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Mastering the art of black and white photography
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Mastering The Art Of Black And White Photography.

Try Long Exposure. Long exposure shots may work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this may help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If necessary , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively). characteristically , when exposures extend farther than relating to 1/60 sec a tripod is wanted to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Take Control. Although coloured filters could still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the favored means of turning colour images monochrome, but now Adobe Camera Raw has more powerful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations may become unnatural looking. And adjusting the brightness of a red or pink shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls can also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create differentiation between objects of the same brightness but with diverse colours.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are simply as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is cooperative when you want to retain detail in a bright sky while a polarizing filter should be used to decrease reflections and boost contrast. Alternatively, judge taking two or more shots with varied exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, should also be advantageous for manipulating contrast in digital images. They work by darkening objects of his opposite colour while lightening objects of her own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

Shoot RAW + JPEG. The best monochrome conversions are arrived at by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As many photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. most cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact convention cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users may also do this if they activate his camera’s live notion route , but the usually slower responses mean that many will find it preferable or check the image on the screen post-capture.

Dodge and Burn. Dodging and burning is a mannerism that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers could only aspiration of because you may target the highlights, shadows or mid-tones with both. This means that you should use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten up them to grow local contrast. It’s a good course of action of sharing a sense of greater sharpness and enhancing texture. Plus, because you should set the opacity of the tools, you may build up her effect gradually so the impact is subtle and there are no hard edges.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would straight away be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and featureless straight from the camera. happily , it’s possible to work adjust the brightness of these two colours separately to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some strong blacks and whites. This can be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, can inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the best composition.

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4.0 out of 5 starsVery good. Some challenges but a great read

Photography Exposure: 9 Secrets to Master the Art of Photography Exposure in 24h or Less

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This item: The Art of Black and White Photography: Techniques for Creating Superb Images in a Digital Workflow

3.0 out of 5 starsThe book is pretty good. I ordered the free kindle version so …

Always good to read another view point on creating photographic images. Well printed book that motivates any photographer to get back to shooting for fun, not just money.

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5.0 out of 5 starsA Hearty Welcome to Another Top German Photographer/Author

5.0 out of 5 stars… Hoffmann through his book “Photography as Meditation” and thoroughly enjoyed his insights into developing a vision for my ph

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Well written. Insights on “Meaning” in photography, going beyond snapping shots, beyond the technical, beyond classification [“There’s a shot of the Grand Canyon”] to sensing and feeling and expressing oneself, approaching in some cases a meditative state.

All this is good, though I got a lot more from Bruce Barnbaum’s earlier work “The Art of Photography.”

Every single decent photo book has a corresponding image to illustrate a point. Not a proper photo book for learning.

Very good. Some challenges but a great read. If you are thinking about black and white photography this the book.

As a fan of black and white photography, I’ve read a couple of books that explain the “how” of this segment of shooting pictures. This one is terribly disappointing. It opens by telling readers to not take photos that are clichés, and as you go through and look at the photos in the book, by the author, you see many clichés.

There are sections talking about shooting portraits, street photography, landscapes, etc, but all they do is show his photos and explain how he shot them; there is no broader explanation of shooting black and white, as opposed to color.

The section on composition looks like it’s cribbed from another book, with specious things like the golden ratio, and is really quite useless; at least it’s not specific to black and white photos.The text is bland and boring – which could be in part because of the translation – and after reading about a quarter of the book, I skimmed the rest, looking at the photos, and reading some of the descriptions.

This is overall pretty useless for those who want to know more about shooting black and white pictures.

I read so many books that think technobable is a substitution for good photography and trade terms for practicality. I’m glad this book didn’t. Its clear, cohesive and easy to understand. I’d recommend to any one who is curious about making the switch to black and white.

They’ll be in good hands.

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Book Condition: An apparently unread copy in perfect condition. Dust cover is intact; pages are clean and are not marred by notes or folds of any kind. At ThriftBooks, our motto is: Read More, Spend Less.

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Super Mario Encyclopedia: The Official Guide to the First 30 Years

Black and white imaging is alive and well in spite that every digital device, be it a digital camera, a tablet or a phone, produce stunning color images there is still room for…Read more

Not one SINGLE photo for use as a visual aide, rendering the book all but useless for photographers, who, let’s face it, are about as visual as you can get. The book itself is nothing more than a few pages long and wasn’t worth the cost of shipping It was given to me as a gift by my mother, but even she was so disappointed at the disparity between expectation and reality where this book was concerned, she actually apologized for buying it.

