The accurate colorization of old black and white photos involves a combination of artistry painstaking research physics and digital technology
Colorize a black and white photo
Digital black and white
Without the background color to distract here i simply focused on waiting patiently for someone to pass by the guy leaning on the railing to see if i could
Colorozed by zuzahin
Black and white print this is especially true if youre shooting jpeg rather than raw the richer tonal detail nearer the midtones will end up looking

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How To Digitally Color Black And White Photos.

Try Long Exposure. Long exposure shots can work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this could help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If required , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). characteristically , when exposures extend farther than regarding 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would at once be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and colorless straight from the camera. luckily , it’s possible to work adjust the brightness of these two colours separately to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some powerful blacks and whites. This can be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, could inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the unsurpassed composition.

Dodge and Burn. Dodging and burning is a roadway that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers should only aspiration of because you could target the highlights, shadows or mid-tones with both. This means that you may use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten up them to increase local contrast. It’s a great approach of giving a sense of superior sharpness and enhancing texture. Plus, because you should set the opacity of the tools, you could build up her effect gradually so the impact is subtle and there are no hard edges.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are simply as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is supportive when you require to retain detail in a bright sky while a polarizing filter may be used to decrease reflections and boost contrast. Alternatively, see taking two or more shots with diverse exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, may also be advantageous for manipulating contrast in digital images. They work by darkening objects of their opposite colour while lightening objects of their own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

Shoot RAW + JPEG. The unsurpassed monochrome conversions are reached by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As numerous photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. numerous cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact track cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users may also do this if they kick in their camera’s live thought use , but the usually slower responses mean that most will find it preferable or check the image on the screen post-capture.

Take Control. Although coloured filters could still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a a couple years ago Photoshop’s Channel Mixer was the favorite means of turning colour images monochrome, but now Adobe Camera Raw has more powerful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations may become unnatural looking. And adjusting the brightness of a red or pink shirt with the red sliding control, for moment , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls may also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create segregation between objects of the same brightness but with different colours.

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Hello all, is there someone that can give me advise… I have Photoshop 2014 and PS Elements 11. I don’t know what I’ve done but in both programs I can’t use my clone tool… when I try and click on what needs to be cloned I get a pic on top of another pic so every time I move the clone tool the top pic moves too. So my clone tool is more or less useless this way. Is there anyone that can tell me what I might of done to make it this way and is there anyone that can tell me how to fix it… Thank you so much in advance..

Step 8: Take Snapshot Using the Same Method Described in Step 5.

Congratulations! You have finished coloring the black and white photo, successfully made the little cute girl looks more lively lovable. You are free to share it with others!  It looks so much different from the original black and white photo even only three color are used. The light becomes brighter and the the eyes of little girl is shining. Even the smell of perfume seems to spread through the air. Colors makes the world better.Although it is an easy task, it should give you a basic concept of how to use Adobe Photoshop to color a photo. As time goes on, Photoshop is getting better and better. It keeps offering new functions to public by updating new versions. In the future, I am sure that there will be more convenient functions coming out for people to color black and white photos.

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Step 7: Go to Image => Adjustments => Brightness/Contrast to Set Up Brightness and Contrast.

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This step is absolutely blurry for me! With what I should do? I just paintin red lines.. o.O

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Change “Cyan” to -80, “Magenta” to 85 and “Yellow” to -95 and the picture should be like the second figure. We are going to use this color to tint the girl’s hair later.

You will see a little brush appear in the check box. This little brush will allow you to use “Snapshot 2” as a source to draw on “Snapshot 3”. It basically means you can use Snapshot2’s setting to color part of the “Snapshot 3”.

From some readers’ feed back, I am aware that some of them have problem with the step 7. When they tried to adjust the brightness and contrast of the “Cyan” Channel, they pressed icon in the “Adjustments” panel and a window like the second picture showed up. After they adjusted the parameter, the picture became the same as shown in the third figure.  The photo showed a lot brighter but there was no change in the color. Explanation: The function in the “Adjustment” panel works for all the channels here. When you adjust the Brightness/Contrast through the function in the “Adjustment” panel, you are basically changing the brightness and contrast of the black and white photo rather than the Cyan Layer.  Only by changing the the intensity of the Channel components can we produce a new color other than black and white.Solution: To solve this problem, just follow the instruction in the step 7 : Go to the menu on the top.  Choose Image=>Adjustments=> Brightness/Contrast.  This function only works for the current Channel.

