An Ansel Adams Guide: Basic Techniques of Photography (Bk.1) Paperback
John Blakemore S Black and White Photography Workshop 4.06 · Rating details · 16 Ratings · 3 Reviews
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An Ansel Adams Guide: Basic Techniques of Photography (Bk.1)
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The Film Photography Handbook: Rediscovering Photography in 35mm, Medium, and Large Format
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I do love this book. Yes, I have read all the Ansel Adams books I could get my hands on, but this book had more of an affect on my work. I do shoot medium format, black and white, and I do love working in the darkroom.
I like printing with a dichro head on VC paper, and I do split-contrast printing to avoid all the dodging and burning that I used to do. Blakemore has helped me think more about the images I make, and think about what I am after.
You don’t have to like the subjects he chose, try to get what he was saying about the problems he was facing and what he did about them. If you are shooting digitally, this book may help you. I don’t know.
Maybe you should get back into the darkroom and feel the magic of pulling a paper print out of the soup! It’s addictive.
John BlakemoreÂs Black and White Photography Workshop Paperback – Bargain Price, April 15, 2005
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John Blakemore has been a key figure in British photography for over thirty years. He is a recognized master of the black and white medium, and here he presents a unique and practical masterclass in the techniques that have earned him worldwide acclaim.
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Ansel Adams: The Camera (The Ansel Adams Photography Series 1)
Bringing his vast knowledge and experience to bear, John Blakemore explores the creative as well as the technical processes involved in black and white photography. Long awaited for the many thousands of photographers that have attended his legendary workshops over the years and essential for the many more that have never had the chance, this is a unique insight into the art of one of photography’s most influential practitioners and an important document of the methods of one of photography’s most important teachers.
Amateur Photographer who plays with big cameras and film when in between digital photographs.
The Ansel Adams Guide: Basic Techniques of Photography – Book 1 (Ansel Adams’s Guide to the Basic Techniques of Photography)
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This is a book for the serious monochrome photographer who is interested in more than just manipulating oixels.A renowned british photographer, Blakemore takes the reader on a personal journey through the making of several series of images, including tulips, still life and landscape.
There is a chapter on the zone system which is not technical – you don’t have to be a fan of the system to read this book, but his discussion is thoughtful and insightful.Every time I want some inspiration this is one of the books I pickup and reread or just browse.
Absolutly a most read book about working with black and white film in the darkroom.
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The Ansel Adams Guide: Basic Techniques of Photography, Book 2
After a certain point, I don’t believe reading about your hobby is going to make you any better at it – you just have to practice. When I first started I read The Art of Photography: An Approach to Personal Expression, all of the Ansel Adams books The Camera (Ansel Adams Photography, Book 1),The Negative (Ansel Adams Photography, Book 2),The Print (Ansel Adams Photography, Book 3), and especially Examples: The Making of 40 Photographs several times each.
About 1000 medium format B&W negatives, I’ve gotten to the point where I need a little “push” to make my photos better.This book gave me that push. It is an excellent blend of technique and application.
It really got me rethinking a lot of my assumptions about tonality and contrast, and is helping me refine my personal style. Having just rescanned all of my negatives, it also got me to revisit many “failures” and reconsider them in a new artistic and technical light.
This is an excellent book whether you are just learning the basics of B&W film, or you need to advance your technique and creative vision. I bought several copies to inspire my darkroom friends!
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With expectation I opened my copy, only to find that, yes, all the tech details were spot on, concise and well argued, but that the haphazard layout was an affront to the subject…Read more
For those of you who don’t know the tulip work, John spent over a decade of his life developing a series of photographs based around the tulip, all of which started whilst avoiding writing his thesis by taking photographs of ‘stuff’ that was on his kitchen table. That such a successful and intriguing body of work can arise from something so trivial a start should remind us that any of our photographs might contain the germ of a creative project. Although this chapter isn’t about landscape photography, it is still relevant in nearly all of its content.
Putting aside the fact that almost everything in this book is, well, obsolete, I found this to be one of the most engaging books on how to “make” photographs. Reading how John Blakemore analyzed what he was trying to attempt with his photography and how he honed every possible aspect of the photographic process until he got what he wanted simply intriqued me.
There is no escaping the work that photography requires in order for it to be any good. But the good news is that all of this working through processes to make a photograph succeed can be a heck of a lot of fun, because of the exploration and discovery that is involved.
This book has changed the way I look at taking photographs and has definitely broadened how I look at–and assess–the world around me.
The Ansel Adams Guide: Basic Techniques of Photography – Book 1
Chapter three concerns itself with the zone system and the art of pre-visualisation (his admiration of Minor White shows in his use of that term) and a lot of this might be of less interest to digital photographers, the discussions about tonality are still relevant. There is still an orthodoxy in black and white conversions that there should always be black blacks and white whites in every picture, something John rejects in similar words and I have to say I am in complete agreement with. Some of the pictures that I find strongest in John’s work are those high an low key pictures that limit themselves to only two or three zones and that rarely contain what John terms ‘dead blacks’ (he has a phrase ‘dead blacks and living darks’ which summarises part of his approach to printing). Using some of these techniques on my own black and white conversions improved them considerably. Chapter four is about Post Visualisation, the making of the print and again this may not be of a whole lot of interest to digital photographers but there are some gems hidden in the content.
