How to colorize black and white vintage photographs in photoshop
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Nude color shoes are a good option as they tend to elongate the leg my favorite would be to add a pop of color like red fuchsia cobalt blue or chrome
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The result after adding a little color back in to the photo image 2008

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How Do I Add Color To A Black And White Photo.

Take Control. Although coloured filters can still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the favored means of turning colour images monochrome, but now Adobe Camera Raw has more strong tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust one of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as subtle gradations can become unnatural looking. And adjusting the brightness of a red or pink shirt with the red sliding control, for moment , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls may also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create separation between objects of the same brightness but with unique colours.

Try Long Exposure. Long exposure shots can work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this can help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If necessary , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively). classically , when exposures extend farther than with regard to 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would instantaneously be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and monotonous straight from the camera. happily , it’s possible to work adjust the brightness of these two colours separately to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some strong blacks and whites. This may be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, should inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the unsurpassed composition.

Dodge and Burn. Dodging and burning is a pathway that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers should only ambition of because you should target the highlights, shadows or mid-tones with both. This means that you should use the Burn tool to darken highlights when they are too bright, or the Dodge tool to perk up them to grow local contrast. It’s a good wont of giving a sense of superior sharpness and enhancing texture. Plus, because you could set the opacity of the tools, you could build up her effect gradually so the impact is crafty and there are no hard edges.

Shoot RAW + JPEG. The most excellent monochrome conversions are came upon by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As most photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. many cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact custom cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users may also do this if they activate her camera’s live perception lane , but the usually slower responses mean that numerous will find it preferable or check the image on the screen post-capture.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are merely as advantageous in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more useful . An ND grad is cooperative when you want to retain detail in a bright sky while a polarizing filter could be used to reduce reflections and boost contrast. Alternatively, view taking two or more shots with different exposures to create a high dynamic range (HDR) composite. Don’t be anxious to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, could also be advantageous for manipulating contrast in digital images. They work by darkening objects of their opposite colour while lightening objects of their own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

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Adding color to the most iconic photos in historyColorize black and white photos and add color to old faded photos sample imageEver wanted to see your old black and white family photographs restored in color this video below will show you how to do so in our popular and easy to usePhoto colorization takes a lot of time and skill and there are artists who do an impressive work doing it one of these artists is jordan lloydColorize black and white photos online add color to black andConclusion

Change “Cyan” to 100, “Magenta” to -100 and “Yellow” to 20. As shown in the third figure, the picture should be in pink. We are going to use this color to tint the background of the photo and the tips of the little girl.

Step 3: Convert the Image Mode to CMYK Color and Click OK to Confirm Conversion.

You will be given a Confirmation message as shown in the second figure. Just click “OK”.The CMYK color model in Adobe Photoshop refers to four color printing process, in which cyan, magenta, yellow and black inks are mixed to generate a range of colors. By modifying the intensity of these colors, we are able to create any color that we can use to color the photos.For more information about CMYK, you can view the following link.http://www.ehow.com/facts_6769174_cmyk-photoshop_.html

For this example, I’m using this simple photo of road signs courtesy of Roland Tanglao on Flickr. Download it if you want to follow along.

Make sure Preview is checked so you can judge the results by the image rather than just guessing!

Once all the major foreground areas of the image are done, it’s time to deal with the background. You can ignore smaller foreground details for now.

Finish by tweaking the mask so that the color boundaries look good.

The basic technique for colorizing images is really simple: you paint the color you want to use with an Opacity and Flow of 100% on a layer with the Blend Mode set to Color. The trick is painting accurately and getting the colors right.

Step 13: Click the Check Box Before “Snapshot 2” and Select “Snapshot 3”.

6 People Made This Project!PatM22 made it!Jibran UllahK made it!AnargyaS made it!CarolTheArtist made it!saeedsama made it!edwardblack619 made it!

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Step 9: Click Color/ Balance in the “Adjustments” Panel and Set Parameters.

