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Dodge and Burn. Dodging and burning is a channel that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers could only thought of taking a degree of because you should target the highlights, shadows or mid-tones with both. This means that you could use the Burn tool to darken highlights when they are too bright, or the Dodge tool to perk up them to increase local contrast. It’s a good trait of sharing a sense of greater sharpness and enhancing texture. Plus, because you may set the opacity of the tools, you should build up his effect gradually so the impact is subtle and there are no hard edges.

Try Long Exposure. Long exposure shots should work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this can help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If necessary , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). typically , when exposures extend farther than with reference to 1/60 sec a tripod is wanted to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would right now be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and colorless straight from the camera. fortunately , it’s possible to work adjust the brightness of these two colours discretely to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some forceful blacks and whites. This should be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, should inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the best composition.

Shoot RAW + JPEG. The unsurpassed monochrome conversions are met by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As numerous photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. many cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact track cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users could also do this if they activate his camera’s live mental picture mechanism , but the usually slower responses mean that most will find it preferable or check the image on the screen post-capture.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are simply as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is cooperative when you want to retain detail in a bright sky while a polarizing filter can be used to reduce reflections and boost contrast. Alternatively, deem taking two or more shots with unique exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, can also be advantageous for manipulating contrast in digital images. They work by darkening objects of his opposite colour while lightening objects of his own. An orange filter, for example, will darken the blue of the sky while a green one will lighten foliage.

Take Control. Although coloured filters can still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a some years ago Photoshop’s Channel Mixer was the preferred means of turning colour images monochrome, but now Adobe Camera Raw has more strong tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust one of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations can become unnatural looking. And adjusting the brightness of a red or pinkish shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls can also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create segregation between objects of the same brightness but with different colours.

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“I am heartbroken by this senseless and cold blooded act of terror in Peshawar that is unfolding before us. Innocent children in their school have no place in horror such as this. I condemn these atrocious and cowardly acts and stand united with the government and armed forces of Pakistan whose efforts so far to address this horrific event are commendable. I, along with millions of others around the world, mourn these children, my brothers and sisters – but we will never be defeated.”

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– Pakistan’s Prime Minister Nawaz Sharif in Peshawar. Zarb-e-Azb is the name of the Pakistani military operation being carried out in North Waziristan.

“The scale of what has happened in Pakistan simply defies belief. It is a dark, dark day for humanity when something on this scale happens with no justification. There is not a belief system in the world that can justify such an act. I think what this shows is the worldwide threat that is posed by this poisonous ideology of extremist Islamist terrorism. It is nothing to do with one of the world’s great religions – Islam, which is a religion of peace. This is a perversion.”

“Showing solidarity with the fallen reminds me of my privilege,” said Azam Mahmood.

Reactions from public figures around the world also continue to pour in. Here are just a few of them.

Deep prayers for the families who lost their dear ones #PrayForPeshawar #BlackDay ✔️⚫️

“I realized the importance of the nation being united at this time. Putting up the black profile picture was an act of showing our solidarity to the innocent lives lost in Peshawar. It also serves the purpose of raising awareness on such barbaric acts and how the world needs to get together and fight terrorism all around the world.”

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Organizer, Syed Kazim Raza told Global News he woke up in Montreal to the tragic news on Social media.

MONTREAL – The Taliban attack on an army-run school in Peshawar, Pakistan has sparked a social media trend beyond borders.

“On a global level it allows people to do what they can do, to change the world.”

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“Pakistan is truly a beautiful country going through a very rough day, and my thoughts and prayers are with Pakistan.”

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A vigil is being planned in Montreal, outside the Pakistani Consulate on Wednesday.

Facebook profile pictures go black following attack on Pakistani school

We shouldn’t let this incident be forgotten like ever. This is our umpteenth 9/11 #PeshawarAttack #BlackDay #HangTTP #ResumeDeathSentence

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“The United States condemns in the strongest possible terms today’s horrific attack on the Army Public School in Peshawar, Pakistan. Our hearts and prayers go out to the victims, their families, and loved ones. By targeting students and teachers in this heinous attack, terrorists have once again shown their depravity. We stand with the people of Pakistan, and reiterate the commitment of the United States to support the Government of Pakistan in its efforts to combat terrorism and extremism and to promote peace and stability in the region.”

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A Pakistani girl, who was injured in a Taliban attack in a school, is rushed to a hospital in Peshawar, Pakistan, Tuesday, Dec. 16, 2014.

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“The government together with the army has started Zarb-e-Azb and it will continue until the terrorism is rooted out from our land. We also have had discussions with Afghanistan that they and we together fight this terrorism, and this fight will continue. No one should have any doubt about it. ”

“Even though we are limited geographically, spreading awareness via social media allows us to unite, condemn such actions, and convey our prayers to the victims and their respective families,” wrote Sara Ghani.

Many around the world are changing their profile pictures to a black photo, declaring today #BlackDay

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“I think it’s hard for any of us as rational and compassionate people to understand terrorism, to understand why people would want, in the name of some political cause, to simply terrorize, hurt kill innocent people, whole sections of society.”

“No cause can justify such brutality. No grievance can excuse such horror. It is an act of horror and rank cowardice to attack defenceless children while they learn. Schools must be safe and secure learning spaces. Getting an education is every child’s right. Going to school should not have to be an act of bravery.” – U.N. Secretary General Ban Ki-moon.

“On October 9, 2012, the Taliban attempted to silence one girl who dared to confront them, and stifle her future. They failed miserably. In the moments that follow such harrowing tragedy, we hope that the resolve and the dignity of innocent Pakistani people will see more children like Malala Yousafzai emerge to carry the torch forward for more education, free from violence or intimidation.”

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Many Facebook and Twitter users have rallied together and are changing their profile pictures to a black photo, declaring today ‘Black Day’ as the world mourns the loss of 141 people, mostly children.

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“As a Canadian student of Pakistani decent, I find social media the closest tool that allows me to express my emotions towards this senseless attack, and it allows me to connect with my roots at a level that would otherwise not be expressed,” said Haseeb Khan, a Montreal resident.

A commemoration for the victims will also be held in Toronto on Thursday night.

“It reminds me that, even though I grew up in Pakistan, I didn’t live the life that an overwhelming majority of Pakistanis live.”

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