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Frames For Black And White Prints.

Shoot RAW + JPEG. The best monochrome conversions are gained by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As many photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. many cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact path cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users can also do this if they kick in their camera’s live postulation procedure , but the usually slower responses mean that many will find it preferable or check the image on the screen post-capture.

Try Long Exposure. Long exposure shots may work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this should help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If required , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). characteristically , when exposures extend beyond about 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Take Control. Although coloured filters could still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the favorite means of turning colour images monochrome, but now Adobe Camera Raw has more forceful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust one of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations may become unnatural looking. And adjusting the brightness of a red or rosy shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls may also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create differentiation between objects of the same brightness but with diverse colours.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are merely as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is helpful when you want to retain detail in a bright sky while a polarizing filter could be used to reduce reflections and boost contrast. Alternatively, put down as,take for,account,reckon,treat,adjudge,size up,value,rate,gauge,sum up,weigh up taking two or more shots with varied exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, should also be useful for manipulating contrast in digital images. They work by darkening objects of her opposite colour while lightening objects of her own. An orange filter, for example, will darken the blue of the sky while a green one will lighten foliage.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would right now be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dowdy straight from the camera. providentially , it’s possible to work adjust the brightness of these two colours singly to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some forceful blacks and whites. This should be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, may inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the unsurpassed composition.

Dodge and Burn. Dodging and burning is a mannerism that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers should only ambition of because you could target the highlights, shadows or mid-tones with both. This means that you should use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten them to grow local contrast. It’s a good procedure of giving a sense of greater sharpness and enhancing texture. Plus, because you should set the opacity of the tools, you should build up her effect gradually so the impact is subtle and there are no hard edges.

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Profile color is one of the more distinctive features we notice when first looking at a frame, and the right one can complement the artwork perfectly. However, not paying enough attention to this choice can lead to a frame that either overpowers the artwork inside, or doesn’t give it the sense of importance it deserves.

Timeless black frames offer a nice touch of drama while providing your art with a defined territory and personal space. Conversely, white frames work very well with colorful content and allow for soft emphasis on the artwork. White frames on a white wall is especially alluring, giving the illusion of free floating artwork without borders that’s one with its surroundings, perfect if you feel like your space is cramped or needs to be lightened up.

Want to minimize your TV?  I love the way Emily has combined both black and white photography and art in a clever gallery wall arrangement to detract from the flat screen – a smart design solution if your television is out in the open.

Filed Under: Ask Kate, Decorating, Design + Decorating Articles, Inspiration, On The WallTagged as: black and white32 Comments »

We’re here to help if you ever need a second opinion, and can track down other styles if you are looking for something beyond our ten available frame colors.

But it got me thinking…beyond the hallway, there are multiple ways to display black and white photographs, it just depends on the space and whether you prefer a more eclectic and asymmetric display, or if you favor a symmetric or streamlined look.

Hello, I’m Kate! I’m a renovator, decorator, and globetrotter who writes about great interior design, smart home improvement, and my travel adventures.

Medium refers to the different types of materials used in the art process. Any material can be used as a medium, here are the most common types you’ll run into:

This image has been seen by many, but it’s still one of my favorites.  It took some thought to achieve the look, but I love how this display keeps your eye moving around and yet it is still so well balanced. Notice the mix of black and white frames in different sizes and that one black mat thrown into the mix, all of it hung on a blue painted plank wall – lovely.

Black and white photos are generally accompanied by black and white frames. Frames for colored photos, much like prints, should ideally complement the dominant colors in the photo.

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Because of their diversity in subject matter and affordability, posters and prints are a crowd favorite when it comes to purchasing wall art. Never let your poster go bare on a wall because you couldn’t decide on which color frame to choose – aim for a color that’s already used in the piece. Struggling to decide if you should add a mat? We provide some insight into choosing the right frame and mat combos in another blog post.

Traditional works such as charcoal, pastel, and watercolor go well with modest natural wood frames. Level’s natural gallery and rustic profiles show off the wood’s grain beautifully which lends itself to a more unrefined, approachable feel.

To get started with your own gallery of photographs, Ann Beck Photography has plenty of suggestions for combinations of frames to inspire you.

How do you display your collection once it’s assembled?  I’ve always loved this simple trick from Better Homes & Gardens – simply cut any paper (newspaper works great too) to the size of your framed photography and position the paper on the wall with painter’s tape until you’re satisfied with the arrangement.