Step 17: Open Hue/Saturation Window to Change Some Parameters.

Step 19: Congratulations! You Have Finished Coloring This Black and White Photo!

That is amazing! I had no idea color film was available that early. Perhaps it was available, but somewhat expensive for the general population? Thanks for that information.

“Bright/Contrast” window will show up like in the first figure. Adjust “Brightness” to 85 and “Contrast” to 25.Then if you select “CMYK” in “Channels” panel,The photo should look like the third figure.By doing this step, we created a color that we will use to tint little girls skin and skirt, which means you have completed a big process. Keep it up!

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Learn how to add colour to an old black-and-white photo with beautiful results, in 11 simple steps.

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These instructions will show you how to turn a boring black and white (B/W) photo into a vibrant colored photo using Adobe Photoshop.In these instructions, I am going to color a photo of a little girl, to show the basic steps and concepts of how to color a B/W photo. To color your own B/W photo, the concepts are the same, and it will not be a difficult task for you.Black and white photographs were popular in the early 19th century. It took about a half century for people to switch from B/W photos to color photos. As a result, there still exists lots of B/W photos in our lives. Even for a color photo, its color is going to fade as time goes on. However, the world cannot only be in black and white. Color can help to tell a story, and it can be used to communicate on an emotional level. As you can see from the Figure.1, the little girl looks cold and pale. However, it looks much different in Figure.2. The girl looks prettier and the scene feels warm. As a result, putting color on B/W photos is an important skill.Technical Ability Requirements: Coloring a photo doesn’t require a lot of skills. Even if you are a child, you are able to complete this task. However, it is better for the readers to know basic computer skills, like opening and saving files, and copying and pasting components. If you are familiar with Adobe’s graphic processor Photoshop 5 or 6, it will be very easy for you. Here I am assuming the readers have the basic computer skills like launching Photoshop software and creating a new project.Required Time: It usually takes 20 minutes for a starter to finish all the steps by following the instructions. As you get more familiar with it, it will not take longer than 10 minutes. But, the better you want your photo to be, the more time you should spend on it.Coloring photos could bring you a lot of fun to your daily life. Just imagine if you colored your grandma’s old photo and showed it to your family, how surprised and happy they would be. When other people know you are able to use Photoshop and handle some cool skills, they will be jealous. Furthermore, this practice may lead you to a new interest in working with images.List of Required Parts: 1. A black and white or faded photograph.     In this case, an example image is provided as shown in the first figure. 2. Adobe Photoshop CS6 or CS5 on a working computerList Required Tools: Because we are going to use Adobe Photoshop to do all work, it is necessary to have a copy of Adobe Photoshop. You can either buy a copy from the Adobe official website or download the trial version. A trial version gives you a limit of 30 days to experience this software. Adobe Photoshop CS6 and CS5 both work well for this instruction. If you only have an earlier version of Adobe Photoshop, like CS3 or CS4, theoretically they can work because the functions we are going to use are basic functions in Photoshop. However, if you use CS3 or CS4, the user interface would be very different from the later version. As a result, it will be a little difficult to follow the steps here and you may need to find those corresponding functions by yourself. Here is the link of the official website:http://www.adobe.com/products/photoshop.htmlThe system requirements of Adobe Photoshop CS6 are as following: Windows • Intel® Pentium® 4 or AMD Athlon® 64 processor • Microsoft® Windows® XP with Service Pack 3 orMicrosoft Windows 7 with Service Pack 1. Adobe® Creative Suite® 5.5 and CS6 applications also support Windows 8. See the CS6 FAQ for more information about Windows 8 support.* • 1 GB of RAM • 1 GB of available hard-disk space for installation; additional free space required during installation (cannot install on removable flash storage devices) • 1024 x 768 display (1280 x 800 recommended) with 16-bit color and 512 MB (1 GB recommended) of VRAM • OpenGL 2.0–capable system • DVD-ROM drive • This software doesn’t operate without activation. Broadband Internet connection and registration are required for software activation, validation of subscriptions, and access to online services. Phone activation is not available.You can get more information for system requirements from the official website:http://helpx.adobe.com/x-productkb/policy-pricing/system-requirements-photoshop.htmlOK, Let’s Start our work!

Step 9: Click Color/ Balance in the “Adjustments” Panel and Set Parameters.