5.0 out of 5 starsThis was a gift for my husband. He loves …

I originally became acquainted with Hoffmann through his book “Photography as Meditation” and thoroughly enjoyed his insights into developing a vision for my photography.Read more

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I understand why some people are upset with the book. “Digital Workflow” should not have been in the title since the author does not go deep into the post-processing. However, the book itself is very well organized, has some valuable tips for beginners and most importantly it’s an easy and pleasent read.

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In The Art of Black and White Photography a great variety of thematic photos are analyzedto show how mood and emotion are evoked by certain fundamental elements,while…Read more

2.0 out of 5 starsThis book won’t teach you much about shooting black and white

The Legend of Zelda: Breath of the Wild–Creating a Champion

This is a welcome volume for B&W photogs and a useful read for color photographers from another fine German photographer/author. This is Hoffmann’s first instructional book to be published in English, although he has had numerous articles on image design/composition published in the magazine “Leica Fotographie International”, or LFI, which, by the way, is not published by Leica-Camera GMBH.

Hoffmann emphasizes the possibilities in tonal manipulation in digital and analogue photographing. The point of his presentation is always to show how manipulating the tones and, therefore, contrast, contributes to the design of the image with respect to the photographer’s intentions.

He spends a significant amount of space on showing how to elicit mood in various kinds of photographs (content).His chapters start with, what I find to be, rather interesting summaries of the chapter topic’s history, significant practitioners, and current directions.

Then he examines several of his own images in detail. His commentary on an image concentrates on the visual structure and on the darkroom and/or digital manipulations necessary to realize his intentions.

The only other book that comes to mind for nearly such excellence in pictorial descriptions or captions is the first edition of Bill Smith’s “Designing a Photograph,” which sets the standard for applying the Gestalt visual psychological approach to analyzing image structure.

Rather differently from the other two top volumes on image structure currently in print, Michael Freeman’s “The Photographer’s Eye,” and Harald Mante’s “The Photograph,” Hoffmann spends significant time looking at the various genres of photographic subject matter and then covers composing/design from the point of view of visual tensions and abstract structure.

There is overlap with both of the other volumes, but also depth and emphasis that is his own. Color is not part of the subject in this book, but color photographers will benefit from Hoffmann’s insights into tonality, contrast, and structure in images.

This book, IMHO, sort of completes the circle of really good books on photographic composition/design at the intermediate level. With this book, the years 2007 and 2008 have been the best in a few decades for the publication of outstanding books on design/composition, and it is interesting to this reviewer that the three best are by an English and two German photographer/authors .

It just does not seem that US practioners are taught the nuts and bolts of visual design to any degree of depth and ability to articulate their thoughts about image structure. The ability of even world class US photographers to discuss the reasons that their images work in structural terms is relatively rare.

I like this book enough to make a triumvirate of this one, Freeman’s book, and Mante’s book for readers interested in sophisticated, analytical approaches to visual design and image structure. The only thing I would wish for is that more of his photos be accompanied by those delightful little thumbnails with his structural line diagrams.

The more of these there are in a book, the more an interested reader packs away in one’s mental image databank for later resurrection and use.Some asides before I finish. Hoffmann gets more visual mileage from aircraft vapor trails than anyone else I know of.

Most of us regard these as intrusions into the tranquility of our landscape images. But, in the venerable tradition of divorcing content from an image’s abstract structure, and the role of structure being to support the content, Hoffmann integrates these features into his images so forcefully that to remove them would ruin the image.

Bravo; Mante would be proud.Too, the basic structural architecure of many of his images rests upon the grid formed from the golden ratio approximations of breaking the height and width into 5/8th and 3/8th divisions.

One advantage of this choice versus the preference of US photographers for the Thirds Rule is that the Thirds method breaks the space into nine identical rectangles – a recipe well on the way to boring space management.

Yet, as shows Charles Bouleau in his seminal book, “The Painter’s Secret Geometry,” even relatively simple visual architectures in the hands of someone with excellent training and inspired talent yield captivating, dynamic images, while the plodders among us achieve less subtle and interesting results.

I hope it will not be so long before Hoffmann gives us a volume on design in color photography.19 November 2008. I just read this book again. It is more satisfying, informative, and a pleasure to read than I realized the first time through.

The second section covers thirteen genres or concepts, each one starting with a delightful essay that I began to look forward to in succeeding chapters. Beginning with a chapter on dealing with cliches and ending with a chapter on eliciting mystical elements from a subject and a chapter on panoramics, he deals with the major philosophical aspects relating to photography in each genre, how such issues have changed through the history of photography, sometimes the relationships to other visual arts, and some reference to major past and current practitioners.