Movies made in technicolor have kept their colour better than any other brand. Colour film has been available for a long time but it was just too expensive in the early days.

The trick here is to spend just enough time so that they look good without wasting time on unimportant details. Most people aren’t going to look too closely at your image so feel free to cut a few corners.

Go to File => Save AsChoose the place you want to save the file to. Then in the drop-down list of “Format”, select the type of file you would like it to be. Finally, click “Save” and your hot fresh color photo is just coming out. 

If you’re using an older image you might find that, because the print has faded with time, you have the opposite problem. In that situation, fix things as best you can How to Easily Restore an Old Family Photo Using Photoshop How to Easily Restore an Old Family Photo Using Photoshop Everyone has old family photos lying around. Sadly, they’ll probably be discolored, faded, scratched, or bent. With Photoshop, you can make them look as good as new. Read More before you even think about adding color.

If you followed along or worked on one of your own images, we’d love to see your results. Share your images and ask any questions in the comments below.

Change the Saturation to 30 and the color should be much deeper, as shown in the third figure. It is kind of difficult to explain what Hue/Saturation filter does. After I looked it up online, I got the following answer.The Hue filter lets you adjust the hue of an entire image. Hue is the color reflected from or transmitted through an object. It is measured as a location on the standard color wheel. A positive value indicates clockwise rotation, a negative value counter-clockwise rotation. Values range from -180 to +180.The Saturation filter, sometimes called chroma, deals with the strength or purity of a color. Saturation represents the amount of gray in proportion to the hue. Values range from -100 (percentage of desaturation, duller colors) to +100 (percentage of saturation increase).Source:http://www.movavi.com/videoeditor/filters/hue.htmlOnce you have reached this part, you are almost done! Let’s export our image file from Photoshop.

Step 8: Take Snapshot Using the Same Method Described in Step 5.

These instructions will show you how to turn a boring black and white (B/W) photo into a vibrant colored photo using Adobe Photoshop.In these instructions, I am going to color a photo of a little girl, to show the basic steps and concepts of how to color a B/W photo. To color your own B/W photo, the concepts are the same, and it will not be a difficult task for you.Black and white photographs were popular in the early 19th century. It took about a half century for people to switch from B/W photos to color photos. As a result, there still exists lots of B/W photos in our lives. Even for a color photo, its color is going to fade as time goes on. However, the world cannot only be in black and white. Color can help to tell a story, and it can be used to communicate on an emotional level. As you can see from the Figure.1, the little girl looks cold and pale. However, it looks much different in Figure.2. The girl looks prettier and the scene feels warm. As a result, putting color on B/W photos is an important skill.Technical Ability Requirements: Coloring a photo doesn’t require a lot of skills. Even if you are a child, you are able to complete this task. However, it is better for the readers to know basic computer skills, like opening and saving files, and copying and pasting components. If you are familiar with Adobe’s graphic processor Photoshop 5 or 6, it will be very easy for you. Here I am assuming the readers have the basic computer skills like launching Photoshop software and creating a new project.Required Time: It usually takes 20 minutes for a starter to finish all the steps by following the instructions. As you get more familiar with it, it will not take longer than 10 minutes. But, the better you want your photo to be, the more time you should spend on it.Coloring photos could bring you a lot of fun to your daily life. Just imagine if you colored your grandma’s old photo and showed it to your family, how surprised and happy they would be. When other people know you are able to use Photoshop and handle some cool skills, they will be jealous. Furthermore, this practice may lead you to a new interest in working with images.List of Required Parts: 1. A black and white or faded photograph.     In this case, an example image is provided as shown in the first figure. 2. Adobe Photoshop CS6 or CS5 on a working computerList Required Tools: Because we are going to use Adobe Photoshop to do all work, it is necessary to have a copy of Adobe Photoshop. You can either buy a copy from the Adobe official website or download the trial version. A trial version gives you a limit of 30 days to experience this software. Adobe Photoshop CS6 and CS5 both work well for this instruction. If you only have an earlier version of Adobe Photoshop, like CS3 or CS4, theoretically they can work because the functions we are going to use are basic functions in Photoshop. However, if you use CS3 or CS4, the user interface would be very different from the later version. As a result, it will be a little difficult to follow the steps here and you may need to find those corresponding functions by yourself. Here is the link of the official website:http://www.adobe.com/products/photoshop.htmlThe system requirements of Adobe Photoshop CS6 are as following: Windows • Intel® Pentium® 4 or AMD Athlon® 64 processor • Microsoft® Windows® XP with Service Pack 3 orMicrosoft Windows 7 with Service Pack 1. Adobe® Creative Suite® 5.5 and CS6 applications also support Windows 8. See the CS6 FAQ for more information about Windows 8 support.* • 1 GB of RAM • 1 GB of available hard-disk space for installation; additional free space required during installation (cannot install on removable flash storage devices) • 1024 x 768 display (1280 x 800 recommended) with 16-bit color and 512 MB (1 GB recommended) of VRAM • OpenGL 2.0–capable system • DVD-ROM drive • This software doesn’t operate without activation. Broadband Internet connection and registration are required for software activation, validation of subscriptions, and access to online services. Phone activation is not available.You can get more information for system requirements from the official website:http://helpx.adobe.com/x-productkb/policy-pricing/system-requirements-photoshop.htmlOK, Let’s Start our work!