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Starting as a freelance photographer in 1956, John Blakemore soon emerged as England’s leading landscape photographer, later transferring his unique and elegant photographic style into areas as diverse as still life, documentary, portraiture and Polaroid colour. His work is included in the public collections of, among others, the Royal Photographic Society, the Victoria & Albert Museum, the Arts Council of Great Britian, the Los Angeles County Museum, the Fotografiska Museet, Stokholm, and the British Council. He has had one-man exhibitions all over the world including in London, LA and New York, and a British Council Touring Exhibition to Eastern Europe, South America and China. He has had four monographs of his work published, and has given public workshops for over 25 years establishing himself as one of the UK’s best known photography teachers. He also taught photography at the University of Derby for many years and, recently retired, is now Emeritus Professor of Photography. He lives in Derby, UK.
Published April 17th 2006 by David & Charles Publishers (first published March 25th 2005)
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Mastering the Exposure Triangle is the key to photographic excellence. Highly illustrated and easy to follow lessons require no prior experience.
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The first chapter of the book discusses the full process of photography in terms of John’s categories of “Relationship, Recognition and Realisation” – our relationship with our subject, our recognition of the moment an exposure needs to be made and the realisation of the final product, the print. The second chapter takes this framework and discusses how it worked for John’s most famous work, the tulip series.
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The final chapter returns to John’s discussion of subject development; developing a theme or series. This works as an almost free form discussion of John’s projects (apart from the tulip which was handled in more detail in chapter two), discussing his stream, beach and emergence series and then moving away from landscape and onto his still life work. This chapter is full of little gems and I gained as much from re-reading it for this review as I did when I originally read it a few years ago.
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John Blakemore has taught photography for over two decades and has worked as a fine art photographer for that period also. This book tries to distil his teaching into a single tome, covering technical and artistic bases along the way. The fact that this isn’t just a technical tome or an art philosophy tome works very well in my opinion and reflects the fact that these two aspects of photography cannot really be separated (however much many photographers would like to do so).
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This book is similar to Ansel Adams’ Making of 20 photographs in some ways, but Blakemore’s images are more pictorial than Adams’ and he focuses more on what he was thinking than how he made the exposures.
There are almost no technical details, but plenty of insight into the creative process Blakemore uses to make his images, with a basic introduction of the Zone system for good measure. Personaly, I could not get past the images, which are too soft and abstract for my tastes, to really connect with his though process.
If you think you would be interested in seeing into Mr. Blakemores’ mind while he formulates these images, AND you like his soft focus style, you might enjoy this book. If you prefer more defined images, or are looking for more technical information on how the images were made, you will not find what you are looking for here.
This book seems less of a workshop and more of a chat session with the photographer.
Paperback: 160 pages Publisher: David & Charles (April 15, 2005) ISBN-10: 0715317210 ASIN: B001QCX9TA Product Dimensions: 10.3 x 9.4 x 0.6 inches Shipping Weight: 1.8 pounds Average Customer Review: 4.
0 out of 5 stars 10 customer reviews Amazon Best Sellers Rank: #4,117,973 in Books (See Top 100 in Books) #136 in Books > Arts & Photography > Photography & Video > Black & White #3701 in Books > Arts & Photography > Photography & Video > Equipment, Techniques & Reference > Reference #41617 in Books > Deals in Books
Fully one-quarter of the book is spent on tulip still lifes. There are 40 pages of tulips out of the 160 total.Read more
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Exploring the creative and technical processes involved in black and white photography, this book includes insights, hints and tips from one of Britain’s top photographers on how to make the most from this medium.
I can thoroughly recommend this book to everyone, even those who have gone digital. John talks about how and why he has made a photograph and also discusses the Zone system. The zone system has always been a bit hard for a lot of people to follow but I think John has made it more accessable.
The point is even if you are a Digital photographer the same principles apply.The rest of the book deals on “seeing” and “reasons” to make a photograph, also on burning and dodging, which is just the same in Photoshop as it is in the Darkroom.
John is one of the Worlds finest teachers and photographers and this book should be on every photographers bookshelf. Even if you only just look at the pictures.
Overall the book is a fascinating melange of technical and philosophical, art and craft. It sits on my bookshelves in the art section despite being one of the better tomes on the zone system I have read. I would strongly suggest every photographer buy or borrow a copy and read it but more importantly think about it whilst doing so.
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Ansel Adams: The Camera (The Ansel Adams Photography Series 1) Paperback
This is not a technical book on black and white photography. Although the author provides some technical material, it assumes that you are already past the basics. This book is more about developing and refining your aesthetic, the part of photography that is harder to teach and may I say harder to learn.
The author takes you on a journey through a series of images discussing everything from the original motivation behind the capture to the final execution of the print. Throughout it is sprinkled with delightful insights and perceptive observations.
The author also shows prints that were left out of the final portfolio and discusses what artistic criteria they failed to meet. Quite instructive indeed.I found this book useful, despite the fact that I usually print digitally from film scans.
I also found the images a welcome deviation from the usual punched up prints that are popular today. However, you need not ascribe to the author’s taste to benefit from the book.