black and white is abstract; color is not. Looking at a black and white photograph, you are already looking at a strange world.” – Joel Sternfeld “One very important difference between color and monochromatic photography is this: in black and white you suggest; in color you state.

Much can be implied by suggestion, but statement demands certainty… absolute certainty.” – Paul Outerbridge “I’ve been forty years discovering that the queen of all colors is black.” – Henri Mattise

The human brain works as a binary computer and can only analyze the exact information-based zeros and ones (or black and white). Our heart is more like a chemical computer that uses fuzzy logic to analyze information that can’t be easily defined in zeros and ones.

Naveen Jain

“Color tends to corrupt photography and absolute color corrupts it absolutely. Consider the way color film usually renders blue sky, green foliage, lipstick red, and the kiddies’ playsuit. These are four simple words which must be whispered: color photography is vulgar.

” – Walker Evans “In black and white there are more colors than color photography, because you are not blocked by any colors so you can use your experiences, your knowledge, and your fantasy, to put colors into black and white.

” – Anders Petersen “One sees differently with color photography than black-and-white… in short, visualization must be modified by the specific nature of the equipment and materials being used.

” – Ansel Adams “In the ’70s, in Britain, if you were going to do serious photography, you were obliged to work in black-and-white. Color was the palette of commercial photography and snapshot photography.

” – Martin Parr

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Black and white creates a strange dreamscape that color never can. Jack Antonoff

There are infinite shades of grey. Writing often appears so black and white. Rebecca Solnit

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I think it’s because it was an emotional story, and emotions come through much stronger in black and white. Colour is distracting in a way, it pleases the eye but it doesn’t necessarily reach the heart. Kim Hunter

It’s about you. If you win, it’s you; if you lose, it’s you. Black and white. Nowhere to hide. Greg Rusedski

“My philosophy, like color television, is all there in black and white.” – Monty Python “Let’s assume that all the cassettes of monochrome film Cartier-Bresson ever exposed had somehow been surreptitiously loaded with color film.

I’d venture to say that about two thirds of his pictures would be ruined and the remainder unaffected, neither spoiled nor improved. And perhaps one in a thousand enhanced.” – Philip Jones Griffiths “Which is probably the reason why I work exclusively in black and white… to highlight that contrast.

” – Leonard Nimoy “There’s something strange and powerful about black-and-white imagery.” – Stefan Kanfer

I don’t believe there’s two sides to every story. It’s black and white. There’s right and wrong. Joe Wurzelbacher

Some girls like to say one thing and mean another. And me being who I am, I’m very straightforward. Everything is very black and white for me. I don’t really like playing mind games. Zayn Malik

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The great thing about getting older is that you become more mellow. Things aren’t as black and white, and you become much more tolerant. You can see the good in things much more easily rather than getting enraged as you used to do when you were young.

Maeve Binchy

In this post, we have put together some inspirational quotes on black and white photography by noted photographers and artists. We hope they inspire you to create your own beautiful B&W photographs!

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