Write because nobody listens brilliant
Fiona apple is a fucking brilliant singer writer composer youre an idiot
The beatles recording studio vintage black white photography
Composition in black and white photography
1 auschwitz 13 or the lone man series are imprinted in my mind and have influenced my work in a conscious and subconscious way
Composition in black and white photography

Three Column Blogger

|

How To Compose Brilliant Black And White Photographys.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are purely as advantageous in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is cooperative when you require to retain detail in a bright sky while a polarizing filter may be used to reduce reflections and boost contrast. Alternatively, contemplate taking two or more shots with unique exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, can also be useful for manipulating contrast in digital images. They work by darkening objects of his opposite colour while lightening objects of her own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would right away be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dull straight from the camera. fortunately , it’s possible to work adjust the brightness of these two colours singly to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some strong blacks and whites. This can be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, can inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the greatest composition.

Try Long Exposure. Long exposure shots could work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this can help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If required , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively). naturally , when exposures extend beyond as for 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Take Control. Although coloured filters could still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a some years ago Photoshop’s Channel Mixer was the favorite means of turning colour images monochrome, but now Adobe Camera Raw has more forceful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations can become unnatural looking. And adjusting the brightness of a red or pink shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls may also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create discrimination between objects of the same brightness but with diverse colours.

Shoot RAW + JPEG. The greatest monochrome conversions are set foot on by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As many photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. many cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact routine cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users may also do this if they kick in her camera’s live feeling attribute , but the usually slower responses mean that many will find it preferable or check the image on the screen post-capture.

Dodge and Burn. Dodging and burning is a mode that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers may only dream of because you may target the highlights, shadows or mid-tones with both. This means that you should use the Burn tool to darken highlights when they are too bright, or the Dodge tool to perk up them to increase local contrast. It’s a great oddity of sharing a sense of greater sharpness and enhancing texture. Plus, because you may set the opacity of the tools, you may build up his effect gradually so the impact is crafty and there are no hard edges.

Related Images of How To Compose Brilliant Black And White Photographys
Gorgeous moody shot by photographer alex partola who has an upcoming photography show on russian
1 auschwitz 13 or the lone man series are imprinted in my mind and have influenced my work in a conscious and subconscious way
10 cinematographer greg toland 1904 1948 brilliant visual composer specialized in black and white photography largely responsible for executing welles
The clouds roll over the landscape swallowing up the sun as they go rays of sun struggle to keep the earth lit and warm creating brilliant shadows over the
One of my favorite photographers aaron siskind brilliant work with shapes and creating depth
Soviet composer dmitri shostakovich 1906 1975 circa 1955 michael ozersky
Img 8760
Steve reich brilliant minimalist composer
God damn that jamie brisick is a monster with the pen he isnt shabby on the surfboard either but these days its really his writing that gets us goingRays of sun struggle to keep the earth lit and warm creating brilliant shadows over the hillsExplore art photographers the sky and more art photographersthe skyblack white photographyicelandcontemporary artbeautiful landscapeswritingPreparing for a photo shoot with smile brilliant go french yourself16 experts give their best tips for black and white photography1 auschwitz 13 or the lone man series are imprinted in my mind and have influenced my work in a conscious and subconscious way

Landscape Photography Tips Portrait Photography Tips Photo Composition Tips Beginner Photography Tips Photo Post Processing Tips Get Started with Cameras and Gear

Sign up to the weekly DPS NEWSLETTER Subscribe All our best articles for the week Fun photographic challenges Special offers and discounts Your email is safe with us. We won’t share it with anyone

Strong use of shape: The watch face is a circle. It is placed in the centre of the composition and dominates it. Lots of texture. The textures of the watch and the vendor’s hand are very strong. Strong diagonal lines.

The vendor’s fingers create lines that pull the viewer’s eye up from the bottom of the frame. I deliberately framed the photo so the fingers ran at an angle across the frame rather than parallel with the edges.

This creates a more dynamic composition. Simple composition. I moved in close to create a simple composition that emphasized shape, line and texture, the dominant elements of the photo. Another benefit of moving in close and using a wide aperture was that the background went out of focus, eliminating potential distractions.

John – Wellington, New Zealand

You can take this idea further by using the contrast between smooth and rough surfaces. Some objects are more tactile than others and have lots of texture. Others have very little.

So far both examples have shown a light toned subject against a dark background. But you can turn it around by placing a dark subject against a white background.

There are many factors that make up a good black and white photo, but the composition is one of the most important. If you want to make a strong black and white photo, then focusing on these three key factors – simplicity, texture, and tonal contrast – is a great place to start.

The absence of color in black and white helps emphasize texture. You can take it further in post-processing by applying Clarity or other tools designed to bring out texture (such as the Structure sliders in Silver Efex Pro 2).