Change the Saturation to 30 and the color should be much deeper, as shown in the third figure. It is kind of difficult to explain what Hue/Saturation filter does. After I looked it up online, I got the following answer.The Hue filter lets you adjust the hue of an entire image. Hue is the color reflected from or transmitted through an object. It is measured as a location on the standard color wheel. A positive value indicates clockwise rotation, a negative value counter-clockwise rotation. Values range from -180 to +180.The Saturation filter, sometimes called chroma, deals with the strength or purity of a color. Saturation represents the amount of gray in proportion to the hue. Values range from -100 (percentage of desaturation, duller colors) to +100 (percentage of saturation increase).Source:http://www.movavi.com/videoeditor/filters/hue.htmlOnce you have reached this part, you are almost done! Let’s export our image file from Photoshop.

There were no black and white photos in the early 19th century.

Actually, i have color slides that my father took during WW2 in europe – he was a cannoneer and was in England a few months before D-Day, which he then was part of. His slides have maintained more color than i even thought possible considering the years that have passed. we just scanned them this past year and it’s pretty amazing. He also took BW while there but the slides are all color.

I got stuck on Step 13 where you’re to use Snapshot 2 as a source to draw on Snapshot 3. I tried multiple times but each time the brush automatically picked up the colors that were in my Foreground/Background color palette box, not the colors from the Snapshot. Any advice?

Recommendation: Use small brush, for example size 20 and 70% Opacity, to tint girl’s tips. Use large brush like size 100 and 50% Opacity to powder the girl’s cheek. You can also adjust the properties of brush according to your opinion.

Step 4: Press Ctrl + J to Make a Copy of the Original Photo.

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Step 5: Take a Snapshot of the Current Layer by Pressing “Alt” + Clicking the Camera Icon in the History Panel.

Black and white was not just popular in the 19th and first half of the 20th century. There was no color film available for amature use until the early 1950s.

If your “History” window does not show up, go to the menu “Window” => “History”. You will get a confirmation dialog window like in the second figure. Select “Merged Layers” from the drop-down window and click OK.A snapshot is part of the history palette. It is used to record the state of the document at a point in time. You’ll want to make a snapshot before you make major changes which you might not be sure about keeping so that you can go back to the snapshot of the .psd file at the point you “recorded” it.

You will see a new layer is created on the “Layers” panel as shown in the figure.

Go to File => Save AsChoose the place you want to save the file to. Then in the drop-down list of “Format”, select the type of file you would like it to be. Finally, click “Save” and your hot fresh color photo is just coming out. 

Change “Cyan” to 100, “Magenta” to -100 and “Yellow” to 20. As shown in the third figure, the picture should be in pink. We are going to use this color to tint the background of the photo and the tips of the little girl.

When tinting, you can set up the style of the brush in the top brush panel. You are able to set the size, the opacity, and other properties of the brush, as shown in the second figure. Choose an appropriate brush when tinting. It may takes a few time for starters to successfully separate the background and the edge of the girl’s body. However, in the history panel, you are able to redo any previous actions. As a result, don’t worry about make mistakes. Just keep trying and it will be fine!

Movies made in technicolor have kept their colour better than any other brand. Colour film has been available for a long time but it was just too expensive in the early days.

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Step 6: Switch to “Channels” Panel and Select “Cyan” Channel.

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After dragging in the image, you should see a little girl lying on a bed playing with a bottle of perfume as is shown in the figure. As you can see, he picture looks boring and not so vivid. So far, you have made a good start. Let’s go a little bit further.

Step 11: Open Color/Balance Window Again and Set New Parameters.

I have Photoshop 6 (CC6) and experienced the same problem – the brush picks up the colors that are in the Foreground/Background color palette box, not the colors from the Shapshot. Did you ever figure this out? Did anyone else?

Step 3: Convert the Image Mode to CMYK Color and Click OK to Confirm Conversion.

Step 13: Click the Check Box Before “Snapshot 2” and Select “Snapshot 3”.

Step 15: Check the Checkbox Before “Snapshot4” and Use That As a Source to Tint Little Girl’s Hair.

You will be given a Confirmation message as shown in the second figure. Just click “OK”.The CMYK color model in Adobe Photoshop refers to four color printing process, in which cyan, magenta, yellow and black inks are mixed to generate a range of colors. By modifying the intensity of these colors, we are able to create any color that we can use to color the photos.For more information about CMYK, you can view the following link.http://www.ehow.com/facts_6769174_cmyk-photoshop_.html

Step 16: Check the Checkbox Before “Snapshot3” and Use That As a Source to Tint Little Girl’s Tips and Cheeks.

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