I got stuck on Step 13 where you’re to use Snapshot 2 as a source to draw on Snapshot 3. I tried multiple times but each time the brush automatically picked up the colors that were in my Foreground/Background color palette box, not the colors from the Snapshot. Any advice?

Step 11: Open Color/Balance Window Again and Set New Parameters.

Actually, i have color slides that my father took during WW2 in europe – he was a cannoneer and was in England a few months before D-Day, which he then was part of. His slides have maintained more color than i even thought possible considering the years that have passed. we just scanned them this past year and it’s pretty amazing. He also took BW while there but the slides are all color.

At the moment there’s a craze for taking old black and white images and using Photoshop to add color back in. It might turn out to be a fad but the techniques are all worth knowing. If you’ve ever wondered how it’s done, today I’m going to show you. You’ll need to know the basics of Photoshop to follow along; if you don’t, check out some of these great sites 7 Awesome Sites for Learning How to Use Photoshop 7 Awesome Sites for Learning How to Use Photoshop If you want to get to the point where you really understand how to leverage the power of Photoshop, you have to learn from the best. Here’s seven awesome sites that will get you there. Read More .

Recommendation: Use small brush, for example size 20 and 70% Opacity, to tint girl’s tips. Use large brush like size 100 and 50% Opacity to powder the girl’s cheek. You can also adjust the properties of brush according to your opinion.

Add a Layer Mask to the image and with a small, hard brush A Beginners Guide to Creating Custom Brushes in Photoshop A Beginners Guide to Creating Custom Brushes in Photoshop Adobe Photoshop brushes are a handy way to add interest to your designs, and just as you can create your own custom patterns, you can just as easily design and create your own brushes. Read More , mask out any areas where you don’t want the color to show such as the white letters and nuts attaching the sign to the pole.

You will see a little brush appear in the check box. This little brush will allow you to use “Snapshot 2” as a source to draw on “Snapshot 3”. It basically means you can use Snapshot2’s setting to color part of the “Snapshot 3”.

Once the final details are colored, it’s time to tweak the whole image. If something doesn’t look quite right, go in and change it.

Hello all, is there someone that can give me advise… I have Photoshop 2014 and PS Elements 11. I don’t know what I’ve done but in both programs I can’t use my clone tool… when I try and click on what needs to be cloned I get a pic on top of another pic so every time I move the clone tool the top pic moves too. So my clone tool is more or less useless this way. Is there anyone that can tell me what I might of done to make it this way and is there anyone that can tell me how to fix it… Thank you so much in advance..