If your gallery comes in the form of a residential home then it will come down to your current surroundings, style and personal taste. Modern, industrial, and contemporary homes pair well with white or black frames. In rustic, vintage, and bohemian dwellings, natural wood tones would look right at home. Don’t be afraid to match your frame color with existing furniture you may have to create a cohesive space with various complementary features. Just reach out if you’d like us to match a specific shade from your room and we’ll see track down any frames that’ll fit.

Our unique frame builder is a very useful tool that can help you better visualize how different frame and mat styles will match whatever it is you’re looking to frame.

I met a friend at her house a few weeks ago, she has four cute kids and an empty hallway, and she was asking what to do with the “blankness” of it all.  I’m a big believer in “bigger is better, make a statement!” when it comes to displaying photographs, and you cannot go wrong with black and white – they are undeniably classic and oh so sophisticated when gathered in a group on display.

Black and white are classic choices that don’t appear everywhere just by chance. This duo is the most situationally-friendly when it comes to framing as they work well with most interiors, artworks, and photographs.

Symmetry is the easiest look to pull off, just gather up the same size frames in a grid – bonus points for large off-center mats, and then hang your favorites in a series.  The bigger frames and mats are an investment but worth it, the look is timeless.

There are so many places and so many opportunities to place your life on display in the form of black and white images or artwork.  How have you incorporated black and white photography into your home?

In a hallway, Martha has an interesting take on near reflective symmetry – here the photographs share black frames in different sizes.  Despite their variation in size, the balance is achieved by the continual rotation from large to small in reverse and the fact the frames are positioned off of one straight center line.

An entry is the perfect place for a smaller arrangement over a console table.

Dining rooms are always in need of a conversation starter, so make it your photography on a ledge filled with nostalgic moments you’ve captured and framed.

Give it a go with the button below, by first entering your artwork dimensions. From there you can upload a preview image of your artwork or photo.

We’ve compiled a quick list of things to consider when you’re choosing a frame color to best suit the art you’re looking to frame. To summarize:

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For her hallway, I suggested four extra large black frames and white mats with their darling faces enlarged and all four hung in a grid; or a simple hallway collage like this one I created for another friend years ago.

Determining the focal point of an artwork is often a subjective task, so you as the art enthusiast should determine what you want the eyes to focus on. You can call out specific elements, tones and emotions by utilizing opposing subject and frame colors.

The best part about a gallery like this is you can change out the photos as you please since photography enlargements are so affordable.   Showcase your favorite vacation, your wedding, silly faces, your family members, whatever is meaningful.

Another idea is to install a floating ledge in a dining room for layering different sized frames.  Angle them so they sit up against the wall or hang a few for variety.

Continue with the rest of this blog post to give you some additional guidance on what style and colors to go for.

And don’t forget this tip when you get to the hanging part – again it’s painter’s tape to the rescue for perfectly positioning nail holes.

Sign up for $15 off your first order and see how easy it is to frame with Level

Pictured above, two identical prints rest side by side. However, the black frame feels heavier while accentuating the deeper, more downcast tones, while the white softens and draws attention towards the less saturated parts of the art. The interpretations and emotions are drastically changed when frame colors are interchanged, rendering each print almost unrelated.

If you’re ever at a loss with how to decorate a blank wall in a living or family room, take a cue from this sophisticated space filled with enlarged black and white photography arranged in a tight grid.

Got a poster, print or photo to frame? Then it’s time to get started on customizing your own frame.

An awesome work of art is just not the same when it’s in an inappropriate frame. Follow these quick tips and you’ll have a clearer idea on what frame colors will work best. If you’d still like some more guidance, check out our post on how to style your frame to match your project and home.

What is the medium of the item you’re framing?What do you want as your focal point?What is your current decor style?When in doubt, black or white!1. What is the medium of the art? Source: Hypebeast

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Here’s an asymmetrical variation on the same concept but over a sofa – notice the singular thick white line that separates the top and bottom frames.

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The location and hanging placement of your artwork is just as meaningful as its accompanying frame. Decide where you would like your art to reside. If you’re selling the work this may remain a mystery but if you’re responsible for its final resting spot, you don’t want it to look out of place.

You can also manipulate the mood of your subject simply by changing the color of the frame.

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In the photos above, the natural walnut and white frames share the same image. However, while the natural walnut could work, it distracts the eye from the image, unlike the white frame which allows the photo to stand out.

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Who says your black and white collection needs to be in black or white frames?  Paint them a vivid color for big impact, quite the statement!

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