Receive a FREE SAMPLE of our Portrait Photography Ebook Subscribe Guaranteed for 2 full months Pay by PayPal or Credit Card Instant Digital Download GET DAILY free tips, news and reviews via our RSS Feed Receive a FREE SAMPLE of our Portrait Photography Ebook Subscribe Guaranteed for 2 full months Pay by PayPal or Credit Card Instant Digital Download GET DAILY free tips, news and reviews via our RSS Feed Receive a FREE SAMPLE of our Portrait Photography Ebook Subscribe Guaranteed for 2 full months Pay by PayPal or Credit Card Instant Digital Download GET DAILY free tips, news and reviews via our RSS Feed Sign up to the free DPS PHOTOGRAPHY COURSE Subscribe Guaranteed for 2 full months Pay by PayPal or Credit Card Instant Digital Download GET DAILY free tips, news and reviews via our RSS Feed Sign up to the free DPS PHOTOGRAPHY COURSE Subscribe Guaranteed for 2 full months Pay by PayPal or Credit Card Instant Digital Download GET DAILY free tips, news and reviews via our RSS Feed Sign up to the free DPS PHOTOGRAPHY COURSE Subscribe Guaranteed for 2 full months Pay by PayPal or Credit Card Instant Digital Download GET DAILY free tips, news and reviews via our RSS Feed

Strong eye contact. The strength of this portrait is in the eye contact. John is gazing directly at the camera which creates a powerful connection with the viewer. His face is level with the camera so I could use a wide aperture to defocus the background, while keeping both eyes in sharp focus.

Texture. The texture of John’s skin, especially in the sharpest areas around his eyes, renders beautifully in black and white. The background is out of focus and lacks texture, and this sets up a contrast between the sharp areas of the model’s face and the heavily blurred background.

Tonal contrast. The model’s face is a lighter tone than the background. Light tones pull the eye, and the tonal contrast here (combined with the strong eye contact) establishes the model’s face as the focal point of the composition.

The side lighting effect, created by asking the model to stand in an archway, means that one side of his face is lighter than the other. This creates depth, by revealing the shape of this face. Common themes

I got in contact with John via Model Mayhem and we arranged a portrait shoot. The setup was simple – I used an 85mm lens (with a full-frame camera) and a wide aperture of f/2.8 to blur the background. The portrait is lit by natural light – John stood underneath an archway so the light fell from his left (camera right).

One of the interesting things about black and white is that it brings out the interesting textures in your subject. You can use this characteristic to make your black and white photos more interesting.

The easiest way to explain how tonal contrast works is with some examples.

That’s the technique I used in the following portrait. I photographed the man during carnival in Spain. He was dressed for the occasion and had even painted his face. I placed him against a bright, sunlit building to take advantage of the tonal contrast between his dark skin and the white wall.

Tonal contrast is where you have light tones and dark tones next to each other. Now we’re getting to the heart of black and white photography! This technique is not nearly as effective in color because of the way that colors that are similar in tone, such as red and green, still create a powerful contrast. Tonal contrast is the main factor that separates black and white photography from color.

Simplified composition helps give your black and white photos more power by focusing attention on the main subject.

My new ebook Mastering Composition will help you learn to see and compose photos better. It takes you on a journey beyond the rule of thirds, exploring the principles of composition you need to understand in order to make beautiful images.

Analyzing these photos is a simple exercise but it brings up several elements that work well in most black and white photos – texture, line, shape, tonal contrast, and simple composition. When you find a subject where these elements come together, you know you have the potential for a great black and white photo.

Want to learn more about composition? Then check out my wildly popular ebook Mastering Composition Book Two. It contains 20 lessons that will help you get better at composition, no matter what your skill level!

About dPS Write for dPS Advertise on dPS Affiliate Program Privacy Policy

5 Simple Ways to Create Expressive Photos in Black and White Tips for Black and White Wildlife Photography 7 Tips for Black and White Portrait Photography 28 Images with Strong Black and White Compositions Weekly Photography Challenge – Black and White Techniques Tips for Black and White Wildlife Photography How to Convert Images to Black and White and Add a Color Tint in Photoshop Shooting all Black and White for a Day to Improve Your Photographic Eye Split Toning Black and White Images in Lightroom Processing Black and White Photos with OnOne Perfect B&W Color or Black and White for Street Photography?

The above landscape photo is a great example. The composition is about as simple as you can get. It works because I used a neutral density filter and a long shutter speed of 90 seconds to blur the water and clouds. The result is a black and white landscape photo with a minimalist style composition.

Men can be great subjects for black and white portraits because there is no pressure to retouch skin. Black and white emphasizes texture – the texture of skin can be a beautiful thing that doesn’t (or perhaps shouldn’t) need retouching as often as some people think it does.

Here’s another. I used a shutter speed of 3-minutes to blur the clouds and the water. As a result, there’s a strong contrast between the concrete in the foreground, the jetty in the distance, and the surrounding water and clouds.