Create a New Layer and drag it to the bottom of the colorizing layers. Change its Blend Mode to Color and fill it with an appropriate sky blue. Tweak the color now and add a layer mask.

It’s best to start by working on the big, easy areas of the image. For this image, that’s the big STOP sign and the smaller road sign. Rather than trying to paint the color in freehand, use the Pen tool to create a selection and fill that with any color you want. All we’re working on now is the selection.

If your “History” window does not show up, go to the menu “Window” => “History”. You will get a confirmation dialog window like in the second figure. Select “Merged Layers” from the drop-down window and click OK.A snapshot is part of the history palette. It is used to record the state of the document at a point in time. You’ll want to make a snapshot before you make major changes which you might not be sure about keeping so that you can go back to the snapshot of the .psd file at the point you “recorded” it.

You can also double-click on the layer and use Blend If to make sure the highlights and shadows aren’t affected as much.

Save out the image and it’s ready to share. You can see my final image above.

Repeat this process for all the major areas of the image. You can see me work through everything in the screencast below:

Step 7: Go to Image => Adjustments => Brightness/Contrast to Set Up Brightness and Contrast.

Step 4: Press Ctrl + J to Make a Copy of the Original Photo.

Step 5: Take a Snapshot of the Current Layer by Pressing “Alt” + Clicking the Camera Icon in the History Panel.

That is amazing! I had no idea color film was available that early. Perhaps it was available, but somewhat expensive for the general population? Thanks for that information.

The key to getting a good background selection is to reuse the masks and selections you’ve already made. In this image, the background is just the sky but the principle is the same for every image.

Most black and white images have more contrast than color images. Take a look at the example I’m using: no red stop sign would ever be that dark.

When you’ve got a great selection, it’s time to fine-tune the color. Select the layer you’re working on and use the keyboard shortcut Command- or Control-U to bring up the Hue/Saturation dialogue box. Check Colorize and then dial in the color you want to use with the Hue, Saturation, and Lightness sliders.

I have Photoshop 6 (CC6) and experienced the same problem – the brush picks up the colors that are in the Foreground/Background color palette box, not the colors from the Shapshot. Did you ever figure this out? Did anyone else?

Step 15: Check the Checkbox Before “Snapshot4” and Use That As a Source to Tint Little Girl’s Hair.

Colorize Photos Use Deep Learning to Automatically Colorize Black and White Photos

Colorizing old images is a fun way to practice your Photoshop skills. You’ll quickly learn to create good selections and masks. Don’t worry too much if your first few attempts look weird. Everyone starts somewhere and colorizing is quite a tricky process.

There were no black and white photos in the early 19th century.

Step 6: Switch to “Channels” Panel and Select “Cyan” Channel.

In either case, the first step is to use a Curves layer to adjust the brightness and contrast so that the image is relatively flat and neutral.

Step 17: Open Hue/Saturation Window to Change Some Parameters.

After dragging in the image, you should see a little girl lying on a bed playing with a bottle of perfume as is shown in the figure. As you can see, he picture looks boring and not so vivid. So far, you have made a good start. Let’s go a little bit further.

Change “Cyan” to -80, “Magenta” to 85 and “Yellow” to -95 and the picture should be like the second figure. We are going to use this color to tint the girl’s hair later.

Otherwise, just add a Curves layer and adjust the brightness and contrast until you’re happy with how the image looks. I found that the colors I’d used were a little desaturated How to Correct Common Color Problems in Photoshop How to Correct Common Color Problems in Photoshop Having to fix color problems is one of the most common edits you’ll need to do in photography. Digital images just don’t look good straight out of a camera. Read More for my taste so I also added a Hue/Saturation layer and added some more saturation.

You will see a new layer is created on the “Layers” panel as shown in the figure.