The third section presents fourteen aspects of composing images, from “what is composition” to movement in the image. The prefatory remarks are much more brief than in the genres/concepts section, but are insightful.

His approach to composing emphasizes the principles of design and techniques of visualization and thinking to achieve the principles, and less concentration on the elements that one gets from Mante and Freeman.

In all four sections of the book, when he discusses a photograph, he does it better, more thoroughly from a structural point of view, and at a higher level than most any other writing I have seen.I now feel that this book ranks right up there with Freeman and Mante as coequal in quality, depth, and level of presentation.

These are the three strongest books on the composition/design subject in years. If you are interested in analytical, thinking, focussed approaches to making, understanding, and appreciating images, I cannot recommend too strongly owning and reading several times the three books by Freeman, Mante, and Hoffmann.

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Black & White Photography: The timeless art of monochrome in the post-digital age

Deciding whether or not to shoot in black and white: there is no right or wrong answer; they can be for aesthetic consideration or to make an image less distracting. Tonal differences and contrast: I explain why color is still important, because the color content of a scene will affect your tonal ranges.

Being technically competent: This tip explains the usage of different ISOs and how black and white grain differs from color grain. Pay attention to the light: Light is very important in any photo, but here, it can help change the mood of a black and white photo very quickly.

Texture: Texture becomes even more important in black and white photos than it does in color, because you have one less element to work with. Composition: Refer to this tip for a short refresher on the elements of composition, and how you can use them to make your photos stronger.

Headshots: This tip explains the pros and cons of shooting headshots in black and white, as well as things to consider when doing so. Post Processing: Learn how to control your color channels and contrast in reference to black and white photos.

Creating almost black and white photos: Learn how to purposefully create such images to delight viewers at their subtlety.

The Photographer’s Black and White Handbook: Making and Processing Stunning Digital Black and White Photos

Qty: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 Qty:1

Photography Composition: 12 Composition Rules for Your Photos to Shine

Comment: An apparently unread copy in perfect condition. Dust cover is intact; pages are clean and are not marred by notes or folds of any kind. At ThriftBooks, our motto is: Read More, Spend Less.

composition darkroom photos photoshop section photographer image shooting elements chapters photographic useful concepts photographers raw example technical hoffmann genres golden

The Art of Black and White Photography: Techniques for Creating Superb Images in a Digital Workflow Second Edition

1.0 out of 5 starsNot worth your time, money, or the paper on which it is printed.

I have just started reading this book and I am finding it to be superb. It is technically up to date but reaches back to the film world where black and white photos were the only game available. He not only covers techniques but also artistic insights, compositions, and creating worthwhile photographs while avoiding cliched photos.

Exactly what I was looking for, a book for photographers with practical techniques and valuable insights. Highly recommended.

Over the last few years, most books on photography have been focused on the new breed of cameras and how to master the digital imaging workflow. In The Art of Black and White Photography author and photographer Torsten Andreas Hoffmann takes a different approach, focusing on image composition and image capture, with an emphasis on the creative aspects of black and white photography rather than on the digital workflow. After introducing the ground rules of composition, Hoffmann illustrates their applications with his own stunning black and white images that cover various photographic genres, including architecture, street photography, portraiture, and surreal photography. Also discussed are the elements of a “photographic language”‘, which distinguishes creative photography from random shooting. Finally, you will learn valuable post-processing techniques, mostly using Photoshop, that emphasize the functions necessary for creating outstanding black and white images.This second edition has been updated to include Photoshop CS5, as well as brand new images, content, and a revised layout.

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Torsten Andreas Hoffmann is mostly known as the photographer and author of illustrated books on New York, Paris, Rome, and the Himalayas. He regularly teaches workshops on photography with an emphasis on composition and black and white photography. Hoffmann is a regular contributor to LFI, the highly acclaimed international journal published by Leica.

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Digital Black & White Landscape Photography: Fine Art Techniques from Camera to Print

4.0 out of 5 starsVery knowledgeable – technique and artist principles

This was a gift for my husband. He loves it and keeps returning to it, finding more each time. He is an accomplished photographer himself.

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Paperback: 264 pages Publisher: Rocky Nook; Second edition (January 24, 2012) Language: English ISBN-10: 1933952962 ISBN-13: 978-1933952963 Product Dimensions: 8 x 0.7 x 10 inches Shipping Weight: 2 pounds (View shipping rates and policies) Average Customer Review: 3.

