Shoot RAW + JPEG. The unsurpassed monochrome conversions are gained by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As many photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. numerous cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact fashion cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users may also do this if they kick in his camera’s live abstraction mode , but the usually slower responses mean that many will find it preferable or check the image on the screen post-capture.
Dodge and Burn. Dodging and burning is a peculiarity that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers could only thought of taking a degree of because you may target the highlights, shadows or mid-tones with both. This means that you may use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten them to grow local contrast. It’s a good means of sharing a sense of better sharpness and enhancing texture. Plus, because you may set the opacity of the tools, you could build up their effect gradually so the impact is subtle and there are no hard edges.
Try Long Exposure. Long exposure shots can work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this could help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If compulsory , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). typically , when exposures extend farther than concerning 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.
Take Control. Although coloured filters should still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a a couple years ago Photoshop’s Channel Mixer was the favorite means of turning colour images monochrome, but now Adobe Camera Raw has more powerful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as subtle gradations may become unnatural looking. And adjusting the brightness of a red or rosy shirt with the red sliding control, for moment , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls may also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create delineation between objects of the same brightness but with diverse colours.
Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would right away be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and colorless straight from the camera. happily , it’s possible to work adjust the brightness of these two colours singly to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some strong blacks and whites. This could be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, may inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the best composition.
Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are merely as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is supportive when you want to retain detail in a bright sky while a polarizing filter should be used to reduce reflections and boost contrast. Alternatively, put down as,take for,account,reckon,treat,adjudge,size up,value,rate,gauge,sum up,weigh up taking two or more shots with unique exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, could also be advantageous for manipulating contrast in digital images. They work by darkening objects of his opposite colour while lightening objects of their own. An orange filter, for example, will darken the blue of the sky while a green one will lighten foliage.
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The 2017 KTM range has done nothing but painted the town orange since yesterday! Here’s what the baby Duke 200 in its 2017 avatar has in offer.
VariantPriceSpecs 200 Duke Standard ₹ 1,49,491 (Ex-showroom, Mumbai) Disc Brakes, Alloy Wheels
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Our review of the 2017 KTM Duke 200 at Bajaj’s test track at Chakan.
Bajaj has decided to setup an assembly plant in Indonesia where it will assemble several KTM bikes. This decision was taken after the country responded well to the Austrian brand.
2017 KTM Duke 200 : 0 to 60 – 0 to 100 Speed Test : PowerDrift
Three bikes. Three completely different flavours. One’s a street naked; another a supermoto (or sorts); and the third a cruiser (or at least that’s what they will have us believe). But, yes, three very different takes for what is essentially the same need – the need for…
When i owned this bike.It was one of the most beautiful moments of my life.I gifted this bike myself at the age of 18 .After that when started riding bike from that to till now,it has been a very very great full for me..Duke 200 is the best bike in her segment. It looks
The best bike i rode till now. No other Indian bikes have the power as ktm. The power along with the control makes it as best bike. Guys blindly u can choose this bike u will love it. The craziness when you drive this bike will be priceless.It got a good mileage too. It
The 2017 year model KTM 200 Duke has been updated, but the only mechanical change is its compliance with the BS4 emission norms. The power and torque figures remain the same, and the rest of the differences are cosmetic. The paint schemes are different, with three new ones in the lineup, and the wheels are orange. The price has remained exactly the same, making it more value than before; it remains the most value when you consider performance for your buck, but if you’re in the market for something that can do relaxed motoring, look elsewhere.The price of the KTM 200 Duke starts at Rs 1.44 lakh (ex-showroom Mumbai).
Straight from the track! Here’s how quickly the 2017 KTM Duke 200 accelerates.
Benelli TNT 25 vs KTM Duke 200 vs Mahindra Mojo: Comparison Test
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200 Duke key highlights Price ₹ 1,49,491 Top speed135 Kmph Mileage35 kmpl Colours Orange Black White
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KTM 200 Duke Price – ₹ 1,49,491 onwards (Ex-showroom, Mumbai). It is available in 1 version – Standard. See price of 200 Duke in top cities: Bangalore, Mumbai, Pune and Ahmedabad.
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5All about ktm duke 200.Best in segment 2 days ago by Shubham Sathe
I always wanted one ktm in my garage and this beast was perfect for me buying it was the best decision ever, talking about riding experience duke has never let me down its smooth and comfortable and also looks good its signature look the orange is my favourite maintena
When KTM India launched, the new 390 Duke and the 250 Duke last year, the Indian motorcycle enthusiasts had a reason to rejoice. But the entry-level 200 Duke just got some minor cosmetic changes to keep it relevant in the market. But looks like the 200 Duke might finally…
The KTM Duke 200 in its 2017 avatar is here. We took the youngest of the Duke siblings out for a ride to tell you how it rides.
It was only yesterday that we talked about the upcoming KTM 390 Adventure which was spied testing somewhere in Europe. Now, we’ll talk about its bigger sibling, the 790 Adventure that was showcased to a closed group.
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Price by cities (Ex-showroom price) Bangalore ₹ 1,84,735 Mumbai ₹ 1,71,036 Pune ₹ 1,72,679 New Delhi ₹ 1,67,772 Chennai ₹ 1,68,950 Kolkata ₹ 1,70,158 Hyderabad ₹ 1,70,034 Chandigarh ₹ 1,56,756 Ahmedabad ₹ 1,63,997
Used KTM 200 Duke bikes in India Used KTM 200 Duke bikes in Bangalore
The 2017 year model KTM 200 Duke has been updated, but the only mechanical change is its compliance with the BS4 emission norms. The power and torque figures remain the same, and the rest of the differences are cosmetic. The paint schemes are different, with three new ones in the lineup, and the wheels are orange.
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