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By now the image should be taking shape. All that’s left to do is colorize the small details you’ve so far ignored. Most of these will have awkward outlines so the best thing to do is use a small, hard brush to carefully color them. Zoom in, take your time, and try and make them look as natural as possible.

From some readers’ feed back, I am aware that some of them have problem with the step 7. When they tried to adjust the brightness and contrast of the “Cyan” Channel, they pressed icon in the “Adjustments” panel and a window like the second picture showed up. After they adjusted the parameter, the picture became the same as shown in the third figure.  The photo showed a lot brighter but there was no change in the color. Explanation: The function in the “Adjustment” panel works for all the channels here. When you adjust the Brightness/Contrast through the function in the “Adjustment” panel, you are basically changing the brightness and contrast of the black and white photo rather than the Cyan Layer.  Only by changing the the intensity of the Channel components can we produce a new color other than black and white.Solution: To solve this problem, just follow the instruction in the step 7 : Go to the menu on the top.  Choose Image=>Adjustments=> Brightness/Contrast.  This function only works for the current Channel.

“Bright/Contrast” window will show up like in the first figure. Adjust “Brightness” to 85 and “Contrast” to 25.Then if you select “CMYK” in “Channels” panel,The photo should look like the third figure.By doing this step, we created a color that we will use to tint little girls skin and skirt, which means you have completed a big process. Keep it up!

Command- or Control-Click on the first color layer you made. This will create a selection outline of its contents. Select the background layer’s mask and fill it with black. Repeat the process for every element you’ve colored.

Step 19: Congratulations! You Have Finished Coloring This Black and White Photo!

Portraits are one of the most popular kinds of image to colorize. Unfortunately, the problems are even worse. It’s really hard to colorize a person without making them look like a zombie Make a Creepy Facebook Profile Picture with this Free Photoshop Template Make a Creepy Facebook Profile Picture with this Free Photoshop Template Halloween is coming up so it’s time to change your Facebook profile picture to something spooky. We show you how with a selfie, a skull, and Photoshop. Read More ! It’s best to start with something simpler where you can make small mistakes and still have the final image look great. Once you have the techniques down, you can move on to more advanced projects.

When tinting, you can set up the style of the brush in the top brush panel. You are able to set the size, the opacity, and other properties of the brush, as shown in the second figure. Choose an appropriate brush when tinting. It may takes a few time for starters to successfully separate the background and the edge of the girl’s body. However, in the history panel, you are able to redo any previous actions. As a result, don’t worry about make mistakes. Just keep trying and it will be fine!

Congratulations! You have finished coloring the black and white photo, successfully made the little cute girl looks more lively lovable. You are free to share it with others!  It looks so much different from the original black and white photo even only three color are used. The light becomes brighter and the the eyes of little girl is shining. Even the smell of perfume seems to spread through the air. Colors makes the world better.Although it is an easy task, it should give you a basic concept of how to use Adobe Photoshop to color a photo. As time goes on, Photoshop is getting better and better. It keeps offering new functions to public by updating new versions. In the future, I am sure that there will be more convenient functions coming out for people to color black and white photos.

Unless you’re incredibly talented and spend a huge amount of time working on it, a colorized black and white photo will never look like an original color image. It will always appear slightly off. Nothing in the real world is a single color; there are millions of tiny little variations. Even something that’s painted with the same paint will have differences because of how light hits it. Adding these natural variations into your colorized image is incredibly difficult.

When you’re colorizing an image, you want to add each color on its own separate layer. Before diving in, it’s worth prepping the document so you have a few blank layers ready to go. Add a New Layer and set the Blend Mode to Color. Duplicate the layer about ten times; you can always get rid of any extras at the end.

Black and white was not just popular in the 19th and first half of the 20th century. There was no color film available for amature use until the early 1950s.

This step is absolutely blurry for me! With what I should do? I just paintin red lines.. o.O

Step 16: Check the Checkbox Before “Snapshot3” and Use That As a Source to Tint Little Girl’s Tips and Cheeks.

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