7 out of 5 stars 29 customer reviews Amazon Best Sellers Rank: #1,787,548 in Books (See Top 100 in Books) #72 in Books > Arts & Photography > Photography & Video > Black & White #144 in Books > Arts & Photography > Photography & Video > Equipment, Techniques & Reference > Darkroom & Processing #1991 in Books > Arts & Photography > Photography & Video > Equipment, Techniques & Reference > Reference

German photographer Torsten Andreas Hoffman writes, “Photography is not preeminently about technique, but rather is about images with content that express the photographer’s consciousness while being created in an interesting way.

“The Art of Black and White Photography is divided into four sections. The first covers some technical issues such as file types (RAW, TIFF, JPEG), the polarizing filter, and the gradient filter. The second is an overview of genres.

The core of the book is Section Three, Rules of Composition. Section Four wraps up with some Photoshop techniques. Hoffman’s own photos – both analog and digital – demonstrate the concepts presented in the text.

The author is clearly knowledgeable about photography, but not always effective at imparting that knowledge. For example, he frequently refers to “image tension” without ever explaining what he means by this.

Photography as Meditation: Tap Into the Source of Your Creativity

Yhis is the best book that I have yet read. Thanks to the author.

Digital Photography Mastery: 9 Tips to Master Technical Aspects Including ISO, Exposure, Metering & Shutter Speed

Black and white photography is considered by some to be more difficult than color photography, simply because color ceases to be an element in the finished product. However, it is still an element to be considered while shooting, because color affects what greys, whites, and blacks you get as a result. Black and white can make your photos much simpler, pared down to the basics. This can make photographs appear more serious or scary, or even take away considerations of decade or century. Photographs also need different development in post, as well as different considerations for grain.

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4.0 out of 5 starsA Photography Book With no Photogaphy In It

The Hacker Playbook 3: Practical Guide To Penetration Testing

Photography: Photography Lighting: Top 10 Must-Know Photography Lighting Facts to Shoot Like a Pro in Your Home Studio

Photography and the Art of Seeing: A Visual Perception Workshop for Film and Digital Photography

Photography: Portrait Photography: 9 Tips Your Camera Manual Never Told You About Portrait Photography

Remarkable Books: The World’s Most Beautiful and Historic Works

This is my first book by this author so I am interested in what he says. He begins, of course, by discussing camera choice and the use of filters.Read more

Wish that there were examples to demonstrate his points. Too hard to read and understand completely in current format. Otherwise a fine book.

Black and White Photography: 12 Secrets to Master the Art of Black and White Photography Audible Audiobook – Unabridged

1.0 out of 5 starsA photo book with no photos???? Ban this rubbish.

Very disappointed in the book. It is only helpful if you are using PS3. Since PS6 was the first version of Photoshop I used and I currently use CC, it is virtually useless.I purchased it because of a recommendation from Rocky Nook.

I won’t make that mistake again

Photography: Landscape Photography: 10 Essential Tips to Take Your Landscape Photography to The Next Level

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Black and White Photography: 12 Secrets to Master the Art of Black and White Photography

The book is pretty good. I ordered the free kindle version so no images. I expect the paper copy is better.

Audible Audiobook Listening Length: 33 minutes Program Type: Audiobook Version: Unabridged Publisher: Sender Publishing Audible.com Release Date: October 30, 2015 Language: English ASIN: B017BYR10E Amazon Best Sellers Rank: #44 in Books > Audible Audiobooks > Arts & Entertainment > Photography #656 in Books > Arts & Photography > Photography & Video > Portraits #717 in Books > Arts & Photography > Photography & Video > Digital Photography

Great tips for anybody who would like to explore shooting for the focus of black and white photography rather than simply deciding to go black and white in post. The tips are simple and do not require a lot of technical knowledge, so this book is great for beginners or self taught photographers.

The only reason I did not get a 5th star is I would have liked to see some examples. I am a very visual learner and would have liked to see an example of some of the tips. Such as shooting one image at a low iso and then at a high to compare them.

I just expected to see lots of awesome photos in a photography book. Otherwise it is a great read.

Back for the third season, The Hacker Playbook 3 (THP3) takes your offensive hacking game to the pro tier.

3.0 out of 5 starsWell written. Insights on “Meaning” in photography. But not as good in showing the reader “how” to accomplish his aim.

I HAVE JUST FINISHED READING TORSTEN HOFFMANN’S SECOND EDITION AND MUST ADMIT THAT IF YOU HAD ALREADY READ THE FIRST EDITION THERE IS PROBABLY NOT A LOT MORE NEW INFORMATION.Read more

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