What do you think is important for a brilliant black and white photo? Please let us know in the comments. I’m looking forward to hearing what you think.

Sign up to the weekly DPS NEWSLETTER Subscribe Guaranteed for 2 full months Pay by PayPal or Credit Card Instant Digital Download

The problem with composition is that it’s such a vast topic it’s easy to lose track of the various principles and the ways you can put them into the practice. So let’s keep it simple – I’m going to give you three things you can concentrate on. Put these into practice and you’ll see a dramatic improvement in the composition of your black and white photos!

This principle also applies to portraiture. Keep the composition simple to focus attention on your model. An easy way to do this is to use a short telephoto lens with an aperture of around f/2.8. Get in close and make sure there are no distractions in the background to pull attention away from the person you’re photographing.

Tonal contrast: The boats are painted light tones and the background is mainly comprised of dark tones. The eye is naturally pulled to the largest boat in the scene which becomes the focal point of the photo.

Texture: The weathered surfaces of the boats and the grass are beautiful textures which tend to be more effective in black and white than colour. This image wouldn’t have worked nearly as well if the boats were brand new.

Lines: The position of the boats in the scene creates two diagonal lines. The first moves from the bottom left through to the top right, and the second line, formed by the rowboat, creates a second diagonal line that meets the first.

Diagonal lines pull the viewer’s eye through the photo and help add a sense of movement to the composition. Panoramic crop: I decided the hills in the distance were a distraction and cropped the photo to concentrate attention on the boats.

This took place in post-processing and strengthened the composition by focusing attention on the boats. Chairman Mao watch – Shanghai, China

Editor’s Note: We recently ran a series of articles this week featuring black and white photography tips. Look for more on this topic below.

How to Make Brilliant Black and White Photos with Dramatic Composition

Puerto Aysen is a small port town in south-west Chile. The weather is often cold and miserable, even in summer. It rains a lot. I was wandering around the outskirts of the town when I came across these old wooden boats. Initially I was attracted to the atmosphere of the scene – there was a soft rain, and in the original uncropped photo you can see the hills on the horizon fading through the drizzle. The scene worked in colour (see below), but in the post-processing stage I also realized that it would come out beautifully in monochrome.

It’s hard to beat the power and drama of good black and white photography. There’s a reason that monochrome has survived and prospered as an artistic medium despite the arrival of color photos. But how do you harness the power of black and white for yourself? The key is in your composition.

There are two interesting things about the composition of this image. First is the pattern created by the repeating shapes of the boxes. Second is the texture of the wood.

I thought it would be interesting for you to look at some of my favourite black and white photos and learn why they work in terms of composition.

DPS offers a free weekly newsletter with:  1. new photography tutorials and tips 2. latest photography assignments 3. photo competitions and prizes Enter your email below to subscribe.

In the first (below) there’s a strong tonal contrast between the white and black stones. Your eyes go to the white stones because they are in the center of the frame and because they provide a strong contrast against the black stones underneath them.

© 2006 – 2018 Digital Photography School, All Rights Reserved / Disclaimer

I went to Dongtai Road antiques market in Shanghai, an open-air street market comprised of stalls and shops where you can buy a variety of genuine and fake antiques, plus kitsch ornaments and souvenirs. I found the watch that this vendor was offering quite amusing. I didn’t want to buy the watch, but I asked if I could take a photo. The answer was yes.

Brilliant black and white photos are created in two steps. The second of these is post-processing, and is very important. But before you get to that stage, you have to learn how to see and compose photos in black and white. This is just as important as processing – it doesn’t matter how creative or clever you are in Lightroom or Photoshop, if the image is badly composed, or the subject just isn’t suitable for black and white, then you are going to struggle to make a half-way decent monochrome conversion, let alone a great one.

Sign up to the weekly DPS NEWSLETTER Subscribe All our best articles for the week Fun photographic challenges Special offers and discounts

Another subject where tonal contrast is used to good effect is portraiture. In the portrait below the model’s light-toned skin contrasts with the dark background. The key to making this technique work is to make sure the background is in shade and that it contains no distracting highlights.

You’ll see this technique used a lot in long exposure photography, where you can take advantage of the juxtaposition between a subject with lots of texture, such as a concrete jetty, and one that has very little, like water blurred by using a neutral density filter and a long exposure. The earlier photo of two rocks is a good example.

Stephen FryAustralia vs EnglandCelticJunior AgogoLegia Warsaw vs RangersIndia vs West IndiesBrassicEdexcel grade boundariesWest BromLibby SquireTorino vs WolvesMichelle KeeganJames HaskellFraser ForsterApple CardLeeds weatherChris MoylesGCSE results day 2019Jorja SmithMatrix 4
Related Post of How To Compose Brilliant Black And White Photographys